LONDON

The Peace with Ireland Council was founded in November 1920 by Lord Henry Cavendish Bentinck, following a meeting at the House of Commons by a group concerned at the deteriorating situation in Ireland following the introduction of the Black and Tans, and spurred on by the treatment of former MP Annan Bryce and his wife Violet. Among those involved were the historian Basil Williams, who acted as treasurer, and the suffragette Margaret Buckmaster (daughter of Lord Buckmaster) who served as honorary secretary. From the Sylvia and Robert Lynd papers.

The Peace with Ireland Council was founded in November 1920 by Lord Henry Cavendish Bentinck, following a meeting at the House of Commons by a group concerned at the deteriorating situation in Ireland following the introduction of the Black and Tans, and spurred on by the treatment of former MP Annan Bryce and his wife Violet. Among those involved were the historian Basil Williams, who acted as treasurer, and the suffragette Margaret Buckmaster (daughter of Lord Buckmaster) who served as honorary secretary. From the Sylvia and Robert Lynd papers.

From the Sylvia and Robert Lynd papers, and presumably connected to her mother the nationalist Nannie Dryhurst (1856-1930), who like the Lynds lived in Hampstead. Scarce: no other copy traced. 4 pp, 12mo. Bifolium on thickish light-green paper. In fair condition, lightly aged, and with central horizontal fold. Cover headed by three lines in Gaelic. Reverse of cover carries a cast list. Recto of second leaf has a long synopsis, concluding: ‘The play ends with a powerful exhortation against emigration’.

Two items from the Robert and Sylvia Lynd papers. The first item is well represented in academic libraries, no copy of the second has been found. Item Two below asserts that ‘Under these Acts the Home Minister of Northern Ireland is furnished with what are practically dictatorship powers’, which are ‘now a permanent part of Northern Irish law’. (Robert Lynd’s interest in the matter was no doubt heightened by the fact that he was himself an Ulsterman.) ONE: Printed pamphlet.

From the papers of Sylvia and Robert Lynd. Scarce: this number is lacking from the run in the National Library of Ireland. The title as one word ‘INISFÁIL’ on cover, but as the two words ‘INIS FÁIL’ on first page. 12 pp, 4to. Stapled in light-green printed wraps. In good condition, lightly aged, on high-acidity paper, in lightly-worn wraps carrying advertisements.

From the Sylvia and Robert Lynd Papers. Scarce: one copy on JISC (Bristol University), and at the NLI, but no copy in the BL. The Lynd copies of the first edition of this title, and of the response by T. S. Frank Battersby, ‘60 Points against Home Rule’ (answering point by point many of those made here), are offered separately. [4] + 52pp, 16mo. Stapled. In green printed wraps. In fair condition, on aged paper, with dogeared corners, staples slightly rusted, in worn wraps. Preceded by index and preface, of two pages apiece.

From the Sylvia and Robert Lynd Papers. Scarce: five copies on JISC, and at the NLI, but no copy in the BL. The Lynd copies of the third edition of this title, and of the response by T. S. Frank Battersby, ‘60 Points against Home Rule’ (answering point by point many of those made here), are offered separately. [4] + 52pp, 16mo. Stapled. In green printed wraps. In fair condition internally, on browned newspaper stock, with dogeared corners, staples slightly rusted, in brittle and chipped wraps, with some damage repaired with archival tape.

See his entry in the Oxford DNB. 1p, 12mo. Eighteen lines, closely written. On creased grey paper, with short closed tear at edge of central crease. The year 1944 has been added in another hand. Addressed to ‘Dear Mr. Macdermid’ and signed ‘Michael Redgrave’. He is grateful to him for the suggestion that he ‘should be an Hon. Associate Member of your Club, to which I wish every success’, but feels ‘rather strongly that I must not put my name to anything more than I can actively take part in - even if activity is confined to letter writing etc.

See Smirke’s entry, and those of Cooke and Heath, in the Oxford DNB. His most celebrated design is the Reading Room of the British Museum. 2pp, 12mo. With monogram and mourning border. On first leaf of a bifolium. In good condition, lightly aged. Folded for postage. Begins: ‘My dear Sir, / Vernon Heath, of Piccadilly, has made me a photograph of our new front, which is I think fairly satisfactory.’ He has told Heath to deliver a copy ‘addressed to you at the R. Academy’. As it is ‘rather large’, he did not like to send it ‘by post or Parcel’, as it ‘might get crushed on its way to you.

See her entry in Grove. The letter can be dated by the reference to Sir William Mitchell (see Oxford DNB) and the operetta 'The Rival Beauties', which he produced in London and then Plymouth. The letter is on one side of the paper, has been cut down to 11 x 9 cm, and laid down on a piece of card. Aged and worn, with slight loss at top right, affecting one word of text. Thirteen lines of close and neatly-written text, addressed to ‘Dearest Mrs. Sprague’ and signed ‘Yours affectionately, / Erminia Rudersdorff’, with a little of the flourish beneath the signature cut away.

[7] + 243pp., 8vo. On aged paper, with slight damage at top edge of first few leaves; in heavily-worn binding with blind-stamped decoration; corner torn away from front free endpaper, and glue spots to front pastedown. Described in an advertisement by the publisher in The Times, 16 July 1897, as 'A SOCIAL SATIRE.' Six copies on COPAC, but now a scarce item. Note: In Pantalas Mr. Jenkins is at his best.

See her entry in the Oxford DNB. In good condition, lightly aged. Folded twice for postage. The letterhead is both printed and embossed. Addressed to ‘Miss M. G. Hocken, / Meadow Way House Studio, / St. Ives, / Cornwall.’ Signed ‘Ninette de Valois’. Reads: ‘May I suggest you write to the Director of Productions at The Royal Opera House. I do not know what our theatre does with regard to the many requests for such exhibitions - so I would be grateful if you would forward your request to this particular department.’

See his entry in the Oxford DNB: ‘In 1848 he was articled to the staunchly Quaker P. B. Alley, then in partnership with Richard Lane, the leading neo-classical architect of Manchester. In 1853 his education was completed with a ten-month tour of France, Italy, and Germany, after which he set up in practice as an architect in Manchester.’ (Waterhouse’s first success would come with his winning design for the Manchester assize courts in 1859.) 1p, 12mo. On the first leaf of a grey-paper bifolium. In good condition. Folded for postage. Addressed to ‘Thomas Haigh Esq:’ and signed ‘A Waterhouse’.

See his entry, and that of his fellow Academician Horsley, in the Oxford DNB. 1p, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Folded twice for postage. Signed ‘A Waterhouse’. Reads: ‘Dear Horsley. / You are quite right. No “mystery” between us if you please. / I say “yes” to your query to the extent of 2 guineas. / I hope you will soon gain the sum you desire without any great trouble to yourself’.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In fair condition, with slight wear at top left-hand corner of second leaf (not affecting text). Biographical details added in small type at head of first page. Addressed to ‘The Honbl Spencer Ponsonby’ and signed ‘Alaric A. Watts.’ Begins: ‘Dear Sir / May I trespass so far upon your kindness as to ask you to place the enclosed letter [not present] to Lord Clarendon. It is on the subject of the London Library of which his Lordship is the President’.

A scarce item. See Somerville's entry in the Oxford DNB, for the controversy, involving Churchill. 8pp, 8vo. With two plates of maps, the first a fold-out extending to the width of three pages. Stapled. In fair condition, on lightly worn and discoloured paper. In the customary double column. Begins, despite the date of the number, 'Wednesday, 5 May 1948 / Action between British and Italian Forces off Cape Spartivento on 27th November 1940. / The following Despatch was submitted to the Lords Commissioners of the Admiralty on the 18th December, 1940, by Vice-Admiral Sir James F.

See his entry in the Oxford DNB. On 12 x 5 cm piece of paper, cut from letter for an autograph hunter. In good condition, lightly aged. On one side: ‘With much esteem, / Believe me, my dear Sir / Yours ever Sincerely / W Morley Punshon’. On the other side: ‘[...] desire, of every part of the service but the Sermon & while we would not on [...]’ Annotated in pencil: ‘An eminent Wesleyan minister not long dead’. Scan on application.

Sepia studio portrait on 8.5 x 13.5 cm postcard, stamped on reverse 'MANNELL LONDON'. In good condition, lightly aged. She signs 'Winifred Shotter' at foot. A soft-toned head and shoulders portrait of a wistful Shotter, with Marcel wave, staring at the camera in a fashionable frock. Scan on application.

7 x 9 cm photographic print. 6 x 7 cm black and white head-and-shoulders portrait of Oliver looking intently leftwards, in a double-breasted suit and tie. Facsimile of signature ‘Vic Oliver’ at foot. In good condition, lightly aged. Scan on application.

The War of Jenkin’s Ear had ended a few months before, and Daniel A. Baugh, ‘British Naval Administration in the Age of Walpole’ (Princeton, 1965) describes the sorry state into which the Navy Board had fallen at this point. 1p, foolscap 8vo. On recto of the first leaf of a bifolium, the verso of the second leaf being addressed ‘To / Mr Turnpenny / Navy Office’ and docketted ‘Com[missione]rs of Navy to Mr Turnpenny’. In poor condition and urgent need of archival repair. The laid and watermarked paper is flaking away, and part of text, including a couple of the signatures, is lacking.

See W. Moister, ‘A History of Wesleyan Missions in all Parts of the World’ (1871). Each item 4pp, 12mo bifolium. All three with engraved illustration on first page, which has a drophead title. The three are worn and discoloured, with loss of text in caption in Item One (see below), and the first two items with cover illustrations crudely hand-coloured. ONE: No. LXXII, June 1838. Mostly consisting of ‘An appeal to the sympathy of the Christian public, on behalf of the cannibal Fejeeans’.

See his entry in the Oxford DNB. Now viewed in a favourable light, Panizzi was a controversial figure in his own time, being dubbed a ‘fat pedant’ by Thomas Carlyle, who was moved to press for the creation of the London Library as a result of the Italian’s high-handed behaviour. On 7 x 4 cm piece of grey paper, presumably cut from an album. No othe writing on the slip other than Panizzi's compact and disciplined signature 'A Panizzi.' In good condition, lightly aged, Strips of sunning at top and right edge, but nowhere near the signature. See scan.

A black and white publicity photograph on an 11 x 15 cm collotype print. Signed at bottom right: ‘Yours sincere / Mary Ellis / Feb. 1844’. A head and shoulders portrait of a dreamy-looking Ellis in front of netting, staring downwards to her right, with her head cradled in her right hand, which is clasped by her left. In good condition, lightly aged. Scan on application

Lauder was the highest-paid entertainer in the world in 1911, and the first British artist to sell a million records (by 1928 he had sold two million). See his entry in the Oxford DNB. 14 x 9 cm plain postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forrest Gate.’ On the blank reverse Lauder has written: ‘ “D’you Know this ” / Yours very truly / Harry Lauder’. A little grubby and discoloured, but in fair condition. Scan on application.

Glossy black and white publicity photograph on 8.5 x 13 cm postcard, embossed with studio details at bottom right. ‘MISS DOROTHY WARD’ in white print at foot. Autograph inscription across foot: ‘Best wishes / Dorothy Ward / 1926’. In good condition, lightly aged. A head-and-shoulders image of Ward with right shoulder slightly forwards, looking upwards, with a laurel wreath around her head and frizzy short hair, in pearls and a white sleeveless gown. With stamp and Liverpool postmark on reverse, which is addressed to ‘F. J. Clare / 5 Delamere Grove / Leacombe / Wallasey’. Scan on application

See his entry in the Oxford DNB. ONE: Five engravings from the ‘Comic Alphabet’. All about 8 x 12 cm. Uncoloured. Originally part of a long single piece of paper, fan-folded. In good condition, lightly aged. Two laid down on pieces of grey paper (cut from an album).

7.5 x 11.5 cm black and white publicity photograph by ‘ “Philco” London W.C.1.’ Expansive genuine signature ‘Gladys Cooper’ across bottom part of image, in addition to facsimile signature in white at bottom right. In good condition, on postcard with border trimmed. Dark sepia-toned image. A head-and-shoulders portrait, with Cooper staring to her right, with short frizzy hair, in fashionable gown. Scan on application

See her entry in the Oxford DNB. 8 x 13 cm collotype print, with 8 x 2 cm space at bottom in which she signs ‘Wendy Hiller.’ In good condition, lightly aged. Black and white, with Hiller’s face in left profile, her body at three-quarters, squinting to her right while wearing what looks like a buttoned-up sou’-wester. Scan on application.

8.5 x 14 cm glossy publicity photograph on post card. In good condition, lightly aged. Inscribed across the bottom of the image: ‘Souvenirs / Alice Delysia’. A soft-toned head and shoulders image in black and white, of a smiling Delysia, eyebrows plucked, lips made up, and short hair Marcell-waved. See Image.

Two nice ephemeral items. Both now quite scarce: the first (four copies on COPAC) more than the second. In fair condition, lightly aged and worn. Disbound and stabbed as issued. ONE: ‘No. 592. / The Blind Schoolmistress of Devonshire. / A True and Interesting Story.’ 8pp, 12mo. Slug at foot of p.8 (beneath the RTS’s dove-and-olive-branch device): ‘London: Printed by W. Clowes, Stamford-street, for The Religious Tract Society; and sold at their Depository, 56, Paternoster-row; also by J. and C.