ART

English art critic and dramatist (1849-1916). One page, octavo. Very good. On grey Truslove, Hanson & Comba paper. Entitled 'Sailor's Chorus', the piece consists of two stanzas of eight lines each. It begins 'Above the mast one single star, | Still loiters in the dawn!' and ends 'Ere the swallows keel shall touch the shore | Yeo Ho! Hearts Ho! Yeo Ho! Haul away!' Signed 'J. Comyns Carr' in bottom left-hand corner.

Miniature painter and chemist (1802-75) with Carlisle and Newcastle connections. The recipient (1794-1860) was a miniature-painter and member of the Royal Academy. Both letters in poor condition, on discoloured, worn and stained paper, but with no loss to text. In LETTER ONE (two pages, 12mo) he states his willingness to meet Ross 'to talk over the matter to whicy your letter of yesterday refers', undertaking to 'enage with Mr. Thorburn to meet us'.

Anglo-Irish sculptor (1842-1924). One page, quarto. Good, on slightly discoloured paper. The embossment has been gone over in light blue pencil to bring it up. A couple of manuscript marks by Bruce-Joy for emphasis. Begins Offers to show his correspondent the 'colossal Statue of Mr. Oliver Heywood, which I have lately completed in the marble' (leaving for Manchester 'in a few days'), as well as 'the finished marble Statue of Mr. Whitley, M.P., for St.

English painter and sculptor (1781-1841). The recipient (1780-1860) was an English artist of Swiss descent. One page, quarto. Good, but with traces of previous brown-paper mount adhering to rear and minor damage to several corners. Reads 'My Dear Sir | When I asked you for an impression I had not seen the composition & had no idea that I was asking so much - believe me I feel very grateful for your kindness in putting me in possession of so very interesting a work - I do not mean to be understood as speaking of Lithography only.

English artist (1809-42). One page, quarto, with the second leaf of the bifoliate bearing the address ('To | William Haines Esqr.. | Sol[icito]r. | Cannon Street | Birmingham'), with the remains of a red wax seal, and two postmarks. Discoloured, and with damp stains causing discoloration and damage to the paper, but not affecting the legibility of the text. Small spike hole through both leaves, not affecting text. Having been 'from home yestereday on a painting expidition' he could not acknowledge Haines' letter sooner.

Major Francis Pierson died driving the French from the Market Place of Saint Helier in the Island of Jersey, 6 January 1781. Dimensions of paper roughly ten inches by eight. Dimensions of print roughly six inches by four and a half. Surrounded by six tiny vignettes: two of soldiers and four of battle scenes. Very good and clean. Suitable for framing. Mounted on a larger sheet of paper torn from an autograph album. The original painting is in London's Tate Gallery, and the item is accompanied by an early twentieth-century colour postcard of it, with some damage to the reverse.

Art critic. Two pages, 8vo, good condition. He informs his correspondent of his belief that S.H. Sime, illustrator and artist, is still alive [in fact died 1941 re. George Locke]. H e runs obver the main events of Sime's life getting a small fortune, starting life as a coal miner, "fantastic imagination", "Pick-me-up", art editor of "The Idler", collaboration with Arthur Lawrence, Dunsany books, blossome as a painter, retirement from "life and publicity, rappeared at the St George's Gallery. Konody then lost sight of him.

The engraver and painter Ward (1769-1859) and the artist Jackson (1778-1831). Dimensions of paper roughly five inches by two inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. The reverse reads '<...> <...> | Daughters of the late Robert <...> | Painter Engraver & Publishe <...>'. Clearly a petition on behalf of the two women, and with Georgiana Dodd's cropped signature above those of 'James Ward R.A. | John Jackson R.A.'.

British miniature-painter (1761-1835). Dimensions of paper roughly seven and a half inches by one and a quarter. Good, on good-quality laid paper, but slightly creased and grubby at sides. Reads '[Signed] Charles Hayter 16 Buckingham Street | Portland Road | June 24. 1825'. Docketed to the right of signature and address. From a collection of material relating to the Artists' General Benevolent Fund.

English architect (1788-1863). Paper dimensions roughly seven inches by one and a quarter. Good, though somewhat grubby. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> a necessity | C. R. Cockerell. | 10 Sepr. 1833. | 89 Eaton Square.' and on reverse '<...> | and relief, from the Benevolent Society of Artists | I am the Widow of the late Henry Landseer who died [^ on the 25 of July] after an Illness of only a few Hours. leaving myself and Two Infant Children totally destitute. - | <...>'

Four noted British artists of the earlier part of the nineteenth-century: Witherington (1785-1865), Jackson (1778-1831), Lonsdale (1777-1839), and Hofland (1777-1843), together with the sculptor Chantrey (1781-1841), and the art critic and connoisseur Balmanno (1780-1861), who left England for America in the early 1830s. Paper dimensions roughly three inches by four. Creased, and on paper discoloured with age, with show-through from remains of seal under Chantrey's signature. Reads 'J Chantrey | W. F. Witherington | John Jackson | James Lonsdale. | T. C. Hofland | Robert Balmanno'.

British sculptor (died 1864). Paper dimensions roughly five inches by two inches. Good, but on slightly discoloured paper. Reads 'I have the Honor to be | Gentlemen | Your Obedient Humble Servant | [signed] William Behnes'. From a collection of material relating to the Artists' General Benevolent Fund. Behnes ended his days in considerable distress.

Stanfield was a marine and landscape painter (1793-1867); Meredith was employed by the auctioneers Machin and Debenham of King Street. Paper dimensions roughly five and a half inches by four inches. Folded twice. Grubby and lightly creased, with dog-eared corners. Reads '[signed] Michael Meredith | No 6 Blomfield St | Finsbury Circus | [signed] C Stanfield R A | Mornington Place | Novr. 20th. 1825. From a collection of material relating to the Artists' General Benevolent Fund.

All four are notable British artists of the first half of the nineteenth-century: A. E. Chalon (1780-1860), J. J. Chalon (1778-1854), Geddes (1783-1844), Robertson (1777-1845). Paper dimensions roughly four and a half inches by five and a half. Grubby and discoloured with age, and with some wear and creasing to edges. Signatures read ' R: Jackson [perhaps John Richardson Jackson, mezzotint engraver, 1819-77] | Alfd. Edwd Chalon | Jno. Jas. Chalon | Andw. Geddes | A. Robertson'.

The sculptor Behnes (died 1864) and six painters: Cooper (1787-1868), Ross (1794-1860), Pickersgill (1782-1875), Newton (1785-1869), Etty (1787-1849). Paper dimensions roughly five and a half inches by three. Good, though a touch grubby. Reads 'William Behnes | Ab Cooper. R.A. | W. C. Ross RA. | H W. Pickersgill | Wm. J. Newton | Wm.. Etty'. From a collection of material relating to the Artists' General Benevolent Fund, and docketed by the Fund's secretary, next to Cooper's name, 'not eligible | W J Roper'.

Denham was an artist (exhibited 1796-1858) and Wyatville (1766-1840) the architect best known for his transformation of Windsor Castle. Paper dimensions roughly four and a quarter inches by two and a half. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '- J. C. Denham | 73 Pall Mall | J Wyatville', and on reverse, '<...> is, that I am now much <...> of my apartment, and of whic <...> help, from your <?> <...> most distressing kind - <...> every power, to obtain <...>, which, I am now down <...>'.

British artist (1787-1849). Dimensions of paper roughly four and a half inches by two. Folded three times. Good, but on slightly discoloured paper. Reads 'I have the honor to be | Gentlemen | Yours faithfully | [signed] Wm.. Etty.' From a collection of material relating to the Artists' General Benevolent Fund.

Three noted British painters of the first half of the nineteenth century: Clint (1770-1854), Stanfield (1793-1867), Brockedon (1787-1854), together with the printseller Colnaghi (1790-1879) and the auctioneer Robins (1778-1847). Paper dimensions roughly five inches by four inches. Good, but lightly creased and a touch grubby. From a collection of material relating to the Artists' General Benevolent Fund.

The artist Clint (1770-1854), the printseller Colnaghi (1790-1879) and the engraver Audinet (1766-1837). Paper dimensions roughly four and a half inches by three inches. Good clear signatures, but on paper somewhat grubby and creased. Reads 'D: Colnaghi | Geo Clint ARA | Philip Audinet'. From a collection of material relating to the Artists' General Benevolent Fund.

English artist (1849-1923). Four pages, 12mo. Folded once. With mourning border. Good, if somewhat grubby and on discoloured paper. Difficult hand. He is very grateful for the 'kind thought in sending the pipes, they are beauties, and should last one a life time'. He also thanks Slocombe for his subscription 'to the Restoration of Blythburgh Chancel Porch'. He hopes he has enjoyed his 'work in Scotland'. 'I shall be only to [sic] proud to let you take Photographs of anything I have in my house - | Do you know that the Son of Charles Robinson F.S.A.

English sculptor (1799-1872). Paper dimensions roughly seven and a half inches by one and a quarter. Good. Reads '| <...> | To be | Gentn | Your obt Sert | Richd Westmacott | S. Audley St | 1st. Decr 1837.' Fragment of docketting on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

Behnes (died 1864) and Westmacott (1799-1872) were both sculptors. Paper dimensions roughly four and a half inches by three inches. Folded three times. Good, though a shade grubby. Reads 'I believe the above statement to be quite correct | [signed] Richd Westmacott | William Behnes | Feb. 27/40.' Docketed on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

English artist (1840-1920). Two pages, 12mo. Good, but with closed tear at head unobtrusively repaired with archival tape, and some spotting. In stamped envelope addressed in autograph and with postmark. 'I shall be pleased to come & see your pupils work on Wednesday June the 1st but shall not be able to reach there before 2.45 I regret to say. | With kind regards | Yours very truly | [signed] Briton Riviere'.

English architect (1849-1930), responsible for many notable London buildings, including the Victoria and Albert Museum. The recipient Spielmann (1858-1948) was an art historian. One page, 12mo. Grubby, and with pin holes in top left-hand corner, as well as small closed tear at foot of leaf (not affecting text). Reads 'I regret that having to be in Manchester on Friday next I shall be unable to attend the art Committee of the St. Louis Exhibition'. Signed 'Aston Webb'.

Artist (1894-1966) and principal of Brighton School of Art. One page, octavo. Good, but lightly creased and with staple holes in the top lefthand corner. Date stamps in grey and red ink. Letter concerns the suitability of Alfred Charles Hull as a member of the Academy. Benney knew Hull 'for many years as a master at Shoreham Grammar School' and elsewhere. 'Mr. Hull is an extremely charming fellow and would socially fit in very happily with the Society. It is a little difficult, however, for me to say whether he is of fellowship standard.

British industrial designer (1895-1961); Chief Instructor, Design, Royal College of Art, 1925-35. The two carbons to Capey from Luckhurst, one page, 12mo; the other three letters, one page, quarto. All very good, though somewhat dusty and lightly creased, and with staple holes to the top left-hand corners. Throwing useful light on the state of post-war art education, the correspondence concerns a request to Luckhurst from 'one-time Fellow of the Society' Hollewell for 'information and advice in regard to my daughter's future training'.

English politician (1881-1965) and architect, much of whose work was done in the United States. Both letters two pages, quarto. Both letters docketed (the first heavily so), bearing the Society's stamp, and with pin and staple holes in top left-hand corner. Second letter good, first lightly creased and grubby. Revealing documents relating to the Royal Society's 'British Art in Industry' exhibition, held at the Royal Academy in 1935. The Society's website describes this as a 'resounding success', but as these letters show, the matter was not so clear cut.

English sculptor (1799-1872), Professor of Sculpture at the Royal Academy and son of Sir Richard Westmacott. Two pages, 12mo. Good, but on grubby, foxed paper, and with remains of stubs from previous mounting still adhering. A formal letter in the third person. Reads 'Mr Westmacott presents his Compliments, and thanks Mrs Morgan very much for her kind proposal for Friday - Malheureusement Mr. W. is engaged that day - & must therefore give up the pleasure that Mr & Mrs. <?>'s kindness offers him.'

Hardwick (1792-1870), English architect; Behnes (1791-1864), English sculptor; Angell (1800-66), English artist. On piece of paper roughly four inches square. In good condition. Reads '<...> | Philip Hardwick | Russell Square | William Behnes | Thos: Bellamy | Saml Angell'.

Minor English artist who (according to docketed note) exhibited between 1838 and 1859. One page, 12mo. Very good, though somewhat grubby. Reads '226 I have the honour to send 1 picture for the ensuing exhibition at the Manchester Royal Institution, entitled "The new acquaintance" vide The Vicar of Wakefield | Price with frame 34 gs. | [Price] without [frame] 30 [gs.] | Signed 'Jno. G Hankes'. Second leaf of bifoliate addressed, and with top corner cut away and present beneath black wax seal, which bears the smudged impression of a crest.