PAINTING

[Lady Burne-Jones [Georgina Burne-Jones, née Macdonald], wife and biographer of Pre-Raphaelite artist Sir Edward Burne-Jones.] Her calling card (‘Lady Burne-Jones’) with autograph addition.

Author: 
Georgina Burne-Jones [née Macdonald, known as ‘Georgie’], Lady Burne-Jones (1840–1920), wife and biographer of Pre-Raphaelite artist Sir Edward Burne-Jones
Publication details: 
Without date or place.
£220.00

See her entry by Jan Marsh in the Oxford DNB, added in 2022 after the publication of Marsh’s ‘Pre-Raphaelite Sisters’ (2019). 9 x 5.5 calling card, engraved in copperplate. In fair condition, lightly aged. Laid out in the customary fashion, with centred ‘Lady Burne-Jones.’, and at bottom left: ‘The Grange, / 49, North End Road, / West Kensington, W.’ In her autograph at head: ‘with sincere thanks / from’, and beneath her engraved name ‘& family’. See image.

[G. C. Williamson [George Charles Williamson] (1858-1942), art historian ‘Rowley Cleeve’, who advised J. Pierpont Morgan on purchases.] Two Typed Letters Signed to social historian Amy Cruse, praising her books and discussing a Milton portraits.

Author: 
G. C. Williamson [George Charles Williamson] (1858-1942), art historian and ‘Rowley Cleeve’, who advised J. Pierpont Morgan on purchases [Amy Cruse (1870-1951; née Barter), social historian]
Publication details: 
16 October and 5 December 1941; each on letterhead ‘From Doctor Williamson / Mount Manor House, / The Mount, / Guildford, Surrey.’
£120.00

Some of Williamson’s papers are held by Boston College. These two items are each 1p, 4to, on aged and worn paper, the first letter with blotting to signature. The two are held together by strip of paper mount. Written little more than a year before Williamson’s death. ONE: 16 October 1941. Begins: ‘Dear Miss Cruse, / I am delighted to have your letter of October 9th, and so glad that my epistle to you gave you any pleasure.’ He finds her books ‘very delightful’, and names ‘the other two’, of whose existence he was ignorant.

[One Victorian painter writes to another.] Autograph Letter Signed from James Sant, RA, to George Lance, regarding a portrait over which he has been ‘going hard’.

Author: 
James Sant (1820-1916), RA, English portrait painter noted for his portraits of children [George Lance (1802-1864), English still-life painter]
Publication details: 
7 March 1856; [?].
£50.00

See the two men’s entries in the Oxford DNB. 2pp, 12mo. On the first leaf of a bifolium, the second leaf being blank, apart from the end of the signature ‘Jas Sant’, which has extended across from the bottom right corner of the reverse of the first leaf. In good condition, lightly aged, with the reverse of the second leaf laid down on a rectangle of grey paper cut from a leaf of an album. Addressed to ‘G. Lance Esqr.’ The letter begins: ‘My Dear Sir / My best thanks for your note. Depend upon it I will look to myself and in doing so look to yr.

[Sir John Rothenstein, art historian and Director of the Tate Gallery, London.] Autograph Letter Signed to Philip Dosse, publisher of ‘Art and Artists’, regarding difficulties in his reviewing Holroyd and Easton’s books on Augustus John.

Author: 
Sir John Rothenstein [Sir John Knewstub Maurice Rothenstein] (1901-1992), art historian and Director of the Tate Gallery, London [Philip Dosse (c.1924-1980), publisher of ‘Art and Artists’]
Publication details: 
9 May 1974; on letterhead of Beauforest House, Newington, Dorchester-on-Thames, Oxford.
£45.00

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 2pp, 8vo. In good condition, lightly aged. Folded once for postage. Signed ‘John Rothenstein’.

[Sir Sidney Colvin, British Museum curator, biographer of Keats and friend of R. L. Stevenson.] Autograph Letter Signed to an unnamed woman, regarding a drawing ‘of small value or none’, copied from Giulio Romano.

Author: 
Sir Sidney Colvin (1845-1927), literary and art critic, Keeper of Prints and Drawings at the British Museum, biographer of John Keats and friend of Robert Louis Stevenson
Publication details: 
5 January 1894; on embossed letterhead of the British Museum, London, W.C.
£45.00

See his entry in the Oxford DNB. 3pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Signed 'Sidney Colvin'. The recipient is not named, but is addressed as ‘Dear Madam’. The letter begins: ‘I am afraid I made a mistake yesterday, in addressing you as E. M. Sharpe Esqr. - but it was the address of the Natural History Museum which misled me.’ In order to make sure this time, he is addressing the present letter ‘to the care of Mr.

[Sir Sidney Colvin, British Museum curator, biographer of Keats and friend of R. L. Stevenson.] Autograph Letter Signed to ‘Mr Fagan’, declining any item from the ‘various volumes and packets of prints’ he has sent.

Author: 
Sir Sidney Colvin (1845-1927), literary and art critic, Keeper of Prints and Drawings at the British Museum, biographer of John Keats and friend of Robert Louis Stevenson
Publication details: 
22 May 1895; on embossed letterhead of the British Museum, London, W.C.
£50.00

See his entry in the Oxford DNB. 2pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Addressed to ‘Dear Mr Fagan’ and signed ‘Sidney Colvin’. He begins by informing him that of the ‘various volumes and packets of prints’ he has been good enough to send, ‘the best is that containing portraits engraved by Ficquet, Savard, & [Marchay de Glury?]. But even of these, we have almost all in the collections here already: so that it will not be worth while to break up the albums by extracting any for the museum’.

[Sir Robert Witt, art historian and collector, co-founder of the Courtauld Institute in London.] Typed Card Signed (‘R. W.’) ordering item from catalogue of bookseller J. A. Neuhuys.

Author: 
Sir Robert Witt [Sir Robert Clermont Witt], art historian and collector, co-founder of the Courtauld Institute of Art in London and National Art Collections Funds, Trustee of the National Gallery
Publication details: 
31 December 1923. On his letterhead, 32 Portman Square, W1 [London].
£35.00

See his entry in the Oxford DNB. In fair condition, lightly aged and with slight wear at base. Typed address to ‘Mr. J. A. Neuhuys, / 37, Dean Road, / Willesden Green, / N. W. 2’. Reads: ‘Will you please send me on approval No. 582a, from your catalogue No. 29. / R. W.’ Recipt marked with red date stamp of 1 January 1924, and message lightly crossed out in pencil.

[William Westall, artist and engraver.] Autograph Letter in the third person to ‘Miss Macirone’ [the composer Clara Angela Macirone], anticipating ‘the greatest pleasure’ in attending her morning concert.

Author: 
William Westall (1781-1850), ARA, artist and engraver, who in his youth travelled to Australia as artist on Matthew Flinders’ HMS Investigator [Clara Angela Macirone (1821-1895), pianist and composer]
Publication details: 
7 June 1847; 7 Pavilion Place, Battersea.
£50.00

See his entry in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice for postage. Begins: ‘Mr. Westall presents his compliments to Miss Macirone & begs to assure her how very much obliged to her he feels for the honor she has done him in sending him two tickets for her morning concert’. He will have ‘the greatest pleasure in attending’ the concert, and is ‘quite sure he shall be very much delighted’.

[‘Reeking of the dungheap’: Sir Claude Phillips, first Keeper of the Wallace Collection.] Anonymous original manuscript poem in Latin, with English translation in same hand, attacking him as a ‘lustful’ user of ‘language planted with dirty refuse'.

Author: 
Sir Claude Phillips (1846-1924), first Keeper of the Wallace Collection, art critic of the Daily Telegraph [Albert Curtis Clark (1859-1937), Corpus Christi Professor of Latin at Oxford?]
Publication details: 
No date [circa 1920?] or place, but circa 1920? On paper watermarked ‘The Club Note | Thomas & Sons | London’.
£100.00

The circumstances surrounding this extraordinary original composition in Latin verse are obscure. See Phillips’s entry in the Oxford DNB, which notes that there was ‘an air of Proust’ about him, and quotes Oliver Brown’s description of him as ‘a stout man, immaculately dressed and heavily scented, who talked continuously while he looked at the pictures'. It may be that Phillips and the author of the poem had been educated together, or that they were members of the same club (the Athenaeum for example).

[Copley Fielding, English landscape painter.] Autograph Letter Signed, suggesting that an unnamed lady bring 'Mrs Sharp' to see 'the pictures which I have prepared for the Exhibition'.

Author: 
Copley Fielding [Anthony Vandyke Copley Fielding] (1787-1855), English painter noted for his watercolour landscapes, born in Sowerby, Yorkshire
Publication details: 
11 April [1821?]. 26 Newman Street [London].
£45.00

See his entry in the Oxford DNB. 1p, 12mo. In good condition, slightly discoloured, with traces of grey paper mount adhering to the blank reverse. Folded once for postage. The year is not given, but the water mark appears to read ‘[18]21’. Good clear signature. Fielding writes: ‘My Dear Madam, / I shall have much pleasure in shewing you the pictures which I have prepared for the Exhibition, should it be agreeable to Mrs. Sharp & yourself to come to Newman at any hour on Monday or Tuesday next, & I hope you will do me the favour of persuading Mr Sharp to accompany you.

[Robert E. Groves, marine and landscape artist.] His Autograph Signature to typed announcement giving details of a meeting to promote the foundation of ‘A Bird Sanctuary for Lymington’.

Author: 
Robert E. Groves [Robert Emmanuel Groves] (1866-1944) marine and landscape artist [bird sanctuary at Lymington, Hampshire; British Seagull, outboard motor manufacturer]
Publication details: 
No date, but after Groves moved to Lymington in the early 1930s.
£56.00

A good illustrated article on Groves and his boats is to be found in the magazine ‘The Gull’, March 2013, pp.19-26 (available online), emphasizing his ‘brilliant line drawings in British Seagull’s early post-war advertising’. 1p, 4to. In fair condition, lightly aged. Neatly folded twice. Twenty typed lines beneath the heading ‘A Bird Sanctuary for Lymington.’ Some lines and passages lightly underlined in red pencil. Signed at foot by Groves, as ‘Organiser and (Sec: pro-tem)’. Begins: ‘An Important Meetings is to be held in / The Assembly Room. Angel Hotel. Lymington. / on / Friday.

'Gluck' [English artist Hannah Gluckstein].] Typed Letter Signed

Author: 
‘Gluck’, pseudonym of Hannah Gluckstein (1895-1978), English artist, lover of Constance Spry, Edith and Shackleton Heald, whose painting ‘Medallion’ is seen as an iconic depiction of Lesbianism
Publication details: 
7 July 1959; on letterhead of The Chantry House, Steyning, Sussex.
£80.00

See her entry in the Oxford DNB. 1p, 4to. In fair condition, aged and creased. Folded twice for postage. She begins by thanking her for her letter on her ‘portrait in the Daily Express’, which ‘is not finished yet and I have possibly another two months to do on it, but the Daily Express (because of the Liberace case) thought it would be nice to do it so I had to accede to their request’. Referring to her campaign to improve the quality of British paints she states that her ‘trouble with my paints is not yet over.

[Thomas Balston, publisher, painter and scholar of book production and illustration.] Autograph Letter Signed to ‘Mr. Tyrrell’, regarding the return of an engraving he has had photographed.

Author: 
Thomas Balston (1883-1967), director of publishers Duckworth and Co, painter and scholar of English book production and illustration, recipient of Military Cross, champion of wood engraving
Publication details: 
10 December 1918; on letterhead of Flat 64, 3 Whitehall Court, SW1 [London].
£50.00

1p, 12mo. In fair condition, lightly aged and creased, with one dog-eared corner. He writes that he has ‘had the engraving photographed’, and can ‘return it together with the casting’, with ‘very many thanks to you for being so kind as to lend it to me’.

[John Bacon [John Collingwood Bacon; Brontes, English artist.] Long Autograph Letter Signed to ‘Miss Sprott’, making detailed and percipient criticisms of four books on the Bronte sisters that she has lent him.

Author: 
John Bacon [John Collingwood Bacon] (1882-1950), English artist [the Bronte sisters]
Publication details: 
17 December 1947, with postscript of 2 January 1948; The Distaff Cottages, Newport, Essex.
£180.00

6pp, 12mo, on two bioliums. A long letter, neatly and closely written. In stamped envelope, with stamps and postmark, addressed to ‘Miss Sprott / Magavelda / Blakeney / Holt [Norfolk]’ and signed ‘John Bacon’. The letter and envelope are in fair condition, on slightly discoloured paper and with short closed tears along the folds made for postage. He begins: ‘Dear Miss Sprott.

[Ernest Griset, illustrator.] Autograph Letter Signed to 'J. Swain Esqre.'

Author: 
Ernest Griset [Ernest Henry Griset] (1844-1907), French-born illustrator who settled in London, best-known for his whimsical and fantastic designs
Griset
Publication details: 
1 Victoria Gardens, Ladbroke Road, Notting Hill Gate, W [London]. 29 October 1879.
£120.00
Griset

1p., 12mo. Good, on lightly-aged paper, with minor traces of mounting on the blank reverse. The letter reads: 'I shall be happy to execute your orders, and shall be obliged if you kindly forward me the blocks and Copy, with your directions upon what style you wish these drawings to be done: to my address as above.'

[Ruth Mercier, nineteenth-century Franco-Swiss artist.] Autograph Note Signed (in her name and on behalf of Rozalia de Jackowska), in French, to ‘Monsieur et Madam Earle’. Incorporating an original ink drawing by her of a walking stick

Author: 
Ruth Mercier (fl.1880-1915), nineteenth-century Franco-Swiss landscape artist who painted Venice [her friend Rozalia de Jackowska]
Mercier
Publication details: 
25 December 1889.
£220.00
Mercier

1p, 16. On the recto of the first leaf of a bifolium of grey paper, with simple drawing in the same ink as the text of a straight plain walking stick stuck in the ground and running up the left-hand margin, with the handle hooked to the right at the top with the dating to its right. In good condition, lightly aged. Reads: ‘le 25 Decembre 89.

[Carl Haag, Bavarian-born orientalist watercolour painter to the Duke of Saxe-Coburg and Gotha.] Autograph Letter in the third person to ‘Mr. & Mrs. Arbuthnot Guthrie’

Author: 
Carl Haag [Johann Carl Haag] (1820-1915), Bavarian-born orientalist watercolour painter and naturalized British subject, court painter to the Duke of Saxe-Coburg and Gotha
Publication details: 
‘5 November [no year] - Monday -’. On letterhead of 16 New Burlington Street, W. [London]
£30.00

As a naturalized British subject, resident in England from the 1850s to 1903, Haag has an entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Mr. Carl Haag presents his compliments to Mr. & Mrs. Arbuthnot Guthrie, and very much regrets not being able to accept their polite invitation for Wednesday next, having already accepted a previous engagement for that day.’

[Philip Hermogenes Calderon, genre painter and Keeper of the Royal Academy.] Autograph Letter Signed to ‘Miss Towgood’ [Mary Ethel Young Towgood], student at the RA Schools, asking for names of authors of ‘Cartoons’ and ‘Creswick’.

Author: 
Philip H. Calderon [Philip Hermogenes Calderon] (1833-1898), British historical genre painter of Franco-Spanish descent, Keeper of the Royal Academy [Mary Ethel Young Hunter [née Towgood] (1878-1936)]
Publication details: 
20 November 1896; on letterhead of Burlington House, Piccadilly [London].
£50.00

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

[Richard Redgrave, RA, landscape artist, as Keeper of Paintings at South Kensington Museum [now Victoria and Albert.]] Autograph Letter Signed declining to buy a painting as it is a portrait and they are in any case short of gallery space.

Author: 
Richard Redgrave (1804-1888), RA. English landscape artist, first Keeper of Paintings at the South Kensington Museum [now the Victoria and Albert], and Surveyor of the King’s Pictures
Publication details: 
22 March 1859; on letterhead of the Science and Art Department, South Kensington, London W.
£85.00

Redgrave’s entry in the Oxford DNB praises his ‘exceptional administrative skill’, and states that ‘Redgrave and Cole supervised the new South Kensington Museum (now the Victoria and Albert Museum), for which Redgrave designed the innovative art gallery to house John Sheepshanks's extensive collection of British art, given to the state in 1857.’ 1p, 12mo. On grey paper. In good condition, laid down on part of a leaf from an autograph album. Pasted down at the head of the letter is a thin strip on which is printed ‘Inspector-General for Art. R. Redgrave, R.A.’ The male recipient is unnamed.

[Margot Asquith, Countess of Oxford.] Autograph Letter Signed (Draft?), urging her ‘Darling’ to overcome the ‘love of blue in yr. pictures’ and ‘do an oil sketch of white on white’. With reference to Selwyn Image.

Author: 
Margot Asquith [Emma Margaret Asquith, Countess of Oxford and Asquith, née Tennant] (1864-1945), wife of Liberal Prime Minister H. H. Asquith, author and socialite
Publication details: 
12 March 1932; on letterhead of 44 Bedford Square, W.C.1. [London.]
£50.00

See her entry in the Oxford DNB. An interesting letter, whose circumstances are intriguing. 3pp, 12mo. On two leaves of letterheaded paper. In pencil. From the Asquith papers, and possibly a draft letter to her son Anthony (‘Puffin’). In good condition, lightly creased. Folded once. The signature is a short squiggle. The handwriting is challenging, and the following interpretation is tentative. She begins: ‘My Darling, I felt rather guilty after leaving you about abusing yr. love of blue in yr. pictures. - I can see that nothing I say can alter yr. love of this colour, & I hate hurting yr.

[Henry Gastineau, landscape painter and engraver.] Autograph Letter in the third person to ‘Miss Nelson’, regarding arrangements for giving her lessons in painting.

Author: 
Henry Gastineau (1791-1876), English landscape painter and engraver
Publication details: 
2 June 1853; Camberwell.
£45.00

See his entry in the Oxford DNB. 2pp, 12mo. With mourning border. In good condition, lightly aged. Folded once. Eighteen lines of text. Begins: ‘Mr H Gastineau presents his compliments to Miss Nelson and in consequence of having received her address from Miss Stringer relative to a wish to receive some instruction from him, he writes’, giving details of when he would be able ‘to give a lesson at Windham Place’, were he to ‘receive a line to say that such an arrangement’ was desirable, after which ‘future appointments can be made’.

[Edwin Long, RA, English artist.] Autograph Letter Signed to ‘Sir Roger’, with regard to the relative merits of Stanhope Forbes and John Bagnold Burgess for receiving a commission.

Author: 
Edwin Long [Edwin Longsden Long] (1829-1891), RA, English painter [Stanhope Forbes (1857-1947); John Bagnold Burgess (1829-1897)]
Publication details: 
12 November 1890; on letterhead of Kelston, Netherhall Gardens, N.W. [London.]
£38.00

See the entries for Long, Forbes and Burgess in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with traces of tape from mount along one edge. Signed ‘Edwin Long’. Begins: ‘Dear Sir Richard / I have just had a chat about your kind enquiry with my friend Burgess, who knows everybody’. While Burgess ‘says Stanhope Forbes is the best man coming on & that he has painted some very good portraits’, from what Long himself remembers of his work, it seems ‘very black’. He concludes: ‘Why not give it to Burgess? he is painting capitally just now & I know he would be very pleased.’

[John Pye, line engraver.] Autograph Letter Signed, offering the artist William Carpenter his vote ‘at the forthcoming election for Sec[re]t[ar]y of the Artists’ Annuity Fund'.

Author: 
John Pye (1782-1874), line engraver, praised by Turner, promoter of professional associations and co-operative movements [William Carpenter (1818-1899), painter; Artists’ Annuity Fund, London]
Pye
Publication details: 
21 June 1839. 42 Cirencester Place, Fitzroy Square. [London]
£180.00
Pye

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers’ ‘best spokesman’, hoping ‘to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation’. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's ‘Liber Studiorum’ followed in 1870. His notebooks are in British Library.

[Adrian Stokes, RA, English landscape artist.] Autograph Letter Signed (‘Adrian Stokes’), thanking ‘Mrs. Terrell’ for her congratulations on his election as an Associate of the Royal Academy.

Author: 
Adrian Stokes [Charles Adrian Scott Stokes] (1854-1935), RA, English landscape artist, husband of Marianne Stokes, part of St Ives artists’ colony, brother of Leonard Stokes and Sir Wilfred Stokes
Publication details: 
8 May 1910. On letterhead of Littleshaw, Woldingham, Surrey.
£56.00

See his entry in the Oxford DNB, and that of his brothers the architect Leonard Scott Stokes and the inventor of the ‘Stokes Gun’ Sir Wilfred Scott Stokes. 2pp, 12mo. In good condition, lightly aged. Folded once. Signed ‘Adrian Stokes’. He has added the word ‘at’ above the letterhead, indicating that the residence is not his (it is in fact the house that his brother Leonard designed for himself).

[‘There has been such “a run on” me’:] Autograph Letter Signed (‘G. H. Boughton’) to J. P. Broadhurst, editor of ‘The Field’, regarding ‘a Menu Card’ and an illustration from his book with E. A. Abbey, which Broadhurst may wish to use.

Author: 
G. H. Boughton [George Henry Boughton] (1833-1905), RA, English artist and illustrator whose childhood was spent in America [The Royal Academy, London; J. Pendred Broadhurst, editor of 'The Field']
Publication details: 
Undated. On letterhead of West House, Campden Hill, Kensington. [London.]
£40.00

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The recipient is named as ‘J. Pendred Broadhurst Esq’. Boughton begins by thanking him for his ‘kind note’. He is ‘quite out of photos for the moment - there has been such “a run on” me’. His portrait is not ‘in commerce’. He is enclosing ‘a Menu Card (of a dinner given me by Messrs Harper in New York)’, which has ‘a portrait by Mr L. Alma Tadema R.A. which I think is a little out of the Common. There is also an illustration from our book - (E. A.

[‘It was pleasant to be raised to the “Upper Shelf”’: George Henry Boughton, RA, artist and illustrator.] Autograph Letter Signed (‘G. H. Boughton’) to ‘Bamley’, on becoming a full member of the Royal Academy.

Author: 
G. H. Boughton [George Henry Boughton] (1833-1905), RA, English artist and illustrator whose childhood was spent in America [The Royal Academy, London]
Publication details: 
1 April 1896. On letterhead of the Reform Club, Pall Mall, S.W. [London.]
£56.00

See his entry in the Oxford DNB. 1p, 12mo. On the first leaf of bifolium. In good condition, lightly aged. Folded once. He begins by thanking him ‘most sincerely for your cheering note of congratulation’. Whilst it is ‘pleasant to be raised to the “Upper Shelf”’, he finds that ‘the position of Associate of the Royal Academy is one that is quite Ideal. To gain that - and to paint a good picture were my two great ambitions’.

[Louisa Starr, artist, the first woman to win a Royal Academy gold medal for painting.] Autograph Letter Signed ('Louisa Starr') to ‘Mr. Potter’ of the Associated Arts Institute, apologising for not being able to attend a letter.

Author: 
Louisa Starr [laterly Louisa Canziani] (1845-1909), British painter, the first woman to win a Royal Academy gold medal for history painting [Associated Arts Institute, London]
Publication details: 
13 November [no year]; 14 Russell Square [London].
£80.00

In 1867 Starr was the first woman to win a gold medal for painting at the Royal Academy, having won a silver two years before. 2pp, 12mo. On bifolium. In good condition, lightly aged, with minor traces of mount on blank reverse of second leaf. Folded twice. She has ‘just received the ticket for the lecture at the Associated Arts Institute’ which he sent, and is afraid she will not be able to use it herself: ‘as we are going to the Opera’. She wonders whether she ‘may be allowed’ to ‘give it to some friends who I think would like to come very much’.

[General Sir Andrew Francis Barnard, army officer and courtier.] Autograph Letter Signed (‘A F Barnard’) to ‘Augustus’, providing information regarding pictures [in the royal collection], and ‘the Clue to their History’.

Author: 
General Sir Andrew Francis Barnard (1773-1855), distinguished Anglo-Irish officer in the British Army, decorated for his services during the Napoleonic Wars, and Equerry to King George IV
Publication details: 
18 December 1842; Canford [i.e. Canford House, Dorsetshire].
£60.00

See his entry in the Oxford DNB. From 1821 to the end of his life Barnard served as a courtier, notably as Equerry to King George IV, and it would appear that the present item is written in response to an enquiry made to the recipient of the letter regarding paintings in the royal collection. He writes from Camford House, where Queen Adelaide, widow of William IV, had taken up residence. 4pp, 12mo. On bifolium with thin mourning border. In fair condition, on aged paper. Folded twice.

[Provincial Georgian Art Connoisseurs.] Two Autograph Memoranda, both signed by ‘W. Hayward’, recording an exchange of paintings (by Correggio, Hobbima, Du Jardin, et al) with ‘Dr. Maddy’ [Edwin Maddy, LLD, Mayor of Gloucester].

Author: 
[Provincial Georgian Art Connoisseurs: ‘Dr Maddy’, i.e. Edwin Maddy, LLD, Mayor of Gloucester, and W. Hayward]
Publication details: 
Both dated 'Gloster 20th. Octr. 1841'. [Gloucester.]
£56.00

Interesting artefacts of provincial Georgian connoisseurship and picture dealers. If genuine (unlikely, given the period) the paintings would be of considerable interest. Given the exchange of cash, ‘W. Hayward’ could well be a visiting picture dealer. Both memoranda in good condition, lightly aged. ONE: 1p, 8vo. Folded four times. Reads: ‘Gloster 20th. Octr. 1841 | Exchanged with Dr. Maddy the following pictures viz / Waterfall &c. - Berghem / Landscape - Hobbema / for / Landscape - K. Du Jardin / Perseus & Andromeda - S. Rosa / and / Cash - £100 / W. Hayward’. TWO: 1p, landscape 12mo.

[Sir William Stirling Maxwell, art historian and book collector.] Autograph Letter Signed to ‘Mr. Dean’ (i.e. Henry Hart Milman, Dean of Saint Paul’s), regarding the drafting of their dissent to the parliamentary ‘Report of the Oaths Commission’.

Author: 
Sir William Stirling Maxwell (1818-78), 9th Baronet of Pollok, Scottish author, art historian, book collector [Henry Hart Milman (1791-1868), Dean of St Paul’s; Edward Pleydell Bouverie; Lord Lyveden]
Publication details: 
6 June 1867. On embossed letterhead of the House of Commons Library.
£50.00

See the entries on the two men in the Oxford DNB. The document to which Stirling Maxwell refers in this letter can be read as ‘Dissent (No. III.)’ on pp.xiii to xxii of the parliamentary ‘Report of the Oaths Commission. Presented to both Houses of Parliament by Command of Her Majesty.’ (London: Eyre and Spottiswoode, 1867). There were five dissenters to the report: alongside Stirling Maxwell and Milman were Robert Lowe, Lord Lyveden, and Edward Pleydell Bouverie. 3pp, 12mo. On bifolium. In good condition, lightly aged, with traces of glue from mounting to blank reverse of second leaf.

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