MUSIC

2pp., 12mo. In envelope addressed by Stirling to 'C Lonsdale Esqre. | Bond Street'. In fair condition, on aged and worn paper. 'Mrs. Stirling does not know how to thank Mr. Londsdale for his great kindness - not only now but always shewn to her by him. Mrs. Stirling remembers that she has the full store of the Midsummer Nights' [sic] Dream belonging to Mr. Lonsdale but she is warned by Mr. Lonsdale's Messenger that she must not now stop to thank Mr. Lonsdale fully, as she would wish.'

2pp., 12mo. On bifolium. In fair condition, on lightly-aged and worn paper. Wood writes: 'Dear Mr. Williams | Will you kindly borrow from Mr. Pheasant tonight the 3rd Trumpet part of Rimsky-Korsakoff Ballet Music "Mlada" as there is a Tromba Alta part which according to the Score & as far as I can judge you can play, please take it home and let me know the result of your studies | Faithfully | Henry J. Wood'. In pencil at the foot of the second page, presumably by Williams, are a couple of bars of musical notation.

2pp., 4to. In good condition, on lightly aged and creased paper. He writes that he is sorry that he could not sing the song 'Nancy's Hair' at Preston. He had not brought it: '(I only got your letter on arrival at the concert hall.) Funnily enough I picked it up before leaving home to put in my case as a possible encore & then put it back.' He is 'delighted to know that your mother liked my singing of it, I most certainly enjoy singing it & I hope to be able to help it along'.

Part of a card, 7 x 3cm, laid down on larger piece of paper, some staining (glue?) bur signature clear.

The three items in good condition, lightly-aged. Item One: 'St. Cuthbert's College. Ushaw. List of the Names and Numbers of the Professors and Students. 1918-19.' Shibden Industrial School, Halifax. 10.5 x 6 cm stapled booklet, in red wraps with title on front and printer's slug at foot. Headed 'A.M.D.G.' and ending 'L.D.S.', the list runs from number 1 (blank) to '337 John Corboy'. Item Two: Printed programme for 'The Tailor Prince and the Jester, An Operetta', 'Composed by Mr. J. Hughes Holloway, (College Prof. of Music.)' 'Junior House - Shrovetide, 1918'. 4pp., foolscap 8vo. Bifolium.

8pp., 12mo. Stapled into beige wraps with deckled edges, with attractive illustration of street musicians on front in brown and red. In good condition, with rusting to staple having loosened the central bifolium. A pleasing memento of an early concert by Elman (he was fifteen at the time). Pp.4-8 carry the 'Words of the Songs'. 'At the Piano - Mr. Charlton Keith. Piano by Bechstein. Suppied by Mr. Arthur Wood, Redhill.' Scarce: no copy on COPAC.

The five items in good condition, on lightly-aged paper. Item One: Autograph Letter Signed (with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines). 1p., 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl, and begins: 'Dear Erich | I have just spoken to Harewood [the Earl of Harewood, co-founder with Buckle of 'Opera' magazine].

2pp., 12mo. Very good, on lightly-aged paper. 36 lines. Harewood explains that he 'originally asked Mrs Rankl to think of someone who had known her husband for, at any rate, a portion of his continental career who would be prepared to review his career before he came to this country, and also to give some idea of what he had achieved since arriving here [...] when the moment came she had to say that there appeared to be nobody who had known him abroad who had the necessary musical qualifications. When I saw her about 10 days ago I said I would find someone myself.

In black 19.5 cm square sleeve, with striking cover design showing the aftermath of Sharpeville, and notice 'The American Committee on Africa receives royalties from the sale of this record.' The four songs are Tina Sizwe (We, The Brown Nation); Nkosi Waqcine (God Save the Volunteers); Asikatali (We Do Not Care If We Go To Prison); Liyashizwa (Pass-Burning Song). Very good, lightly-aged, with the record itself (in brown paper sleeve) seemingly unplayed. The twelve-page booklet is stapled, with illustrated cover and three photographs of the Sharpville Massacre.

On 8.5 x 11 cm piece of paper, cut from the bottom of a letter. In good condition, lightly-aged. Entirely in German's hand. The side of the letter with the signature reads: '[...] write you, & I hope we may be able to arrange a meeting. | Yours sincerely | Edward German'. The other side reads: '[...] you at Sidcup with the Georges many years ago. | I should be very pleased to meet you again, but at present I seem to be fully occupied [...]'.

Printed on one side of a 9 x 10.5 cm card. In good condition, lightly-aged and with a couple of corners slightly worn. The notice reads: 'Change of Address | Please note that | Sir Eugene Goossens | is now residing at | 76 Hamilton Terrace, London, N.W.8. | Telephone: CUNningham 9383'. Docketed in pencil at head (by Rostal?) 'Received 17th Sept.' Addressed on reverse, with stamp and postmark, to 'Max Rostal Esq., Highflower, 45, Brondesbury Park, London, NW6.

Both items printed on pink paper, with similar cover designs by Arnold Riches. Both in fair condition, aged and worn. The song sheet is a bifolium, 4pp, 4to, It dates from before 1939, when, following Ridgeway's death, the Player's Theatre moved to the Arts Theatre from King Street. The front page advertises performances 'Every Night (Except Sundays)', with 'THE ARTISTES' listed over twelve lines, and including 'Alec (Laneworthy-Figg) Clunes', Peter Ustinov, Bernard Miles and 'Leonard Sachs (Chairman)'.

On one side of a 16 x 20 cm piece of light-green paper, removed from an album. In good condition, lightly-aged. Thalben-Ball's signature is the upper of the two, and reads 'To | [bar of music in 3/4 time] | G. G. Thalben-Ball | 22. v. 41'. Parry's signatuer is towards the centre of the page, and simply reads 'Parry Jones.' From album which also contained the signatures of many performers at the Denbigh Eisteddford in 1939.

1p., 16mo. Fair, on lightly-aged paper, and laid down on a leaf removed from an album. The note reads: 'Sir | can you offer me an engagement on either the 16th., 18th., 20th. or 24th. December, as I am engaged in your neighbourhood about those dates. | Requesting your immediate reply, | I remain, Sir, | yours truly | [signed] Erminia Rudersdorff | J. M. Wiske, Esq.'

3pp., 12mo. Bifolium, on yellow paper. In good condition, on aged paper, with traces of mount at head of second leaf. The full title reads: 'An Amateur Concert will take place in Mr. Gibson's Show Room, Eynsford, (Kindly lent for the occasion) On Wednesday, December 15th, 1869. | The Proceeds will be expended in the purchase of Coals, to be distributed previous to Christmas, among the poor of the Village.' Nine committee members are named on the first page, with details of tickets (to be 'obtained of any of the Committee, or Mr. T. M. G. Sharwood, Farmingham').

1p., 12mo. On bifolium with mourning border. With mourning envelope addressed by Chatterton to the surgeon 'Henry G. Times Esqre. | Manchester Street | Manchester Square'. Fair, on lightly-aged paper, in aged envelope. The note reads: 'With Balsir Chattertons [sic] best thanks. | Sunday | 32 Manchester Street | Manchester Square'.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

3pp., 12mo. Bifolium. 40 lines. In fair condition, creased and with minor damage to second leaf from previous mounting. Addressing Reed as 'Dear Charles', Curwen explains that when asked who he would like as chairman for a forthcoming meeting, 'it was natural I should mention you, because of our old regard'. He is sorry that his 'friends' applied 'again - after your declining'.

Handbill, one page, crudely coloured border with images of a black troubadour with banjo[?] , a native American, and a trapper [?], 26 x 17cm, three stanzas each eight lines plus chorus, edges chipped, laid down on a larger page. Commences, "Oh! listen a while., a story I will tell; | It will please you to death, I know berry well [...]" Decorative border signed "E A Sparks" ("Printed within colored pictorial border (De Marsan trapper border J, in Wolf, E. Amer. song sheets)." One copy of this imprint listed by WorldCat, two of another imprint (later).

The three items are stapled to one another, in good condition on lightly-aged paper. The first item is the typescript, which is 1p., 4to. It is addressed to 'Dear Brother Artist,' and begins: 'You will possibly be rather surprised to receive a letter from me, but after having spent most of my life in the Provinces, I now find myself landed in London. I am surprised at the amount of discussion and activity that takes place here regarding the "politics" of the theatre - and realise how you in the Provinces are apt to get left out.

2pp., 12mo. On bifolium. Fair, on lightly-aged paper, with strip of tape from previous mounting adhering at the foot of the recto of the second leaf. He asks her to send 'cards for your afternoon Friday' to 'our dear friends Mr. and Mrs. Koecher (and the Misses Koecher)', who would 'enjoy every minute'. He gives the Koecher's address as de Keyser's Royal Hotel, Blackfriars, and ends by conveying his wife's love.

8pp., inc. title. cr. 8vo, staples rusted, ow good condition. No copy listed on COPAC.

The nine items are in good condition, on lightly-aged paper. Items One, Three and Four, from 1962, and stapled together, as are the other six items, dating from 1964-5. ONE: Autograph Letter Signed ('Benjamin Britten') from Britten to Juda. On letterhead of The Red House, Aldeburgh, Suffolk. 25 July 1962. Responding to Item Three below, Britten thanks Juda for 'sending the magnificent book on Graham Sutherland', which Britten is 'very glad indeed to have'.

A loose 8vo leaf, roughly 26.5 x 19.5cm. In fair condition, on aged paper, with the edges strengthened with cream paper strips. The cover is decoratively printed, in a variety of types and point sizes. Priced at two shillings, and stated to be entered at Stationers' Hall. At the foot of the page, in capitals: 'The present arrangement is copyright; and the only correct edition of this beautiful negro melody in which the words are faithfully true to the original story, so popular among the negros [sic] in Alabama.' The reverse carries the beginning of the song, by 'Edwd.

1p., 4to. Fair, on aged and worn paper. He begins: 'M. POULENC vous a sans doute remis le paraître dans votre supplément et nous charge de vous demander de nous le renvoyer au plus tôt lorsque votre graveur n'en aura plus besoin.' He accepts that it is likely that the Revue will ask Poulenc to correct the proof.

8pp., 12mo. On shiny art paper. On aged paper, with the two staples rusted. Sammons has signed over the cover portrait of him by 'Haile, Bognor', 'Sincerely Yrs | Albert Sammons'. Including texts by Mary E. Coleridge, Lord Lytton and Sir Rabindranath Tagore. Central opening carries an advertisement stating that 'ALBERT SAMMONS Records ONLY for COLUMBIA Records', with list of eight 'Recent ALBERT SAMMONS Records'.

Handbill, one page, 8vo, creased, marked and foxed, shiful repair of tear, text complete Eleven stanzas (44 lines), mainly based on her life, commencing, "'Twas the Peg Woffington incident enacted once again, | A well-known public performer couldn't stand the strain....[ending] May the earth lie lightly on her, this most human, generous hearted soul." Copies were to be had of the Author and proceeds to "enable the Un-employed worker [the Poet?] to get a living." Scarce: no copy listed.

All three items are on stubs, within a card wallet. All good, on aged paper. Letter One: 'Weston Green 10th: July'. 1 p, 4to. On bifolium, with verso of second leaf addressed to 'Mr: Whitaker | St: Pauls Church Yard | London', with two postmarks (one 'KINGSTON - T | 12'), and docketed 'Mr; T.

Totalling 5 pp, 4to. All texts clear and complete. Fair, on aged paper. He begins the first letter 'I am venturing to address you on the assumption that you are the son of the revered singer DAME EMMA ALBANI, and most sincerely trust that my letter may not come amiss.' Harvey is writing an article for Albani's centenary the following year 'for Sir Compton Mackenzie's magazine The Gramophone - for November, 1952' and is 'very anxious to obtain definite details of the two UNPUBLISHED Records which Madame ALBANI made for The Gramophone Company in 1904', of which he gives the details.

1 p, 4to. 20 lines. Text clear and complete. Fair, on aged and creased paper. In response to a letter from Gye states that he did not hear Albani sing 'until her last two Canadian tours when she was approaching 50', when he 'thought her best in her singing of Mozart, which revealed her rare vocal finesse'. Charlesworth was told by the 'late Edwin R. Parkhurst, a Toronto music critic, 30 years my senior who had heard her frequently in his younger days in London', that 'these appearances gave no adequate idea of how glorious her voice had been in the seventies'.