POET

On one side of an 8 x 13 cm piece of paper. In good condition, with light signs of age, and central horizontal fold. Firm, bold signature, 8 cm long, with underlining flourish. Beneath the signature, in a small hand, is the message: 'M Guinot | M: Vigny vous adresse son nom pour vous remercier il ne connait pas votre adresse'. Addressed on reverse, 'à M. Eug. Guinot'.

George James Firmage was born in New York; attended Massachusetts Institute of Technology (1947-48) and College of the City of New York (1949); BA, New York University, 1952; pursued graduate study, University of Massachusetts, 1952-54; publications supervisor in advertising and marketing services department, First National City Bank, New York, 1954; wrote several books, including E.E. Cummings: a Miscellany (1958) and E.E. Cummings: a Bibliography; editor of A Garland for Dylan Thomas (1963) and of E.E. Cummings' Three Plays and a Ballet (1967).

One page each, note and poem, creased, chipped, small closed tears, texts clear and complete. Letter: "Many thanks for your favour of the 12th inst. I have pleasure in enclosing the lines I undertook to send you & hope you will like them. If you will kindly let me know approximate date of sale I will try to get them published with an explanatory note as to their object." Typed poem, 4 verses, commencing "O, let us not, while many voices plead, | And nearer claims confront us day by day [...]". Apparently unpublished.

3pp., 12mo. Writing in a difficult hand, he thanks him for his very curious & interesting letter respecting Chr. Smart, of whose birthplace I had been previously ignorant, tho' his name was not unknown to me in connection with Horace'.

A friend of Dylan Thomas and a leading poet of the 1930s London literary scene, Dyment is the subject of a warm appreciation by Robert Graecen in The Times, 8 June 1971. The present collection consists of a series of amusing poems regarding various members of the animal kingdom. ONE: Typescript of 'Fur, Feather, and Fin | by | Clifford and Marcella Dyment'. Address at foot of title-page: 'Flat 5, 53, Harrington Gardens, London, S.W.7.' 46pp., 8vo. Internally in good condition, on lightly-aged paper.

On one side of 11 x 18.5 cm piece of paper. In good condition, lightly aged and creased. On reverse is small circular printed paper label of the Ray Rawlins Collection. Reads: 'July 16 1767 Received of Hugh Rogers Esqr the Above Sum in Full for His Son till Last Whitsuntide | by me | Jos. Warton'. Hugh Rogers of Helston, had a son, John, at Trinity, Oxford, presuambly tutored by Warton.

Ford's first book of verse was 'Sung by the Way', published in Blackburn in 1905. She published several volumes of patriotic poetry: 'Poems of War and Peace' (1915), 'A Crown of Amaranth' (with Erskine Macdonald, 1915), 'Our Heroes' (1916); 'A Fight to a Finish' (1917). Other volumes include 'Lyric Leaves' (1912) and 'The England of my Dream' (1928). She edited the series of 'Little Books of Georgian Verse', 1915-1916. Her 'Lessons in Verse-Craft' was published in 1919 with a second edition in 1923. Her song 'In the Twilight' (1923) was set to music by Harry Brookes.

Both letter and typescript in good condition, on lightly-aged paper. In envelope with three postmarks between 9 and 11 September 1928, addressed 'For: Franz Felix, Esq. | Apt. 3-c | 790 Riverside Drive, | New York City.' LETTER: 1p., 4to. He explains that he is sending the 'MS' [sic] that day by registered mail, and asks Felix to keep it 'strictly confidential for the present', adding that he has 'not even told Mr. Brown [his publisher] what it is about'. If Felix has time to 'make up a sketch' Buck will collect it and take it to Brown.

On piece of 9 x 14.5 cm card. In fair condition: aged, lightly-stained and with traces of mount adhering to reverse. Reads: 'To | Lord Jeffrey | With Kind regards from | Thos: Hood'.

24pp., 12mo. Stapled. Lacking title-leaf (publication details quoted from another copy) and with damage to last leaf, on aged and lightly-creased cheap paper stock. Ten poems, five of them dated: 'Aux Affamés' (8 January 1917), 'Le Bon Fermier' (15 January 1917), 'Le Crime', La Grève Judiciaire' (September 1918), 'Le Retour du Soldat' (10 October 1918), 'Les Pauvres Gens sont comme les Pavés', 'Assez!', 'L'Abdication' (15 October 1918, regarding the Kaiser's abdication), 'Ce que demande le Peuple!', 'La Plainte du Soldat'. The item featured in the 1919 'Belgische Bibliografie'.

[2] + 44pp., 8vo. In lilac paper wraps with title in silver on front cover. Internally in good condition on lightly-aged paper; in worn wraps with creased corner at rear and small square of staining from label on front cover. Inscribed on front pastedown: 'With best wishes | from | Virginia Graham. | 1946.' A charming collection in Grenfell mode, with poems including 'Café Triste' (beginning: 'Miss Tomkinson, do you suppose | That you and I | On this same day next year | Will still be sitting here, | Eating this vegetable pie | Covered white glucose?') and 'V J Day' (beginning: 'Hurray!

In good condition, lightly-aged, with thin strip from stub to one edge of address side of card. Message reads: 'It will give me great pleasure for you to copy the 2nd. volume of the Torch-Bearers, as you suggest, for the Blind. | With my best wishes, | Alfred Noyes.'

The three items are in fair condition, lightly aged and creased. Totalling 7pp., 8vo. ONE: ALS. From Whiteleaf, Princes Risborough; 11 Nov. 1930. Begins 'I heard the other day of a poem of yours, that a young soldier carried about in the war, till he was killed. It was sent home with his papers, & some day I hope to have it - his own copy of it - from a friend, & to send it to you | Why tell you of this now? Because the news of your mother's death has been weighing on my mind, & I wanted to say a word, yet knew how unconsoling words can be.' TWO: ALS.

3pp., 16mo. Bifolium. On aged and worn paper, with closed tears to both leaves along fold lines, and glue from mount along inner margin of first page. He apologises for having to decline an invitation, having 'just told Lady Grey that I would call upon her to-night'. He would have liked to see her 'to ask your forgiveness for the many blunders I have committed to-day, tho' how to appear before you I really don't know'. He will attempt to 'throw' himself on her 'Good-nature' in a day or two, and concludes: 'I believe the debate in the Lords has confused my understanding'.

Both items in fair condition, on aged and worn paper. LETTER: 2pp., 12mo. 'I really think that to know - even to begin to know - R. was not only to be aware of his rare charm and goodness, but to love him.' POEM: 1p., 12mo. Six-line poem 'To Sylvia Lynd', signed at end 'G. R. H.' Reads 'You with your grace, your glancing wit, who drew | About you all the fairest and the best, | In lucent memory outshone anew | The image of each most admirèd guest: | And here to-night, as old friends gather round, | You by that starry company still are crowned.'

ALS, 85 Cadogan Gardens, SW; 28 September 1926, 2pp. 12mo. Written in distress following the death of his wife. 'It seems impossible for me to collect my thoughts, or this letter would have gone to you earlier. I do want you to know that I am grateful to you for the friendship of your message. She hoped, & was looking happily forward to seeing more of Mrs. Lynd & yourself.'

One, Stansfield; 3 May 1922. Thanking RL for his praise of his new poetry book. 'I have as you may know been away on a tramp steamer [...] I am as yet a barbarian, unregenerate in literary matters, or I feel I should have much else from your pen to thank you for'. Two, Stansfield nr Clare, Suffolk; 1 July 'not 1916!' [i.e. 1922] Referring to 'the award & its lucky receiver' (i.e. Blunden). Three, Stansfield; 5 July 1922. Announcing the completion of a 'paper on Shelley' mentioned in the first letter. Four, Hawstead nr Bury St Edmunds; 19 June 1930.

For more on Nicholson, see his entry by James Ogden in the Oxford DNB. LETTER: 1p., 12mo. In fair condition, on lightly aged and creased paper. At foot of page: 'An acrostic Written for Mr Lupton Esqre | Septr 20th 1828 | John Nicholson'. The poem, the first letter of whose lines spell out 'LUPTON' (the engraver Thomas Goff Lupton?), reads: 'Love thy father Love thy God | unto him Give honor who the seas has trod | Pray to him upon thy Knees | To him who form'd the world the seas | Order'd Creation made Eternity | Nature is but a shade compard to Thee'. PORTRAIT: Lithographic engraving.

On the reverse of the half-title leaf (only) of her book 'Records of Woman: with other Poems'. In fair condition, lightly aged and worn. Reads: 'Miss Chorley. With | Felicia Heman's kindest regards.' A nice association: Henry Fothergill Chorley edited the 'Memorials of Mrs Hemans' (1836).

3pp., 12mo. Originally a bifolium, but with the two leaves now separated. In fair condition, on aged and worn paper watermarked 'S S | 1817'. The reverse of the second leaf is addressed to 'Mr. Falconer, | Newcastle on Tyne.' He begins by thanking Falconer for the 'nice little collection of Poems [...] The "Wreath" will often amuse my solitary hours'. After some pieties he states: 'I gladly subjoin a few verses for your amusement, and that of Miss Falconer [...] How glad I should be to see you and her again at Ednam!

4pp., 12mo. Bifolium. In fair condition, on aged paper. Addressed to 'My Dr Sawyer'. He begins by thanking him for the photograph: 'Whenever I look on it - and I shall do so often - I shall be reminded of the fourth gentle poet who did all he could to make a few pleasant hours for a humble brother <?> during his short sojourn in the great metropolitan maze of this England of ours'.

1p., 12mo. In good condition, on lightly aged and creased paper. Consisting of a series of appalling puns, the letter reads: 'Dear Sir | Thanks for the Time Table it was a "rail" service and for your offer of a meal which will suit me to a "T" and for your selection of a bed, as I prefer Bedford to Bedlam, and for your instructions to change my train. It is easier to miss a train than to train a miss. | I feel now that I shall get to Royston with only the Hitchen that is necessary, and I am itching to get there when I feel that I am Warren-ted safe. | I remain My dear Sir | Yours truly'.

Two pages, 12mo, large hand: "As far as I am concerned you are heartily welcome to my little song and I am proud that you shpould include it in 'The Book of Irish Poetry' without any fee! | I do not know however what rights the editors of the Dublin Book of Verse may have. No conditions were made with him when I sent him this poem with others. | I am now settling in here, and see that we are neighbours. [Graves lived in Wimbledon]" Note: "Eleanor Alexander was born in Strabane, County Tyrone, the daughter of Cecil Frances.

Not paginated, [44]pp., 4to, stapled, not bound, inc. front (= title with author) and back cover, one page inserted (sellotape) with carbon copy of poem ("Limitations | Prologue") with inking of three faint letters, foxed, cover heavily. This production (purpose unknown - perhaps a dummy run) contains substantially fewer poems than the published work (blue wraps, 61pp.).

The two volumes contain transcriptions of a total of 65 original autograph poems, most of them unpublished, with extensive explanatory and biographical notes (sometimes running to several pages) composed especially for the recipient of the volumes, Mrs Ball of the City Hotel, Truro. In two uniform 4to notebooks with waxed black cloth bindings. The first volume is in fair condition, on aged and worn paper, in worn binding with loss of spine. The second volume has damp affecting the first 60pp., causing slight loss to text, and damage to the binding. ONE: On front free endpaper: 'Vol I.

Chappell gained a degree of fame with the publication of this poem in the Daily Express of 22 August 1914. The poem is addressed to the German people, and concerns the supposed toast among German army officers in the lead-up to the First World War, 'Der Tag' (i.e. 'the day' on which the war with England would commence). The poem is printed in portrait alignment on one side of a 14 x 8.5 cm postcard, within red and blue ink borders, giving a 'red white and blue' effect. Beneath the title in square brackets is the following: 'The author of this magnificent poem is Mr.

1p., 4to. In fair condition, on aged, creased and worn paper. The poem features under the title 'Liberty Imperilled' in Roberts's collection 'Charing Cross and Other Poems of the Period' (1919), and the context suggests that the poem was composed at the commencement of the First World War. The sonnet begins: 'Not without cause just and unshakeable | Will we surrender up the cherished prize | Of individual liberty, so well | and nobly held'.

1p., 8vo. Laid down on a piece of card. Aged and discoloured, with chipping to extremities and some loss of text. The poem is sixteen lines long, arranged in two eight-line stanzas. The first stanza reads: '"Sometimes" - Althaea sighed - "in hours of sadness, | A sudden pleasure shines upon the soul; | The heart beats quick to half-heard notes of gladness, | And from the dark mind all its clouds unroll: | How comes this, Poet! You, who know things hidden, | Whence sounds that undersong of soft Content? | What brings such peace, unlooked-for & unbidden! | Answer me!

Printed on one side of a 9.5 x 15 cm piece of green paper. In good condition, lightly-aged and sunned, with one corner slightly-dogeared. The text reads: 'Marianne Craig Moore | Distinguished Alumna of Bryn Mawr College | will present | A Poetry Reading and Commentary | on Monday, January 20, 1958 | at 8:30 o'clock | at Cooper Union | 7th Street and 4th Avenue, New York | Admission free'.

1p., 16mo (12.5 x 11.5cm). In good condition, on lightly aged and ruckled paper, with traces of mount on reverse and minor loss to one edge. Reads: 'Dundee | 18th. Jany. | 1855 | My Dear Sir | I have much pleasure in transmitting you my Autograph | I am | Yours very truly | George Gilfillan'.