ENGLISH

Weyman was, as his entry in the Oxford DNB states, ?one of the most popular and skilled of the historical romance novelists of the cloak and dagger school?. Oscar Wilde recommended (in all seriousness) Weyman's novels as reading for convicts. 1p, 16mo. In fair condition, lightly creased and worn. Folded for postage. From the collection of Rosemary Barron, autograph collector. Reads: 'Dear Miss Barron / I am sorry that your letter has remained unanswered so long but I have been laid aside by illness.

See his entry in the Oxford DNB. 1p., 12mo. In good condition, lightly aged. Folded once for postage. Reads: ?Dear Yonge / Will you bring your rod & try the river this morning / Yours always / Thomas Fairbairn / Saturday?.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and worn, with thin strip of mount adhering to one edge. Folded for postage.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded for postage. Addressed to 'Alfred Miles Esqre.' and with good bold signature 'Gerald Massey'. Begins: 'Dear Sir / You are quite at liberty to quote from my poems - but I shd. like to have a hand in the selection. / In a collection so large as you contemplate there ought to be nothing but one's best.' If he were to edit such a work he would 'make all living authors so choose their own poems. Sir Richard Grenville is the only one of those you mention that I shd.

Mason was, according to E. V. Lucas, ‘famous in both hemispheres’. His entry in the Oxford DNB ends with this assessment: ‘His books were best-sellers for fifty years, and the films made from them, notably The Drum (1938), for which he wrote his own scenario, and The Four Feathers (1939), were among the most popular in their time.’ 1p, 12mo. In good condition, lightly aged. Folded twice for postage. The valediction is in Mason's autograph: 'Yours sincerely / A. E. W. Mason'.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, on aged paper, with strip of sunning, and evidence of mounting on reverse, which also bears contemporary pencil annotation: ‘Honble Roden Noel / Son of Earl of Gainsborough / A considerable writer & Poet / Author of “A little Child’s Monument” & other Poetry’. Folded twice. The signature is large and firm, but rest of his handwriting is appalling. The page carries the letter’s valediction, with date and address, and a seven-line postscript: ‘[...] Kind regards [...] How sad is the [...] London!

See his entry in the Oxford DNB. 2pp, 4to. On first leaf of bifolium. Forty-three lines of neat text. In fair condition, lightly aged and worn, with a few small closed tears. The author ('Sir') is unnamed, but is presumably the 'Editor' referred to in the text. Signed 'Wm Ballantine'. By recipient, at head of first page: 'Letter from Mr Sergeant [sic] Ballantine / United Club -'.

See his entry in the Oxford DNB. 3pp, landscape 12mo. On bifolium of grey paper. The letter is complete, on what appears to be the upper half of a 4to bifolium. In fair condition, lightly aged and worn, with stamp, postmark and remains of autograph address on reverse of second leaf, with traces of mount. Signed ‘J A Fuller Maitland’. Begins: ‘Dear Sir / Very many thanks for your book, the second copy of which has just come. I shall hope to be able to come & hear your lecture on a subject which is especially dear to me.

In a letter to ‘John O’London’s’ in 1921, Fletcher boasted of having ‘written (and published) seventy-three novels, twelve volumes of collected short stories, and fifteen historical and topographical works, the last-named mostly of considerable length’. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded once for postage. Annotated by recipient with date of response. Addressed to ‘Mr D. Webster.’ and signed ‘J. S. Fletcher.’ He thanks him for ‘the two Chichester pamphlets duly to hand’, noting that one was ‘The Accompt Cleared’ by Roger L’Estrange.

Apparently an earlier version of the concluding part of Chetwynd’s dystopian first book, ‘The Copper Cow’, published in London by Anthony Blond in 1962 which gives a surrealistic description of a Britain of the near future. Duplicated typescript, double-spaced and printed on rectos of leaves only, all attached with metal stud. Paginated 115-210, preceded by title page and section title. In good condition, lightly aged. With deletions and manuscript corrections duplicated, but no actual manuscript emendations.

See his entry in the Oxford DNB. 3pp, 12mo. In good condition, lightly aged, and with slight discoloration to corners of second leaf from previous mounting. Folded once for postage. With large firm signature. Begins: ‘My dear Annie, / Please accept my best thanks for your kind present of a pair of slippers on the anniversary fo my birthday, & especially for your kindness of thinking of me.’ He comments on his improved health since the previous year, the long time since their last meeting, and his anticipation of their next.

One page, 8vo, strip on left edge from origins in an album(?), fair condition, completely legible if hasty. Text: I will let you off now - but you had better let me ask Gunning whether he has further occasion for you.| I think too that an attempt to murder is as bad as murder - But inasmuch as punishment is not to revenge [underlined] but to deter [underlined]; as long as murder is punishable with deat you have all the security that you can have against attempts to murder. | JK.

See Fairholt’s entry in the Oxford DNB. The letters on either side of a 12mo leaf. In good condition, neatly placed in windowpane mount. On one side is the response: ‘Wednesday / Dear Mr Keet / I find I must not go out at night for a week to come. I ventured last night & am worse to day in consequence / You must excuse me with many thanks for your intentions / Yours very try / F. W. Fairholt’. On the reverse is a hurried and smudged ALS signed ‘Edwin Keet’ and addressed to ‘Dr. Bell F R. S. / F. S.

See his entry in the Oxford DNB. The present item is clearly part of a draft of an intended biographical entry, penned by Romanes himself in his close and distinctive hand. On one side of a cm piece of laid paper with the reverse blank. Reads: ‘His extensive treatise entitled “Darwin and after Darwin,” which is now being published in successive volumes, is an outgrowth of the lectures delivered in both capacities.

See Christian's entry in the Oxford DNB. (He was the newly-created Downing Professor of the Laws of England at Cambridge from 1788 to his death.) 1p, landscape 8vo. On one half of a 4to leaf that has been torn in two. In fair condition, lightly aged, with thin strip of tape at the right-hand edge, and two punch holes at the left-hand edge of Manington's side. ONE (Christian): Conclusion of autograph draft legal document, numbered '(9)' and signed at bottom left 'Ed. Christian'. With several deletions. Relates to 'Jno Hutchings & Son', who deny 'Combin[ation] & Confederacy &c'.

See Fairholt’s entry in the Oxford DNB. ONE: Receipt by Fairholt. 1p, landscape 12mo. In good condition, in windowpane mount. Good firm signature. Reads: 'Received of Mr Clements the sum of fifteen shillings for a drawing in wood of a Candelabra. / F. W. Fairholt / £- 15s . 0d'. TWO: IOU by Rimbault. 1p, 16mo. In good condition, in windowpane mount. Reads: 'I. O. U. / Thirty pounds / Oct 20 . 1883 / C. Rimbault / to F. W. Fairholt'. Rimbault's identity (a relation of the musicologist Edward Francis Rimbault?) has not been established. See Image.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. 32 lines, neatly written, including interpolations. In fair condition, on aged and worn paper. Folded for postage. No signature and with recipient not named. Begins: ‘Sir / On my return from the Continent I find your letter which I should have of course acknowledged at once if I had been at home. / If the following particulars about myself are of any use for the purpose of your book they are quite at your service’. A thumbnail autobiographical account follows, beginning: ‘I am the eldest son of the late Revd.

See Binney’s entry in the Oxford DNB. 4pp, 12mo. Bifolium. The present item is only the first part of the letter, and hence unsigned, but the author is undoubtedly Binney (the text ends with a reference to ‘my preface to Dr Cheever’s “Incidents & Memories of the Christian Life,” published by Collins of Glasgow’). In good condition, lightly aged. Folded for postage. The recipient is not named, but the subject of the letter is a proposal for Binney to prepare for English publication a work by ‘the blind eloquent American’ (i.e. William Henry Milburn).

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged; laid down on part of a leaf removed from an album. The male recipient is unnamed, and he signs 'Sho. Turner'. Begins: 'Dear Sir / I shall have great pleasure in accompanying you to Mrs [?]. But I would much rather go with you than meet you - and will therefore call upon you to morrow at No 24 Chapel Street Grosvenor Square at 1/2 past 5 precisely - unless you wish me to make it any other hour'. He thanks him for apologising for the short notice, 'But it happens to be a day on which I have no opposing engagement'.

The present image is not in the National Portrait Gallery, but the licencing rights are held by Getty Images, by whom it is dated to 1 May 1928. 24 x 18.5 cm bromide print, on 25 x 18.5 cm matt.In fair condition, discoloured and with light creasing at extremities. Chaplin's genuine signature is at bottom right: 'Yours Truly / Charlie Chaplin'. Wittzel's monogram (featuring 'WITZEL' and 'L A') is printed at bottom left. An excellent and unusual artistic image of a figure of world renown.

1p, 4to. On lightly aged and somewhat creased paper. Folded twice for postage. Addressed to ‘Leonard Hyman, Esq.’ and signed ‘Clarence Raybould’. He has received his Catalogue No. 87 and is sorry to learn of his ‘impending retirement from your business’. ‘The world is always the poor when someone of your integrity decides he has had enough of the intrigues of present-day life!’ He wishes him ‘a happy period of quieter days’: ‘I myself cease to bulk of my work in June of this present year, when I terminate a long association with the Senior Orchestra of the Royal Academy of Music.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.