JAMES

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, with postage folds. In trimmed windowpane mount. Reads: 'Madam. / My name is not generally spelt with an e, but I [confide?] it is ['really' deleted here] my [last word underlined] autograph which you desire. / Truly / James Payn'.

See his entry in the Oxford DNB. He had taken on the management of Drury Lane in 1849, and had hoped to profit from the Great Exhibition, but retired from it in 1851, having incurred substantial losses. 1p, 12mo. In good condition, lightly aged, on the first leaf of a bifolium, with the reverse of the second leaf bearing minor traces of mount, as well as the following annotation in a contemporary hand: ?Jas: Anderson Esqre / Lessee Drury Lane / Theatre / T Bateman Esqre. / a P. Whelan?. Anderson addresses to ?Peter Whelan Esqr.? and gives an untidy signature ?James Anderson?.

See his entry in the Oxford DNB. D’Orsey was Professor of Elocution at University College, London. 4pp, 12mo. Bifolium. On aged, brittle paper, with slight wear and discoloration, a few closed tears along folds and traces of stub adhering to second leaf, but with entire text clear and intact. A long untidy letter, with writing up the margin on outer two pages. Addressed to ‘The Revd. A J D’Orsey’ and signed ‘Tom Taylor’. The topic is an outbreak of cholera at Madeira, about which D’Orsey has clearly launched an appeal.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, in trimmed windowpane mount, with glue marking on blank reverse. He thanks her for her letter, adding ‘I am completely floored with an attack of influenza and can only just manage to scribble this and assure you that I am / Very sincerely yours / J. R. Planché’.

See his entry in the Oxford DNB. Friswell was described by Tennyson as ‘the would-be poet, / Friswell, Pisswell - a liar and a twaddler’. 1p, 16mo. With mourning border. In good condition, lightly aged. Folded once. Fourteen lines of text. Addressed to ‘Messrs Virtue & Co.’ Signed ‘J. Hain Friswell’. Begins: ‘Gentlemen, / Many thanks for your fine print of the Chandos Portrait of Shakspere which I will notice in the P. C.

See his entry, and that of his father Charles and wife Madame Vestris, in the Oxford DNB. 3pp, 8vo. Bifolium with mourning border. In fair condition, on lightly aged paper, with slight damage at head of second leaf, the blank reverse of which carries traces of glue from mount. Folded once. Madame Vestris had died two and a half months before the writing of this letter, which evinces a surprising intimacy. Begins: ‘My dear Mrs Williams / Here’s a pretty business! Was there ever such disappointment.

See his entry, and those of his father, wife and Kenney, in the Oxford DNB. 2pp, 12mo. On first leaf of a bifolium, the blank second leaf of which carries a thin strip of tape from the mount. In good condition, lightly aged. Folded twice. Good bold signature ‘C. Kean’. Begins: ‘My dear Kenney / Would you like a P[rivate]. Box or stalls next Friday, being the opening night of our season - I should like you to give a kind of notice of my past season and of my intended retirement from management next July, to which I shall refer in the parting words I purpose delivering according to the custom’.

See his entry in the Oxford DNB, which states that he had two children - Charles Horace Kenney and the actress Rosa Kenney - by his marriage to Miss Rosa Stewart at the Paris embassy in 1859. 4pp, 12mo. In good condition, lightly aged. On bifolium, with thin strip of tape from mount adhering to the reverse of the second leaf. Folded once. Sixty-six lines of text, addressed to ‘Dearest Wife’ and signed ‘Your affectionate husband / C. L.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.

See his entry, and that of his son, in the Oxford DNB. The topic of this letter is referred to in the second volume of Dickens's edition of the son's life, 1879. 3pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering at edge of blank second leaf and two folds for postage. Addressed to ‘Dear Harley’ and signed ‘C Mathews.’ He begins by thanking him for his ‘kind enquiries’, and (with regard to his son the actor Charles James Mathews) writes that ‘Our dear good Charles thank God! is recovered, and writes in excellent spirits from Florence.

See his entry in the Oxford DNB. Slip of paper, roughly 18 x 2.5 cm, cut from form. Somewhat discoloured by the glue with which it is laid down on irregularly-cut backing card. Good firm signature ‘James Copland’, followed by the lithographed word ‘Professor.’ in gothic script, which is followed by ‘pro temp.’ in Copland’s autograph. See Image.

An interesting letter, in which Webb sets out his approach to bookplate design. According to his entry in the Oxford DNB, ‘By 1899 Webb was in poor health and losing money. His meagre savings were insufficient to build a cottage, so he accepted Caxtons, a four-bedroom sixteenth-century yeoman's house at Worth, near Crawley, Sussex, offered at a selflessly low rental by his friend William Scawen Blunt.’ For the context of the present letter, see the letter from Webb to Sydney Cockerell, 1 September 1902, in volume 3 of John Apin’s edition of Webb’s letters.

Written with the charm for which she was renowned. See her entry and his in the Oxford DNB. 2pp, 4to, on two leaves of cartridge paper. In good condition lightly aged. Folded twice for postage. Mostly written in pencil, with good firm signature (‘Yrs / Diana Cooper’) and last few lines in red ink. Begins: ‘My dear admiral - Forgive the scruffiness of the paper & the rudeness of a pencil but I’m in an unoccupied house & can find no essentials, tho’ I found y. letter to-day & have no idea when it was posted.

See his entry in the Oxford DNB. The present item was enclosed in a letter from Serjeant Shee (the future Sir William Shee), offered separately, sent from the House of Commons on 17 February 1854, in which he writes: ‘I enclose Mr. Cobdens own handwriting to send to the Papers -’. Attached to a corner at the head of the first page of the present item is a cutting from the Morning Herald newspaper, 18 February 1854, reproducing the details in the manuscript.

According to his entry in the Oxford DNB, Shee entered the House of Commons as Member for County Kilkenny in 1852, and promptly took charge of the Irish Tenant Right Bill. ‘On 16 February 1854 Shee brought in a bill which, with the exception of three clauses, was the exact counterpart of Sharman Crawford's bill of the previous session, but it met with little encouragement.’ Shee’s speech is reproduced in his ‘Papers, Letters, and Speeches in the House of Commons, on the Irish Land Question’ (London, 1863).

A scarce item. See Somerville's entry in the Oxford DNB, for the controversy, involving Churchill. 8pp, 8vo. With two plates of maps, the first a fold-out extending to the width of three pages. Stapled. In fair condition, on lightly worn and discoloured paper. In the customary double column. Begins, despite the date of the number, 'Wednesday, 5 May 1948 / Action between British and Italian Forces off Cape Spartivento on 27th November 1940. / The following Despatch was submitted to the Lords Commissioners of the Admiralty on the 18th December, 1940, by Vice-Admiral Sir James F.

See his entry in the Oxford DNB. On piece of paper, roughly 12 x 7.5 cm, laid down on 14 x 9 cm plain postcard, with contemporary printed heading on reverse (‘A half penny stamp to be placed here.’, and so on). In good condition, lightly aged. Good firm signature at head of paper, with ‘Autograph’ in a contemporary hand at the foot, with wide space between.

Johnson’s career began with a job singing on an NBC radio show. His 1940s Hollywood films included “Keep Your Powder Dry”. He later returned to Broadway, where in 1956 he received a Tony nomination for his performance as ‘Doc’ in Rodgers and Hammerstein's last musical ‘Pipe Dream’. He died of a heart attack in 1957. 10.5 x 10 cm black and white glossy photographic print on shiny art paper. In good condition. Stylish signature 'Bill Johnson' in white at bottom left.

A contemporary manuscript note to the present item reveals for the first time the identity of ‘Niger’, one of the two correspondents of whose letters it consists. (And minor manuscript corrections to the last of the four letters would seem to suggest the involvement of the author.) This is Sir James Robert Carmichael (1817-1883), 2nd Bart, who was intimately connected with British Guiana through his father Sir James Carmichael-Smyth (1779-1838).

See his entry in the Oxford DNB. It was in October of 1806 that a sixteen year-old Sinclair was arrested as a spy near Jena, and brought before Napoleon, who examined him and ordered his release. 1p, 16mo. On heavily aged, creased and worn paper with light staining above the signature, and strip torn away at bottom left. Addressed on reverse to 'The Editor of the / Mirror of Parliament.' Signed ‘George Sin Clair [sic]’. He thanks him for his kindness ‘in sending yesterday for a copy of the remarks which I made as to the [Prussian?] loan’.

See Terry’s entry in the Oxford DNB. At the time of writing Dr. W. J. Phillips was the organist at St Barnabas, Pimlico; he was unsuccessful in the present application, but was subsequently organist of the Chapel Royal at Hampton Court. See his entry in Humphreys and Evans, ‘Dictionary of Composers for the Church in Great Britain and Ireland’ (1997). These two items are uniform on a total of three leaves of light paper. Both discoloured and worn, and folded three times. ONE: ALS from Terry to Phillips. 1p, 4to. He is ‘most pleased to have opportunity of supporting’ Phillips’s application.

Bailey’s entry in the Oxford DNB describes the ‘remarkable popularity’ of the second edition of Festus in America: ‘seventeen ‘editions’ of a version pirated in Boston were called for in the first nine years, and it was also reprinted numerous times in Philadelphia, Louisville, and New York. Bailey became something of a 'lion' for visiting Americans of the transcendental stamp’, with Hawthorne visiting in the 1850s. 1p, 8vo. On brittle woodpulp paper, now discoloured with chipping to edges (resulting in loss to the word ‘Festus’ at the head) and with closed tears to the two folds.

See the two men’s entries in the Oxford DNB. 2pp, 16mo. Eighteen lines. On first leaf of bifolium. In good condition, on lightly aged paper. Folded once. Addressed to ‘Dear Ilbert’ and signed ‘James W Lowther’. He has ‘prepared a series of telegram [sic] to all the news agencies and to the Clerk of the Works at Westminster’, and will dispatch them as soon as he receives ‘any intimation from the P.M’. He has another telegram ready for the London Gazette. ‘I think we can reasonably expect that, with 48 hrs notice, all M Ps and the staff would have sufficient notice’.

Several James Joyce scholars have turned their attention to Schwartz, an early dealer in his books and manuscripts, as well as publisher of a couple of pirated editions. See William S. Brockman, 'Jacob Schwartz - The Fly in the Honey' in Joyce Studies Annual, Summer 1998. 1p, 4to. On the Ulysses Bookshop letterhead, printed on green paper. Addressed to 'Dear Sir:' and with valediction 'Au Revoir / Dr J Schwartz / prop / Ulysses Books'.

See his entry in the Oxford DNB. The identity of the recipient is unclear. Written on one side of a small (12 x 9.5 cm) plain card. In fair condition, lightly aged and worn, with one vertical crease. Reads: ‘Dear Walter / Enclosed is, as you may see, addressed to Speaker Court. I opened it & think it may be for Miss Erskine. If not, will you send it on to Lady Ilbert. Nothing is known of it here. / Yours sincerely / James W Lowther’. Lady Ilbert was wife of the Clerk of the Commons, Sir Courtenay Ilbert, from whose papers the item derives.

Taylor is noticed in his brother’s entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium, the second leaf carrying the address (‘R. S. MacKenzie Esqr / Chesterfield’), and a seal in black wax, beneath which is a corner of the leaf, cut away in opening the letter, the leaf also being annotated ‘James Taylor of Bakewell / author of “What is Money?”. In good condition, lightly aged, with thin strip of brown paper mount along inner edge of second leaf. Good signature, with expansive flourish, ‘Jas Taylor’.

See the various entries in the Oxford DNB. Typed carbon copy. 1p, foolscap 8vo. Text complete, on aged piece of carbon paper, worn and chipped at edges. No signature. Addressed at foot to ‘E. F. Benson Esq.’ Thirty-one lines of text. He begins by stating that Benson, in his ‘work on Charlotte Brontë’, has ‘made a very correct study of her’. After discussing a point about Branwell Bronte, he states: ‘We cannot rely on Charlotte’s assertion that he knew nothing whatever of their ventures in publishing.

Although he later repudiated his position, Mackintosh is notable for having defended the French Revolution from Edmund Burke's strictures. See the two men’s entries in the Oxford DNB. With regard to Maurice's oriental studies, it is worth noting that Mackintosh was Recorder of Bombay, 1804-1811. The three items are in good condition, lightly aged and worn and folded for postage. The last two show slight evidence of the breaking of the wafer, and the last has minor traces of brown paper mount. All three are bifoliums, and all are signed ‘James Mackintosh’.

A significant figure, unaccountably unrepresented in the Oxford DNB. An interesting item, casting light on the way business was conducted in the world of nineteenth-century newspaper proprietorship. 4pp, 12mo. Bifolium. In fair condition, lightly aged and worn. Folded for postage. The recipient, evidently a fellow newspaper proprietor, is not named, and the letter is signed ?William Ingram?.

See the Oxford DNB entry of the recipient James Payn (1830-1898), at the time of this letter the editor of the Cornhill Magazine. More significantly, Payn had since 1874 been a reader for Smith, Elder, and the present letter stems from the firm?s interest in Forrest?s ?tale of the Indian Mutiny? which they would publish in 1891 under the title ?Eight Days?. 2pp, 16mo. Bifolium with mourning border. In good condition, lightly aged and worn, with short closed tear at edge of postage fold. Addressed to ?James Payn Esqr.? and signed ?R. E. Forrest?.