MANUSCRIPT

Typed transcript of 21pp., landscape 8vo, followed by six 9.5 x 12 cm. black and white photographs, captioned in pencil and detachable, with the seventh photograph on the front cover. In card landscape 8vo album with green cloth spine. In fair condition, lightly aged and worn, except for the cover photograph which is heavily worn. In pencil at front: '1850 | Notes made by Anne Rolleston on a visit to her brother Robert Rolleston, Curate at Rydal.' The location of the original diary is unclear, and there is no record of its having been published. The first entry sets the tone: 'Thursday, Oct.

1p., 4to. On leaf of cream paper laid down on leaf of lilac paper removed from an album. In fair condition, lightly aged and worn. At bottom right: 'Banister Halsted scripsit'. Twenty-line poem, attractively arranged beneath calligraphic title within irregular border. No reference to the poem has been found, and it appears to be unpublished. It begins: 'Noble O'Brian majestic is thy Mien | Thy Manner's graceful and thy Mind's serene | Content sits smiling on thy placid Brow | And from thy Lips the well form'd Accents flow | Thy mild Address the British Fair admires [...]'.

A substantial and heavy leather-bound volume, 49 x 37 x 7 cm, by the London stationers Waterlow & Sons, containing in excess of 250 double-page weekly entries, meticulously and neatly completed in manuscript, giving a daily itemised breakdown of the consumption of a wide range of provisions. A valuable social document, casting light on Victorian hospital administration and dietary habits. Internally in good condition, on lightly-aged paper, in heavily-worn brown blind-stamped leather binding with damaged spine, with marbled endpapers and edges.

Six items relating to Pulman's arbitration, including 'a careful breakdown [by him] of scene continuity of the Bourguignon script, the Duncan script and the final shooting script', these three breakdowns (Items Two to Four below) totalling 8pp. In his four-page arbitration, Pulman gives a detailed account of the process of the film's composition, of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition, lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" | Writers involved - S.

Folder of material from the Jack Pulman papers. 43 items in good condition, lightly aged. The Writers' Guild of Great Britain, established in 1959, is a Trades Union for writers working in television, radio, film, theatre, books and multimedia. Pulman began his career while studying economics, and his understanding of the business side of screenwriting is evident in his arbitration decisions contained in this collection. His distinguished career is well described on the British Film Institute's website.

1p., 4to. In fair condition, lightly aged and a little ruckled at edges. Winner's signature, in blue ink, is somewhat stylised. The document deals with eleven points raised at the meeting (which relates to a film project which was not realised), the first of which gives a feel of the tone: '1. We could do something in scene 305 with LEONARD who is not too full of character at this point. This applies also through that section to the end of scene 308. In this scene Leonard is a little too on-the-ball and decisive.

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website. His work for British and American television gained him plaudits as an 'adaptor-extraordinary', beginning with a 1965 version of Thomas Mann's 'Buddenbrooks' for the BBC, and including Henry James's 'Portrait of a Lady' (BBC, 1968) and 'The Golden Bowl' (1972), as well as 'David Copperfield' (NBC, 1970), 'Jane Eyre' (NBC, 1971), 'War and Peace' (BBC, 1973), and the controversial 'I, Claudius' (BBC, 1976).

189 black and white photographs, ranging in size from 15 x 10.5 cm to 4.5 x 7 cm, loosely inserted (i.e. not mounted but removable) on the fifty leaves of a 20 x 30 cm album. While the photographs themselves are in good condition, the album is somewhat worn and aged. Painted in large Gothic letters at centre of front cover is 'Camp Snaps'; with the name of the compiler 'E. TAIT' at top right. Inscribed inside cover 'From “Porky” | September 4th, 1934'. The leaves of the album are made of thick black paper, and more than three-quarters of the photographs are neatly captioned in white ink.

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began his career as a professional portrait painter and sculptor in the 1970s, and has work in a number of institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery collection include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. He was also responsible for the portrait of Sir Geoffrey Keynes used as the frontispiece to his 1973 festschift. The present collection, containing around ninety items, is in aged and worn condition.

On 5 x 9.5 cm. piece of paper, cut from the end of a letter. In fair condition, slightly smudged, with traces of glue from mount on reverse. Reads: 'Lateran. We shall be there to meet you. | Yours very truly | A. H. Layard'.

Headed, with the first line in gold: 'Corps Royal du Genie. | 2e. Regiment. | Academie d'Escrime. | Brévet de Maitre d'Armes.' The commission reads: 'Nous soussigné Maîtres d'Armes, Composant la garrison d'Arras, après avoir reconnu les capacités du Sieur Chaix, (Marius) Maître Ouvrier à la Ce. Compagnie du 2e. Bataillon, du dit Regiment. On one side of a 28 x 36 cm piece of cream paper. In fair condition, aged, creased and worn, with central vertical fold.

On one side of a 22 x 33 cm piece of vellum. In fair condition, lightly aged and worn, with some pin-holes to margin. Stamp in black ink at head of the 'REV. CAS DU ROY [...] GEN. DE PARIS'. Signed at end: 'Collationné aux originaux par moi Ecer. Coner. Secretaire du Roy maison Couronne de france et de Ses finances/. | Sainson'. Each transcript is eight lines long, the first having been signed by 'Orry' and the second by 'Carreler' (both signatures also transcriptions). The recorded payments were made by Dorel in connection with his office as 'Coner.

1p., 16mo. In fair condition, lightly-aged and worn, with small hole affecting one word of text. He acknowledges receipt of her cheque for three guineas.

Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began as a professional portrait painter and sculptor in the 1970s, and has work in institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. Among his other sitters was Sir Geoffrey Keynes. The present item comprises 35 pages of sketches in pen and pencil, and 21 pages of text, making a total of 56pp in a 20 x 13 cm French notebook with spiral binding. In fair condition, lightly aged and worn.

2pp., 4to. Bifolium. Addressed on reverse of second leaf, with seal of a harp in green wax, 'To | - Webster Esqre. | Theatre Royal Haymarket'. Writing two days before her father's death, she explains that she commissioned a friend to offer a guinea for his 'Interlude of "Pay for Peeping"', but finds that 'in return you expect one pound eleven for it'. She points out that she was 'the original (at the Strand Theatre) in the piece', and that she is offering the same terms accepted from her by 'Mr Selby for his "Day in Paris"'.

2pp., 4to. In good condition, lightly aged. Cockburn is not named as the recipient, but the item is from his papers. There has been some difficulty regarding 'the proper mode of depositing the various Colours that have been in use with the different Divisions of the Royal Marines', but William (who was at the time the Duke of Clarence) knows 'that these Colours belong to His Majesty and not as in Departments to the Colonels'. He gives instructions, 'so that they may be placed in the Chapel of the Royal Hospital' at Greenwich, and gives his reason for doing so.

2pp., 4to. In good condition, lightly aged. Cockburn is not named as the recipient, but the item comes from his papers. William (at the time the Duke of Clarence) writes: 'I rejoice exceedingly at the favourable account you are enabled to give me concerning the late examination for Adjutants amongs the Royal Marine Officers'. He is anxious to have Cockburn's 'various reports from the different Divisions'.

2pp., 4to. In good condition, on lightly-aged paper, with slight tear to one edge. Cockburn is not named as the recipient, but the item comes from his papers. William (at the time the Duke of Clarence) writes that he is enclosing Moncrieff's letter, 'by which you will perceive he is acting foolishly not to use a harsher term. My determination therefore is when I arrive tomorrow afternoon at Portsmouth to be informed by you whether he sells or goes on the Half pay of a Colonel which is Fourteen Shillings and Six Pence pr: diem.

The collection of seven items is in fair condition, lightly-aged and with slight rust staining to a few pages. The material is from the archives of an Anglo-German firm of City of London stockbrokers (see the list of clients in Item One below, all with German names), and is valuable for the material it contains revealing the impact of the First World War on the firm's own business (see Item Two below, regarding the 'Enemy [i.e.

On one side of 7.5 x 12 cm piece of paper cut from front panel of envelope. Postmarked 'Shooters Hill | Penny Post'. In good condition, on lightly-aged paper. Laid out in the customary fashion, all in his hand, and reading: 'Dover December twenty six | 1845 | Lt. Colonel Richd Jones | R Horse Artillery | Woolwich | Kent | Fitzroy Somerset'.

On 3 x 11 cm slip of paper. In fair condition, lightly aged. Cut from the end of a letter. Good firm signature. Reads: 'Yours faithfully | Charles Barry'.

On 3 x 11 cm. slip of paper, cut from the end of a letter. In good condition, on lightly-aged paper. Reads 'Yrs very sincerely | Emma de Vesci'. Fragment of letter on reverse: '[...] random of all the monies you have sent to Messrs. Puget & Bainbridge. I [...]'. Lady de Vesci founded the Abbeyleix Baby Linen Society, a co-operative supplying affordable children clothes.

1p., 4to. In good condition, on lightly-aged paper. Written in a small hand over 22 lines. He begins by stating that he is writing on behalf of 'lécole Centrale du departement de Saone et Loire séant a Autun', 'particulierement le professeur d'histoire naturelle et moi professeur de dessein en la même école'. The recipient will render them a great service if he will send 'toutes les graines qui sont denommée sur une premiere liste que jai remis'. The rest of the letter asks the recipient, with the help of 'le Ci. l'aunoy' [i.e.

Wardle's achievements as a leading behavioural scientist in the field of cancer prevention are described in her obituary in the Guardian, 24 November 2015. The three adult letters addressed to 'Daddy'. One four-page letter on yellow paper with loss from damp damage, the other items in fair condition, with light signs of age. One of the other two letters also of four pages, and the last of one page. The letters are intimate and positive, filled with loving encouragement and advice and giving family news.

2pp., 8vo. In good condition, on a leaf of lightly-aged paper. With circular red stamp of the autograph collector P. Jul. Fontaine. Begins: 'Claude Dejoux sculpteur de L'académie demeure actuellement a paris rue de L'université, palais de Bourbon.' The document, which carries the signature of a witness, consists of an extract, presumably for the tax authorities, beginning 'Certificate de La Section Des Invalides en date du 19. 8bre. 1792 L'an 1er. de La Republique'.

4pp., 8vo. Bifolium. In good condition, on lightly-aged paper. Signed 'Salut et fraternité | Renou'. A long and interesting letter, regarding student unrest in the French revolution, and involving a descision taken by the 'Classe des Sciences et Artes de l'Institut, qui acorde un jour de prolongation aux Concurrens pour les prix de Peinture', and the attempts of the Institut National to impose discipline.

1p., 16mo. In good condition. He begins by thanking him for his concern over his health: 'je vais beaucoup mieux et avec des ménagements j'espere que cela n'auras pas de suite'. In the next paragraph he refers to the French architect Julien-David Le Roy, recently deceased: 'je savais le résultat de la tentative faites pour le respectable David le Roi il faut ce consoler avec les bonnes âmes de toute celle que l'on rencontre qui sont seche et aride'. A final paragraph describes his intentions towards 'souscripteurs'. In a postscript he presents his respects to 'Mme Vaudoyer'.

On piece of 38 x 30 cm watermarked paper. In fair condition, lightly aged. In red, green and sepia. Within a border, and with 'OCCIDENT' at the head, 'ORIANT' at the foot, 'MIDY' to the left and 'SEPTENTRION' to the right. Attractive in design, with capital letters in red and simple tree design around the boders of fields.

1p., 12mo. In fair condition, on lightly-aged paper. The identity of the recipient is unknown. Reads: 'My dear Sir | You will be glad I am sure to learn that the Admiralty have finally adopted my signals for the service of the Fleet. | Yrs. try | P H Colomb'. A note in pencil on the reverse of the second leaf states that Colomb 'Devised night System known as "Colomb's Flashing Signals"'. Colomb's contributions to naval warfare and signalling were considerable. His evolutionary signal-book forms the basis of the current system of tactical evolutions at sea.

2pp., 12mo. Bifolium. In good condition, lightly aged. Headed 'Private'. He writes that he called the previous day at Coffin's chambers, and that he will do so the following day, 'and will bring that bit for the wall'. He states 'in confidence' that he wishes to 'pay a surgeon on Saty next £6. 5. 0 rent for Studio - he is a good fellow but he wants his rent'. Callcott has in the studio 'a number of works, & I would let you have (if agreeable) a good picture recent work size 61in x 41 - Rocky Coast - never used yet in Exhibition or otherwise'.