LONDON

See the entries in the Oxford DNB for his brothers Robert Barnabas Brough and the subject of this letter Lionel Brough, as well as that of C. L. Kenney. 1p, 12mo. On first leaf of bifolium. In good condition, lightly aged, with slight discoloration in one margin from the wax seal, and evidence of mount on blank second leaf. Folded for postage. Addressed to ?Chas Kenney Esq / &c &c? and signed ?William Brough?.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged, with small nick at foot of gutter, and glue from mount adhering to blank reverse of second leaf showing through very slightly. Folded for postage. The recipient is not named. Signed ?W. H. Dixon?. Begins: ?Dear Sir / Many thanks for your note.

Thomas was for upwards of twenty-five years the theatrical critic of the London papers Daily News and the Graphic. See his entry in the Oxford DNB. 1p, 12mo. On first leaf of bifolium. In fair condition, lightly aged and worn, with evidence of mount adhering to the blank second leaf. Folded for postage. Addressed to ?Will Williams Esq? and signed ?Moy Thomas?. He would have answered Williams?s note sooner, but he has been ?on the Continent for a few days?.

See his entry, with those of his brother Lionel and Lacy, in the Oxford DNB. 1p, landscape 8vo. On grey paper. Neatly placed in a trimmed windowpane mount, with a triangle of paper lost on opening the seal skilfully replaced with paper. In fair condition, folded for postage. On the reverse is a penny red stamp, a black wax seal, and two postmarks, with the address by Brough: ?T. H. Lacy Esqr. / 17 Wellington Street / Strand / London?, and Brough?s initials ?R. B. B.? at bottom left.

See the entries for Ellis and the recipient?s brother Charles James Smith in the Oxford DNB. 2pp, 4to. In good condition, lightly aged, with negligible traces of mount on reverse. Folded for postage. In Ellis?s disciplined and attractive hand. Addressed to ?William James Smith Esqr / &c &c &c? and signed ?Henry Ellis.? He begins by apologising for the delayed response, then writes: ?Pray accept my kind and sincere Thanks for the two beautiful and splendid Numbers of the ?Historical and Literary Curiosities?: I only wish that your poor brother had lived himself to have sent them to me.? (C. J.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In fair condition, lightly aged and worn. Folded for postage. Docketted in pencil in a contemporary hand: ?1853 [sic] / Duke of Wellingtons funeral? (on 18 November 1852). Signed ?W: Bovill?. Begins with reference to the family business (corn factors) in Milford Lane, City of London: ?My dearest Wife. / I have just seen George & find that there is the large bed room at the top of the house in Milford Lane unoccupied & we can have it - they can arrange something for the two boys & I dare say Mr.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, with postage folds. In trimmed windowpane mount. Reads: 'Madam. / My name is not generally spelt with an e, but I [confide?] it is ['really' deleted here] my [last word underlined] autograph which you desire. / Truly / James Payn'.

See his entry, and Manby?s, in the Oxford DNB. 1p, 12mo. In good condition, on first leaf of bifolium, with the blank second leaf carrying traces of tape from the mount. Neatly folded for postage. Addressed to ?My dear Manby? and signed ?Jno. B Buckstone?. In addition to his work as an engineer Manby was for many years involved in the management of the Adelphi and Haymarket theatres.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Edmund Yates?s ?World?. 1p, 12mo. In fair condition, lightly aged, in trimmed windowpane mount, with traces of grey paper adhering to the blank reverse. Folded for postage. Addressed to ?Dear Broadley?, and signed ?John Hollingshead?. He begins by thanking him for ?the very valuable notice in the World?.

See her entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Edmund Yates?s ?World?. 3pp, 16mo. Bifolium. In good condition, lightly aged, with slight sunning to first page, and traces of mount on blank final page. Folded once. Signed ?Genevi?ve Ward? (note the accent). The letter relates to the 1889 revival at the London Opera Comique of the role which made her famous, Stephanie, Marquise de Mohrivar, in Merivale and Grove?s 1879 play ?Forget Me Not?.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and worn. Thin strip of mount adhering to blank reverse of second leaf. Folded for postage. Begins: ?Dear Edmonston - / Will you kindly get me Dr. Sydie? book of ballads with music. It is I think published in Edinburgh.? He asks for the book to be sent to him at the Gaiety Theatre and he will pay the cost. Ends: ?I hope you are jolly & well / Kind regards to yourself & all friends in Auld Reekie?. Signed ?J. W. Toole?. Postscript: ?Did you read the ?World? this week? There is something about me in it.?

See his entry in the Oxford DNB. He had taken on the management of Drury Lane in 1849, and had hoped to profit from the Great Exhibition, but retired from it in 1851, having incurred substantial losses. 1p, 12mo. In good condition, lightly aged, on the first leaf of a bifolium, with the reverse of the second leaf bearing minor traces of mount, as well as the following annotation in a contemporary hand: ?Jas: Anderson Esqre / Lessee Drury Lane / Theatre / T Bateman Esqre. / a P. Whelan?. Anderson addresses to ?Peter Whelan Esqr.? and gives an untidy signature ?James Anderson?.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890 (the year of this item with its reference to 'going away'). A 9 x 5 cm piece of paper, cut from the end of a letter, and laid down on a 13 x 7.5 cm piece, which has been neatly annotated by Broadley: 'Signature of Edmund Yates 1890'. In good condition, lightly aged, with one postage fold. Reads, with good firm stylized signature: '[...] of going away?

See his entry in the Oxford DNB, and Antony Chessell?s 2009 biography of Hayward (subtitled ?one of the Two Best Read Men in England? - the other was Macaulay). 1p, 12mo. On first leaf of bifolium. In good condition, lightly aged. Folded twice. The recipient is not named. Reads: ?It is now nearly three weeks since I heard from you. What is the cause. / I send you the Morning Post with a long review of my book. / All goes well with me. / Ever yours / A Hayward?.

See his entry, and those of his brother and Kenney, in the Oxford DNB. 2pp, 12mo. Bifolium. Twenty-two lines of text, addressed to ?C. L. Kenney Esq? and signed ?Aug: Mayhew?. In good condition, lightly aged, with thin strip of glue from mount adhering to blank reverse of second leaf. Begins: ?Dear Charlie/ Of course, we have to act under legal guidance.

See his entry, with those of his brother and of Manby, in the Oxford DNB. 2pp, 16mo. On the first leaf of a bifolium. In good condition, lightly aged, with strip of tape from mount adhering to the blank second leaf. Good signature with attractive flourish: ?Chas Landseer?. Begins: ?My dear Manby / I don?t know what Knight means by saying C. L is rich, but I do know that if I had a ticket for the private view left, I would have given it to Mrs. Manby with the greatest pleasure.? He is sure there is ?something wrong in the political economy of the R.

See his entry in the Oxford DNB. In addition to being the de facto editor of Edmund Yates?s ?World?, the recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure. Scott?s handwriting is not entirely legible. ONE: ?Wednesday?, dated by Broadly ?March 1887.? 1p, 12mo. In good condition, with glue from mount adhering to the blank reverse. Folded once. Signed ?Clement Scott?. On the question of ?the letter from the impertinent idiot Mr James Runciman? he comments: ?He thinks that calling a man ?Tommy Rot? is a complaint! I conclude that he must be a madman?.

See his entry in the Oxford DNB. 1p, 12mo. Signed ‘W Dilke’. Embossed armorial letterhead of a falcon. The recipient is not named. In good condition, lightly aged, neatly inserted in trimmed windowpane mount. Twice folded for postage. Thirteen lines of text in his distinctive close backwards-leaning hand. The hand is not entirely straightforward, and what follows is a tentative reading.

See his entry and that of the Duke of Sussex in the Oxford DNB. 1p, 12mo, on first leaf of bifolium. In fair condition, lightly aged and worn, with strip of tape from mount adhering to blank second leaf. With two folds. The recipient is not named; signed ‘Thomas Coutts’. Twenth-two lines of text, neatly written and sloping upwards. Begins: ‘My Dear Sir / I send for your personal attn from The Duke of Sussex by which you will see he has promised to attend The Subscription Dinner for the benefit of decayd artists & cannot dine with me but says he will call before a day with Mrs Coutts’.

See his entry in the Oxford DNB. D’Orsey was Professor of Elocution at University College, London. 4pp, 12mo. Bifolium. On aged, brittle paper, with slight wear and discoloration, a few closed tears along folds and traces of stub adhering to second leaf, but with entire text clear and intact. A long untidy letter, with writing up the margin on outer two pages. Addressed to ‘The Revd. A J D’Orsey’ and signed ‘Tom Taylor’. The topic is an outbreak of cholera at Madeira, about which D’Orsey has clearly launched an appeal.

According to Russell’s entry in the Oxford DNB, while reporting on the Civil War, he was described by one American newspaper as ‘the most famous newspaper correspondent the world has ever seen'. The inscription on his memorial in St Paul’s Cathedral calls him ‘'the first and greatest of War Correspondents'. He coined the phrase ‘thin red line’, was instrumental in the sending of Florence Nightingale to the Crimea, and is said to have written the report that inspired Tennyson to write ‘The Charge of the Light Brigade’.

An interesting letter from one great of the nineteenth-century stage to another. See the entries on Macready, Webster and Forster in the Oxford DNB. Curtis is a noted Federalist historian. 4pp, 16mo. Bifolium with mourning border. (His eldest daughter Nina had died at the age of twenty on 24 February 1850.) In good condition, lightly aged, with traces of tape from mount adhering to the second leaf. Two postage folds. Forty lines of text, addressed to ‘Benj. Webster Esq.’ and signed ‘W. C.

The phrase ‘Box and Cox’ has entered the English language. See the OED, and the two men’s entries in the Oxford DNB. 2pp, landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition, lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health” I hope I need not apologise for writing again.

See her entry, and that of her husband, in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, in trimmed windowpane mount. Although a short letter, her expansive and elegant hand fills the whole page. Reads: ‘Dear sir / With great pleasure I comply with your request and send a Specimen of my caligraphy [sic] / Yours very truly / Mary Anne Keeley / I was born Novr 22 1805’.

See his entry in the Oxford DNB. The recipient (‘Broadley Pasha’), at the time de facto editor of Edmund Yates’s magazine ‘The World’, was a scandalous figure, who richly deserves his own entry in the same work. 2pp, 16mo. Bifolium. Text on the outer pages, the inner pages carrying the remains of newspaper cuttings which were previously laid down on them. Otherwise in fair condition, lightly aged, with thin strip of tape from mount adhering to the last page, which also has a newspaper cutting laid down at its foot, regarding the death of A. Sutherland Sutton. Folded once.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. To ‘W Watts Esqre / &c &c &c’. With good firm signature, with flourish. Reads: ‘Dr Sir / Pray let me know who are the Principal Instrumental Solo performers for the Philharmonic Concert of Monday next? - / Yours truly / Henry R Bishop’.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, in trimmed windowpane mount, with glue marking on blank reverse. He thanks her for her letter, adding ‘I am completely floored with an attack of influenza and can only just manage to scribble this and assure you that I am / Very sincerely yours / J. R. Planché’.

See his entry in the Oxford DNB. Friswell was described by Tennyson as ‘the would-be poet, / Friswell, Pisswell - a liar and a twaddler’. 1p, 16mo. With mourning border. In good condition, lightly aged. Folded once. Fourteen lines of text. Addressed to ‘Messrs Virtue & Co.’ Signed ‘J. Hain Friswell’. Begins: ‘Gentlemen, / Many thanks for your fine print of the Chandos Portrait of Shakspere which I will notice in the P. C.

The phrase ‘Box and Cox’ has entered the English language. See the OED, and the two men’s entries in the Oxford DNB. 2pp, landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition, lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health” I hope I need not apologise for writing again.

'There are three rules for writing plays', Oscar Wilde is said to have declared. ‘The first rule is not to write like Henry Arthur Jones; the second and third rules are the same.’ See his entry in the Oxford DNB. 1p, 12mo. In good condition, slightly trimmed at the edges, and in a windowpane mount. With two folds for postage. Addressed to ‘J E Woodrow Esqre / London Library’, and signed ‘Henry A Jones’.