[Cecil Aldin, artist of hunting scenes, animals and rural life.] Autograph Note Signed ('Cecil Aldin'), sending 'p o – o & stamps' in settlement of an account.

Cecil Aldin [Cecil Charles Windsor Aldin] (1870-1935), artist and illustrator of animals, hunting scenes and rural life
Publication details: 
On letterhead of 47 Priory Road, Bedford Park, W. [London] No date.

1p, 12mo. In good condition, lightly aged. The slightest loss to margin at one edge. Good bold signature. Reads: 'Dear Sir | Enclosed please find p. o – o [i.e. postal order?] & stamps in settlement of enclosed | Yrs faithfully | Cecil Aldin'.

[ Frederick Warne & Co., London publishers. ] Order form of publications ('For the trade only'), including titles by Beatrix Potter.

Frederick Warne & Co., London publishers [ Beatrix Potter ]
Publication details: 
Messrs. Frederick Warne & Co., ('H. Wingfield') Chandos House, Bedford Court, Bedford Street, Strand, London, WC2. No date [1910s?].

4pp., 16mo. Bifolium. In good condition, lightly-aged. A long list, giving titles and published price. In columns headed 'ALL BOOKS are supplied on usual Trade Terms, as per our Wholesale Catalogue'. Includes two series of 'The Peter Rabbit Books', and 'PETER RABBIT'S SHOW CASE. Only supplied fitted with 49 1/2 net Books, and 1 2/6 net book. Trade Price with Contents, £2 7s. 3d.' Also 'The "Mr" Books' in four 'Styles', and works by Greenaway, Caldecott and Walter Crane.

[Privately printed item.] Oxford. A Satire.

[Sir Andrew Caldecott (1884-1951) of Exeter College, Oxford, Governor of Ceylon and Hong Kong]
Publication details: 
Edinburgh: Printed by Morrison & Gibb Limited. [1907.]

15 + [1]pp., 8vo. In grey printed card wraps. In fair condition, lightly aged, with rusted staples. The author describes his work in an introductory note as 'an elegant and ingenious poem in heroic verse; suggested by the third Satire of Juvenal; wherein the foolishness of the institutions of this University, and the dullness and dishonesty of its inhabitants are for the first time properly exposed'. The influence of Samuel Johnson (another adapter of Juvenal and also an Oxford man) is strong, as the opening indicates: 'Though on my brow there rose an angry frown | When B - ll - l's [i.e.

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