FILMS

Johnson’s career began with a job singing on an NBC radio show. His 1940s Hollywood films included “Keep Your Powder Dry”. He later returned to Broadway, where in 1956 he received a Tony nomination for his performance as ‘Doc’ in Rodgers and Hammerstein's last musical ‘Pipe Dream’. He died of a heart attack in 1957. 10.5 x 10 cm black and white glossy photographic print on shiny art paper. In good condition. Stylish signature 'Bill Johnson' in white at bottom left.

Livings’s entry in Encyclopaedia Britannica notes that his farces ‘convey serious truths’ with ‘both a dazzling comic flair and an unexpected force and profundity that is heightened by his use of colloquial language’. 1p, foolscap 8vo. Twenty-two lines of text. In fair condition, lightly aged and creased, with four light ink underlinings. Signed ‘Yours, / Henry Livings’. One of a number of letters to Furness by writers, responding to his enquiry about socialist authors and British pubs.

Power made his Broadway debut in 1922. The film role for which he is perhaps best remembered is as Gregory Peck's boss in 'Roman Holiday' (1953). A 15 x 12 cm black and white image, printed on 17 x 14 cm matt card. In good condition, lightly aged. A head and shoulders shot of a pensive Power, pipe in mouth, trilby on head, in pin stripe suit jacket with white shirt and tie. At top right, against the plain background, in green ink, Power has written: ‘Best Wishes / Hartley Power.’

The eight letters total 10pp., 4to., of which 3pp. are typed and 7pp. in autograph. In good condition, lightly aged and worn. De Rome's reputation was enlarged towards the end of his life, with the British Film Institute mounting a thrusting retrospective season, with an accompanying DVD and a penetrating documentary by David McGillivray, 'Peter de Rome: The Grandfather of Gay Porn' (2007). For more information on Alderman, who acted in de Rome's films 'Scopo' (1966) and 'The Second Coming' (1970), and who had been J. R.

The present image is not in the National Portrait Gallery, but the licencing rights are held by Getty Images, by whom it is dated to 1 May 1928. 24 x 18.5 cm bromide print, on 25 x 18.5 cm matt.In fair condition, discoloured and with light creasing at extremities. Chaplin's genuine signature is at bottom right: 'Yours Truly / Charlie Chaplin'. Wittzel's monogram (featuring 'WITZEL' and 'L A') is printed at bottom left. An excellent and unusual artistic image of a figure of world renown.

Material relating to Lambert is in the Charles E. Young Research Library of the University of California. See his obituary by Sharon Waxman in the New York Times (‘Gavin Lambert, 80, Writer Who Chronicled Hollywood Life, Dies’), 19 July 2005, which describes him as ‘an incisive observer of life in Hollywood through his screenplays, novels and film histories’, whose writings ‘speak candidly about the realities of Hollywood stardom and about the potentially destructive effects of the industry's harsh demands on artistry’: ‘Mr.

See his entry in the Oxford DNB. On 17.5 x 11 cm leaf of pink paper, extracted from an autograph album. In fair condition, lightly aged and worn. In a large sprawling hand: ‘All good wishes / Ivor Novello’. On the reverse: ‘The “Cock-lodger” July 1943 / Don. Dobson / (Dobbie)’.

See her Guardian obituary by Ronald Bergan, ‘Britain's original “It” girl, who rose from shop assistant to movie star’, 13 September 1999. Both items in good condition, lightly aged and folded for postage. Both letters with good content. Eileen Margaret Cond (1911-1984) of Honiton was an enthusiastic autograph collector, and she had an ability to draw a more than perfunctory response from her targets. ONE (1944 ALS): 2pp, 8vo. Addressed to ‘Dear Miss Cond’ and signed ‘Chili Bouchier’. Begins: ‘Just a wee line to thank you so much for your nice Xmas card which was forwarded to me in Egypt.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. Aged and creased, on discoloured high-acidity paper. Folded twice for postage, and with closed tear at head of vertical fold. Slight damage and rust staining from removal of staple. The letterhead incorporates two photographic portraits of Lauri, with press comment from ‘Everyone’s Magazine’ and career resume beginning: ‘Ernest Lauri / (The Singing Anzac) / STARRED IN AUSTRALIAN PICTURES / Versatile Vocalist and Monologist’. Macqueen-Pope is not named, but is presumably the recipient.

From the Macqueen-Pope papers (see his entry in the Oxford DNB). 1p, 4to. In good condition, lightly aged and folded three times. Signed ‘Basil Ashmore’. Begins: ‘Dear Mr MacQueen Pope, / Im [sic] sorry to keep bothering you about this film on Kean. Last time I saw you, you said “see me in March”[.] This week you said “leave it until they start in April”[.] / You may remember that I am a director, who has recently worked with Michael Powell on his new film.’ Ashmore is ‘anxious to contact the producer of your Kean film in case I can assist on this.

Clearly produced for an autograph collector. On one side of a 12.5 x 8.5 cm cream card. In good condition, lightly aged. The inscription reads: ‘For Janis / Merry Xmas to you / Sincerely / Noah Beery’. Affixed in the top right-hand corner, partially covering the word ‘you’ in the inscription, is a black and white stamp, with photographic portrait captioned at foot ‘NOAH BEERY’. Dated in pencil at bottom-right ‘Dec 1936’.

2pp, 12mo. Twenty-one lines of text. In good condition, lightly aged. Signed ‘Lilian Gish’. Begins: ‘Dear Miss Murchison, | I was so touched by your very sweet letter which was handed to me by the BBC just before we went on the air. / It is heartwarming to come back to England after these long and dreadful years and find that our film friends have not forgotten us.

On 16 x 14 cm leaf of green paper, with rounded outer edges, torn from autograph album. In good condition, lightly aged. Reads: ‘For / John / With every good wish, / Joseph Cotten / 1949’. Above the inscription has been laid down a photograph of Cotten cut from a newspaper. See image

2pp, 8vo. In fair condition, lightly aged, with crease lines from having been folded into a packet. The letter is from a batch of letters written following Ivor Novello's death in 1951, in Macqueen-Pope's personal papers. He writes to send his new address ('after April 14th.'), having been forced after eight weeks to move from the Holmwood Hotel, 'to seek a little relaxation at a guest house where there will be less noise and Jubilation'.

An interesting period piece. Two synopses of Percy Nash's review 'The Charm', the second dated by him to 1951, and with reference to the nationalisation of the coal industry. Together with the typescript of a song from the play about the 'Man of Might' Winston Churchill, and the Labour Party, who 'Have sullied the Fair name | of dear old England'. Also present is a watercolour drawing by Percy Nash's nephew the Bournemouth artist Eustace Nash of the intended backdrop to the first act of the review, together with an ALS discussing his ideas for the design of the piece.

On one side of 11 x 12.5 cm leaf of pink paper, with rounded outer edges, detached from an autograph album. In fair condition, lighty aged and a little grubby. Reads: 'To | Michael | sincerely | Fredric March'.

Both 1p, 8vo, and each in fair condition, on aged paper, with creasing along one edge. The first letter with smudged date of receipt in one corner. The first letter signed 'Paddy Carstairs', the second 'John Paddy Carstairs'. ONE: Begins: 'Dear Miss Greenwood | What can I possibly say? I am “set” for my next pic, but always want very unique stories – who doesn't?! | In 22 years (nearly!) I've only sold 3 originals for the screen and none of my novels – you see, there aren't any rules'.

8pp., 4to. Stapled in coloured wraps. A frail survival, aged and worn with closed tears. The front cover has the words 'The Game of Life' printed in large gothic type over an illustration of a tapestry. The title page carries the motto: 'The Picture that makes the Dimples to catch the Tears'. There is a long poem of the same title on the second page, and the third page carries the 'Argument' of the film by Walter G. Summers. There is a cast list on the fourth page, and pages five to eight tell 'The Story. There are nine black and white illustrations.

On 6.5 x 11.5 cm piece of card, laid down on a slightly larger piece of paper. In good condition, lightly aged. Neatly written out and apparently sent in response to a request for an autograph. Reads: 'Yours Sincerely | Cyrus Townsend Brady | Brooklyn N.Y., | October 23rd., 1902'.

Good, firm signature in blue ink, 7cm. long, on a piece of paper laid down on a 16 x 25cm. piece of card, beside a magazine cutting of a photograph of Rogers, the two protected by a loose plastic sheet. In good condition, on lightly-aged paper.

In a 28 x 22 cm album, with 'PREMIER PRESS SERVICE' label on cover, also carrying 'PERCY NASH, Esq' in manuscript. Cuttings and album in fair condition, lightly aged and worn. Of the 55 cuttings, 28 are laid down in the album, with the other 27 loosely inserted, some of the latter backed with card, and others with labels of Durrant's and other cuttings agencies. Publications include: Star; South Wales Echo; Era; Stage; Glasgow Citizen; Nottinghamshire Guardian; Yarmouth Independent; Bioscope; Evening News; Sunday Express; Aberdeen Evening Gazette; Daily Telegraph; Kinematograph Weekly.

1p., 4to. In good condition, lightly aged. Nash is named on the letterhead as the Association's president, and Morgan as Honorary Secretary and Treasurer. The letter begins: Dear Percy / | For various reasons we did not get a largely attended meeting on Friday, but the better feeling between members seems still to grow.' Nash's 'protracted illness' has clearly necessitated his stepping down as president, and '[a]fter considerable discussion it was decided to ask Pearson & Elvey [i.e. George Pearson (1875-1973) and Maurice Elvey (1887-1967)] to be President & Vice with myself to continue'.

2pp., 4to. In good condition, on lightly-aged paper, with slight wear at head of second leaf. She begins: 'I always love to receive a letter from England, especially at this time of year when I become especially homesick, thinking of April at home with the bluebells and the primroses out! Your description of the forget-me-nots, tulips, fruit-blossm etc . . .

De Cordova was a voluminous author (see his entry in Who Was Who). Several of the couple's works were adapted for the cinema during the silent era. Of the four items present here, 'The Man in Mourning' was published in the Green Book Magazine, February 1916, and de Cordova's entry in Who's Who 1914 lists 'The Earthquake' among 'seven sensational dramas for the London Hippodrome'. No record has been found of the other two pieces. Four duplicated typescripts. In fair condition, with some wear and aging. ONE: '"The Earthquake" A Dramatic Sketch by Alicia Ramsey and Rudolph de Cordova'. A play.

The three inscriptions are all on one side of an 18 x 16 cm leaf taken from an album. In good condition, lightly-aged. Given during the shooting of the RKO film 'The Saint in London' (1939), which Sanders starred in and Carstairs directed. Sanders writes, at the head of the page, 'To Anne | I want to see you in about 8 years time! | George Sanders | April 1939.' Beneath this is: 'Anne - let's make it seven! | John Paddy Carstairs: | '39.' And beneath Carstairs' inscription: 'Six years. X. | Tony Keys'. The recipient was the daughter off a cameraman at Twickenham Film Studios.

[8] + 344 + [7]pp., 12mo, and four pages of plates (vol.2, no.2). Fourteen issues, loose, with volume 1 (issues 1-9) continuously paginated to 244; and volume 2 (issues 1-5) paginated to 90; with the volume's separate prelims (8pp.) and index (7pp.) ready for binding up. Two identical fliers for the society (giving its 'Purpose') loosely inserted. The collection is in good condition, on lightly aged and worn paper, but with rusted staples to all volumes. Hunnings and Gillett are named as editors of the first four volumes, thereafter Hunnings alone.

Surprisingly little is known about this British cinematographic pioneer, and these items are rare survivals, there being no reference to Walford on COPAC. Handbill: 8vo (27 x 21 cm). Printed on both sides. Clear and complete. Aged and creased, with damage at edges. In portrait 8vo on one side, with picture of British Army lancer and border of Union Flags. Headed 'Great Additions with Augmented Change of Artistes since last visit. | The Schoolroom, Watton. | Monday, February 10th.' 'Walford's Royal Military and Naval Warograph & Vocophone Co.

Black and white studio photograph, postcard format (14 x 9 cm). Laid down on leaf removed from autograph album. Good, on shiny photographic paper, with margin making dimensions of image 12.5 x 8 cm, captioned at foot 'JOHN STUART' and, in smaller type, 'PHOTO BY | L. PROTHEROE'. Stuart's inscription, in bottom right-hand corner, reads 'Best wishes | Sincerely yours | John Stuart'. Stuart's two Hitchcock films were the director's debut 'The Pleasure Gardens' (1925), and 'Number Seventeen' (1932).

Both items on 'Bebe' letterheads, and both with signature 'Bebe' incorporating a drawing of a stick figure with hat. Letter One: 12mo, 1 p. Twelve lines. Good, on lightly-aged paper. With addressed envelope. She is sorry they missed one another 'at the station, especially after all the trouble you went through to get there'. Gives news of show: 'Boy, it will be good to get back to town again. | I have enjoyed the tour but as you know travelling nowadays isn't what it used to be, by a long shot.' Letter Two: 8vo, 1 p. 21 lines.

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.