GIUSEPPE

Holograph of sixteen-line poem in four four-line stanzas, headed ‘Il tramonto’ and signed at bottom right ‘Andrea Maffei’. 1p, 16mo. Text entirely clear and complete, on discoloured laid paper with chipping and slight loss at right-hand margin. Begins: ‘Amo l’ova del girono che muore / Quando il sole già stanco declina,’. No variations from the version printed in the 1864 Florence edition of Maffei’s works, apart from ‘Una età’ beginning l.6 here, as opposed to ‘Un' età’ there.

A nice piece of papal ephemera, printed in blue on one side of 15 x 21 cm piece of blue wove paper, with large ornate watermark of 'SACRI PALAZZI APOSTOLICI', with triregnum and crossed keys. In fair condition, lightly aged and creased. Folded twice. Numbered 7370, with following at head: 'Ingresso: Facciata della Basilica | (Cancello di destra N. 3)', and at foot 'Accesso: VIA DI PORTA ANGELICA'. At left-hand side: '12 | GRATIS'.

On irregular slip of thin paper, roughly 2 x 6 cm. Laid down on piece of paper cut from album. In fair condition, lightly aged. Bold signature ('G. Garibaldi') with wavy underlining, possibly cut from the valediction of a letter.

1p, 4to. In good condition, lightly aged. Written in a clear and attractive hand. The recipient is not named. Begins: 'My dear & ever-honoured Friend! | Some business of great importance kept me nine days absent from this Capital. At my return I found your most obliging Letter of the 7th. instant, & was exceedingly delighted with your Kindness. You are indeed a matchless Nobleman.' He asks if the recipient is acquainted with Prince Charles of [Cunandia?], adding: 'I swear you knew the strangest varlet that ever was. It is pity.

1p., 12mo. In fair condition, on aged paper. Reads: 'Dear Sir | I returned yesterday only from a long journey. I hope to see you in he present week in the City.' In 1850 Gavazzi began a course of political and religious sermons in London; first at the Princess's Court Rooms, Great Castle Street, Oxford Street, and then from 1854 in an open chapel at King's Cross. In 1859 he returned to Italy to take up a post as chaplain for Giuseppe Garibaldi, serving in that role during the Expedition of the Thousand to Sicily in 1860.

Despite the name, the series was published by was published by Phoebus Publishing Ltd, in co-operation with the Imperial War Museum, from 1966. Sir Basil Liddell-Hart was first editor-in-chief, followed after his death by A. J. P. Taylor. The items in this collection are loosely inserted in a buff folder, with 'Sub-editing, Production | Illustrations, Art-work etc' in red ink on cover, under which, in black ink, the name 'Peter Dunbar'. Nine articles, together with nine notes and 'integrating notes' on various articles, all translated by H.

Only the prelims of the book are present, on four leaves. In fair condition, on aged paper, with slight damage at the margin of the first leaf. Orioli's two inscriptions are on the two central leaves. Comprising a leaf with series title ('The Lungarno Series No. 12'); leaf with half-title and limitation (no 5 of 300) on reverse, signed 'G. Orioli'; title leaf; and contents leaf. The inscription on the title reads: 'This is for Barbara and Raphael | with love and affection | from Pino [Orioli] | Florence day of publication'.

All seven items are in good condition, on aged and lightly-creased bifoliums, and all docketted by the recipient. The Duke's letters total 13pp., 4to. Each is addressed, with postmarks, on the reverse of the second leaf, with one bearing part of a red wax seal. The letters all deal with the financial management of his affairs, with reference to substantial sums, with mention of Naples and Rothschild. The references to Mexican affairs in the correspondence are of particular interest, coming from a descendant of Hernan Cortes, and presumably still a substantial landowner in the country.

On 28 February 1885 The Times announced the death of Eber, 'for many years our valued correspondent at Vienna'; and a hundred years later (24 September 1985) the same paper described Eber as 'the condottiere-journalist, General Ferdinand Eber, whose habit of engaging in wars as well as reporting them earned him the displeasure of his masters in Printing House Square'. Both items in good condition, on lightly-aged paper, with slight damage from previous mounting. Both addressed to 'My dear Wreford', and both written in a difficult hand. Letter One: 3pp., 12mo.

4to, 4 pp. Bifolium. 87 lines. Text clear and complete. Fair, on aged paper, with wear to extremities and a spike hole to one corner. Written in ink in a Victorian hand, and with three changes in pencil. Docketed at head 'The art of Vocalization'. Towards beginning writes that the subject is one which he has 'studied many years in close connexion with the most eminent Masters of Italy, most of whom I may rank among my personal friends, and the pith of whose conversations, added to my own experience I propose embodying in a few short essays upon the Formation of the Voice'.

Letter: 12mo, 1 p. On bifolium. Text clear and complete. On aged and ruckled paper. Slight damage to second leaf caused by breaking open of wafer. Addressed to 'Illustrissimo Signore'. Having 'un affare di qualche importanza alle nove', he would like to give Twining his lesson (presumably in Italian) the following morning at 8 o'clock. He hopes that coming half an hour early does not cause any inconvence. Receipt: on one side of a slip of paper, 7 x 19.5 cm. Headed 'Memorandum del Signor Twining'. For '18 Lezioni la prima delle quali fa data li 15 Novembee', and signed 'Galignani'.

4to: 2 pp. Eighteen lines of text. Very good on aged paper. Docketed. Written while a convict at the Bagne de Brest. Titled by Contrafatto in top left-hand corner 'Direction des affaires Criminelles et des grâces.' Begins with a Latin quotation on the subject of crime and innocence, to which he adds the comment 'Quel est celui qui, plus que moi, ait le droit d'invoquer ce principe tutélaire?' In a six-line paragraph attempts to flatter Barthe ('[...] l'ornement du Barreau avant d'être appelé dans le conseil du Roi.

8vo: 2 pp. Thirty lines of text. Very good, on lightly-aged laid paper. Distinctive use of diacritics. Informing the recipient of 'des bonnes nouvelles, ayant participé à la clémence Royale. Ma peine a été rémise a 8. ans, par consequence je ne' Suis plus condamné a perpetuité, et j'éspere en Dieu et les bontés du Roi qu'aprés la moitié de mon temps vénir vous embrasser.' Thanks all his wellwishers, particularly 'Monsieur Le Maire de notre commune'. Signs off 'Votre infortune fils jusqu'a la tombe'.