POET

See his father?s entry in the Oxford DNB. 2pp, 16mo. On first leaf of bifolium. In good condition, lightly aged. Folded for postage. The recipient?s full name is not give. Signed ?Walter H Pollock?. The ?Ajax business? referred to in the letter is the performance of the first of the Cambridge Greek plays, organised by the archaeologist Sir Charles Walston [formerly Waldstein] (1856-1927).

See his entry in the Oxford DNB. The four items in good condition, lightly aged and worn, and all folded for postage. The last item with pin hole to one corner. The first three addressed to 'Dear Sir' and the last to 'Dear Fisher'. All four signed 'A C Lyall', both with and without periods after the initials. ONE (9 October 1888): 3pp, 12mo. Bifolium.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded for postage. Addressed to 'Alfred Miles Esqre.' and with good bold signature 'Gerald Massey'. Begins: 'Dear Sir / You are quite at liberty to quote from my poems - but I shd. like to have a hand in the selection. / In a collection so large as you contemplate there ought to be nothing but one's best.' If he were to edit such a work he would 'make all living authors so choose their own poems. Sir Richard Grenville is the only one of those you mention that I shd.

See his entry in the Oxford DNB. (BBTI has John Andrews with bookshop and circulating library at 167 New Bond Street from before 1831 to 1857.) 1p, 12mo. Addressed on reverse of second leaf for delivery by hand ('wait') to 'Mr Wauchope / at Mr Andrews' / 167. New Bond St.'. In good condition, lightly aged, with unobtrusive central spike hole (for business correspondence) through both leaves. Reads: 'Dear Sir / Be so good as send me the vouchers of the Scrivener for 1827 agreeably with your promise, is there particular occasion for them today'.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, on aged paper, with strip of sunning, and evidence of mounting on reverse, which also bears contemporary pencil annotation: ‘Honble Roden Noel / Son of Earl of Gainsborough / A considerable writer & Poet / Author of “A little Child’s Monument” & other Poetry’. Folded twice. The signature is large and firm, but rest of his handwriting is appalling. The page carries the letter’s valediction, with date and address, and a seven-line postscript: ‘[...] Kind regards [...] How sad is the [...] London!

Holograph of sixteen-line poem in four four-line stanzas, headed ‘Il tramonto’ and signed at bottom right ‘Andrea Maffei’. 1p, 16mo. Text entirely clear and complete, on discoloured laid paper with chipping and slight loss at right-hand margin. Begins: ‘Amo l’ova del girono che muore / Quando il sole già stanco declina,’. No variations from the version printed in the 1864 Florence edition of Maffei’s works, apart from ‘Una età’ beginning l.6 here, as opposed to ‘Un' età’ there.

See his entry and Chantrey's in the Oxford DNB. On one side of a trimmed-down piece of paper, roughly 11 cm square. Discoloured, and with damage to the corners (affecting one word at top right) from removal from mount. With postage folds, and evidence on otherwise-blank reverse that Cunningham was re-using an envelope: part of address in another hand to 'Mrs Pa[...]'. Reads: 'Mr. Allan Cunninghams respects to Mr. Tindal and begs to inform him that Sir Francis Chantrey is at Holkham at present and will not likely be back till after Christmas: should he come sooner Mr A. C.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. 32 lines, neatly written, including interpolations. In fair condition, on aged and worn paper. Folded for postage. No signature and with recipient not named. Begins: ‘Sir / On my return from the Continent I find your letter which I should have of course acknowledged at once if I had been at home. / If the following particulars about myself are of any use for the purpose of your book they are quite at your service’. A thumbnail autobiographical account follows, beginning: ‘I am the eldest son of the late Revd.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

An excellent document, providing an invaluable view of the practicalities of commissioning and executing public monuments in the Georgian period. See Chantrey's entry in the Oxford DNB, and Cunningham's, which states: 'In 1814 he was engaged by Chantrey as superintendent of his establishment, and gave up writing for newspapers. He lived afterwards at 27 Lower Belgrave Place, Pimlico. He acted as Chantrey's secretary, conducted his correspondence, represented him during his absence, and occasionally offered artistic assistance. He became a favourite of Chantrey's sitters and visitors.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

From the papers of Sarah Emmeline Hamilton, whose extensive collection of letters from her lover the poet Patric Hamilton is offered separately. Sail is a widely-respected poet. He has presented the BBC Radio 3 programme 'Poetry Now' and 'Time for Verse' on BBC Radio 4.

Lamartine is one of the greatest of French poets, and often counted as an early figure in that country's Romantic movement. His influence was extensive, from Verlaine and the Symbolists to Tolstoy. 2pp, 12mo. In good condition, lightly aged. Addressed to ‘Mon cher collegue’, with good firm signature ‘Lamartine.’ He suggests that the recipient send to his notary in his home town of Mâcon all the documents relating to the estate of ‘Mlle Martin’. He has need of his advice and suggests a time for meeting.

Lamartine is one of the greatest of French poets, and often counted as an early figure in that country's Romantic movement. His influence was extensive, from Verlaine and the Symbolists to Tolstoy. 1p, 4to. In fair condition, in faded ink, on aged and lightly worn paper. Previously folded into a packet, but now laid down on brown-paper backing. Addressed to ‘Messierus Hubert’, with signature ‘Lamartine’. He has read with great interest the letter they sent him, and the petition which accompanied it.

On one side of an irregular piece of paper, roughly 18 x 9 cm, torn from the foot of a document. Heavily discoloured, but neatly laid down on a 19 x 13.5 cm piece of grey paper, with the typed caption: ‘Signture [sic] of: / Sir Robert HOWARD (1626-1698) P.C. / Auditor of the Excheq: and Dramatist / (part-author, with Dryden, of ‘The Indian Queen’ etc.)’. At the head: ‘pray pay this Order out of Customes’; and beneath this the Latin draft, with date and sum (but not the name of the payee). Howard’s signature, written large and bold, is at bottom left: ‘Exam[inatus] P[er]. Howard’.

See his entry in the Oxford DNB. From the papers of Philip Dosse, proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018; and Michael Barber, 'What was Books and Bookmen?', Literary Review blog, 18 August 2023. On one side of a 14 x 10 cm compliments slip in red ink, which has 'Sir JOHN BETJEMAN' at top left, and 'With Compliments' centred.

See his entry in the Oxford DNB. The recipient is Lady Theresa Lewis (1803-1865), whose first husband was the novelist Thomas Henry Lister (1800-1842). The present letter is written before her marriage to her second husband the Liberal politician Sir George Cornewall Lewis (1806-1863). 2pp, 32mo. In fair condition, lightly aged, with traces of stub from mount adhering to one edge. Folded once for postage. A charming missive. Reads: ‘My dear Mrs Lister / I shall be delighted to come to you, if I can make my escape from where I shall be, in any decent time.

See his entry in the Oxford DNB. On one side of a 9 x 12.5 cm piece of paper: formerly the first leaf of a bifolium card, the second leaf, which carried the actual book token, having been detached by perforation. In good condition, lightly aged, but with traces of mount at the corners of the reverse, which carries a colour reproduction of a painting by Leonard Richmond. The page with the inscription is a printed form, and Masefield has written 'For Grace.' and 'John Masefield. / August the 31st. 1956.' See Image.