PAINTING

Autograph Letter Signed ('C H A B') from Rev. Charles Harris Alured Barling of Brook Lodge, Norfolk, to 'My Dear Beevor', expressing dismay at the result of a visit by the auctioneers Christie's to view the pictures of Clarke Stoughton of Bawdeswell.

Author: 
Rev. Charles Harris Alured Barling (1807-1880) of Brook Lodge, Norfolk [Clarke Stoughton of Bawdeswell; Christie's auctioneers, King Street, London, founded by James Christie (1730-1803)]
Publication details: 
Letter: Brooke, Norfolk. 8 April [no year]. List of pictures with reference to a letter of 25 April 1868.
£180.00

Letter: 6pp., 12mo, on bifolium and single leaf. An vivid and entertaining letter, shedding light on Victorian valuation and auctioneering practices. Barling wastes no time in passing on the bad news. 'I am very glad you have written to me about the B[awdeswe]ll. pictures & I can tell you [last world underlined] plainly what the 2 Christie's opinion was which I cd. not do to poor old C[larke]. S[toughto]n. The inspection in issue was a grievous disappointment. So far worse than I cd. have possibly believed, and then coming the question cd. two such Men as the Christies be wrong?

Engraved portraits of the Flemish artists David Teniers the Elder (by Van Leysebetten from a painting by Van Mol) and his son David Teniers the Younger (by Meyssens from a self-portrait), both from Cornelis de Bie's 'Gulden Cabinet'

Author: 
[David Teniers the Elder (1582-1649); his son David Teniers the Younger (1610-1690), Flemish painters from Antwerp; Cornelis de Bie (1627-1715); Pieter van Mol (1559-1650); Jan Meyssens (1612-1670)]
Publication details: 
[Antwerp: Juliaen van Montfort, 1662]
£120.00

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

Autograph Testimonial Signed ('R. B. Henderson MA (Ox) | Head Master Alleyn's School | formerly Assistant Master of Rugby School', for the artist and educationalist E. Clarence Whaite.

Author: 
R. B. Henderson [Ralph B. Henderson] (1880-1958), Headmaster, Alleyn's School, Dulwich, who lived in a ménage à trois with the novelist E. H. Young ('Mrs Daniell') [E. Clarence Whaite (1895-1978)]
Publication details: 
On letterhead of Alleyn's School, Dulwich, SE22. 19 May 1925.
£35.00

2pp., 12mo. Good, on lightly-aged paper with small pin-holes to one corner. 'Mr. H. Clarence Whaite is a part time art master in this School. [...] He succeeds in stimulating an interest in art & has conducted parties of boys over the Dulwich Gallery with that end in view. Of course the post he holds here does not offer much opportunity for the exercise of his powers either as an artist or a teacher of art & he is therefore justified in seeking a position more in accordance with his qualifications.' From the Whaite papers. Whaite was first cousin twice removed of his more famous namesake.

Two Typed Testimonials Signed (each 'T. Percy Nunn') by Sir Percy Nunn [Sir Thomas Percy Nunn], Professor of Education, University of London, for the artist and educator H. Clarence Whaite

Author: 
Sir Percy Nunn [Sir Thomas Percy Nunn] (1870-1944), Professor of Education, University of London [H. Clarence Whaite (1895-1978), Head of Art Department, University of London Institute of Education]
Publication details: 
The first, dated 28 June 1928, on London County Council letterhead. The second, dated 5 August 1937, from 83 Manor Drive, Wembley, Middlesex.
£120.00

Two extraordinarily positive testimonials, especially significant coming from one of the leading educationalists of his age, and also of interest considering the fact that Whaite would follow Nunn to the London Institute. (Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester.) ONE: Written by Nunn as Principal, London County Council, London Day Training College (University of London), Southampton Row, London, WC1. On College letterhead; 28 June 1928.

Autograph Letter Signed from the English playwright and comic author Tom Taylor to 'Col: Cunningham' [later Sir Alexander Cunningham], regarding a painting of the Countess of Pembroke, and Cunningham's collection of pictures.

Author: 
Tom Taylor (1817-1880), English playwright and art critic at The Times, whose play 'Our American Cousin' was being performed when Lincoln was assassinated [Sir Alexander Cunningham (1814-1893)]
Publication details: 
On letterhead of the Local Government Act Office, 8 Richmond Terrace, Whitehall. 24 November [no year].
£95.00

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.

Autograph Letter Signed ('John Linnell Sen.') from the English portrait painter John Linnell to the Glasgow picture dealer Thomas Lawrie, regarding the verification of a picture ['The Woodcutters'] and describing work he will have for sale.

Author: 
John Linnell (1792-1882), English landscape and portrait painter, an associate of William Blake, Samuel Palmer and the Ancients [Thomas Lawrie, Glasgow picture dealer]
Publication details: 
Red Hill [Redhill, Surrey]. 15 December 1870.
£250.00

2pp., 12mo. Bifolium. 28 lines of text. In fair condition: aged and a little ruckled. Docketed 'The Woodcutters' (a theme around which Linnell produced several paintings). Linnell writes that he has just received Lawrie's 'half note for £5 - and will not fail to attend to your wishes about The Verification'. He explains that he usually requires, in addition to the fee, 'an assurance that I shall not be called upon personally to give evidence respecting the work said to be mine.

Autograph Letter Signed ('S. Prout') from the painter Samuel Prout to the Secretary of the Athenaeum, Edward Magrath, an abject letter, describing his 'woeful plight' and complaining that he is 'out of mind'.

Author: 
Samuel Prout (1783-1852), English watercolour artist [Edward Magrath (1799-1856), Secretary, Athenaeum, Pall Mall; Dominic Charles Colnaghi (1790-1879), London printseller]
Publication details: 
Bedford Terrace, Clapham Rise. Postmarked 29 April 1836.
£220.00

2pp., 4to. 29 lines of text. Bifolium. In very good condition, on lightly-aged mourning paper, with broken black wax seal. Reverse of second leaf addressed to 'E Magrath Esq | Athenaeum | Pall Mall'. The letter begins: 'Yes, Truth, (as you say) is better than a thousand apologies. | From the Evng I was last in town (when I met your respected & kind friend Mr. J.

[Printed handbill.] Description (By Mr. Tom Taylor, M.A.) of the "Triumph of Christianity" painted by M. Gustave Doré

Author: 
Tom Taylor, M.A.; Gustave Doré
Publication details: 
Bradbury, Evans, and Co., Printers, Whitefriars. [Circa 1867.]
£125.00

4pp., 12mo. Bifolium. Aged and ruckled. Doré's huge painting 'The Triumph of Christianity over Paganism' was first exhibited in the Egyptian Hall in Piccadilly in 1867.

Autograph Letter Signed ('Oliver') from artist and stage designer Oliver Messel to collector Hans Juda, describing his terms for the sale of the originals of two 'designs for the Glyndebourne brochure' in 1952, which Juda's firm helped produce.

Author: 
Oliver Messel [Oliver Hilary Sambourne Messel] (1904-1978), English artist and stage designer [Hans Juda [Hans Peter Juda] (1904-1975), art collector and publisher; Vagn Riis-Hansen]
Publication details: 
No place or date. [2 December 1952.]
£220.00

1p., folio. Fair, on lightly-aged paper; with staple- and punch-holes in left-hand margin. Docketed in pencil, at head 'file Oliver MESSEL', and at foot '2/XII/52'. He thanks him for 'your charming messages [...] about the designs for the Glyndebourne brochure', which were 'given me by Vagn' (Messel's partner Vagn Riis-Hansen). 'For the one design ie.

Autograph Letter Signed ('R. S. Lauder') from the Scottish historical painter Robert Scott Lauder to the Liverpool painter W. G. Herdman, regarding to the sending to Edinburgh of one of his pictures, with another by his brother James Eckford Lauder.

Publication details: 
35 Upper Charlotte Street, Fitzroy Square, London. 23 January 1847.
£65.00

1p., 12mo. Good, on lightly-aged paper, with thin strip from mount adhering to blank reverse. Addressed to 'W. G. Herdman Esqr. | Liverpool'. If his brother's picture ('Mr J. E. Lauder') and his own 'are not by this time sent off'', he would like this done immediately, 'as they must be in Edinh. by the 1st of Feby.'

Autograph Letter Signed from the Scottish painter Thomas Faed inviting a fellow-painter to his studio, and expressing concern that his paintings may get 'massacred [...] in the hanging'.

Author: 
Thomas Faed (1826-1900), RSA, Scottish painter
Publication details: 
24a Cavendish Rd, St John's Wood [London]. 3 April [post 1876].
£80.00

3pp., 12mo. Bifolium. Watermarked 'JOYNSON | 1876'. Fair, on lightly-aged paper, with minor staining from mount at foot of second leaf. Written in a hasty, untidy hand. The recipient appears to be 'My dear Hornby', 'Horley' or 'Howley'. Faed writes that he is 'slaving away chopping and changing sometimes worse and sometimes better (I hope) on Saturday, Sunday, and Monday. 7th.

Autograph Letter in the third person from Sir Charles Lock Eastlake, sending money for 'Mr. Mauld' to give to a 'young lady'.

Author: 
Sir Charles Lock Eastlake (1793-1865), English artist and President of the Royal Academy
Publication details: 
7 Fitzroy Square, London. 28 October 1850.
£56.00

1p., 12mo. In good condition, with slight discolouration from glue. Reads: 'Mr Eastlake presents his compliments to Mr. Mauld & begs to enclose a half sovereign for the young lady on whose behalf Mr. Mauld has applied to him. | 7. Fitzroy Square | Octr. 28. 1850.'

Autograph Note in the third person from Sir Charles Lock Eastlake, painter and President of the Royal Academy, to 'Mr Whitaker', giving ''Mr Millais' address'.

Author: 
Sir Charles Lock Eastlake (1793-1865), English artist and President of the Royal Academy [Sir John Everett Millais]
Publication details: 
7 Fitzroy Square, London. 5 February 1863.
£65.00

1p., 12mo. Good, with the blank second leaf of the bifolium having slight staining from mount, and having laid down on it a newspaper cutting headed 'DEATH OF SIR C. EASTLAKE', docketd 'E & T Dec 26/65'. The note reads: 'Sir Chas Eastlake presents his compts. to Mr Whitaker & begs to inform him that Mr Millais' address is No. 7. Cromwell Place | Kensington. S.W. | 7. Fitzroy Sqr. (London) | Feby 5 1863.'

Autograph Letter Signed ('Philip H Calderon.') from Philip Hermogenes Calderon, member of the St John's Wood Clique, to fellow-artist John Callcott Horsley, describing a trip to the 'dissolute city' of Paris.

Author: 
Philip Hermogenes Calderon (1833-1898), English painter born in France of Spanish extractino, member of St John's Wood Clique, Keeper of the Royal Academy, London [John Callcott Horsley (1817-1903)]
Publication details: 
On letterhead of 9 Marlborough Place, St John's Wood, NW. 'Sunday Evening' [no date].
£220.00

3pp., 12mo. Bifolium with mourning border. Good, on lightly-aged paper, with thin neat strip of paper mount at head of third page.

Typed Letter Signed ('Edwin H. Blashfield') by the American mural painter Edwin Howland Blashfield, inviting Mr and Mrs Thomas to visit him in his studio in Carnegie Hall, to see works 'which will probably not be exhibited again in New York'.

Author: 
Edwin H. Blashfield [Edwin Howland Blashfield] (1848-1936), American mural painter [Carnegie Hall, New York]
Publication details: 
[New York.] 17 April 1918.
£120.00

1p., 12mo. Good, on lightly-aged paper. A circular, with Blashford adding the names of the recipients in manuscript, together with the words 'and Thursday, April 25' and 'and a pastiche poster'. An invitation on 22 and 25 April 1918, to 'a very few friends (as my studio will only hold a few) to come to me on the eighth floor of Carnegie Hall, 57th Street and 7th Avenue, to see several decorative canvases, and a pastiche poster, some of which will probably not be exhibited again in New York'. Blashfield's papers are in the Archives of American Art at the Smithsonian.

Calling card of 'Mrs. Byam Shaw [the artist Evelyn C. E. Shaw, born Evelyn Eunice Pyke-Nott].

Author: 
Evelyn C. E. Shaw (1870–1959) [born Evelyn Eunice Pyke-Nott], artist, wife of the painter Byam Shaw (1872-1919)
Publication details: 
Undated.
£38.00

Measuring 9 x 6 cm. With 'Mrs.. Byam Shaw' in larger type in centre, with '62, Addison Road, W.' in bottom left-hand corner, and '2nd. Wednesday &| 2nd. Thursday' diagonally in top left-hand corner. On aged paper, with the address '21 Wilton Street | S. W. 1 | Wednesday' in ink at head, and '88 Brook Green' in pencil on the reverse. A pencil name and telephone number ('Vic. 3583') have been erased.

Autograph Letter Signed from Sir Gilbert Mackereth ('Gilbert Mackereth'), British Consul at Damascus, to Ernest Gye of the Foreign Office, on his posting to Tangier, and including a discussion of British artists there.

Author: 
Sir Gilbert Mackereth (1892-1962), British army officer and diplomat [Ernest Frederick Gye (1879-1955), diplomat; Damascus, Syria; Henry Bishop (1868-1939), RA, British artist]
Publication details: 
On letterheads of the British Consulate, Damascus; 21 January 1933.
£75.00

8 pp, 12mo. In very good condition, on lightly-aged paper. Addressed to 'Dear Ernest'. He begins by congratulating Gye on his promotion and 'on going to Tangier - a delightful spot'. It is however 'very sad' that Gye's 'guiding hand over our destinies will no longer be there in the Office'. He thanks Gye for his 'kindness' and 'sympathy': 'My path has lain along uneventful ways and it has been an untold solace to feel you did not despise those who had mearly [sic] to 'stand & wait''.

Seven Autograph Letters Signed (five 'Glyn' and one 'Glyn Philpot') from the artist Glyn Philpot to the diplomat Ernest Frederick Gye.

Author: 
Glyn Philpot [Glyn Warren Philpot] (1884-1937), painter and sculptor [Ernest Frederick Gye (1879-1955), diplomat]
Glyn Philpot [Glyn Warren Philpot] (1884-1937), painter and sculptor
Publication details: 
One dated 1927 and another 1931; the others undated. Three from Lansdowne House, Holland Park, the others from London and Paris.
£600.00
Glyn Philpot [Glyn Warren Philpot] (1884-1937), painter and sculptor

The seven items in fair condition, on lightly-aged paper and with the last two with wear to extremities. ONE: 15 June 1929; on letterhead of Lansdowne House, Lansdowne Road, Holland Park. 1 p, 4to. Accepting a dinner invitiation. 'I wish we did not meet so seldom, and after this long gap I hope we shall see each other more often'. TWO: 10 January 1931; on letterhead as One. 2 pp, 12mo. He is 'going to work in Paris a good deal this year - and shall often have occasion to take unfinished - or finished - things - pictures drawings - small sculpture to & fro between here & Paris'.

Autograph Letter Signed ('Blanche Lindsay') from Lady Blanche Lindsay, poet and artist, wife of Sir Coutts Lindsay, founder of the Grosvenor Gallery, to 'Mr. Evans'.

Author: 
Lady Blanche Lindsay [Lady Caroline Blanche Elizabeth Fitzroy Lindsay] (1844-1912), wife of Sir Coutts Lindsay, founder of the Grosvenor Gallery
Lady Blanche Lindsay
Publication details: 
4 April 1888; 4 Stratton Street, Piccadilly, London.
£230.00
Lady Blanche Lindsay

12mo, 3 pp. On bifolium. Clear and complete. Good, on lightly-aged paper. She has 'finished the brown drawing of elves, & birds singing', and, as she is going into the country for a few days, will leave it, 'in a portfolio', at Stratton St. She asks him to 'kindly take care of it', as he has been 'good enough to do with the others. It is, as you know, a very careful & highly-finished drawing'. She asks him to have 'the delicacy of the lines reproduced, & the drawing of the limbs of the little elves, etc. very carefully & exactly rendered, otherwise the drawing wd.

Autograph Card Signed from the Scottish artist Robert Macaulay Stevenson to his 'brother-artist' David Sassoon of Kirkcudbright. With signed print of a landscape by Stevenson.

Author: 
Robert Macaulay Stevenson (1854-1952), Scottish artist, associated with the 'Glasgow Boys' school [David Sassoon (1888-1978), Kirkcudbright artist]
Autograph Card Signed from the Scottish artist Robert Macaulay Stevenson
Publication details: 
'Kirkcudbright | Yuletide 1934'.
£75.00
Autograph Card Signed from the Scottish artist Robert Macaulay Stevenson

Dimensions of card 14.5 x 11 cm. Bifolium. Good, on lightly-aged paper. Cloudy print of landscape on recto of second leaf, signed in pencil 'R Macaulay Stevenson'. Neat pen inscription on recto of first leaf: 'My dear brother-artist Sassoon and dear Madame Sassoon this is just from Stansmore and myself to wish you a Merrie Christmas and a Happy New Year | [signed] R Macaulay Stevenson | Kirkcudbright | Yuletide 1934'.

Coloured drawing by F. Afchain-Vanpoulle of Liège of a design for the processional banner of the Jupille section of the feminist wing of the Belgian Labour Party ('P.O.B. Action Feminine Section de Jupille'), with pencil annotations.

Author: 
F. Afchain-Vanpoulle, 106, rue Cathédrale, Liège [Action Feminine (founded 1921), Parti Ouvrier Belge; Belgian Labour Party; feminism; women's rights]
Publication details: 
Undated [1920s]. Stamp of 'F. Afchain-Vanpoulle, 106, rue Cathédrale, Liège'.
£280.00

On one side of piece of thick wove paper, 36 x 28 cm. The design is clearly and neatly drawn, coloured in orange, gold, red, blue, brown, black, grey and pink. The banner, casting a grey shadow, is shown tied by ribbon with black, yellow and red stripes onto a spearheaded flagpole, with carved horizontal branch. The banner has a bright red ground, and is of irregular rectangular shape (curved outer lower corner), with gold tassels along the lower edge.

Collection of papers relating to the editing and design by Montague Shaw of Michael Simonow's two books on the Polish artist Zdzislaw Ruszkowski ('Unofficial War Artist' and catalogue raisonné), with correspondence by the artist and photographs.

Publication details: 
1984 to 1987. Both books were published in London by Mechanick Exercises: 'Unofficial War Artist' in 1985 and the catalogue catalogue raisonné in 1987.
£500.00

The collection is in very good condition, containing four items of autograph correspondence from Ruszkowski to Shaw, all signed 'Zdzis'. One: Autograph Letter Signed. Undated. 8vo, 3 pp. Expressing his extreme disappointment with 'the proposed arrangement of the double-page and the suggested treatment of the illustrations. 'Nearly one third of the drawing [sic] is left out and alters the sense of the theme. Each illustration is composed to stress the situation and can't be mutilated at the will to suit the arrangement at the page.

Five coloured posters by Australian artist Ellis Silas, each in the style of a frieze or panorama, depicting eleven 'British' explorers, from the Cabot brothers to Captain Oates, before scenic backgrounds.

Author: 
Ellis Silas (1883-1972), Anglo-Australian artist, official war artist with ANZAC forces in the First World War [British poster art]
Ellis Silas (1883-1972), Anglo-Australian artist
Publication details: 
[1930s? Place and publisher not stated.]
£250.00
Ellis Silas (1883-1972), Anglo-Australian artist

The five posters, presumably produced for the classroom, are scarce, with no reference to them on the internet or elsewhere. They are attractively painted in a bold and vivid panoramic frieze style. Each carries a single illustration showing two (counting the Cabot brothers as one) explorers in front of groups of men, with a merged background behind them.

Photographic reproduction of ink drawing by the English artist C. W. Furse, for an 1892 menu, titled 'GHOULS', and carrying an original signed inscription by Furse 'To my friend H[ercules]. [Brabazon] Brabazon. [signed] Charles W Furse.'

Author: 
C. W. Furse [Charles Wellington Furse (1868-1904); Hercules Brabazon Brabazon (1821-1906), English painter]
Ghouls [C.W. Furse].
Publication details: 
Dated as part of the design 25 January 1892 and 'C. W. FURSE ./ 92'.
£325.00
Ghouls [C.W. Furse].

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

Autograph Letter Signed from the English painter Adrian Allinson to fellow-artist Jean Inglis.

Author: 
Adrian Allinson (1890-1959), English artist [Jean Inglis]
Autograph Letter Signed from the English painter Adrian Allinson
Publication details: 
29 March 1956. Postmark of St John's Wood, London.
£56.00
Autograph Letter Signed from the English painter Adrian Allinson

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

Autograph Letter Signed from English painter Henry Lamb, R.A., to fellow-artist Jean Inglis.

Author: 
Henry Lamb (1883-1960), R.A. English artist of the Camden Town Group [Jean Inglis]
Autograph Letter Signed from English painter Henry Lamb
Publication details: 
4 July 1944; St John's Cottage, Cambridge.
£125.00
Autograph Letter Signed from English painter Henry Lamb

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

Autograph Note Signed from the Punch illustrator Charles Keene ('Charles S. Keene') to fellow-artist Frank Walton.

Author: 
Charles Keene [Charles S. Keene; Charles Samuel Keene] (1823-1891), English illustrator, known for his work for 'Punch' [Frank Walton (1840-1928), artist]
Autograph Note Signed from the Punch illustrator Charles Keene
Publication details: 
Undated. 55 Baker Street, London.
£45.00
Autograph Note Signed from the Punch illustrator Charles Keene

12mo, 1 p. Fair, on aged paper folded twice. He has 'no idea where the Graphotype Company "hail from" & cannot find out', despite making enquiries.

Eight original silhouettes of eighteenth-century head and shoulder profiles of fashionable men and women.

Author: 
[Silhouettes; portraiture; eighteenth-century fashion]
Eight original silhouettes of eighteenth-century head and shoulder profiles
Publication details: 
[Undated.]
£85.00
Eight original silhouettes of eighteenth-century head and shoulder profiles

On eight pieces of 8vo paper, one of which has ha d a 3 cm horizontal strip cut away at the foot (not affecting the image). On a variety of different paper types, all wove. Good, on aged paper. Attractive images, ranging in height from 7 to 9 cm, of four women and four men, all clearly belonging to the eighteenth-century middle-classes. Executed in black ink using both pen and brush. Not full silhouettes: in some cases the hair is picked out in white. One of the images, of a young woman with curls and a bow, treated twice in slightly different styles.

[printed art exhibition catalogue] Société des Beaux-Arts. Notice des ouvrages d'Arts exécutés par des Artistes vivants et exposés aux salles de l'Hôtel-de-ville de Malines le 25 septembre 1814,

Author: 
Société des Beaux-Arts, Malines [Mechelen; Mechlen; Belgium; P. J. Hanicq; art catalogue; Belgian painting]
Catalogue. Société des Beaux-Arts, Malines
Publication details: 
[1814.] A Malines, De l'imprimerie de P. J. Hanicq.
£125.00
Catalogue. Société des Beaux-Arts, Malines

12mo, 22 pp (followed by final blank leaf). Stitched pamphlet. Text clear and complete. On discoloured and worn paper. 152 'ouvrages d'arts' arranged in alphabetical order under the names of the artists, from 'François Alewaters, peintre à Malines' and 'Henri Adams, à Malines' to 'G. P. Wuyts, de Lierre' and 'L. Zwitzer, de Malines'. Preliminary notice headed 'Police du Salon'. Scarce: no copy on WorldCat or COPAC.

Manuscript Letter from Bradley & Co., 'Picture Frame Makers, Packers & Conveyancers, Exhibition Agents' to the artitst W. F. Stocks, giving their charges for delivering pictures to the Royal Academy.

Author: 
Bradley & Co., Picture Frame Makers, Packers & Conveyancers, Exhibition Agents, of London [The Royal Academy]
Picture Frame Makers, Packers & Conveyancers
Publication details: 
London, 14 March 1903; on Bradley & Co. letterhead, 81 Charlotte Street, Fitzroy Square, London.
£56.00
Picture Frame Makers, Packers & Conveyancers

12mo, 2 pp. Bifolium. Written out in one hand, and signed 'Bradley & Co' in another. Addressed to 'W. F. Stocks Esqre | Glen Elwy | St Asaph. | Flint[shire]'. Thirteen lines. Text clear and complete. On foxed and lightly-aged paper. Giving the firm's 'charge for receiving unpacking & delivering pictures to the R.A. or other London Exhibitions' and for 'collecting repacking & forwarding', as well as the dimensions of pictures for which these charges apply.

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