POET

12mo, 1 p. Good, on lightly-aged paper. Thanking them for the cheque, and returning the 'form of permission to reprint the four poems, signed' (not present).

12mo: iv + 164 pp. In original green cloth, with the title in gilt on the front cover. All edges gilt. Slightly foxed. Good and tight, in lightly worn cloth. A curious collection, with the index of first lines containing such entries as 'Sweet Edgbaston bells' [this poem dated 1844], 'Dear Varinka', ' 'Twas a boy in a cut-off jacket' and 'They call me little Trottie'. All three series are excessively scarce. The only copy of this third series on COPAC is in the British Library, and the only copy on WorldCat in California.

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

On a piece of pink paper, roughly 9 x 11 cm. Neatly laid down onto a piece of white paper. Very good. A reply to a request for an autograph. Reads 'I am | my dear Lady | Yours truly | [signed] Eliza Cook'. The signature is firm and bold, with a small part of the flourish beneath it shaved away.

12mo, 4 pp. Good, with spotting to second leaf of bifolium. Steggall and Orton's 'mutual friend (our very dear friend)' Mrs. Kent has written to tell Orton that Steggall 'will be happy to see my son on Saturday evening at 6'. Orton is grateful to Steggall for thinking 'of my anxiety to retain him with me after our long & to me at least terrible separation'. He is very grateful to Steggall, who is joined to Orton by a 'link of friendship which passes through to my two dear friends Mrs. Kent and Mrs. Atherstone'.

Poet. Two pages, 8vo, good condition. He gotr the impression from a letter George sent that he and another approved of Monk Gibbon's book. He quotes Flaubert on the idea that an author works hard but cannot expect profit "but to fail to see it even in print would stick in my gizzard." He asks for advice - does he know anybody at Heinemann (he knows someone). "Has Verschoyle money behind him?". He is finding delay and "subsequent disappointments too wearing. And with each one the typescript gets a little more woebegone".

One page, c.7 x 5", good condition. "Thank you for your letter. As to trhe hymn, I daresay it may have been a chance shot of mine although I have a notion that I did confirm it at the time. Herrick I assumed to have his poems circulating in manuscript for some time before the publication of 'Hesperides'."

Two pages, c. 7 x 5", good condition. He discusses his correspondent's request (via his publishers, Constable) to include five of his poems in an anthology. "One of these, 'Tartary', is taken from a collection entitled 'Songs of Childhood, which is published by Messrs Longman Green & Co." He asks him to write to them directly, and for the name of the publishers of the anthology. His fee is usually £3 gns. "Perhaps you will let me know what the published price of your anthology will be".

Good condition. "Dear Kenneth / Many thanks for your congratulations - greatly appreciated. I hope all goes well with you & send best wishes for 1968." Day-Lewis had recently been appointed Poet Laureate.

One page, 8vo, good condition. "I have pleasure in sending you my autograph."

8vo: 1 p. 7 lines. Good, but with some foxing, and with a corner of the blank reverse tipped in onto a card mount on which the envelope is laid down. He thanks him 'for the catalogue containing the Moore item'. Would be 'very glad' if Hodgson 'could call here on Thursday next & join us in a meal at 7 o'clock [...] I suggest Thursday because then we shall not be alone, nor dull'. Hodgson was the author, in 1927, of 'Brief notes on the history of the hamlet of Penge with Anerley'.

One page, 12mo. Very good, on lightly aged paper mounted on piece of card. Reads 'London | July 28/13 | Master M. Bull | I append autograph as requested | Yours truly | John Oxenham'.

One page, quarto. Good, on lightly aged paper. Some offsetting and smudging from Denwood's folding of letter. Reads '72 Kirkgate | Cockermouth | Aug 8 - 1931 | Jonathan. Mawson. Denwood | Dear Sir, | I send you autograph. I cannot write further At the moment I can scarcely hold a pen.'

One page, 12mo. Good, though a little grubby at the right-hand margin, and with the name of the recipient neatly torn away at foot. 'Dear Sir | Neither Lady Martin nor myself feel any interest in any letters of ours, which may have come into your hands.'

One page, 12mo. Neatly mounted on card. Nine-line biographical newspaper cutting neatly laid down at foot. Ten lines from another newspaper cutting, relating to Madame Patti, at head. Reads 'Dear madam | I thank you for your flattering letter and subscribe myself, as you wish, | Yours truly | Henry Newbolt'.

Pp.[viii].38.[2], disbound, minor damage around stab-holes, foxing, mainly good condition. Scarce. INSCRIBED by the author (part in square brackets lost through trimming): "Countess of Harcourt - From the Au[thor]". A convict transport was presumably named after her ("Countess of Harcourt") - it mainly transported Irish convicts. Spencer was the source of "How noiseless falls the foot of time". "Urania" was "a burlesque of German ghost literature" (DNB).

Octavo: 8 pp. Unbound, stapled pamphlet of six leaves. Dogeared, with rusted staples and with horizontal band of discoloration and two vertical closed tears (2 cm and 1 cm) at head.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

American children's author, etc. One page, 8vo, good condition. "I beg to enclose my subscription to 'The Poetry Journal' for 1916."

Scottish poet and editor (1777-1844).

Miscellaneous writer (see DNB). One page, 12mo, good condition, printed slip with biographical detail laid down at base. "I have left a [retrospection?][undelrined] and there are four reviews, tied up [?] with the Landlord. Please send a boy for the ms . . . I go home on Wednesday & by Saturday will send up more reviews [underlined]: if you have any books, send them to Benhall."

80 pages. 16mo. In grubby decorated boards with white paper printed label on front. Corners bumped. Internally sound and tight, with a few pencil notes on front pastedown.

British Poet Laureate (1904-72). Day-Lewis's letter, 1 page, 8vo. On grey paper. Good, but lightly creased and with a few staple holes. Thanks Mercer for the 'kind invitation'. 'I am afraid I could not manage to prepare the paper you suggest for January 24, since I have to be busy till near the end of this year on a play.' Suggests deferment to February or March. Signed 'C. Day Lewis'. Docketed by '' on 24 July 1961, 'We can offer other times, I think, in March.' and with 'Mar 21 | 2.30' beneath this in pencil.

Schoolmaster, poet (1754-1836) Two pages, folio, fold marks, other minor defects but complete and clear and mainly good condition. It is addressed to "W Evans Esq., / Baggage Warehouse" ina different hand from all other writing, and, also on the address panel "With R.V's compts". Above another hand has written "Mr Valpy writing".

Irish actor (1916-2001). 2 pages, 8vo. In good condition though creased along one edge. Accompanying this item are a typescript (1 page, 8vo, in good condition, annotated in ink) headed 'MASEFIELD READINGS', listing 13 items alternatively allocated to 'O'Conor' and 'Day Lewis', and two typewritten slips of paper listing some of the officers of the Royal Society of Literature, one of which has corrected details of the Don Carlos Coloma Memorial Lecture on the reverse. In the letter O'Conor complains that [Masefield's Collected Poems 'seem riddled with misprints'.

English novelist, poet and dramatist (1862-1960), noted for his works on Devon. On piece of paper, 3 inches by 4 1/2. In good condition, and attached to a piece of blue card docketed with list of Phillpots works. Distinctive and attractive signature, 'Eden Philpotts | Feb: 1928'.

English poet and essayist. On the first slip: 'Winthrop M. Praed'; on the second: 'Southampton November Six | 1837'. Both slips are discoloured from pasting in autograph album.

The two pieces are attached on the reverse by gummed paper. The first is the head of the letter, giving place and date, and the second the conclusion, with Noyes' signature.