LONDON

On a piece of thin card, 30.5 x 23 cm. Dimensions of illustration 23 x 17 cm. Signed by Twidle in bottom right-hand corner. The image itself is clear and sharp, in spotted and grubby margins. Docketed in pencil on reverse 'Monkish Robes | 491 | to 5 inches width | with rule as in picture'. An attractive, detailed watercolour, in black and grey, and picked out in white, showing three monks processing with eyes cast to the ground in different directions in the grounds of stone temple overgrown with foliage.

4to (leaf dimensions 20.5 x 16.5 cm): 63 pp. In original grey-green printed wraps. Tight and generally good, but with damp-staining to a few leaves, some wear to corners and creasing and grubbiness to the last three leaves. Wraps worn and grubby. Embossed bookseller's stamp to rear wrap: 'W. H. Smith & Son. 186 Strand, London.' Scarce: COPAC only lists copies at the Bodleian, the National Library of Scotland and the British Library (the last being attributed to 'MARSHALL, Charles, Traveller'). The beginning is reminiscent of Tolkien's 'Hobbit': 'POOR Glum-glum!

8vo, 75 pp. In original green card printed wraps. Disbound. Text clear and complete. On aged paper, and with wear to wraps and damage to spine from disbinding. Dedicated, with no trace of irony, to Haynes' wife Oriana Huxley Haynes, T. H. Huxley's eldest granddaughter.

Around 100 loose, disordered leaves, mostly A4, with autograph notes or typescript on one side only. In good condition. Includes jumbled sections of a monograph (unpublished?) on Sir William Macewen. Also a few notes on Morell Mackenzie, and complete short articles containing reminiscences of teachers and medical acquaintances, including Charles Coley Choyce, Hamilton Bailey, Girling Ball, Cuthbert Wallace. With Asherson's card, noting his 'Change of Address from 24th December, 1945' to 21 Harley Street.

Two 8vo diaries, by Charles Letts, the first 'improved' and the second 'self-opening'. Both in heavily worn covers, lacking spines, but internally clean, on aged paper, and with the text entirely legible. Both diaries end with a brief set of accounts. The diaries are filled with details of the life of a young English lawyer in London during the Great War, including references to the many legal cases in which he was involved.

Letter: 4to, 1 p (32 lines); and 8vo, 2 pp (42 lines) in bifolium. Total of 74 lines. Texts of letter and offprint clear and complete. Both on aged and creased paper, and attached to one another by archival tape. Offprint 4to, 8 pp (paginated 81-88). I n the letter Greenhill writes 'My acquaintance with Somerset brasses is but scanty, all I ever rubbed being at Hutton, Cheddar, Churchill, Wedmore, St Mary Redcliffe, Bristol, Crewkerne, and the Strode brass at Shepton Mallet.

The fifty-two items (in various formats) are in very good condition. Texts clear and complete. On lightly-aged paper. A cordial correspondence regarding the business of the Society, Holdich's close association with which is not noted in his entry in the Oxford DNB. On 21 February 1917 Holdich writes to 'accept the honour of appointment to the office of Vice President of the Society of Arts'.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.

12mo: 2 pp. Bifolium. Text clear and complete. Fair, on aged paper. If the recipient visited on the Saturday he would have found that the Waughs were away: 'My wife was developing mumps in London & I was kicking a football. Would tha tit had been any other day.' He thanks him for 'the review of Strachey', which he read with much interest, if partial agreement': 'I think mystic experience lies beyond my compass, & therefore I can hardly judge'. Quotes 'our friend Moore' (the philosopher G. E. Moore?) on the subject.

On fifty-seven pages, in a notebook of forty leaves (eighty pages). Dimensions: 20 x 16 cm. In red card covers with 'THEATRES' in manuscript on front. Pages aged and ruckled, with a little damp staining at rear (not affecting any of the ephemera) and a small amount of loss to a corner of the rear cover, but in fair condition overall. The first page, signed 'R. J. Olive', with title 'London Theatres'.

Dimensions of print roughly 17.5 x 13.5 cm. On original grey paper windowpane mount (28 x 23 cm). Engraved label (2.5 x 11 cm) beneath the print, with a couple of remarque-style illustrations. The print itself is good, although a little aged and spotted; the margins and mount being rather more heavily affected. Attractive and unusual item, the image changing when held up to the light. Two soldiers are shown dwarfed by the high ceiling of the chapel, which is decked with brightly-coloured flags. When held to the light the chapel is filled with the mourning congregation. Scarce.

According to the prospectus (item three below), the Bank was 'Incorporated under the Companies' Acts, 1862, 1867, 1877 and 1879.' The three items were formerly pinned together. Item One (printed circular): 4to, 4 pp. Bifolium. Good, on lightly-aged paper. Headed 'TO SHAREHOLDERS ONLY. - PRIVATE.' Signed in type by seven 'Members of the Birmingham Committee of Shareholders'. The first paragraph reads 'The action of Mr.

Item One: Manuscript of requisitions by Farrant the purchaser's solicitors Ashurst, Morris, Crisp & Co of 17 Throgmorton Avenue, London E.C. Dated 31 July 1895. Titled 'Requisition Title [and Replies] | Trustees of Archer Burton Estate to R. E. Farrant | 3 [corrected to '2'] Park Square West'. Three pages and covering page, on one side each of four leaves each 41.5 x 34 cm. Text clear and complete. Fair, on lightly-aged and grubby paper.

All seven items 4to, 1 p. Each docketed and bearing the stamp of the Royal Society of Arts. All good, on lightly-aged paper. The first is in a secretarial hand, with the other six all typed. Item One: 4 December 1917. He doesn't 'quite understand' from Menzies' letter what it is that he wants him to do. 'From what Mr.

4to, 1 p. Bifolium. Good, on lightly-aged and worn paper. With 1 cm vertical closed tear at foot of each leaf. Addressed, with postmarks, on the reverse of the second leaf, which is docketed '31. July 1840. | Gurney & Co. that Mrs E. Lofty resides at Hethersett near Norwich -'. Reads 'Respected friends | We believe that the lady for whose address you enquire in yr favor of the 29th Inst resides at Hethersett near this city'. Gurney joined the family business at the age of seventeen.

Letter: 12mo, 2 pp. Bifolium. Good, on aged paper, with small rust stain at head from paperclip. She is writing to Harmsworth ('President, Dr Johnson's House') to ask him to accept a copy of 'my Journal in which mention is made of my Portrait of Dr Samuel Johnson which hangs in the Garrett of Dr Samuel Johnson house this was presented by H. B. Wheatley whom I knew for many years.' On a visit to the curator of Johnson's house she was 'pleased to see the picture still hands in its original place'.

8vo, 12 pp. Stapled pamphlet. Text clear and complete. On aged, worn and spotted paper. A total of 204 lots. Pencil notes to lots 4, 9 and 11, with slip indicating their purchase prices, totalling £10 12s 0d. Lot 179 ('Another Property') is given prominence: 'FRANCIS COTES, R.A. A PORTRAIT OF A LADY in White Dress with Green Sash and Pink Cloak, her hair dressed high and adorned with pearls, 3.4 length | 50in. x 40in. | Signed and dated 1788.' No copy in the British Library, on COPAC or WorldCat.

In an envelope with label and compliments slip of Hilda Neal, Copying Offices and Secretarial Training School, by whom the article had been typed up for the printers. On one side each of thirty-two A4 leaves (dimensions roughly 25 x 20 cm). The text is complete, although there are wormholes to the latter leaves, and damage and loss at the head of the last leaf.

4to, 2 pp. Very good. Small ink tick at head of first page (not affecting text).

12mo, 4 pp. Bifolium. Watermarked 'TOWGOOD'S | SUPER FINE | 1859'. Eighty-seven lines of text. Text clear and complete on aged and grubby paper. With little hope of influencing the editor of Punch, the author feels compelled to 'write and tell you what I and many others think about your Publication and the malignant spite you display towards individuals who happen to incur your wrath'. This 'malignity', he feels, 'must be derived from that murderous old ruffian from whom your publication takes its name, and which alone prevents it being an influential publication.

4to, 1 p. On aged, worn paper with small area of loss at head (not affecting text). He will be 'pleased to act on the Committee to judge of the stories for filming', and is glad that 'the work will not be onerous'. In a postscript gives the version of his name he wishes given for announcing ('Right Hon. Sir Gilbert Parker Bt.'). According to his entry in the Oxford DNB, no fewer than sixteen of Parker's novels were filmed. As head of British propaganda in America, 1914-1916, Parker had a direct involvement with the medium.

12mo, 1 p. On first leaf of a bifolium. Text clear and complete. Fair, on aged paper. In reply to the recipient's note, by which he is 'much worried', Fry does not know that he can offer him 'any more than the few short notes <?> for us in "Men & Women of the Times". Little is known about Fry, apart from the fact that he was born in Van Diemen's Land, the son of the Church of England clergyman Henry Phibbs Fry (c.1807-1874).

12mo, 3 pp. Bifolium. Good, on lightly-aged paper. Attractive red letterhead, in the Arts and Crafts style. The writings she referred to in a previous letter have not come. 'You probably forgot to enclose them. I expect to read some of the papers in the days when I look in the P[all]. M[all]. G[azette].' He asks her to give him 'an idea of what the publisher proposes to spend on the illustrations, and also the size of them, and the style - pen & ink, or "wash".' He has heard news of her 'from Welsh, Ethel Johnson's husband, who is with me at the Haymarket'.

Each copy is identically printed, on a piece of paper roughly 22.5 x 19.5 cm. Title and 56 lines of text (ending 'S. F.'), within a decorative border. Three of the four have a lightly-embossed stationery crown mark in a top corner. All four with text clear and complete, and in good condition, on lightly-aged and creased paper. Begins 'HAVING heard thou art shortly to enter a garden enclosed, and knowing thou art at present a stranger to this garden, permit an old friend to give thee an account of it.

12mo, 1 p. Fair, on aged and lightly-creased paper. Blank second leaf of bifolium bearing traces of previous mount. He is obligedfor the 'kind invitation to meet Maeterlinck. It will give me great pleasure to lunch with you at the National Liberal Club on Tuesday at 12.30.'

On a piece of green paper roughly 22.5 x 19.5 cm. Title and 56 lines of text (ending 'S. F.'), within a decorative border. Lightly-embossed stationery crown mark in top left-hand corner. Text clear and complete. In good condition, on lightly-aged paper with creasing to bottom righ-hand margin. Begins 'HAVING heard thou art shortly to enter a garden enclosed, and knowing thou art at present a stranger to this garden, permit an old friend to give thee an account of it. I have travelled every path and part thereof, and know the productions of every kind, it can possibly yield.

4to, 3 pp. Bifolium. Text clear and complete. Fair, on aged paper with damp staining causing the fading of ink in some parts, and a little chipping to bottom edge. Since writing there has been no packet from Falmouth, and the news from the continent are reported with sufficient detail in the gazettes, so 'il est inutile de vous en parler. Les procedes du Duc de Brunswick [he led an invading German army into France], et le systeme du Roi de Prusse sont egalement mysterieux [...] Les Emigrants [...] sont reduits a la derniere necessite'.

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

On one side of piece of paper 23.5 x 16 cm. With perforated edge. Good, on aged paper, with traces with strip of glue from previous mount on reverse. Printed in copperplate. The deposited works are 'Notes on the Maces, Insignia of Office, and Town Plate of the Town of Guildford', 'Progress of Catholic Work', 'Token Pamphlet', 'Guildford Shakespeare' and 'County Town'. Ostensibly signed by the 'Keeper', but the signature is not decipherable (''). In his obituary in The Times, 6 July 1942, Williamson was praised as 'a highly industrious and versatile writer on art'.

On upper half of a piece of quarto paper, unevenly torn to make a piece roughly 11 x 18.5 cm. Fair: on aged paper. Part of address from previous letter to 'W. Jerdan <...> | 267 Strand <...>' on reverse, which is docketed 'Procter | Miss Proby | Cornwalls poems'. Reads 'I inclose you a note left here for you | George says he will review the book for you next week - in the meantime give a flourish in your notice - 'The time does not admit of doing just to the vol. &c &c We are all a Party in this success -'.