Literature

8vo: [ii] + 70 pp. Internally sound and tight, on lightly-aged paper. In worn contemporary burgundy quarter-binding with heavily-worn spine, recased with repair to rear endpapers. COPAC lists an entry for a copy in Cambridge University Library described as 'Probably the Lithographic facsimile by H.J. Bellars. London, reprinted 1861'.

2 vols, 12mo. Vol.1: viii + 264 pp. Vol.2: viii + 336 pp. Complete, with all the engravings of sheet music listed in the contents (vol.1: five two-page plates and one four-page plate, with one more piece of music 'printed with the letterpress'; vol.2: one two-page plate). Both volumes good and tight, on lightly-aged and spotted paper. In worn contemporary half-calf binding, marbled boards, with the first volume rebacked. Each volume with bookplate of Frederic Perkins, Chipstead Place, Kent.

12mo: 40 pp. Disbound. Good, on lightly aged paper. Contemporary ownership inscription of 'William Francklyn" on title-page. This edition is scarce: no copy in the British Library, and the only copy on COPAC at Liverpool.

A bibliographical landmark: the first issue of the first volume in Pickering's series of 'Diamond Classics' 32mo: [ii] + 185 + [i] + [i]. Engraved frontispiece portrait of 'Horace' by R. Grave, facing engraved titlepage, which precedes the letterpress titlepage. On the reverse of the leaf with p.185 on its recto is a portrait of Sir Francis Bacon, captioned 'Advancement of Learning.' On the page facing this are the 'Corrigenda.' Tight copy, on aged paper, with a few dogeared pages, in contemporary black russia binding with boards and spine ornamented in gilt and title 'HORATIUS'.

First edition. 8vo: xii + 200 + [iv] pp. (the last four pages an unpaginated publisher's catalogue). In original blue cloth, gilt. Fair, tight copy, on lightly-aged paper, with some spotting to endpapers. Binding with dulled spine and minor spotting. Bookplate of the Rev. English Crooks. Binders ticket ('BOUND BY BURN & CO.') to rear pastedown. Half-title reads 'RURAL POEMS'. The 'translation' of the three collections beginning with 'Poems of Rural Life in the Dorset Dialect' (1844).

12mo, 2 pp. Bifolium with address on second leaf. Twenty-five lines. Text clear and complete. On aged, spotted and repaired paper. A significant letter, confirming Bowles's hitherto-tentative authorship of the 'Letters of the Ghost of Alfred', which was printed by Wright in 1798. Bowles informs Wright that he will 'receive some Copies of ye. Ghost of Alfred' the following morning. 'The price [I conceive] should be only 2/6 in boards there being but about 130 pages including thhe advertisements'.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. He was introduced to the recipient 'by Mr. Philip Malleson of Croydon, when I wanted to send an Essay to The Albemarle'. Asks if he 'might be disposed to let me write a volume on Jane Austen or Leigh Hunt for your Dilettante Library', Austen being 'specially before the public just now'. He has edited Austen's novels and two 'well received' volumes of selections from Hunt for 'Mr. Dent's Temple Library'. 'If you do not care to arrange for either of these authors I would suggest Miss Burney[,] Hazlitt or T. L. Peacock.

12mo, 2 pp. Good, on lightly-aged and creased paper. Giving the details of three titles from Thorp's 'large catalogue' which he hopes are still available (one is ticked in pencil and the other two marked as sold). 'Also can you let me have a cheap copy of John Masefield's "Sea Life in The Time of Nelson" and J. R. Hutchinson's "The Press Gang Afloat & Ashore." Publishers and prices of both items are noted in pencil, with 'Cheque Noted' in margin.

12mo, 1 p. Six lines. Mourning border. Text clear and complete. Aged, creased and a little grubby. Asking to be sent '4 copies of "The Butterfly", if ready', and if not to be told 'when it will be'. Lawrence published his 'Breaking a Butterfly; Or Blanche Ellerslie's Ending' anonymously by Tinsley in 1869.

16mo (leaf dimensions 13 x 10 cm), 3 pp. Bifolium. Twenty-eight lines. Text clear and complete. On aged and lightly creased paper with small closed tear in margin (not affecting text). He has been asked by 'Miss Caulfield' to 'perform the ceremony of "introduction" with a view to your publishing (if you approved of it) a work she has lately written [...] <"Janet de Rinzy?">'.

Plain card, roughly 8.5 x 11 cm. Five lines of text. A little grubby, but good. Asking for his manuscript, so that he can 'correct the proof of the Introduction to Crashaw. It was written so many years ago that I can't always recall what I wrote'.

On piece of grey wove paper cut into a rough rectangle, 5 x 8 cm. Good, but with light traces of glue from previous mounting on reverse. Reads '<...> | I have honour to remain | Dear Sir | Yr obt. & hble. Servt | F. Palgrave', with the flourish to the 't' of 'Servt' forming the top horizontal stroke to the 'F.' in Palgrave's signature. Reverse reads '<...> | In conformity <...> | my letter to you <...> | July last, I requir<...> | my name may be <...>'.

The work of a cultured and witty man, but not by the author of 'Sandford and Merton', who died in 1789. While possible authors include the 'Mr. Thomas Day, solicitor, Woburn, Bedfordshire', whose death at the age of 47 on 18 February 1824 was reported in The Times (5 March 1824), and the Thomas Day who lived around this time at Montague Street, Russell Square, the most likely candidate, considering the references to 'Romney' and 'Wyatt' is the Thomas of 'DAY William, and Thomas Day, of No. 95, Gracechurch-street, in the city of London, oilmen', who went bankrupt in 1841.

12mo, 1 p. Good, on lightly-aged paper. Thanking them for the cheque, and returning the 'form of permission to reprint the four poems, signed' (not present).

4to, 2 pp. Postscript ends abruptly ('I have read innumerable books on Italy, <...>'), suggesting a page lacking. Good, on lightly aged and creased paper. An interesting letter shedding light on Gollancz's attitude to the practice of sending out advance copies of books for review. Addressed to 'My dear Daniel'. Further to a report he has received from 'Hilary' (his nephew Hilary Rubinstein) regarding a conversation with George 'at John Coates's party', Gollancz assures him that there is no 'personal reason' why he is no longer receiving 'a stream of advance copies'.

12mo, 2 pp. 13 lines of text. Good, on light-aged paper. He has been 'asked by many persons for copies of his speech at the Cambge. Union Socy.', and if 'Messrs. Macmillan cared to print it, he would revise it, no report having been correct'. He wonders 'whether the whole proceedings should not be added, with some of the newspaper letters which have been carried'. Milnes was created Baron Houghton in 1863. In 1866 Macmillan published 'The Cambridge Union Society, Inaugural Proceedings', edited by G. C. Whiteley.

12mo: 4 pp. Bifolium with mourning border. 30 lines of text. Good. She has heard that he has 'been good enough to speak kindly of "Pauline" so far as it has gone', and wonders whether he would distribute, to 'such of yr. Friends as belong to Circulating Libraries', cards 'to let people know in time to order the book before it is out'. Her family are pleased that Macmillan has 'been able to spend a night at this beautiful sad home - It did my Father good, I know.

12mo: 36 pp. Stitched. In original blue printed wraps. Internally tight and clean, in worn and creased wraps. Signed 'T F Cattley' on title-page. In pencil at head of front wrap 'one of only 60'. A collection of jeux d'esprit, addressed to individuals only identified by their initials. Uncommon: copies on COPAC at the British Library, Oxford, National Library of Scotland and Trinity College Dublin.

12mo: 26 pp paginated 101-126. Stitched. In original worn, creased and grubby green printed wraps. Internally clean, except for the first two leaves, both of which are grubby, with loss to the first leaf affecting two lines of text. 'Farmer Brown's Blunders' is a dialect poem, with explanatory footnotes; the other item is a spoof letter by 'Hannibal Hollow'. There are no records of first or second editions of this item, or of any other edition in which the two pieces are printed together. Scarce: the only copy on COPAC, dated to 1860, at the British Library.

Literary Characters'. 12mo (leaf dimensions roughly 18 x 12.5 cm): 32 pp. Stitched with brown thread. Fore-edge and top-edge rough. Unbound as issued. Very good. Cartoon in red ink of man seated at typewriter on front cover, and another, in black ink, of a hatted-figure skulking away with a walking stick held behind his back on back cover. Initial note, with publisher's colophon, on p.2: 'This series of Literary Characters appeared in Now & Then numbers 77-87 and is here reprinted by Jonathan Cape Limited for their friends | Christmas 1954'.

Printed on one side of a piece of cream paper, roughly 33.5 x 25.5 cm. Laid down on card. Clear and complete, with a good impression of the plate (22.5 x 17.5 cm), on lightly-aged, grubby paper, with slight wear to extremities. Presumably produced for display in a shop window. The title ('THE LIFE AND WORK OF | W. HOLMAN HUNT. | BY ARCHDEACON FARRAR.') at head, and 'SPECIMEN PLATE.' at foot, in large orange letters; the rest printed in black. Beneath the plate: 'THE SHADOW OF DEATH. | BY PERMISSION OF MESSRS. T. AGNEW & SONS. | LONDON: J. S. VIRTUE & CO.

Sitwell and Renishaw collaborated on the play 'Gentle Caesar' (published in 1942), and the last two letters would appear to concern a possible film adaptation. All three items very good on lightly aged paper. Letter One ('Friday Renishaw'): 12mo, 2 pp. 18 lines of text. Apparently written around the time of the play's composition. Sitwell is 'delighted' that Minney is 'already immersed in Pares's book. I have just read the Czar and Empress Marie's Letters.' He has 'marked (in the preface mostly) what I thought helpful for atmosphere, or amusing'.

8vo: 1 p. Good, on lightly-creased paper, with a faint 4cm pink stain in the right-hand margin. Reads 'Many thanks for the copy of your interesting paper, and the kindly reference to my novel.'

The engraving illustrates the biblical passage describing an incident during the wreck off Crete of a ship carrying Saint Paul. Acts 27:35: 'And when he had thus spoken, he took bread, and gave thanks to God in presence of them all: and when he had broken it, he began to eat.' Printed on one side of a piece of paper, 28 x 19 cm, with one rough edge. A striking image, irregularly shaped, with white lines against a black background, showing centurions and others on the deck of a ship on a stormy sea, with land in the distance.

One page, 8vo, partly sunned but mainly good, text clear and complete. He's having "a fearful time" with VOICES and wonders if she knows anybody who'll keep from going on the rocks. "For the first time the magazine is ready to go to press and absolutely no money in the special Voices purse. He had thought to suspend production for an uissue but the printer can only give seven days grace. "It costs two hundred dollars to get out an issue" so he's looking for "eight king hearted individuals who will donate . . ." He hopes she knows someone.

8vo: xvi + 400 + [xxiv] pp. (Part I ends at p.142 and Part II begins, after a half title, at p.127.) The last twenty-four pages consist of an index and three pages of 'BOOKS Lately Published'. Frontispiece portrait of Butler by J. Van der Gucht. Hogarth's seven illustrations (including three that fold out) face pp. 1, 75 (fold out), 88 (f. o.), 100, 122, 130 (f. o.), 131 and 182 (f. o.). Internally tight on spotted and aged paper. Good impressions of illustrations, with a little light foxing.

From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.

8vo: 111 pp. Frontispiece portrait of author, and eight plates (including portraits of George Emmett and E. J. Brett). In original grey printed wraps (title incorrectly given on front as 'The Old Boy's Books'). Tight, on lightly-aged and foxed paper. Grubby frontispiece and worn and lightly-stained wraps. Uncommon. COPAC lists copies at the British Library, the National Libraries of Scotland and Wales, Oxford, Aberdeen and the University of London. The British Library entry ascribes the book to Allington. Pasted to the inner back wrap is an advertisement headed 'JOIN! JOIN! JOIN!

12mo: 20 pp. On art paper. Attached with yellow string in decorative printed card wraps. Good: lightly foxed in dusty wraps, with minor staining to blank inside wrap. The wraps, printed in red, blue and gold, feature a photo of Shakespeare's funerary bust within an embossed decorative border. Nicely printed with photos of Shakespeare's birthplace. Features the menu, a 'Toast List', a programme of music, lists of committee and patrons and extracts. Of interest are the three pages of letters, including dated communications from Henry Irving, J.

On one side of a piece of wove paper, cut into a rectangle approximately 4.5 x 9 cm. Good, on lightly-creased paper with one vertical fold. Cut from an envelope, with traces of the postmark over the autograph, and a section of the gummed strip on the reverse. Reads 'From | John Cowper Powys | Waterloo | Blaenau - F Festiniog | Merionethshire | North Wales | I enjoyed thinking of you in Italy'.