LITERATURE

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.

3pp, 4to, each page on a separate leaf. In fair condition, lightly aged and worn. Folded once. There is no indication that either item was published, nor even that the poem is connected to the 'programme'. (If unpublished the poem may have found its way into Fry's papers from Hassall's.) The 'programme' - with no title or heading - is two pages long (with slight damage from a small staple to corners of both leaves) and complete, being divided into six numbered sections.

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

1p, 8vo. In fair condition, lightly aged. On Croxley Script cartridge paper. Folded three times. Typed at top left: 'For Andrew Young'. From the Fry papers, with the playwright apparently stating that he found the typescript in a copy of Robert Frost's poems. Hassall's poem is apparently unpublished (but see below). It is divided into two sonnets, numbered I ('Yours is the Wildern World beyond my door') and II ('Speak for us to the earth, interpreter -').

A multi-talented figure, Denis Johnston was a protégé of W. B. Yeats and Bernard Shaw, and had a stormy friendship with Seán O'Casey. Jonathan Swift was a preoccupation of Johnston's (see his 1959 book 'In Search of Swift'), and his play about him, 'The Dreaming Dust', was first produced at the Gaiety Theatre, Dublin, in 1940. It was published in collections of Johnston's plays in 1954, 1960, 1977 and 1983. This 1988 version remains unpublished. Both typescript and letter in fair condition, lightly aged.

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand lifted the veil'.

LETTER: 1p, 4to. On aged and spotted paper. Folded once. Written in the shaky hand of a ninety-seven year-old. She thanks him for his 'letter so well written', adding: 'I don't think I wrote as well as that when I was eleven years old!' She wishes him every success with his autograph collection, and is pleased to add her signature to it. 'I will put it to the end of this sheet so that you can cut it out and paste it in where you wish.' The signature is at bottom right: 'Yours with sincere good wishes | Berta Ruck | 12th March | 1975'.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

3pp, 12mo. Bifolium. In fair condition, aged and worn, but with slight water staining and damage to blank area at foot of second leaf. The male recipient is not named. The letter begins: 'My dear Sir | If you present the enclosed to the porter of the Garrick Club, I have no doubt all the Art Treasures of the Garrick will be open to your inspection.

1p, 12mo. In good condition, on lightly aged paper. Folded twice, resulting in offset ink smudging. Reads: 'Dear Rylands, | I am writing to you in case Noel is away. I have asked Mr Greene to show you my letter to Noel, if this is should [sic] be so. Anything you could do to help, would be kind and good, I think.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

3pp, 12mo. Bifolium. In fair condition, aged and worn, but with slight water staining and damage to blank area at foot of second leaf. The male recipient is not named. The letter begins: 'My dear Sir | If you present the enclosed to the porter of the Garrick Club, I have no doubt all the Art Treasures of the Garrick will be open to your inspection.

4pp, 18mo. Bifolium. In good condition, lightly aged. Folded twice. With envelope addressed 'To | John Arrow Kempe Esqre. | St James's Rectory | Piccadilly | W'.A long letter, with the words 'To be carefully kept' at the head of the first page. The letter begins with a light-hearted reference to her novel 'De Foix': 'My dear Godson/ | Accept the enclosed trifle - It may help you to make an excursion to the Casle of De Foix - and (vanity of authorship!) to tell me what it is like -'. After this she turns to the real theme, her will.

Written at a crucial time in the run-up to the foundation of the Abbey Theatre. As Horniman's entry in the Oxford DNB states: 'In 1903 Yeats lured Annie to Dublin where he hoped her backing for productions by the Irish Literary Theatre would bring more of his poetic dramas to the stage. To her delight Yeats invited her to design his play The King's Threshold. Annie soon realized she was administrator rather than artist, and the atmosphere of an amateur company directed by three playwrights—Yeats, Lady Gregory, and J. M. Synge—was never congenial.

On one side of 5 x 13 cm slip of paper cut from the end of a letter. In good condition, lightly aged, with central vertical fold. Laid down on piece of paper removed from album. Reads: '[...] I shall be delighted to come to you. | Yrs always faithfully | T. Adolphus Trollope'.

On 18 x 9 cm piece of paper. In good condition, lightly aged. Laid down on part of leaf from album. In response to a request for an autograph he has written at the head of the page: 'Con molti saluti | Pasquale Villari'. No other writing.

See the appreciative obituary of Lowbury by Christopher Hawtree, Guardian, 15 October 2007. Nineteen items, five of which are accompanied by envelopes addressed to Fry at his home The Toft, East Dean, Chichester, Sussex. The material is in good condition, lightly aged. ONE: Edward Lowbury's ten ALsS and one ACS, 1972-1989, with one undated Christmas card. A total of 17pp, 12mo.

Both in good condition, lightly aged. ONE: 2pp, 12mo. He 'must bear the entire blame' for 'an indiscretion', and is 'exceedingly sorry'. 'Nothing was said between us in regard to the giving or withholding of addresses, & I had not at that time considered the point.

1p, 12mo. On aged and creased paper. Folded twice. Written in purple ink. Firm signature, underlined with diagonal downstroke. Reads: 'Decr. 18 | My dear Williams, | What are you doing this Christmas? Will you come down here? | Your always | William Black'. The reverse carries pencil notes of Italian and French musical compositions in another hand.

1p, 12mo. In fair condition, aged and worn. Folded twice. 68 lines of text, written in a minute, neat hand. Folded twice. Black has numbered the page at top right '206'. The text begins: '[...] seemly and maidenly thing [...]', and ends 'she seemed to know beforehand what he had to say.' Black's entry in the Oxford DNB describes his 1884 novel 'Judith Shakespeare: A Romance' (published in America with the subtitle 'Her Love Affairs and Other Adventures') as 'a romance about the dramatist's daughter'.

1p, 12mo. In fair condition, lightly aged and creased. Folded once. The salutation 'Dear B. J.' and valediction 'Yours | Jack' are in Priestley's autograph; the rest is typed. Maire Lynd's letter was 'a delight surprise', Priestley being unaware that her son was 'in the film business'.

Busieness Card, 9 x 6cm, rounded corners, sl. battered but text clear. Printed detail includes name, James Kirkup, and celebrate his membership of the RSL, his professorship at the UNiversity of Nagoya, and Visiting Professorship at the Japan Women's University. The text (see image) is as follows: Many thanks for the books and your beautiful bill | James Kirkup". "AB [?], the recipient presumably has written the date 3 Dec. 1970 with these initial. The verso of the card has Kirkup's printed details (presumably) in Japanese.

A nice selection of ephemeral material connected with the foundation of one of Britain's six Legal Deposit libraries. The collection in good overall condition, lightly aged and worn (but see description of Item One). The first two items end with signatures in type of: John Williams, President; J. Herbert Lewis, Vice-President; Henry Owen, Treasurer; Evan Davies Jones, Chairman of Building Committee; John Ballinger, Librarian.

8.5 x 14 envelope. In fair condition, aged and creased. Torn open, with slight loss to flap. A nice Mark Twain artefact, and something of a puzzle, as he does not appear to have been in England at the time. There does not appear to be any connection between Twain and William Amhurst Tyssen-Amherst (1835-1909), 1st Baron Amherst of Hackney, whose London address was 88 Brook Street, Grosvenor Square.

3pp, 4to. Bifolium. On wove paper with Whatman watermark dated 1820. In fair condition, lightly aged and worn, with slight loss of paper at one corner of second leaf, resulting in loss of one word of text. Folded twice. From the papers of William Jerdan, editor of the Literary Gazette, who published the poem with one other ('In the Ivy'), in the edition of 23 June 1821, giving the identity of the author given in a footnote: 'We have to thank the elegant pen of MRS. HEMANS, for these two exquisite poems. Ed.' Heman's manuscript is endorsed by Jerdan: 'Poetry origl | 231 | W J | Mrs. Hemans'.

Weyman is largely forgotten now, but he was admired by Robert Louis Stevenson and Oscar Wilde, and Graham Greene singled him out for regular re-reading among the authors of 'the key books in my life'. 1p, 4to. In fair condition, lightly aged, with pin holes to one corner. Folded twice. He is 'relieved' that Balfour thinks 'it will do. Yes, if you will kindly send it me I will look it over again & get it typed.' He has 'not seen the Church for some years', and will be grateful if Balfour will note any inaccuracy. He supposes that if the work is received within a fortnight 'it will do'.

2pp, 12mo. On grey paper with mourning border. In good condition, lightly aged. The indentity of the recipient is unclear. The letter begins: 'Dear Ly Virginia | The other day I bought your novel, & the first comfortable leisure moment I had, I began to read it.

3pp, 12mo. Bifolium. In good condition, lightly aged, with traces of paper from mount adhering to blank reverse of second leaf. Folded twice. Written in his usual difficult hand. He begins by stating that her note was forwarded to him from Knebworth. The letter continues: 'I had previously requested my Sol[icito]r.

4pp, 16mo. Bifolium of grey paper, with letterhead printed in red. In good condition, lightly aged. Folded three times. The recipient is undoubtedly Elizabeth Missing Sewell or a member of her family, and the letter begins: 'My dear Miss Sewell, | I wish you could have accomplished giving us a day, hoping you might have found me in more lively and sensible trim than when you were here, when I had a headache just enough to make me stupid.' She is going to post her Roscoe's 'William I', which she got 'from the L[ending] Library'.