NINETEENTH

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

12mo: 1 p. Ten lines of text. Bifolium. Grubby, and with the text of the letter faint. Letterhead printed in red with illustration of the firm's headquarters. Written in, or faded to, lilac, and could well be a carbon. Sending copies of the two newspapers as 'we think it probable you would like your newly published works noticed or reviewed' in them.

Printed on one side of a piece of stiff art paper (shiny on printed side, matt on reverse), dimensions roughly 245 x 160 mm). Very good. The name of the firm is not stated, and dabs of colour in 3 mm margins as printing guide. Attractive and characteristic illustration, in eight (?) colours: dark brown, beige, green, red, pink, yellow, dark and light blue, showing a carriage clock surrounded by plate, jewellery (including a goblet, a fan, a pearl necklace, a fob watch, decanters) and a profusion of flowers. The calendar in twelve tiny squares, six at the head at six at the foot.

12mo: 2 pp. Eleven lines of text. A bifolium, docketed on the otherwise-blank second leaf '8 June 1830 | Ld. Ellenborough'. Good: lightly spotted and with traces of grey paper mount adhering to edge on reverse of second leaf. He is enclosing a letter (not present) 'from Keene' (docketed [by Astell?] ('Kearney.)', and possibly the watercolourist W. H. Kearney). 'I must not enter into a Correspondence with him and he asks nothing definite.' Asks Astell to 'consider the matter' and to let him know his opinion on the coming Saturday.

12mo: 24 pp. In original pink printed wraps: the front wrap bearing the title; the recto and verso of the rear carrying newspaper reviews of works by 'Scribble'. Stitched. On aged and spotted paper. Wraps heavily worn. A worn presentation inscription can be made out at the head of the title: 'Dr <?> With the Authors Best regards'. Pp.1-2: Introduction and Author's Preface (the latter dated 'Dublin, May, 1864.').

12mo bifolium. Ellenborough's letter (15 lines of text) occupies the first leaf; with the pencil draft of Gough's reply (also 15 lines), with additions and deletions, on the recto of the second leaf. Very good, with traces of grey paper mount adhering in a thin strip to the reverse of the second leaf. Ellenborough will 'afford' Nichols 'every facility for the making of tracings from the Tiles at Southam'. If Nichols will let him know when he is coming he will 'make it a point to be here'. Suggests that Nichols might come 'after Church, about 2 o'clock, on Sunday next'.

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

8vo: 1 p. 14 lines of text. On aged and spotted paper, laid down on a piece of card, and with the head of the letter (not affecting the text but causing the loss of the top half of the letterhead) worn away. Originally a 2-page 12mo bifolium, but with the text from the second page laid down below the first.

12mo: 1 p. Good, on aged and lightly-ruckled paper. Text clear and entire. Difficult hand. Asks the recipient to 'allow the Bearer to see the L<?> Papers laid on the Table yesterday'. Also asks that the papers 'be printed as soon as possible as I shall mention them in the house'.

16mo (11.5 x 9 cm): 1 p. On aged paper with a diagonal crease towards top right-hand corner. In a shaky hand. Reads 'With much pleasure I accept your hospitable invitation for Nov. 20, at 1/4 to 8; - and am | Very truly Your's | [signed] J. Doran'.

12mo: 2 pp. Sixteen lines of text. Good, on aged paper, with a strip from the previous mount adhering at the head of the reverse. Docketed in a contemporary hand 'Jacob Bell' and 'M. P. for St. Albans 1851.' He thanks him for taking the trouble to search 'the last document which fortunately is found much to my surprise in a store room in my own house'. He 'cannot account for the accident' and apologises once again.

12mo: 1 p. Dimensions of leaf 11 x 9 cm. Twelve lines of text, headed 'P. 320'. In poor condition: grubby and aged. Laid down on piece of grey paper removed from autograph book. 2 cm closed tear in bottom left-hand corner affecting a couple of words of text. Difficult hand. Criticising a note, giving references to three works. Ends 'I don't see any use in printing this letter - but Sir F. Madden will tell you better. | JM -'.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

8vo: 36 pp. Stitched. In original grey wraps. Text clear and entire on aged and spotted paper, with staining to first leaf. Wraps heavily stained and worn. Title written out in a modern hand on front wrap. Scarce. Four copies on COPAC: at the British Library, Bodleian, Cambridge and Durham. According to one source the subject concerns 'the author's dispute with Lord Rous, later Earl of Stradbroke, regarding his right to the living of Doddington; includes correspondence with Rous'.

8vo: [viii] + 265 + [ii] pp. Printers slug on page following 265, followed by a full-page advertisement by Harrison Hall, Philadelphia, and Collins & Co., New York, for 'Wilson's Ornithology', dated 'Philadelphia, July 1832'. In original brown paper boards, with brown cloth spine carrying white printed label. Tight, but in poor condition, with light spotting and damp-staining. Unobtrusive repair to closed tear on reverse of title-leaf. Ownership inscription of Joseph Malcomson (mill owner of Portlaw, County Waterford) to rectos of first four leaves, including title.

8vo: 32 pp. Stitched. In original grey wraps. Text, four illustrations and map clear and entire. Printed on discoloured high-acidity paper. Lightly creased with a little wear to corners. Scarce. An attack on 'the Betting-offices that are springing up all over the town', with particular reference to those in the St Martin's Lane area. COPAC only lists four copies: at the British Library, Bodleian, Cambridge and Edinburgh; with two copies of the second edition: British Library and V & A National Art Library.

From a collection of material relating to William Bragg, Printer, of Cheapside, Taunton, Devon. Printed on one side of a piece of wove paper, 22 x 27.5 cm. Grubby and lightly creased, with central spike hole, slight wear and loss to extremities, and 5 cm closed tear. Text clear and entire. Twelve lines of printed text, in a variety of types and point sizes, reading 'A Sermon, on behalf of the Home Missionary Society, will be preached at Paul's Meeting, Taunton, On Friday Evening, April 14, 1826. By The Rev. John Thomas, Minister of the New Chapel, Highgate.

On a piece of paper roughly 5.5 x 13 cm. Good firm signature (8 cm long) on lightly aged and creased paper. Reads 'Faithfully yours | [signed] Marie Corelli'. Fragment on reverse reads '<...> education nowadays <...> hope you <...> induced to <...> estimable'.

12mo: 3 pp. Good, on lightly aged paper. Small spike hole through both leaves of the bifolium. Text clear and entire. Execrable hand. Begins 'I certainly shall not secede from my conditional Promise'. Paragraph describing the weather ('The Heat of the Weather here is intolerable.') 'I agree entirely with respect to the Character of our worthy departed friend. It is a great loss to this Part of the Country.'

16mo: 1 p. 14 lines of text. Close hand. He is touched that Sainte-Beuve has found time, in the midst of his labours, to write a letter expressing his 'adhésion'. 'Je suis heureux de penser, en vous écrivant rue Montparnasse [Sainte-Beuve lived at no. 11], que la philosophie et l'esprit d'indépendence ont toujours un ami dans la maison de Sainte-Beuve'.

Dimensions of paper 3 x 8 cm. Good, firm signature, on lightly aged and spotted paper. The flourish beneath the signature (paraph) has been cropped.

12mo: 2 pp. Very good on lightly aged paper. Asks if it might be possible, as previously, to forward a packet to 'Mr. d'Abbadie': 'depuis deux ans je suis sans nouvelles de lui'. It is six months since he had the honour of forwarding a similar packet via the French legation at Lisbon. Good firm signature, but with the words '(Le comte de Montalembert)' in another hand beneath it, and interfering with the flourish (paraph).

Unbound, on six loose leaves folded to make bifoliums. Good, though grubby and with rough edges (particularly the head). Text clear and entire. 12mo, 24 pages. Cover features woodcut of eighteenth-century gentleman (Franklin?) leaning on stick. Sections on 'Swimming like a dog', 'To beat the water', 'To show both feet out of the water', 'To suspend yourself by the chin', etc. Scarce: Copac only lists copies at Glasgow and in the National Library of Scotland. Dated 1840-50 by the NLS 'from examination of text and style [of] Illustration on title page'.

12mo, 2 pp. Seventeen lines of text. On lightly aged and creased paper. Attractive arts and crafts letterhead. Sending his 'mosts profound sympathy in the danger which threatens Chelsea'. He will sign 'the paper [...] with the greatest of pleasure', although he anticipates 'very little good as a possible result'. Suggests a time at which the paper can be sent to him.

TWO COPIES, both octavo: iv + 158 pages. Several collotype plates, several in red and gold. In original green printed Sotheby wraps. Both items sound internally, with some wear to the wraps. One item has extensive pencil annotations to the front wraps, and the other has a few ink marks to the reverse, with minor wear to the last couple of leaves. Both catalogues partially priced with some names by the London booksellers Myers & Co. of New Bond Street, one on the second day of the sale and the other on the fifth.

On irregularly shaped piece of paper, roughly 3 x 7 cm, cut around the signature and its double underlining. Good signature, with slight smudging to a couple of letters.

On both sides of a piece of wove paper, roughly 23 x 18 cm. On lightly discoloured and creased paper, with central spike hole affecting two words. Two manuscript changes in ink on the recto: 'TAUNTON' amended to 'Wivelscombe' and the twenty-one names of the Society's officers cancelled. A handful of changes, in ink and pencil, on reverse. Mainly taken up with ten 'Principles and Regulations'. Seven-line footnote in small print on recto, concerning a 'FUNDAMENTAL PRINCIPLE'. BBTI lists William Bragg as active in Taunton before 1830.

All three items concern Littlejohns' 'British Watercolour Painting and Painters of Today' (London: Pitman, 1931)'. First Letter: 12mo, 3 pp. 43 lines. Text clear and entire. On two leaves attached to one another in a corner by a pin. Good, on lightly-creased paper. Interesting and informative letter concerning 'two watercolours' which Williams would 'like to be 'reproduced in [Littlejohn's] work on water colours'. Gives details of the titles of the works and the name and address of the owner, 'who has consented to send them'.

8vo: iv + 48 + [ii] pp. Last leaf carries advertisements for works by Fairburn. In marbled wraps. Text clear and entire. On aged paper with slight wear and fraying, small holes and light stains to first four leaves. Title continues '[...] to which are added, The Q-'s last letter to the K-, Written a few Days before Her M-'s Death, and other Authentic Documents, never before published. | [quotation] I am the Viper that has been secretly wounding you both.

8vo: [viii] + 164 pp; [iv] + 183 pp. Bound together in contemporary half calf binding, gilt, marbled boards and endpapers. A tight copy, printed on aged, spotted paper, with occasional light damp-spotting, in worn binding. Bookplate of Aemiliani Reich, on spotted, aged paper, by Gordon Browne, on front pastedown. The first volume has a four-page preface by 'S.M.F.', dated 'New York, July, 1846.' Both volumes contain eight essays.