VICTORIAN

4to, 4 pp. Bifolium. 87 lines. Text clear and complete. Fair, on aged paper, with wear to extremities and a spike hole to one corner. Written in ink in a Victorian hand, and with three changes in pencil. Docketed at head 'The art of Vocalization'. Towards beginning writes that the subject is one which he has 'studied many years in close connexion with the most eminent Masters of Italy, most of whom I may rank among my personal friends, and the pith of whose conversations, added to my own experience I propose embodying in a few short essays upon the Formation of the Voice'.

4to, 6 pp, with a seventh leaf carrying the title 'The Ludlow Hunt Alphabet. An Adaptation.' (The title at the head of the poem itself is 'The Ludlow Alphabet. An Adaptation.') A genuine typescript, and not a reproduction. A poem of 128 lines, divided into 32 4-line stanzas. Fair, on aged paper, with the last leaf laid down on a leaf of an autograph album, with traces of a newspaper cutting on the reverse. Consisting of playful references to members of the Hunt, arranged alphabetically. First stanza: 'A's for Allcroft, on chestnut | With frontlet of blue.

Landscape 12mo. 17 lines. Text clear and complete. Fair, on aged and lightly-creased paper. For a graphologist Miss Baughan's handwriting is curiously angular and crabbed. Explaining that 'these together with some 2 dozen others were overlooked in the July packet - at least this was how it was - each week a packet is sent & I do the packets in rotation of their dates'. She is 'really now doing the September studies'. Continues in same vein. Baughan published a number of works on what would now be called 'new age' subjects in the 1880s.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. Attractive engraving of a blackberry cutting. The second page is headed 'THE AMERICAN BLACKBERRY', and begins 'There is scarcely a more wholesome fruit than this, and one that has been more improved by judicious cultivation on the American side of the water.' The text, which continues to the last page and is signed in type by Lowber, contains two quotations from 'Rev. E. P. Roe, one of the most celebrated small fruit culturists on the banks of the Hudson'. In manuscript at foot of third page: '15/- per doz.

12mo, 4 pp. Bifolium. 51 lines. Text clear and complete. Good, on aged paper. Chatty and spirited letter. 'I propose myself the honour and pleasure (seldom indeed, save in common parlance!) of paying you a visit, - to present you with a copy of "Westminster Abbey"', which has 'emerged from the press in the orthodox three volumes'. Does not want to give him 'an excuse for not flashing your eye through it'.

All in good condition on lightly-aged paper, and all but one (Letter Five) bearing the Society's stamp. Letters One, Two and Six docketed. Letter One (18 November): 12mo, 2 pp. Hoping that Wood, 'as an Ex President of the Royal Photographic Society of Great Britain', will 'help the Hurter and Driffield Memorial Fund [of which he is Honorary Treasurer] which is being got up [by the Royal Photographic Society] [...] to do honour to the memory of those famous workers in the Chemistry & Physics of Photography'. Letter Two (26 November): 4to, 2 pp.

Both 12mo, 1 p; and both bifoliums. Both aged and creased. Letter One (recipient not named): Asking to be sent any works 'that would give information on the subject of Chaplaincies abroad in connection with the Government or otherwise', as well as 'a copy of the publisher's circular regularly'. Letter Two (to Smith): Asking if there 'have been any sales of Salverte since the Athenaeum Advertisement', and what Smith would give 'for the whole lot on hand (say per 100 copies) if willing to take them off my hands'.

Folio, 65 pp. In a number of hands. Clear and complete. Heavily aged, in worn binding with front board and flyleaf detached. Many of the leaves are blindstamped at the head with the royal crest. With stamps of the Public Record Office Library, and withdrawal stamp from 'TNA Library' (The National Archives Library) dated 28 July 2007. At head of flyleaf: 'This volume is a manuscript copy of C 1 3 on the search room shelves'. A finding aid, numerating the census returns for the districts of the various counties from Bedford to Yorkshire, Wales, the Channel Islands, and the Isle of Man.

Striking vellum document, 60 x 75 cm. Docketed on reverse. 32 lines of text, ruled with red lines, with ornate engraved decorative border along three sides, headed in large letters 'Victoria by the Grace of God', and depicting the young Queen, the royal crest, a crown held by a cherub, blind justice, and other images. Tax stamp in margin and frayed ribbon at foot. On 9 September [V Geo.

12mo, 1 p. Eight lines. Text clear and complete. Fair, on aged paper. Asking if Webster requires a seat at a celebratory dinner for George Washington, 'Tickets not to exceed one Guinea'.

Around the size of a modern cheque. Fair, on lightly-aged paper. A nice item, considering Rogers' background. A printed cheque for £40 cash, written out to himself (as 'S R'). With a lattice of five lines over Rogers' signature ('Saml Rogers') indicating payment. Denominations to be paid indicated on back.

12mo, 2 pp. Bifolium. Fair, on aged paper. He begins 'Print the farce', and gives two conditions, ending 'There that's definite'. He will have the farce published after it is performed in London, 'at a good theatre of course'. 'But get on with it and lets have the proofs.' He will 'most likely' play it himself 'at Manchester and somewhere else, when I will put all this stage business &c in'. Ends 'Toole wants to do it. | Yours Tooley - I mean Truly'. In one of two postscripts he hopes Lacy has 'a good supply of Billy Taylor. Hopewood & Crew publish it.'

12mo, 1 p. Ten lines. Clear and complete. Fair, on aged paper. Letterhead in red. Headed 'My Garden' (in 1907 Arrowsmith published 'My Garden and other Poems by John Gregory. With an appreciation by E. J. Watson'). He wonders whether the book is 'worth notice'. 'There is no mistake about Gregory being a working man [he was a cobbler]. His son is Prof. of astronomy and Assistant Editor of Nature'.

On a square of paper, circa 10 x 11.5 cm. Aged and lightly-creased. Evidently a reply to a request for an autograph. Bold signature, with the whole reading 'Your's faithfully | Clarendon'. Docketed with a few biographical details on reverse.

8vo, 1 p. Image clear on aged paper, with the leaf loosely attached to the letterpress title of the work whence it comes (see below), that title being laid down in a folder with a window cut into the front for viewing the card through. The dimensions of the engraved illustration are roughly 12.5 x 8 cm, with the main feature of the elaborate design being contained in a circle 8 cm in diameter.

The prospectus is folio, 3 pp, in a bifolium. Loosely inserted is a folio leaf, with the testimonials printed on one side, and a quarto leaf with four engraved illustrations: two of wheels under carriages, and two showing details of the springs on those wheels. The three items are on aged paper, with the illustrated leaf in good condition, and the other two items with chipping and closed tears. The texts and illustrations of all three items are clear and complete, apart from some loss to a footnote to the testimonials, caused by the page being printed too low on the leaf..

One page, thirteen lines, 8vo, small closed tears, text clear and complete. "As I cannot continue my lectures on [? see scan], for some time to come I return a proportion of the balance of money collected in various towns. I have not taken one penny for my labours, but I propose to retain about one third of the balance [underlined] as there were innumerable etceteras about a work like mine. If any of the subscribers object to this, please let me know. - I enclose a cheque for £5." Best has listed 6 recipients of shares of this £5 on the verso of a conjoint leaf ,and with a small sum.

12mo, 1 p. Fair, on aged paper folded twice. He has 'no idea where the Graphotype Company "hail from" & cannot find out', despite making enquiries.

12mo, 2 pp. Bifolium. Twenty lines. Text clear and complete. Fair, on aged paper. Because of the 'Very great outlay attending the production of the work at the onset', asks for a year's advance subscription of £1 10s 0d. Gives the publication date, adding 'from the distinguished literary aid I have received I am sanguine enough to hope that it will mert your full approval'.

The slides, apparently from a newspaper library, are both bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. Each carries a manuscript caption in white ink on the black mount. The first slide - 'Harbour, New Quay' - shows a view down into the Harbour, with stone pier and fishing boats. The second - 'Lifeboat. New Quay, N. Cornwall' - shows a procession a distant view of a crowd of men and women in Edwardian dress on a beach before a large rock around a lifeboat being drawn away from the water by four horses.

Three striking unfamiliar photographs (the last two in particular excellent compositions) of a significant historical event. The three slides are bound in 8 cm glass squares, with none of the glass shattered, and the images themselves in good condition, clear and unfaded. Each mount carries the stamp of the photographers Gibson & Sons. With numbered labels carrying a shelfmark. Each mount titled in manuscript. ONE: ' Schiller" wreck. Lifeboat in which Survivors came ashore'.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

Folio, 4 pp. Text clear and complete. Fair, on lightly-aged and creased paper.

Folio, 12 + [i] pp. Text clear and complete, with a few pencil underlinings. Aged and somewhat worn. Folded vertically in the centre to make the conventional long legal packet, with the right-hand side of the reverse of the last leaf (with is stamped in red with the number 273683) carrying the printed title, with the address of the solicitors altered in pencil to 18 Pall Mall SW1, and with two manuscript names deleted: 'Mr. Finlay. Q.C. | Mr. Rowland Gibson'. Unsigned draft copy. No copy of this historical item on COPAC.

A nice collection of Victorian Shakespeare ephemera. All four items with text clear and complete, on lightly-aged and worn paper. The 'Description' is printed in red, on both sides of a piece of paper 13.5 x 18 cm, with both vertical edges perforated. 'This may be retained as a Souvenir' along one edge. Dated at end 'RICHARD SAVAGE, Secretary and Librarian to the Trustees. | 1896-6.' Along head of first page: 'The Committee request that no Gratuities be offered to the Attendants.' Numbered 22989 in black.

On slip, 5 x 9.5 cm, cut from the head of a letter. Fair, on lightly-discoloured grey paper. The reverse reads '14 Hyde Park Terrace | 4 Aug 1868 | Sir | I regret that my engagements at the end of September & the beginning <...>', and the reverse reads 'the promotion of Social Service | I am your obedient | [signed] Romilly'.

On one side of a piece of landscape 8vo grey wove paper. Clear and complete. Discoloured and worn, with spike hole at centre. Printed part of receipt reads 'London, ..........18..... | 49, Friday Strt. Cheapside. | M............ | Bought of Joseph Webb, | Importer of Cigars.' The bill is for '2lbs. Bengal Cheroots - 9/- | 18/-', with the receipt reading '1852 | Aug 4th. paid [signed] Jo: Webb'. Docketed on reverse 'Webb | 18/'. Webb does not appear to have traded from the site for very long, and little is to be discovered about him.

On one side of a slip of laid paper, roughly 21 x 8 cm. Printed form for burial in the 'SECOND GROUND.' (amended in manuscript to 'Third'). Gardiner is said to be 'Above [amended from 'Under'] the Age of 10 Years.' Printed charges are for Ground and Bell, Rector, Clerk, Sexton, and Registrar'; with 'Extra Digging' added in manuscript, with '4 OClock Precisely'. Printed note at foot: 'N.B. The Sexton is directed not to enter an Order for any funeral until the Fees are paid.' St.

8vo, 12 pp. Stitched as issued. Good, on lightly-aged paper. Two engravings ('Egyptian Obelisks' and 'Egyptian Sarcophagus') in text. Begins 'The subject on which I am about to make a few remarks this evening is the Sculptural Art Treatment of Granitic Surface, or the Surface of Granite.

12mo, 2 pp. Bifolium. Written out in one hand, and signed 'Bradley & Co' in another. Addressed to 'W. F. Stocks Esqre | Glen Elwy | St Asaph. | Flint[shire]'. Thirteen lines. Text clear and complete. On foxed and lightly-aged paper. Giving the firm's 'charge for receiving unpacking & delivering pictures to the R.A. or other London Exhibitions' and for 'collecting repacking & forwarding', as well as the dimensions of pictures for which these charges apply.