VICTORIAN

One page, quarto. Very good, though slightly aged and creased, and with minor damp staining at foot, affecting bottom three lines including signature. Wilkinson has written to say that he 'has not the space' Smith has 'named'. '[Y]ou express an opinion that Circus business would pay, & I, from my personal knowledge of Brighton & experience therein, feel sure a really good Circus would prove an immense attraction & a paying one, & would stand some time by introducing fresh novelties'.

One page, 12mo. Very good on lightly aged paper. Giving details of a proposed lecture. He was to have been in Salford, Manchester, but the dates have been changed. Can only offer two dates. '<?> the two years' <?> has been a huge success & a most interesting journey by which we have all benefited. I remember the Bolton audience with great pleasure. Kindly name the subject you choose. My fee: ten guineas as before.' Accompanied by magazine cutting of photographic portrait captioned 'M. PAUL BLOUET ("MAX O'RELL"), NEW EDITOR OF THE PARIS "FIGARO."

One page. On piece of paper roughly seven inches by three and a half wide. Bottom part of letter cut away. Reads 'Dr Sir | In compiance with your wish | I subscribe myself | truly yours | [signed] J. M. Weston | To/ | Jas. Reese Esq'. Docketed by Rees 'The above autograph is that of my friend J M Weston, Stage Manager of the St Charles Theatre - he is the Author of Several popular pieces, among which is the beautiful drama of Lucretia Borgia'. Dated in another hand on reverse. Not much appears to be known about Weston, whose translation of Victor Hugo's play was first published in 1850.

Two pages, 12mo. On aged and creased paper. Was 'taken by surprise the other afternoon when you mentioned my book and paid me such a high compliment [...] I cordially appreciate your warm approval of what I have written concerning hospitals, and as you take such a warm interest in health matters I beg to send for your acceptance some other titles of mine on such subjects'.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Dimensions of paper roughly one and three-quarter inches by five and a quarter wide. Aged, ruckled, and with traces of glue from previous mounting on reverse. Reads 'Your very faithful | servt | Lansdowne', and on reverse, '<...> as if I did so I shou<...> | be referred to the answer <...>'.

The word 'Proof' is engraved in the bottom right-hand corner. Dimensions of paper roughly ten inches by seven and a half. Good clean image on lightly aged paper. Head and shoulders portrait, in which a dolorous old biddy in cap stares vacantly at the viewer. Presumably a companion piece to an engraving in the National Portrait Gallery by Isaac W. Slater of a drawing by Scriven of Henrietta Maria Slater, published by Colnaghi in July 1830. This item is not present in the National Portrait Gallery online catalogue.

Two pages, 12mo. Very good on lightly-foxed blue paper. He has sent his correspondent's letter to the naval correspondent of The Times, and hopes 'that some good may come of it.' Would like to receive 'any more snippets you have from time to time. I didn't know, for instance, that the racing whaler had Sussex until the other day, otherwise I should have tried to make a song about it!' Sends seasons greetings, and wishes him the 'Best of luck'.

The five issues are each eight pages long and octavo. All five issues unbound, and stabbed. All good, though lightly aged and with some wear to extremities. An improving publication, produced 'Under the direction of the Committee of General Literature and Education, appointed by the Society for Promoting Christian Knowledge'.

One page, 12mo. Good on piece of lightly-creased and aged paper, neatly mounted on slightly-larger piece of paper. Enclosing funds 'for the Use of St Andrews Hall April 2nd. 3rd. & 4th./66 for Christys Minstrels Concerts'. Postscript requests that receipt be sent to Reading in Berkshire: 'Shall be there on Thursday next'. A significant document. 1866 marked the introduction of the minstrel show into England by Christy's Minstrels, and the first of several extremely successful tours by the company.

Dimensions roughly three-quarters of an inch by five inches wide. Good, with glues staining from previous mounting to edges of reverse. Reads '<...> | for the right of translation - I remain, my dear Sir, your most | obedient faithful Servant | [signature] C F R de Montalembert | I shall be happy to look through the rest of the Introduction, if you think it useful.' On reverse '<...> | to be very unpalateable to those who <...>'.

12mo: [iv] + 88 pages. Unbound. In original olive printed wraps. PRESENTATION COPY to 'Dr. Elliott | With kind regards', with around a dozen manuscript emendations. On aged paper, with loss to front wrap and spine. Each page, including the front wrap, within ruled red border. COPAC lists only five holdings.

Both items very good and docketed on reverse. Both advertisements appear to have been placed by Challinors & Shaw, solicitors. ITEM ONE (printed on one side of a piece of paper roughly ten inches by eight wide) is headed 'CIRCULATION OVER 180,000 WEEKLY.' Describes the paper as 'The County Newspaper and Leading Journal for Staffordshire' and the 'largest Newspaper and the best and most influential Advertising Medium' in the county.

On both sides of a piece of aged paper watermarked 1855, dimensions three inches by eight and a quarter wide. Good, though a tad grubby, with traces of previous brown paper mount adhering to reverse. Recto reads '[tick] H.C.L. | [in another hand] App? | [signature] . Captain | in Comd of Division. | [in another hand] [signature] C M Collins | 1st Class Asst. Engineer | [in another hand] [signature] Gilford | Lieut in Comd. | [in another hand] Approved for necessary Defects | to be made good. | [signature] G F Seymour | Vice Adml. and Commr. in Chief'.

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.

On paper roughly four and a quarter inches by three and a quarter wide, with corners snipped to make an irregular octohedron. Good clear illustration on ruckled, aged paper. Tipped onto a larger piece of aged glue-stained paper. An amusing caricature showing Haggard astride Rozinante, in a full suit of armour, with an inkpot and quill pen as hat, holding a lance inscribed 'LITERATURE' in one hand, and a baby wrapped in a large roll of paper inscribed 'SHE M.S.' in the other. Unsigned, and attributed to Furniss in pencil on mount.

One page, 12mo. Very good. 'I shall sing il "Soave e bel contento" [aria by Pacini] and will be happy to take a part in the quintetto[,] you must procure the parts of my song'. May possibly refer to the J. N. Hummel Benefit Concert in London on 29 April 1830, where Pacini's aria was played.

16mo. 194 pages. In original stamped binding. Grubby and spotted, with wear to binding and fraying at foot of spine. Lithographic frontispiece and title by W. Monkhouse of York. Translation of 'La mare au diable', preceded by 27-page memoir. Possibly a piracy of Francis George Shaw's 1850 edition (London: George Slater). No copy in British Library.

Dimensions of paper roughly one centimetre by six wide. Close-cropped but clear and entire. On aged paper with traces of glue from previous mount on reverse.

One page, 12mo. Good. Docketed and bearing the Society's stamp. Concerns 'Sir Alexander Redler's being brought up by Crookes for election to the Athenaeum by the Committee under Rule II [...] you [...] intimated that you knew Redler & that I need not descant on his virtues: he is a most clubbable man & I trust you may be able to support him'.

12mo bifolium. A frail, aged survival of a scarce and significant item, with wear, staining and several closed tears. THE LETTER (one page, on recto of second leaf of bifolium), signed 'R. T. Jefferies', asks 'Can you not give me your assistance at my next concert you would be conferring a favor on me by attending and I should also be glad if you could send a few vocal friends, will not any of the boys be able to attend. Please excuse haste'. In another hand on verso of second leaf, 'Rehearsals | Metropolitan Lecture Hall adjoining Gower St Railway Station Saturday 3#'.

The collection is in good condition, with each letter entirely legible. Two items particularly aged, and one with a couple of closed tears unobtrusively repaired with archival tape. Each item bears evidence of the fact that the collection was previously held together with a pin. An interesting sidelight into the musical culture of Victorian London. COPAC only locates one copy (at Cambridge) of Robinson's piece, published by W. Sprague of Westminster in [1874], copied by F. C. Wood, 'words by permission of Messrs. Hopwood & Crew'. All items 12mo.

12mo. In original worn red morocco binding, gilt, with loose front free endpaper. Good, with EXTENSIVE MANUSCRIPT CORRECTIONS AND ADDITIONS. Eight blank leaves bound in front and back, on which are laid down forty-nine illustrations of arms of London livery companies, each approximately one and a half inches square, and apparently dating from the mid-eighteenth century.

All items octavo. All in good condition, on aged paper, bound together in heavily-worn contemporary half-calf. Ownership inscription of the art dealer Faris C. Pitt on front free endpaper. The various issues of the 'Catalogue of Books' vary in length from eight pages to twenty-eight.

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'

Anglo-Australian actress (1890-1975), connected with the Kendalls, Beerbohm-Tree, Bernard Shaw and a host of other figures from the London stage. Two pages, 12mo. Veryy good. Difficult hand. She has asked 'Mr. de Lion' about Gifford's play: 'he said he will try to make enquiries & let me know but I dont expect he will'. The rest appears to refer to relate to travel plans. Ends 'I beg you to forgive me.' Signed 'Marie Löhr'.

English actress of Spanish descent (1866-1951). Two pages, 12mo. On grey paper. Folded twice. In very good condition, but with minor traces of paper mounts adhering to two corners of first leaf of bifoliate. Florid signature. She declines the luncheon invitation as she has friends coming down. She is 'going to try & have tea with Mrs Gooch. But it is a little difficult to get away when one has people staying.' She is sorry to have missed her correspondent.

Four pages, 12mo. Very good, with unobtrusive remains of stub along one edge. In interesting letter discussing the state of the English stage. Her tardy response is due to 'pressure of work". 'What you say about the present condition of the stage is only too true.