ENGRAVINGS

8vo: continuously pagined 1-187, followed by three pages of publishers' advertisements. A tight copy, in good condition, with the four parts (each of which retains its original orange printed wraps) bound together in contemporary brown cloth gilt and floral endpapers. An invaluable reference work, containing a total of 14293 items, each priced and with a brief description. Example: '4428 Hobart (Mrs.) Lady Buckinghamshire, caricature by Newton, Mrs. H. (very corpulent) driving over the weighing machine in front of a Weigh House, sinks down in the pit, folio, 1797, 4s'.

Paper dimensions 25.5 x 19 cm. Plate dimensions 22 x 16 cm. The head-and-shoulders portrait itself is oval, 7 cm high and 5.5 cm wide, contained in a square 11 x 9.5 cm, and with the caption beneath it. Printed on aged paper, with the image itself and the caption are clean and crisp, but the paper carries a crease to the margin, and there is light staining intruding into the surrounding square. Dibdin gives an account of Miller, whose son was the noted bookseller William Miller of Albemarle Street, in his 'Bibliomania' (1811 ed., pp.630-31).

On one side of a piece of wove paper 19 x 14.5 cm, and with the image extending almost to the edges. Lightly aged and creased, but good overall. An usual design, with the coat of arms within a fleece held up by two figures of Hercules, both on pedestals, the one of the left marked 'HUMUS' and that on the right 'SUMUS'. The fleece folds over the left-hand Hercules's right shoulder and reads 'LE CULTE EN' with 'DIFFICULTE' over the left-hand Hercules's left shoulder. Topping the whole design, above a coronet, is a harpy, and at the foot of the paper is 'Hereson de Brecksel'.

8vo: xvi + 400 + [xxiv] pp. (Part I ends at p.142 and Part II begins, after a half title, at p.127.) The last twenty-four pages consist of an index and three pages of 'BOOKS Lately Published'. Frontispiece portrait of Butler by J. Van der Gucht. Hogarth's seven illustrations (including three that fold out) face pp. 1, 75 (fold out), 88 (f. o.), 100, 122, 130 (f. o.), 131 and 182 (f. o.). Internally tight on spotted and aged paper. Good impressions of illustrations, with a little light foxing.

INSCRIBED to 'James R. Fergusson Esq with the kind regards of James Ballantine | Edin[burg]h 16th May 1870'. With Fergusson's armorial bookplate on front pastedown. 8vo: 311 pp. Plates throughout (not listed) and numerous illustrations in text. In original printed grey boards with grotesque illustration on front and blue cloth spine (New Edition" - only on cover). Stabbed as issued (bound up by the publisher from parts?). Tight, but on aged paper with occasional light staining, and wear to extremities. Boards heavily worn, with 3 cm closed tear at head of rear.

Printed on one side of a piece of wove paper, dimensions roughly 65 x 41.5 cm. Within a ruled border. On lightly aged paper, with chipping and slight loss to extremities. Three closed tears (two of them affecting the portrait) have been repaired on the reverse with archival tape. Text entirely legible and portrait clear, bright and without loss. The full-length portrait (31 x 25 cm), crudely coloured in yellow, red and blue, depicts the Emperor, in full regalia, standing in a sumptuous throne room. Sixty-six line biography, arranged in two columns.

12mo (leaf and plate dimensions 115 x 80 mm): [ii] + 247 pp + 6 hand-coloured engravings. Good, on lightly aged and spotted paper, in heavily worn original boards, with ink stain on back board. The plays included are: [1] Das Urtheil des Paris; [2] Die Tochter Pharaonis; [3] Ruebezahl; [4] Incognito; [5] Die Uhr und die Mandeltorte; [6] Sultan Bimbambum. Engraved title and six whimsical hand-coloured engravings by Mueller from the designs of the Frankfurt artist G. M.

Printed on one side of a piece of rough laid paper, approximately 24.5 x 8.5 cm. Crude circular woodcut of pedlar at head, diameter 3.5 cm. Good, on aged paper with a little creasing at head and foot. Consists of four four-line stanzas with refrain 'Doodle, doodle, doo.' First stanza, heavy with double-entendre, reads 'HEAV'N bless my dearest little dear, | The wind is not quite fair, | From Portland Road I write this here - | Oh! bless your little hair. | Doodle, doodle, doo.' Clearly refers to a high society Regency scandal, possibly that concerning the Duke of York and Mary Anne Clarke.

Printed on one side of a piece of rough wove paper, 25 x 9 cm. At the head is a crude woodcut of lady playing keyboard, dimensions 2 x 3 cm. On aged, creased paper with wear to extremities. Text clear and entire, but not properly centred, with the result that the last two letters of the word 'Gre' in the address cropped. The poem consists of six stanzas of six lines each. First stanza 'YOU have heard of Mrs.

NOT in George. Dimensions of paper 27.5 x 41 cm. Dimensions of image 20.5 x 31.5. On aged, grubby paper with wear to extremities. Image entire, but with one closed tear intruding from right across 3 cm of the blue background, and three closed tears (the longest 4cm) horizontally across a central vertical crease. A splendid full-length figure of Wellington (entirely undamaged), in full military uniform, with boots, red coat with gold epaulettes, white breeches, gloves, and sword, flees, hands in air and plumed hat falling to the ground, from a giant pig with three human heads.

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.

Attractive image roughly eleven inches by ten wide, captioned 'VIEW OF THE INTERIOR OF THE GREAT INDUSTRIAL EXHIBITION, DUBLIN - OPENED MAY 12, 1853.' On piece of paper roughly fourteen and a half inches by eleven. Good on light-foxed aged paper with two neat vertical folds (perhaps indicating removal from a book). At foot of page list of twelve measurements of the 'PRINCIPAL DIMENSIONS OF THE BUILDING', from 'Main Frontage' to 'Width of Outer Gallery'.

Three pages, on quarto leaf folded vertically to make narrow bifolium. Very good, with minor aging and creasing. Under each of the six years details are given of the date, amount and individual from whom the sum is received. Includes £18.15.0 from John Sampson of York for 'Signing 150 proofs Lord ', £28.0.0 of 'Ellis (Bookdealer of Bond St., for 4 old books)', £29.8.0 of Mr. Garnett-Orme, 'For picture of Auck Lodge', and £75.0.0 and 'Mr. Savill (for 9 Engravings by Bartolozzi)'. Other names include Lawrence & Bullen Ltd, Mr Partingdon (picture restorer), Captain Frank Forester, H. P.

On wove paper, with watermark '179< >'. Dimensions roughly 22.5 x 39 cm. Very good on lightly aged paper. One small unobtrusive spot of foxing. The illustration is within an oval roughly 21.5 cm wide, enclosed in a decorative box of dimensions 18 x 27.5 cm. A couple of bishops with croziers and a mass of nobles in ermine look on in a vaulted castle hall while Henry II presents what looks like a pie to his bemused offspring, who is seated beneath a canopy.

12mo bifolium: 2 pp. On laid paper, with strip from previous mount in right-hand margin of recto of first leaf. Good, with a little wear at gutter, and slight damage (not affecting text) to second leaf from breaking open of red wax seal, parts of which still adhere. Twenty-two lines of text, clear and entire. Smith's uncle 'Mr ' is 'very glad to hear that you are well & desires to be remembered'. Asks if Smith has 'ever found me a portrait of Sr yet'.

Octavo: 16 pp. Stitched and unbound. Grubby and a tad creased. Items, in alphabetical order from H (beginning with the Earl of Hardwick) to J (ending with Dorothy Jordan), with a few miscellaneous items on the last page, numbered 3002 to 3837. Interesting for the information it provides about minor English celebrities ('3651 JACKSON, Joseph, letter founder, nat. Old-street, 1733, res. Cock-lane and Dorset-street, London, ob.

Octavo: 18 pp. Unbound: stabbed and unstitched. First leaf and leaves with pp. 15/16 and 17/18 loose. Leaves with pp.3/4 and 15/16 half-separated. Paper discoloured and chipping at edges. Extends to 918 lots. The odd number of leaves implies the loss of a final leaf, possibly bearing text. Stamp of the Public Library Ford Collection. Docketing in pencil notes a duplicate at the New York Public Library. No other copy traced.

Dimensions of paper roughly eight and a half inches by six and a half wide. Illustration roughly five and a half inches by five wide. Good on slightly aged and creased paper. A grey-haired Gregory, fashionably dressed in striped waistcoat and cravat, and wearing a white apron, stares at the viewer while holding a book in his left hand and writing its details in a ledger with a quill in his right hand. BBTI gives Robert Loder's trading dates as 1822-39, and Gregory's as 1793-1851.

Dimensions of paper approximately 36 x 25 cms. Good, though lightly foxed and with corners a little dog-eared. His Lordship, in full-sleeved clericals, is seated, and bare-headed, looking to his right with a piercing stare. Dated 1815 by the National Portrait Gallery.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

On good-quality thick wove paper, roughly fifteen inches by eleven wide. Dimensions of plate roughly eleven inches by six and a half wide. Good, clean impression, with blank borders a tad grubby. Attractive portrait of a handsomely dressed Graves, a bookcase behind him, leaning between two tables, on one of which is a manuscript and on the other another manuscript, coins and books. Graves's dates are corrected in the Dictionary of National Biography.

The word 'Proof' is engraved in the bottom right-hand corner. Dimensions of paper roughly ten inches by seven and a half. Good clean image on lightly aged paper. Head and shoulders portrait, in which a dolorous old biddy in cap stares vacantly at the viewer. Presumably a companion piece to an engraving in the National Portrait Gallery by Isaac W. Slater of a drawing by Scriven of Henrietta Maria Slater, published by Colnaghi in July 1830. This item is not present in the National Portrait Gallery online catalogue.

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

Company founded in 1908 by Philip Lee Warner and Eustace Gurney, 'to bring artists' work to the appreciation of a wider public'. One page, quarto. Folded twice. Good, but slightly foxed and lightly creased. The typed message reads ' "The best of Prophets of the future is the Past" | With the best of wishes for future success.' The signatures are arranged in four columns. The inclusion of 'Cobden-Sanderson' is unexplained.

A clean copy, on good thick paper, of an engraving, three versions of which are in the National Portrait Gallery (NPG D8332, NPG D8333, NPG D8334), where they are dated 1889, and described as being etched 'after a photograph originally published in the Pall Mall Gazette 'Grand Old Man' extra'. Dimensions of paper roughly nine inches by six, dimensions of image roughly five inches by four. Burton's signature is faintly etched at the foot of plate, and the print is docketed in pencil 'W E G' at the foot of the paper, with 'Burton 1/-' on reverse.

English engraver (1804-66). One page, octavo. Good, on slightly discoloured paper with spike hole at centre. Addressed to 'Mr. Moon' on verso of second leaf of bifoliate, which has a hole from the breaking of a wafer which still adheres. Reads 'I've taken the liberty of leaving for your inspection a few specimens of my stile of engraving - your brother Mr.

English author and politician (1797-1833), whose efforts resulted in the formation of the National Gallery. Colnaghi (1751-1833) was the leading printseller of the period. One page, quarto. Good, on slightly discoloured paper with traces of previous mount adhering to reverse. A formal letter in the third person. 'Mr Agar Ellis would be much obliged to Mr Colnaghi if he would procure for him the German prints in outline for "Ondine", published at Nuremberg - Also the Prints in the same style for the German play of "Faust".

Colnaghi was a member of the notable family of English printsellers. Hall (1800-89) was an author and editor. Paper dimensions roughly five inches by three inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> Paul Dominic Colnaghi Esq | | S. C. Hall. | '.