MEDIAEVAL

Two sprightly illustrations - bright, fresh and detailed - in vibrant colours (cobalt blue, light blue, pink, red purple, black, green), each with the background painted in gilt. The illustrations would appear to be genuine, but may be copies. Each is on a rectangle of vellum, and both are remarkably clean if indeed seven or eight centuries old. Each has traces of glue from previous mounting on the reverse. No text or other design on either side of the pieces. Both have ‘MISSAL RHEIMS’ in pencil above the illustration, and ‘1ST VELLUM’ at foot. ONE: On 7.5 x 12 cm piece of vellum.

The forty cards are printed in black on one side, engraved in the customary copperplate, and laid out in the conventional way. Dimensions 5.5 x 8.5 cm. In good condition, lightly aged. Most are arranged in pairs, separated with tissue leaves. In 'drawer' inside 9.5 x 6 x 2 cm box, printed on all sides with the firm's details. On front: '50 Finest Quality De La Rue's Thin Ivory Visiting Cards' and the firm's address. Written on the front, presumably by Jamison is 'Lady Margaret Hall Oxford'.

29pp., 16mo. Nicely printed with nine plates. In brown card wraps, with the following on the cover: 'Mediaeval Pilgrims' Badges | Privately printed opuscula issued to members of ye Sette of Odd Volumes | No. XC'. 'Imprimatur' preceding title, signed by 'Frederick Keal' and 'Tancred Borenius', states that this is copy 11 of 199. Good copy, in lightly-worn wraps. Uncommon.

v + [65] pp., 4to, paginated 67-131. With 49 collotype plates. Internally in good condition, lightly aged and worn, in worn binding. National Book League Library bookplate on reverse of title-leaf, and traces of the NBLL bookplate. A careful catalogue of the second portion of the sale of Thompson's sumptuous collection of manuscripts (the first portion having been sold by Sotheby's on 3 June 1920), with a two-page introductory note ('Preliminary') by him. The collection had previously been catalogued in four volumes by M. R. James and others.

Letter: 4to, 1 p (32 lines); and 8vo, 2 pp (42 lines) in bifolium. Total of 74 lines. Texts of letter and offprint clear and complete. Both on aged and creased paper, and attached to one another by archival tape. Offprint 4to, 8 pp (paginated 81-88). I n the letter Greenhill writes 'My acquaintance with Somerset brasses is but scanty, all I ever rubbed being at Hutton, Cheddar, Churchill, Wedmore, St Mary Redcliffe, Bristol, Crewkerne, and the Strode brass at Shepton Mallet.

English mediaeval and art historian (1898-1974), Director of the Courtauld Institute of Art. One page, landscape octavo. Good, but with one corner creased and grubby, and with staple holes in another. 'I should be much honoured to be nominated as a Fellow of the Royal Society of Arts and should much appreciate association with that body and all the work it does.' Signed 'T. S. R. Boase.'