CO.

See his entry and that of the Duke of Sussex in the Oxford DNB. 1p, 12mo, on first leaf of bifolium. In fair condition, lightly aged and worn, with strip of tape from mount adhering to blank second leaf. With two folds. The recipient is not named; signed ‘Thomas Coutts’. Twenth-two lines of text, neatly written and sloping upwards. Begins: ‘My Dear Sir / I send for your personal attn from The Duke of Sussex by which you will see he has promised to attend The Subscription Dinner for the benefit of decayd artists & cannot dine with me but says he will call before a day with Mrs Coutts’.

From the papers of Sylvia and Robert Lynd. A scarce piece of Pearse ephemera: no other copy traced. 1p, 12mo. On a piece of discoloured laid paper, worn, with crease to one corner. The full title of the book, which was edited by Desmond Ryan, was ‘The story of a success, being a record of St. Enda's College, September 1908 to Easter 1916’.

The Pippets of Solihull were a Roman Catholic family that worked closely on ecclesiastical designs with the Gothic Revival firm Hardman & Co (whose archives are held by the Birmingham Museum and Art Gallery). Wilfrid also collaborated with J. B. Trinick on the striking illustrations to A. E. Waite’s rosicrucian ‘Album of the Great Symbols of the Paths’ (1917-21; copy in the British Museum Department of Prints and Drawings). Eleven attractive illustrations in black ink (over pencil draft).

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged, with a crease, dogeared corner and small nick. Folded once for postage. Signed ‘Michael Sadleir’. He is grateful to Collins ‘for pointing out the careless grammatical mistake of mine in the SUNDAY TIMES review. It is only too easy to slip into a conversational style (for I think that what I meant was perfectly clear) when writing rapid condensations for a newspaper.

Two Manuscript Letters from the London banking house Robert Herries & Co. to the former Governor of West Florida George Johnstone, the first ‘with Account Current’ and the second regarding delivery of ‘the plate to Mr Maxwell. Both items in good condition, lightly aged and worn. ONE: 2pp, 8vo. On the inner sides of a bifolium, with the reverse of the second leaf bearing the address (with postmark) ‘Commodore Johnstone / M. P. / Portsmouth’, and endorsement ‘Sir Robert Harries [sic] & Co. / 19th Feby. 1781. / with Account Current. / Balance due the Governor / £697 .. 18/3’.

The University of Wyoming American Heritage Center has mounted a ‘traveling exhibit’ of watercolours and diaries from Kennet Were’s 1868-9 journey across the United States, a long account of which he published in the Gazette (‘Nine Months in the United States’) on his return. Were’s obituary in the Transactions of the Devonshire Association, vol. 48, (1916), p. 54, describes him as one of Sidmouth’s ‘most respected inhabitants’ and ‘the prime mover in movements for the improvement of the resort and a supporter of all good causes’, but does not refer to his artistic activities.

Stapled periodical in black and white: iv + 12 pp, 4to. The outer leaves carry advertisements, with the front leaf paginated i-ii and the back leaf iii-iv. Engraved masthead at top of front cover. Containing thirteen articles between ‘Foreword’ (the journal aims ‘to address itself to all who, caring to read about Books, care especially to read about the Best - about those which are, beyond question, always worth reading and worth writing about’) and ‘Editorial Notices’, including ‘Books and Life’ by W. Macdonald, ‘The Birth of a Classic’ (i.e.

An attractive collection of chromolithographs, suited to display. The plates are all in good condition, laid down on the aged and sometimes damaged leaves of a small 4to (17 x 21 cm) album with good tight bevelled-edged binding in dark brown cloth, on which an embossed stylized pattern of foliage and two storks is printed in black with the word ‘ALBUM’ on the front cover and blind-stamped on the back cover. The album has an ornate title page, printed in red, with illustration of flowers, branches and a butterfly, together with the word ‘Album’ and publishers’ details.

See his entry, and those of his siblings, in the Oxford DNB. A 15.5 x 20 cm black and white print, on glossy paper. Worn at edges, and with staining to blank area at top left. Stamped by the publishers on the reverse with ‘Sir Osbert Sitwell. Bt. / 25. 8. 49.’ There is a possibility that this is a signature by Sitwell, but the letter ‘O’ and other features are not quite right.

Two pieces of uncommon Edwardian bibliographical ephemera. Both items worn and aged, and the catalogue somewhat dogeared. Both with some pencil marking. ONE (1909 catalogue): 32pp, 12mo. Drophead title on first page: ‘Macmillan’s Three-and-Sixpenny Library of Books by Popular Authors / Crown 8vo.’ The first two pages carry a description of the series, which ‘comprises over four hundred volumes in various departments of Literature. Prominent among them is a new and attractive edition of The Works of Thackeray, issued under the editorship of Mr. Lewis Melville.

This is a document which would certainly repay investigation. No record of this firm of merchants has been discovered, or even of where they traded. Robison is a Scottish name, and there is an undated reference to a ‘James Robison, merchant in Dumfries’; most Shuttleworth’s hail from the north-east of England, and there is mention of a John Shuttleworth in Manchester in 1820. Other clues in the document suggest a London location: in 1793 Napper and Co.

1p, 12mo. In fair condition, lightly aged and creased, with one dog-eared corner. He writes that he has ‘had the engraving photographed’, and can ‘return it together with the casting’, with ‘very many thanks to you for being so kind as to lend it to me’.

Now scarce. Among the six copies listed on JISC, only three (BL, Cambridge, NLW) are in the deposit libraries. Unpaginated 12mo pamphlet, w Iith page of contents, four pages of ‘Explanatory Note’ and three pages of facsimiles, on six leaves of shiny art paper, stitched into grey printed wraps with title on cover and two pages of advertisements at rear. In fair condition, lightly aged, in grubby wraps with tiny nick lost from bottom corner of front wrap.

Few copies of this ephemeral item can have survived. (No copies appear to show up on Jisc or WorldCat.) 20pp, 4to. Small print. Stapled. In very good condition for such a publication: lightly browned paper, with one off-centre horizontal fold. The item can be dated from the films listed on the two pages of ‘Talkie Film Songs’ seem to all date from the 1930s (e.g. ‘The Cowboy and the Lady’ and ‘Song of the Saddle’). Title page has box containing a list of ‘Immortal Melodies by Victor Herbert’.

Publishing history does not get more vivid than this. See Flower’s obituary in The Times, and Wells’s in the New York Times. The three items in good condition, lightly aged. All three folded once and signed ‘Newman Flower’. First TLS (3 January 1928): 1p, 12mo. He writes that although ‘a very apologetic letter from Mr. Wells of Harpers’ has ‘cleared the air entirely’, ‘a reply from Holt’ received at the same time is not very satisfactory’, and ‘in view of the fact that Cassell’s and Harpers will be coming together again, it would, perhaps, be as well not to do anything at present’.

For the context see Halliwell-Phillipps's entry in the Oxford DNB, which states that in 1852 he 'offered by subscription the most elaborate Works [of Shakespeare] ever attempted: published between 1853 and 1865 in sixteen thick folio volumes, lavishly illustrated by F. W. Fairholt and limited to 150 copies, it was initially priced 2 guineas a volume.

A scarce item, and considering its perforation, fortunately found in its complete state. No copy on OCLC WorldCat, which does however have entries for copies of similar Liberty's 1910 ('SERIES XXXIII') and 1913 catalogues, the latter at the Museum of Fine Arts, Boston. 64pp, 8vo. Stitched into oat-coloured cloth soft covers, with decorative border and title printed on front cover. In fair internal condition: on lightly aged and spotted paper. In worn and stained wraps. The five pages of text and fifty-nine full-page illustrations are printed in brown on cream paper.

[16]pp, 16mo (11.5 x 7.5 cm). Stitched unpaginated pamphlet, tastefully printed with decorative headpiece to title, and the Press's celebrated device to the colophon. A frail survival, aged, worn and spotted, with one corner of last leaf dogeared. At foot of title-page: 'Any volume will be sent on receipt of Postal Order in advance.' Following the title-page are two pages with a history of 'The Chiswick Press. | Founded 1789.' Then a full-page advertisement for 'A Practical Treatise on the Art of Typography', with a full page containing 'Some Press Opinions'.

20pp., 4to. Stapled into card wraps printed in blue and red. In fair condition, aged and worn, with vertical crease and rusted staples. The front inside wrap carries an 'Introductory Note' (including the claim: 'Half-an-hour's daily practice will produce material results in a very short time.') Labels and stamp of the Board of Education Library. The cover is illustrated with an engraving of two hands emerging from mountains and icebergs and shaking across the waters, above which are the Union Flag and two ensigns (Australia and Canada?), captioned 'Semper Fidelis'.

A rare and unusual item, distributed as news of the execution broke, no other copy of which has been traced, either on OCLC WorldCat or on COPAC. Printed on one side of a 59 x 48.5 cm piece of watermarked laid paper. In four columns of small print, surrounded by a thick-thin ruled border. Engraving (13.5 x 14.5 cm) of the moment of execution by guillotine at head of the central two columns. Aged and worn, with small drops of ink spattering, but with the text entirely legible and the engraving practically unmarked. Folded four times.

2pp, folio. On a single leaf. In fair condition, lightly aged and worn, with thin strip of paper from mount adhering to inner edge of first page. Folded twice. Good firm signature of the king ('George R.') at top left of first page, which has a thin mourning border. Left hand margin of first page with embossed £1 10s tax stamp. Written out ('By His Majesty's Command') in a secretarial hand, and addressed 'To The Husband for taking up all Goods consigned from Barbadoes and the Leeward Islands on Account of the Duties of Four Pounds and one Half Pounds per Centum'.

The four letters are in good condition, with light signs of age and wear. Written in Payne's neat and mannered hand, and all four signed 'J Bertrand Payne'. For the background to the correspondence see Jim Cheshire's article 'The Fall of the House of Moxon', Victorian Poetry, Spring 2012. Payne was manager of the London publishing house Edward Moxon & Co., celebrated for their association with poets.

The three letters are in good condition, lightly aged. All three signerd 'J Bertrand Payne'. The first has a letterhead in red, the other two have a different letterhead in blue. Both designs feature exuberant monograms and lettering in Victorian Gothic type, which, together with Payne's exuberant handwriting (the last letter also being written in purple ink), accurately reflect the character of the man Tennyson angrily dismissed as 'peacock Payne'. Three excellent letters, the background to which is of interest.

1p., 4to. In good condition, lightly aged. He acknowledges Wilson's 'kind letter regarding Dalglish', who 'suffered a good deal during the latter weeks of his life, but I am glad to say that even then he still retained that brightness of disposition of which you speak'.

R. J. L. Kingsford, in his history of the Publishers Association, describes Young as 'a bookseller of outstanding character and ability, a friend of Arnold Bennett, and the discoverer of the literary distinction of George Sturt'. 1p., 12mo. Neatly and closely written. Headed 'private', and addressed to 'Dear John'. Young is apparently following a dinner (of the Publishers Association) at which George Bernard Shaw was present, and the subject of the letter would appear to be an exhibition Wilson's firm has mounted of books by the London publisher John Murray.

2pp., 4to. In good condition, lightly aged, with the two leaves pinned together. Referring to his wife Emilie, Harmsworth has written in red pencil at the head of the letter 'Em to see'. Physick begins by thanking Harmsworth and his wife for their 'most generous appreciation of our efforts'.

On the back of a printed 'Ceylon | Post Card | For use to British countries'. With Galle postmark of 18 May 1939. Pannasara signs 'D. Pannasara' and gives his details as: 'Bhikku [sic], D. Pannasara Thero | Jayawardhanarama | Dangedara, Galle | Ceylon'. An enquiry in English regarding the 'Milinda Panha – translated from Pali by J. W. Rhys Davids Vol. I-ii'. Annotations in pencil and ink by the recipients.

157pp., 4to. Carbon typescript, with a few manuscript corrections. Each page paginated in type, and on a separate leaf. The leaves punch-holed and attached in a buff folder. Aged and worn, with the first few leaves a little ragged, but intact and legible. The author is not named, but is referred to in the text as 'Tam', and is therefore clearly the 'C. Tamkin' who is named in 1946 as one of the directors of A. E. Watson & Co, 21 Tothill Street, London, 'Consulting, civil and constructional engineers, etc.'. Title at head of first page: 'THE WAY WE CAME'.

On small square of laid paper. In fair condition, aged and worn, with loss to one corner from opening of the wafer, and tape staining to two edges. Received 19th June 1814 of Messrs. Snow & Co a Box of Jewells [sic] The Property of Lady Elizabeth Palk which was deposited with them about the latter End of June, last year - | Shaftesbury'.

Five maps, four of them fold-outs, together with duplicated text on two leaves, stapled into 8vo pamphlet of buff printed wraps with 'PORT OF MANCHESTER' and logo on the front, and printers' slug on back. In fair condition, lightly aged and worn. The five maps include three fold-outs: the first, coloured in blue and light and dark green, titled 'Principal oil docks and installations with their road connections' ('For particulars of sites on the Company's Estate application should be made to the Company's Land Agents | Dunlop, Heywood & Co.