POET

According to his obituary in the Guardian, 2003, after a long period of neglect, Prince was rediscovered b the New York School, and by the end of his life had 'come to be regarded by writers as diverse as Geoffrey Hill and the American innovator John Ashbery as one of the most significant poets of the 20th century'. 40pp. of closely-written text in a small (13.5 x 9 cm) 'Lion Brand' notebook. Stapled, in card covers. In fair condition, aged and worn.

9pp., 8vo. In fair condition, on nine leaves of worn and creased paper, the first leaf white, the others green. Minor emendations throughout. The poem is in five sections: 'The Exhortation' (beginning: 'In the crook of my arm | Rest again, nest again.

4pp., 12mo. Bifolium. Heavily creased and worn. A large number of Norton's productions are listed on the front and back pages. Eleven eight-line stanzas. The poem, which does not mention Bradford once, begins: 'On the 21st of August, | In the year nineteen-sixteen, | A great munition works in Yorkshire | Was a busy, lively scene.

On two leaves. The illustrations on both are undamaged, but both leages are aged and worn, with chipping and closed tears to extremities. Fragile. ONE: Steel engraving: 'Photo. by Beniczky. | Engd by R. O'Brien.' Captioned with a facsimile of Cutter's signature, with 'THE LONG ISLAND FARMER POET' beneath it. 30 x 24 cm. On thickish wove paper. Head and shoulders image of a middle-aged Cutter, with goatee beard, smartly dressed with bow tie, waistcoat and jacket. TWO: Two small wood engravings on a 31 x 24 cm leaf of wove paper (thinner stock than Item One).

Moffatt is an interesting minor figure. In a 1924 piece titled 'Brief History of the Failsworth Pole', Rev. James Smith writes: 'The Jacobins' Club Library was kept in a room next to that in which Ben Brierley was born, and old John Moffatt, tailor, of "Crockey Hall," opposite the Pole, had charge of the Library'. Smith quotes lines which he considers 'remarkable for their patriotism', noting: 'He must have been a mild sort of Jacobin.' A total of sixteen pages, on eight leaves.

[xiv], 207pp., dark green cloth, corners bumped, mainly good to very good. A copy inscribed by Matthew Arnold to Lady Dorothy Neville, 'writer, hostess, horticulturist and plant collector', with a letter by Arnold concerning his gift of the book tipped in. Also with prined "From the Author" note enclosed (loose), a printed bookplate alleging "Stolen from Lady Dorothy Neville", and a newspaper clipping concerning Matthew Arnold's burial place tipped in. The letter from Arnold reads as follows: "Dear Lady Dorothy | The Fourth Party are excellent company, but Sunday is impossible for me.

On piece of laid paper folded twice to make a 19 x 14 cm. card. In good condition, with light signs of age. Tiny printer's device on back cover the only illustration. Front cover in black ink reads: 'Christmas Greetings from Rosalind & Gerald Bullett The Old Farm East Harting Sussex'. Colophon in brown ink on left-hand side of opening. Right-hand opening carries the sixteen-line poem, in four four-line stanzas, the first of which reads: 'I went to the window, where the morning was, | And saw innocence scattered on the grass.

On 7 x 11 cm slip of paper, torn from the end of a letter. In fair condition, lightly aged, with minor staining to one corner. Reads, with top line slightly cropped: 'I may have more leisure. | Yours sincerely, | J. Masefield.'

1p., 12mo. In good condition, with small printed slip from catalogue pasted above letterhead. The recipient is named as 'Mr. Green | Claremont House | Clapton'. Reads: 'Madam | My autograph can be of little value to any one, but in compliance with your wish so courteously expressed I enclose it & am | Madam | Faithfully yours | Theodore Martin'.

Written lengthwise on front of a 9 x 15.5 cm. envelope. In good condition, lightly aged. Reads: 'A. E. W. | I had a list of the autographs in thy literary collection but unfortunately have mislaid it. If there is a duplicate it wont make any difference because this is an uncessary little note of | D. M. C.' The page also carries annotations in another hand in light pencil.

1p., 12mo. In fair condition, lightly aged and worn, with slight rusting at head from paperclip. He writes that there is 'no relationship between myself and any of the people you mention. I have no antecedents such as you suggest and I cannot recall having received a copy of your catalogue.' Turning to the character 'Horace' in his play 'Nothing Up My Sleeve' he writes: 'he's just a figment of my imagination and the whole play is just a piece of work without any intended resemblance to anyone, only types.' The carbon copy of Barry Duncan's letter is somewhat aged and worn around the edges.

ONE: Letter. 1p., 12mo. In good condition, lightly aged. He cannot attend the breakfast club, as he is to be best man to a friend in Wimbledon at that time. He is 'rather too old for the character but all his other friends are married'. He would 'prefer the chat but, alas, it cant be managed'. TWO: Note. 1p., 12mo. In fair condition, on aged paper with slight damage at foot. He regrets that, being out of town, he will be unable to 'join the breakfast club' at the recipient's house.

14pp., 12mo. Disbound without wraps. In good condition, lightly aged. Poem of seventy five-line stanzas, arranged in four parts.

Each letter 2pp., 12mo. Both in good condition, on lightly-aged paper. He starts the first letter by expressing 'great pride and immense joy' in sending 'my seventh book of French poems [...] According to the reviews, it is the best I ever wrote'. He continues with references to the recipient's 'short but memorable visit to Johannesburg', and to 'the uncomplimentary remarks passed by my confreres in Johannesburg', these being 'indeed compliments, for they indicate that I do not belong to them, in spite of our common profession.

On one side of an 8 x 13 cm piece of paper. In good condition, with light signs of age, and central horizontal fold. Firm, bold signature, 8 cm long, with underlining flourish. Beneath the signature, in a small hand, is the message: 'M Guinot | M: Vigny vous adresse son nom pour vous remercier il ne connait pas votre adresse'. Addressed on reverse, 'à M. Eug. Guinot'.

One page each, note and poem, creased, chipped, small closed tears, texts clear and complete. Letter: "Many thanks for your favour of the 12th inst. I have pleasure in enclosing the lines I undertook to send you & hope you will like them. If you will kindly let me know approximate date of sale I will try to get them published with an explanatory note as to their object." Typed poem, 4 verses, commencing "O, let us not, while many voices plead, | And nearer claims confront us day by day [...]". Apparently unpublished.

3pp., 12mo. Writing in a difficult hand, he thanks him for his very curious & interesting letter respecting Chr. Smart, of whose birthplace I had been previously ignorant, tho' his name was not unknown to me in connection with Horace'.

A friend of Dylan Thomas and a leading poet of the 1930s London literary scene, Dyment is the subject of a warm appreciation by Robert Graecen in The Times, 8 June 1971. The present collection consists of a series of amusing poems regarding various members of the animal kingdom. ONE: Typescript of 'Fur, Feather, and Fin | by | Clifford and Marcella Dyment'. Address at foot of title-page: 'Flat 5, 53, Harrington Gardens, London, S.W.7.' 46pp., 8vo. Internally in good condition, on lightly-aged paper.

On one side of 11 x 18.5 cm piece of paper. In good condition, lightly aged and creased. On reverse is small circular printed paper label of the Ray Rawlins Collection. Reads: 'July 16 1767 Received of Hugh Rogers Esqr the Above Sum in Full for His Son till Last Whitsuntide | by me | Jos. Warton'. Hugh Rogers of Helston, had a son, John, at Trinity, Oxford, presuambly tutored by Warton.

Ford's first book of verse was 'Sung by the Way', published in Blackburn in 1905. She published several volumes of patriotic poetry: 'Poems of War and Peace' (1915), 'A Crown of Amaranth' (with Erskine Macdonald, 1915), 'Our Heroes' (1916); 'A Fight to a Finish' (1917). Other volumes include 'Lyric Leaves' (1912) and 'The England of my Dream' (1928). She edited the series of 'Little Books of Georgian Verse', 1915-1916. Her 'Lessons in Verse-Craft' was published in 1919 with a second edition in 1923. Her song 'In the Twilight' (1923) was set to music by Harry Brookes.

Both letter and typescript in good condition, on lightly-aged paper. In envelope with three postmarks between 9 and 11 September 1928, addressed 'For: Franz Felix, Esq. | Apt. 3-c | 790 Riverside Drive, | New York City.' LETTER: 1p., 4to. He explains that he is sending the 'MS' [sic] that day by registered mail, and asks Felix to keep it 'strictly confidential for the present', adding that he has 'not even told Mr. Brown [his publisher] what it is about'. If Felix has time to 'make up a sketch' Buck will collect it and take it to Brown.

On piece of 9 x 14.5 cm card. In fair condition: aged, lightly-stained and with traces of mount adhering to reverse. Reads: 'To | Lord Jeffrey | With Kind regards from | Thos: Hood'.

24pp., 12mo. Stapled. Lacking title-leaf (publication details quoted from another copy) and with damage to last leaf, on aged and lightly-creased cheap paper stock. Ten poems, five of them dated: 'Aux Affamés' (8 January 1917), 'Le Bon Fermier' (15 January 1917), 'Le Crime', La Grève Judiciaire' (September 1918), 'Le Retour du Soldat' (10 October 1918), 'Les Pauvres Gens sont comme les Pavés', 'Assez!', 'L'Abdication' (15 October 1918, regarding the Kaiser's abdication), 'Ce que demande le Peuple!', 'La Plainte du Soldat'. The item featured in the 1919 'Belgische Bibliografie'.

[2] + 44pp., 8vo. In lilac paper wraps with title in silver on front cover. Internally in good condition on lightly-aged paper; in worn wraps with creased corner at rear and small square of staining from label on front cover. Inscribed on front pastedown: 'With best wishes | from | Virginia Graham. | 1946.' A charming collection in Grenfell mode, with poems including 'Café Triste' (beginning: 'Miss Tomkinson, do you suppose | That you and I | On this same day next year | Will still be sitting here, | Eating this vegetable pie | Covered white glucose?') and 'V J Day' (beginning: 'Hurray!

In good condition, lightly-aged, with thin strip from stub to one edge of address side of card. Message reads: 'It will give me great pleasure for you to copy the 2nd. volume of the Torch-Bearers, as you suggest, for the Blind. | With my best wishes, | Alfred Noyes.'

The three items are in fair condition, lightly aged and creased. Totalling 7pp., 8vo. ONE: ALS. From Whiteleaf, Princes Risborough; 11 Nov. 1930. Begins 'I heard the other day of a poem of yours, that a young soldier carried about in the war, till he was killed. It was sent home with his papers, & some day I hope to have it - his own copy of it - from a friend, & to send it to you | Why tell you of this now? Because the news of your mother's death has been weighing on my mind, & I wanted to say a word, yet knew how unconsoling words can be.' TWO: ALS.

Both items in fair condition, on aged and worn paper. LETTER: 2pp., 12mo. 'I really think that to know - even to begin to know - R. was not only to be aware of his rare charm and goodness, but to love him.' POEM: 1p., 12mo. Six-line poem 'To Sylvia Lynd', signed at end 'G. R. H.' Reads 'You with your grace, your glancing wit, who drew | About you all the fairest and the best, | In lucent memory outshone anew | The image of each most admirèd guest: | And here to-night, as old friends gather round, | You by that starry company still are crowned.'

ALS, 85 Cadogan Gardens, SW; 28 September 1926, 2pp. 12mo. Written in distress following the death of his wife. 'It seems impossible for me to collect my thoughts, or this letter would have gone to you earlier. I do want you to know that I am grateful to you for the friendship of your message. She hoped, & was looking happily forward to seeing more of Mrs. Lynd & yourself.'

For more on Nicholson, see his entry by James Ogden in the Oxford DNB. LETTER: 1p., 12mo. In fair condition, on lightly aged and creased paper. At foot of page: 'An acrostic Written for Mr Lupton Esqre | Septr 20th 1828 | John Nicholson'. The poem, the first letter of whose lines spell out 'LUPTON' (the engraver Thomas Goff Lupton?), reads: 'Love thy father Love thy God | unto him Give honor who the seas has trod | Pray to him upon thy Knees | To him who form'd the world the seas | Order'd Creation made Eternity | Nature is but a shade compard to Thee'. PORTRAIT: Lithographic engraving.

On the reverse of the half-title leaf (only) of her book 'Records of Woman: with other Poems'. In fair condition, lightly aged and worn. Reads: 'Miss Chorley. With | Felicia Heman's kindest regards.' A nice association: Henry Fothergill Chorley edited the 'Memorials of Mrs Hemans' (1836).