BON

See his entry in the Oxford DNB. 1p, landscape 8vo. In good condition, lightly aged, with four small gummed squared as mounts adhering to the four corners. Folded for postage. Large firm signature and handwriting. Reads: 'Dear Miss Thompson / The piece is not mine and I am sorry I cannot inform you to whom the acting rights, if any, belong. / Your sincerely / Geo R Sims'.

The Clarendon Hotel was once - as ‘Routledge’s Popular Guide to London’ stated in 1862 - ‘the most fashionable place in London’, and the present collection of autograph signatures from its guestbook, all of them said to date from 1831, bear witness to the fact that - as ‘Gilbert’s Visitor’s Guide to London’ (1851) states - it was ‘frequented by the Nobility and Gentry, and Foreigners of rank’. Its reputation had been made during the Regency period, and in 1820 ‘Leigh’s New Picture of London’ stated that it ‘and Jaquiers are now one hotel’.

See his entry, and those of his siblings, in the Oxford DNB. A 15.5 x 20 cm black and white print, on glossy paper. Worn at edges, and with staining to blank area at top left. Stamped by the publishers on the reverse with ‘Sir Osbert Sitwell. Bt. / 25. 8. 49.’ There is a possibility that this is a signature by Sitwell, but the letter ‘O’ and other features are not quite right.

3pp, 12mo. Bifolium. In fair condition, aged and worn, but with slight water staining and damage to blank area at foot of second leaf. The male recipient is not named. The letter begins: 'My dear Sir | If you present the enclosed to the porter of the Garrick Club, I have no doubt all the Art Treasures of the Garrick will be open to your inspection.

3pp, 12mo. Bifolium. In fair condition, aged and worn, but with slight water staining and damage to blank area at foot of second leaf. The male recipient is not named. The letter begins: 'My dear Sir | If you present the enclosed to the porter of the Garrick Club, I have no doubt all the Art Treasures of the Garrick will be open to your inspection.

Aged and worn postcard. Written in pencil, and addressed to 'The Mac Finck | 21 Heatherfield Pk | Willesden Green | NW'. Reads 'All right Sunny | See you soon. So busy. No time to Finck of ennyfinck for a week | Yours | GRS'. The image of 'MR. GEORGE ROBERT SIMS' on the front of the card shows a seated Sims pondering what to write with pen in hand and finger on cheek, seated surrounded by curios in what is probably his study. Finck's 'In the Shadows' was one of the last songs played while RMS TItanic went down.

1p., 12mo. In good condition, with small printed slip from catalogue pasted above letterhead. The recipient is named as 'Mr. Green | Claremont House | Clapton'. Reads: 'Madam | My autograph can be of little value to any one, but in compliance with your wish so courteously expressed I enclose it & am | Madam | Faithfully yours | Theodore Martin'.

In his obituary in the Independent, Lane was described as 'one of those writers whose published oeuvre is only matched by the supreme fiction of their own existence'. The present two pieces, both unpublished, date from his time studying theatre design at Wimbledon Art School, before 'launching himself across the globe, seemingly supported only by his verbal brilliance, good looks, perfect wardrobe and genius to amuse'. ONE: '"ANAGRAMS [no closing quotation mark] | A One Act Play - by Simon Lane'. [3] + 19pp., 8vo. Duplicated typescript on loose leaves held together by paper clip.

2pp., 12mo. Very good, on lightly-aged paper. In worn envelope, with stamp and postmark, addressed by Martin to 'John T. Baron Esq | 48 Griffin Street | Witton | Blackburn'. He begins by explaining that he has 'had every minute so fully occupied of late', that he has not been able to comply with Baron's request. 'Lady Martin has done what she is now most reluctant to do - written the name she once bore with a few lines from Cymbeline. I have copied the verse you wish from the little Bon Gaultier Poem'.

4to: 2 pp. Eighteen lines of text. Very good on aged paper. Docketed. Written while a convict at the Bagne de Brest. Titled by Contrafatto in top left-hand corner 'Direction des affaires Criminelles et des grâces.' Begins with a Latin quotation on the subject of crime and innocence, to which he adds the comment 'Quel est celui qui, plus que moi, ait le droit d'invoquer ce principe tutélaire?' In a six-line paragraph attempts to flatter Barthe ('[...] l'ornement du Barreau avant d'être appelé dans le conseil du Roi.

8vo: 2 pp. Thirty lines of text. Very good, on lightly-aged laid paper. Distinctive use of diacritics. Informing the recipient of 'des bonnes nouvelles, ayant participé à la clémence Royale. Ma peine a été rémise a 8. ans, par consequence je ne' Suis plus condamné a perpetuité, et j'éspere en Dieu et les bontés du Roi qu'aprés la moitié de mon temps vénir vous embrasser.' Thanks all his wellwishers, particularly 'Monsieur Le Maire de notre commune'. Signs off 'Votre infortune fils jusqu'a la tombe'.

One page, 12mo. Good, though a little grubby at the right-hand margin, and with the name of the recipient neatly torn away at foot. 'Dear Sir | Neither Lady Martin nor myself feel any interest in any letters of ours, which may have come into your hands.'

12mo: 2 pp. On lightly creased, discoloured paper, with traces of hinge from previous mounting adhering to margin of first page. He has 'an uncomfortable feeling' that he 'laid aside' a letter from Fulton 'to be answered, but which I cannot now find. It must somehow have got mixed up with other papers [...] If I am right in my fear, may I ask you to send me a copy of it?'

12mo: 1 p. On discoloured paper, ruckled and with traces of glue from previous mounting on reverse. He is returning 'the account of the Burns Volume' which accompanied his correspondent's letter of 8 October. 'It does not suit me to purchase it, as I have already other & more important memorials of Burns.'

Dimensions of photograph 9 x 5.5 cm. Good sepia image, on backing card with Mayall's details printed in red at foot. Reverse of card mostly covered with remains of previous cream paper mount. This image does not feature among the three portraits of Martin listed in the National Portrait Gallery's online catalogue of its collection.

Proprietor (1775-1844) of the celebrated London gambling house, set up in 1827, out of which he amassed a fortune of more than a million pounds. On piece of paper roughly three and a half inches by one and a half. Good, but mounted on larger piece of paper, creased once and slightly discoloured by glue. Reads 'I beg to Remain | Your most Obed[ie]nt | W Crockford'.