POET

4to, 1 p. Twenty-lines. Text clear and complete. He has found 'il Barone' and is going to see 'Der Freishutz'. Monico is 'una gran bella citta', where he has seen 'molte belle cose'. He finds the Madonna of Rafael 'Divina'. A postscript concerns the print-seller Ackermann, as well as the art dealer Woodburn, and 'Cockerill'. The reverse carries a closely-written 30-line manuscript, in another hand, apparently in German, and followed by an indecipherable signature. It contains at least two references to 'Campball' [sic].

One page, 12mo, good condition. See scan for contents.

Around the size of a modern cheque. Fair, on lightly-aged paper. A nice item, considering Rogers' background. A printed cheque for £40 cash, written out to himself (as 'S R'). With a lattice of five lines over Rogers' signature ('Saml Rogers') indicating payment. Denominations to be paid indicated on back.

12mo, 220 pp. Engraved title and six other plates, each carrying an engraving from Westall. In green calf binding, gilt, with spine in compartments. Marbled edges and endpapers. Internally tight, on lightly-aged paper, with the plates a little foxed. Rebacked and in worn and lightly-stained binding. Tasteful small bookplate, with the single word 'Simpson' in copperplate, an initial 'M.' added in manuscript. Pink ticket on front pastedown: 'GEORGE DAVEY, | Bookseller, Binder, | & STATIONER, | NO. 1 BROAD STREET, | BRISTOL.' An uncommon Chiswick Press item.

One page, 12mo, good condition. "I return the proof, mutilated as desired. I have struck out 7 lines: and more can be saved by omitting the signature at end (my name appears at the top) & by sacrificing Law's Christian name. | I should like to receive a copy of the issue in which it is pub[lishe]d if you would be so kind as to send me one: - I am constantly away from home & may miss it."." Note:

One page, 8vo, 10 lines including bold signature. Not translated. Scan on request.

12mo, 3 pp. Bifolium. Twenty-eight lines. Text clear and complete. Good, on lightly-aged paper, with evidence of previous mount on reverse of second leaf. Certainly genuine, and of interest as bearing a variant spelling of Aytoun's name in a signature written from his home a few months before his death. (The spelling 'Edmondstoun de Aytoun' is not noted in Aytoun's entry in the Oxford DNB.) In the latter part of the letter Aytoun comments on his poetic practice. He is 'much flattered' by Simpson's 'selection of my poem for a public reading', and is 'glad to hear that it was appreciated'.

One page, 12mo. Black bordered. Very good and with the verso of the blank second leaf of the bifolium laid down on a leaf detached from an autograph album. Nine lines. He thanks him for 'a brace of splendid grouse - which are now so rare as not to be had for money. It was therefore doubly generous [...] Endulging [sic] the pleasing hope of "Revenge" - & with kind regards to your House circle'.

12mo: 40 pp. Disbound. Good, on lightly aged paper. Contemporary ownership inscription of 'William Francklyn" on title-page. This edition is scarce: no copy in the British Library, and the only copy on COPAC at Liverpool.

12mo, 1 p. Good, on lightly-aged paper. Thanking them for the cheque, and returning the 'form of permission to reprint the four poems, signed' (not present).

12mo: iv + 164 pp. In original green cloth, with the title in gilt on the front cover. All edges gilt. Slightly foxed. Good and tight, in lightly worn cloth. A curious collection, with the index of first lines containing such entries as 'Sweet Edgbaston bells' [this poem dated 1844], 'Dear Varinka', ' 'Twas a boy in a cut-off jacket' and 'They call me little Trottie'. All three series are excessively scarce. The only copy of this third series on COPAC is in the British Library, and the only copy on WorldCat in California.

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

On a piece of pink paper, roughly 9 x 11 cm. Neatly laid down onto a piece of white paper. Very good. A reply to a request for an autograph. Reads 'I am | my dear Lady | Yours truly | [signed] Eliza Cook'. The signature is firm and bold, with a small part of the flourish beneath it shaved away.

12mo, 4 pp. Good, with spotting to second leaf of bifolium. Steggall and Orton's 'mutual friend (our very dear friend)' Mrs. Kent has written to tell Orton that Steggall 'will be happy to see my son on Saturday evening at 6'. Orton is grateful to Steggall for thinking 'of my anxiety to retain him with me after our long & to me at least terrible separation'. He is very grateful to Steggall, who is joined to Orton by a 'link of friendship which passes through to my two dear friends Mrs. Kent and Mrs. Atherstone'.

Poet. Two pages, 8vo, good condition. He gotr the impression from a letter George sent that he and another approved of Monk Gibbon's book. He quotes Flaubert on the idea that an author works hard but cannot expect profit "but to fail to see it even in print would stick in my gizzard." He asks for advice - does he know anybody at Heinemann (he knows someone). "Has Verschoyle money behind him?". He is finding delay and "subsequent disappointments too wearing. And with each one the typescript gets a little more woebegone".

One page, c.7 x 5", good condition. "Thank you for your letter. As to trhe hymn, I daresay it may have been a chance shot of mine although I have a notion that I did confirm it at the time. Herrick I assumed to have his poems circulating in manuscript for some time before the publication of 'Hesperides'."

Two pages, c. 7 x 5", good condition. He discusses his correspondent's request (via his publishers, Constable) to include five of his poems in an anthology. "One of these, 'Tartary', is taken from a collection entitled 'Songs of Childhood, which is published by Messrs Longman Green & Co." He asks him to write to them directly, and for the name of the publishers of the anthology. His fee is usually £3 gns. "Perhaps you will let me know what the published price of your anthology will be".

Good condition. "Dear Kenneth / Many thanks for your congratulations - greatly appreciated. I hope all goes well with you & send best wishes for 1968." Day-Lewis had recently been appointed Poet Laureate.

One page, 8vo, good condition. "I have pleasure in sending you my autograph."

8vo: 1 p. 7 lines. Good, but with some foxing, and with a corner of the blank reverse tipped in onto a card mount on which the envelope is laid down. He thanks him 'for the catalogue containing the Moore item'. Would be 'very glad' if Hodgson 'could call here on Thursday next & join us in a meal at 7 o'clock [...] I suggest Thursday because then we shall not be alone, nor dull'. Hodgson was the author, in 1927, of 'Brief notes on the history of the hamlet of Penge with Anerley'.

One page, quarto. Good, on lightly aged paper. Some offsetting and smudging from Denwood's folding of letter. Reads '72 Kirkgate | Cockermouth | Aug 8 - 1931 | Jonathan. Mawson. Denwood | Dear Sir, | I send you autograph. I cannot write further At the moment I can scarcely hold a pen.'

One page, 12mo. Good, though a little grubby at the right-hand margin, and with the name of the recipient neatly torn away at foot. 'Dear Sir | Neither Lady Martin nor myself feel any interest in any letters of ours, which may have come into your hands.'

One page, 12mo. Neatly mounted on card. Nine-line biographical newspaper cutting neatly laid down at foot. Ten lines from another newspaper cutting, relating to Madame Patti, at head. Reads 'Dear madam | I thank you for your flattering letter and subscribe myself, as you wish, | Yours truly | Henry Newbolt'.

Pp.[viii].38.[2], disbound, minor damage around stab-holes, foxing, mainly good condition. Scarce. INSCRIBED by the author (part in square brackets lost through trimming): "Countess of Harcourt - From the Au[thor]". A convict transport was presumably named after her ("Countess of Harcourt") - it mainly transported Irish convicts. Spencer was the source of "How noiseless falls the foot of time". "Urania" was "a burlesque of German ghost literature" (DNB).

Octavo: 8 pp. Unbound, stapled pamphlet of six leaves. Dogeared, with rusted staples and with horizontal band of discoloration and two vertical closed tears (2 cm and 1 cm) at head.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

American children's author, etc. One page, 8vo, good condition. "I beg to enclose my subscription to 'The Poetry Journal' for 1916."

Scottish poet and editor (1777-1844).