Essayist and dramatist (1830-1877). Portrait photograph, 3¾ inches by 2½, from the studio of Charles Watkins, 54 Chancery Lane, of a heavily-bearded Halliday looking to the right in jacket, coat and striped tie. The photographer's details and device are printed on the reverse of the mount, which is docketted "Andrew Halliday / 1873", and carries traces of glue and paper. Somewhat grubby.
Artist. One page, 4to. He says that he is Secretary of the Artists' General Benevolent Fund for the year 1938-9 and asks for support for those artists in difficulty in "this period of unrest & uncertainty".
Antiquarian and art connoisseur (1857-1929). 3pp., 8vo. He wishes to clarify the view he and his colleagues at the British Museum are taking on "the Thompson memorial", ignoring it since it is a British Academy matter not British Museum.
Artist. One and 2pp., 8vo. (1899) He suggests the steps she must take to arrange the loan a a "miniature table" from the Royal Academy. (1904) He gives permission for his "Diploma Picture" to be reproduced in the "Windsor Magazine", revealing its history (an illustration to Tennyson's lines in "Break, break!"). He later appears to allude to a collection of moutaineering pictures(?). 2 items,
Artist (1879-1972). One page, 8vo. He had discussed with "Mr Entwhistle" (wallpaper historian) a little collection of wallpapers he had purchased. Entwhistle had retired but suggested he write to Archer. He thought he did, and found a copy of his letter. "If you are not interested it will be quite easy for you to let me know". photocopy of a page from Derek Stanford's biography of Kelly tells the story of his pruchase of "a trunk-full of Second Empire wall-papers" which he gave to the V & A at the end of his life.
Diplomat and Lord-Lieutenant of Ireland (1752-1825). 2 & 4pp., 8vo. (1820) He expresses gratitude for Mahon's part in getting him membership of the Society of Antiquaries, and discusses his future resolves in its regard. (1822) He renews a request for a portrait of Sir Walter Scott to hang at Knole, and goes into some detail. 2 items,
The Glennan[?], Helensburgh, N.B., 3 August 1900 and 88 Kensington Park Road, London, no date.
Poster artist (1868-1948). (1900) 3 pages, 8vo, black-edged,foxing and fold mark, remnants of laying down in album, text clear and complete. He describes the deat of his wife in childbirth ("She [Isabel, first wife] was up and about in the morning, confined of a wee girl baby at one midday and all over at 3. everything was going so well too. It was finished so quickly that I never saw her conscious tho' I was in the next room. Its all too awful to think about. The cause was . . .") He had left the notifying to others.