GILBERT

2pp, 4to. In good condition, lightly aged. Folded twice. Thirty-nine lines, closely written. Signed ‘Gilbert Thomas’. He begins by thanking him ‘most warmly for your letter and the most kind and generous review to hand this morning.

See his entry in the Oxford DNB. A protege of Prince Albert, Bell worked for the Privy Purse from the time of the Great Exhibition, and served as Permanent Secretary to the Keeper of the Privy Purse from 1876 to his death. Signed ‘John Gilbert’ and addressed to ‘Doyne C. Bell Esquire / &c &c.’ 1p, 12mo. In good condition, lightly aged. Folded once for postage. Reads: ‘Dear Sir, / I remember the small picture painted in 1851. H M The Queen holding a drawing Room at St James’s Palace. / I did not intend to paint a larger picture and never did’. See Image.

An interesting glimpse into the late-Victorian world of English art. Corbet and Swan were close friends - one of Corbet’s paintings remained in Swan’s family until the 1990s. See the two men’s entries in the Oxford DNB. The three letters are addressed to ‘Dear Swan’ and signed ‘M. R. Corbet’. All three on grey paper, lightly aged and worn, with creasing to Letter One.

See his entry, and that of his brother, in the Oxford DNB. On one side of a 14 x 9 cm printed postcard. No stamp or address, the side that should carry them being blank. The other side carries an illustration of a British soldier in khaki firging a cannon behind a wall, as another soldier stands to attention beside a nearby flagpole, from which a large Union Jack flies, pited in red and blue. At the head of the saide is a snatch of musical notation, to the words ‘Under the British Flag well fight our way to glory’.

The Gilbert Miller production of ‘Pride and Prejudice’, designed by Rex Whistler, and starring Celia Johnson as Elizabeth Bennet and Hugh Williams as Mr Darcy, was a great success. It opened at the St James's Theatre, London, on 27 February 1936, and closed on 21 November 1936; with a Christmas revival between 26 December 1936 and 16 January 1937. There was a royal performance before Queen Mary on 15 February 1937, and the production went on tour for the rest of the year.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, foolscap 8vo. In fair condition, lightly-aged, with creasing at head, which is annotated by MP ‘(author)’. After thanking him for his letter he writes: ‘It is fatal to have a book published without seeing a proof. In my “G[ilbert] & S[ullivan] Dictionary” I had occasion to mention “The Yeomen of the Guard” 14 times. The comp[ositor], aided by the reader, deliberately channged them to “Yeoman”.

2pp, 12mo. Seventeen lines of text, with a few lines and the signature written lengthwise on the second page. On bifolium. Accompanied by the letter’s stamped and postmarked envelope, addressed by Power to ‘Mrs Lane / 67 Addison Road / W14’. (Note that she lives in the same street.) Both letter and envelope in good condition, lightly aged. Letter folded once. Signed ‘Geo. Power’. He explains that a friend of his, Rev. Eric O. Norman’, ‘who is a fine musician & pianist is trying to get together a small orchestra for a concert on the 24th. May’ and he wonders whether she would ‘care to join’.

The present item is producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with Harding, broadcast in the groundbreaking BBC television series 'Face to Face' on 18 September 1960, a few weeks before Harding’s death on 16 November 1960. Harding’s entry in the Oxford DNB states that, ‘in radio programmes such as The Brains Trust and Twenty Questions, and on television in What's my Line?, Harding became a great popular figure, especially of television in which he was probably the best-known performer in the country.

From the first Smith has been considered as the model of the ‘Sir Joseph Porter’ of Gilbert and Sullivan’s ‘HMS Pinafore’, and Disraeli himself is said to have referred to him as ‘Pinafore Smith’. See Smith’s entry in the Oxford DNB. The present item is signed ‘W. H. Smith’, addressed to ‘Mr Townsend Warner’, and headed ‘Private’. The recipient is the historian and Harrow housemaster George Townsend Warner (1865-1916), father of the novelist Sylvia Townsend Warner. 2pp, 12mo. In good condition, lightly aged. Folded once.

See both men’s entries in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with slight spot from previous mount at one corner. Folded twice. Signed ‘H. H. Armstead’. In reply to a letter of Dafforne, he reports that ‘the Statues I have made for the “Colonial Office” Niches are not yet in situ - but are now being raised to the niches, and they will be in their places within the next few days.’ He gives the names and positions of the statues, adding: ‘The eight men are there as Secretaries of State for the Colonies’.

See her entry and that of her husband Fred Terry (1863-1933), brother of Dame Ellen Terry, and of the recipient of these letters W. J. Macqueen-Pope (1888-1960), the foremost British theatre historian of the twentieth century, in the Oxford DNB. The seven items (Neilson?s five letters and carbon copies of two typed letters to her from Macqueen-Pope) are in good condition, lightly aged and creased. The first letter is signed ?Julia Neilson-Terry? and the other four ?Julia?. The first is addressed to ?Mr Macqueen Pope? and the others to ?Popie?. ONE: ALS, 1 March 1949. 3pp, landscape 12mo.

See Goodenough's entry in the Oxford DNB. At the time of writing he had not been long in place: he had been consecrated in the Chapel Royal, Whitehall on 13 February 1808, having been nominated by the Prime Minister the Duke of Portland. The recipient is Rev. Gilbert Ford (1768-1835) of Ormskirk, son of the eminent Chester physician and botanist John Ford (1731-1807). (Ford was possibly related to Goodenough by marriage: the latter's wife was a daughter of Dr James Ford, sometime physician to Middlesex Hospital and to Queen Charlotte.) 2pp, 4to. On bifolium.

See the entries on the two men in the Oxford DNB. In an impressive description of their joint achievements, the entry on Gilbert describes his association with Lawes as 'one of the longest and most productive scientific partnerships on record [...] In agricultural circles their names are for ever linked'. The first two items are in uniform light-blue printed card covers; the last is of similar appearance, in printed card covers of the same colour. In good condition, lightly aged.

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

2pp, 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. | Hoping you are well – with kind regards. | Yours sincerely | Decima Moore'.

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the “M[?]”'. Ends: 'I thought everything as good as it cd be – I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle.

3pp, 12mo. Bifolium. In fair condition, lightly aged, with traces of glue from mount adhering to blank reverse of second leaf. Folded three times. The recipient is not named, but is clearly a book illustrator, and the letter provides an interesting view of the practices of book illustrators and engravers in Victorian London. Whymper begins by stating that he is sorry to have missed his 'Call', and to have been 'equally unfortunate this afternoon', when he left at his house 'Two pieces of wood & a little book I want you (if convent [sic]) to make me a Front[ispiece]. for by Thursday Morng.

1p, 12mo. In fair condition, on browned paper, with glue from mount adhering to blank reverse. The last leaf of a letter, evidently detached for an autograph hunter. Good bold handwriting. Reads: 'I shall be only too glad to avail myself of it | Yours very sincerely | Alfred Gilbert'.

First two letters 1p., 4to; third letter 2pp., 4to. All three signed 'John Cartier'. In fair condition, lightly aged and worn. In the last letter he states that he has received the 'envelopes', and has 'distributed them round to various singers and musicians who will eventually, I am sure, be sending you a photograph with best wishes'. He apologises for being unable to invite him to visit: 'You see, this is a very tiny flat and, in fact, I am very seldom here for any length of time as my work means continual journeying from place to place for concerts and shows.

1p., 4to. Aged and creased, with closed tears and damage to extremities. He will be 'very glad if you will instruct Allen's to send me a copy of your book. I will review it, though I cannot promise to do it in any particular month for the "U.D.C".' The organisation will be glad to 'enclose a number of your circulars, if you will have them sent. Not more than a thousand.'

The wife of a Liberal MP and author of children's books, Lady Beatrice Rochdale 'spoke, helped at suffrage stalls, etc.; took part in processions' (see J. Vellacott, 'From Liberal to Labour with Women's Suffrage', 1993). 2pp., 12mo. In good condition, lightly aged. She notes that Armstrong has 'kindly promised to speak at a meeting here on the 6th. of March for the Suffrage Cause', and invites him to 'a meal here either before or after meeting'. She wonders whether it might 'be a help if I sent you back in the Motor'. The letter ends: 'I am afraid we shall not have a very large meeting'.

She thanks him for sending his 'most interesting & valuable little pamphlet', which she will give to her friends to read, hoping that it will 'really help at this most difficult time'. She is struck by his 'footnote about “The Freedom of the Seas”', and wishes she 'could really understand that subject'. She ends by asking (disingenuously?) if anything has been written which 'puts your point of view at more length & simply enough for an ordinary mortal to take it in'. The pamphlet referred to is presumably Armstrong's 'Peace with Security' (1917).

1p., 12mo. In fair condition, lightly aged. Reads: 'Dear Miss Randall | I am pleased to sign myself | Yrs. sincerely | Henry A. Lytton'

1p., 4to. The leaf is divided into four panels by a central horizontal crease; Arlen writes on the upper panel of one page, the rest of the leaf being blank. In fair condition, lightly aged and worn. Arlen writes neatly at the centre of the panel: 'Dear Sewell Stokes | Pip, Squeak and Wilfred. | Yrs. | Michael Arlen.' And at top left: '14 Queen St. | Mayfair. | October, 1924.' At the time of writing the precocious Stokes was an assistant editor at T.P.'s Weekly. 'Pip, Squeak and Wilfred' was a cartoon which ran in the Daily Mirror from 1919 to 1956.

1p., 12mo. On a piece of grey paper. In fair condition, lightly aged, folded, and with minor traces of mount on reverse. Reads: 'Dear Teget: | Come on Friday night by all means. The Italian Hercules is bona fide, as far as I can judge, & I shall be glad to have him examined.' After a career in journalism, Hollingshead managed the Alhambra Theatre, and was later the first manager of the Gaiety. He brought Gilbert and Sullivan together in 1871 to produce their first joint work, a musical extravaganza called Thespis. Tegetmeier was natural history editor of 'The Field'.

Three interesting letters, intelligent, well-informed and affectionate, by a member of a leading Liberal family.

ONE: Typed Letter Signed from 'Roger Vansittart' to 'Sir Richard Harington, Bart., | Whitbourne Court, | Worcester.' Foreign Office; 13 April 1927. 1p., foolscap 8vo. In fair condition aged and worn. He is 'directed by Secretary Sir Austen Chamberlain to refer to your letter of the 5th instant regarding the possibility of a claim being preferred against the Mexican Government in respect of your holding in Mexican Railways'.

Printed on both sides of a 21.5 x 28.5 cm piece of thick paper, folded into a 21.5 x 9.5 cm packet, with three panels on the outside and a single page of text within. A nice piece of Savoy Theatre ephemera. Text in purple, with gilt borders, except on the front cover, and with 'The Ancient Arms of the Savoy' in gilt, black, green and orange. In fair condition, lightly aged and ruckled. Two panels of advertisements on the outside, with the programme on the inside also flanked by advertisements.

9pp., 4to. In good condition, on nine leaves of lightly-aged paper. With three deletions in pencil. A stalwart of the Garrick Club, Forbes-Robertson was a friend of Dame Ellen Terry, Oscar Wilde and Sir Edward Elgar, and organised Sir Henry Irving's funeral with Bram Stoker. There is no indication that this paper was ever published.