[Lumb Stocks RA.] 125 prints from his collection, by eminent London engravers (including the Findens, Heath, Cousen), mostly engravers' proofs on India paper, many before the letters, including presentations, and eighteen from J. M. W. Turner.

Lumb Stocks RA (1812-1892), English steel engraver [J. M. W. Turner; John Martin; John Baylis Allen; John Cousen; Charles Rolls; David Roberts; George Cattermole; A. E. Chalon; Finden; Charles Heath]
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Publishers (all London): Art Union of London; Baldwin & Cradock; P. & D. Colnaghi; Fisher, Son & Co.; Hamilton, Adams; Hurst, Robinson & Co.; Robert Jennings; Longmans; W. Marshall; William Pickering; John Sharpe; Whittaker. Between 1826 and 1863.

For a full list of named engravers, artists and publishers, see below. Lumb Stocks was, as the Oxford Dictionary of National Biography points out, 'one of the most influential exponents of steel line engraving, and his death left the Royal Academy without an engraver in its ranks'. He bequeathed his collection of prints to the British Museum;; the present collection was retained by the family, and purchased from the estate of Harold Carpenter Lumb Stocks (1884-1956), organist of St Asaph Cathedral.

Hand-coloured steel engraving by S. Cousen from painting by W. H. Bartlett of a river view of Albany, New York

William Henry Bartlett (1809-1854), English landscape painter; John Cousen (1804-1880), engraver [Albany, New York]
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From the book 'The History of the United States of North America' (New York: Virtue & Yorston, 1855-1856).

11 x 17.5 cm., with the original margin of the print, with caption, trimmed away, and the engraving laid down on a piece of 24.5 x 30.5 card. From the papers of Marie de Grasse, Lady Evans, wife of Sir Francis Henry Evans, and originally Marie de Grasse Smith, daughter of Hon. Samuel Smith of Albany, New York. In pencil on the mount: 'Albany 1837.'

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