WELSH

See her entries in Encyclopaedia Britannica and the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. On patterned grey paper, with the first page with a thin white border. In good condition, lightly aged, with minor evidence of mount on blank reverse of second leaf. Folded for postage. Signed ?Adelina Patti Cederstr?m?.

See his entry in the Oxford DNB. A 17.5 x 9.5 cm rectangle of grey paper, torn from the conclusion of a letter, evidently in response to a request for an autograph. In good condition, lightly aged, with central vertical fold. Reads: ‘[…] part or else the picture will be gone. / Yours sincerely / F Brangwyn’. The ‘F’ of the signature is more lightly inked than the rest. See Image.

Novello’s three decades of unprecedented success began with the First World War song ‘Keep the home fires burning’. See his entry in the Oxford DNB. 8.5 x 13.5 cm publicity photograph on postcard, printed in sepia. In good condition, with tiny dink at top left. Captioned at foot ‘MR. IVOR NOVELLO’. Prim-looking with side-parting in white shirt, tie, and dark double breasted suit, the darkness of which makes the signature ‘Ivor Novello’ rather difficult to make out. Scan on application

See his entry in the Oxford DNB. Autograph Signature and valediction to letter on 11 x 4.5 cm slip of paper: 'My dear Sir / Yours most truly / David Welsh'. In good condition on lightly-aged laid paper, with neat vertical fold. Tiny slip of paper with pencil note in contemporary hand laid down on blank space at left of slip.

See his entry in the Oxford DNB. The poem, one of Watkins’ best, is printed under the heading ‘VERNON WATKINS | Poet and Goldsmith’ on both sides of a 12mo leaf, paginated 13-14. In fair condition, lightly aged and creased. On the lower part of the second page is a reproduction of an attractive pen drawing of Richmond Bridge by Eleanor Poore. After the end of the poem and above the illustration is Watkins’ assured signature, good and clear: ‘Vernon Watkins’.

A good informative letter. See Abse's entry in the Oxford DNB, along with that of Gaston Berlemont, proprietor of the French House (the nickname of the York Minster), Soho. 2pp, 12mo. In good condition, lightly aged. Folded one for postage. On a leaf of light-grey paper, in matching stamped envelope with postmark, addressed to Furness in Battersea. One of a number of letters from British poets in response to enquiries from Furness with regard to their pub memories.

See the two men’s entries in the Oxford DNB. 1p, 4to. In good condition, on lightly aged and creased cartridge paper. Folded three times. The letterhead is quite an impressive affair, with an engraving of ‘Unity House’ and lettering in a variety of styles. The letter is addressed to ‘W. D. Ross, Esq., / Oriel College, / Oxford.’ The ink on the ribbon appears to have been running out, as the latter part of the note is faded.

See her entry, and those of her husband and their two daughters, in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded for postage. Although Sayers? name and address are given as recipient at the beginning, the letter is clearly a circular, and the signature is cylcostyled.

See his entry in the Oxford DNB. On 17.5 x 11 cm leaf of pink paper, extracted from an autograph album. In fair condition, lightly aged and worn. In a large sprawling hand: ‘All good wishes / Ivor Novello’. On the reverse: ‘The “Cock-lodger” July 1943 / Don. Dobson / (Dobbie)’.

See his entry, and that of his brother Leo, in the Oxford DNB. 2pp, landscape 12mo. The top half of a small 4to leaf of grey paper. In good condition, lightly aged. The recipient’s name is not well written, but he is the critic Derek Stanford (1918-2008), who also has an entry in the Oxford DNB. Reads: ‘Dear Derek, / Thanks for send me a copy of your review. And thanks too for writing it! It is as generous as I would expect you to be. I do hope we may meet up somewhere soon. Our brief meetings over the years are punctuated - as far as I’m concerned - by intervals much too long.

See her entry and his in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and slightly creased at extremities. Addressed to ‘My Dear Mr. MacQueen Pope’ and signed (in block capitals) ‘BERTA RUCK’.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In fair condition, lightly aged and worn, with slight damage to the blank reverse of the second leaf from mount. Folded three times, with a short closed tear at the edge of one crease. The recipient is named by Bute as ‘A. Milne Esq’ (the Aberdeen merchant Alexander Milne of Crimonmogate?). The letter is signed ‘Bute’.

A. H. Evans was born in the village of Aber Clydach, near Talybont on Usk, Breconshire. He gives biographical information in his ‘English Historians and Welsh History’ (1975). See also Needham's entry in the Oxford DNB. The present item is excessively scarce: no other copy found on OCLC WorldCat, JISC, ViaLibri or the National Library of Wales.

The last paragraph of McKenny Hughes’s entry in the Oxford DNB deals with his marriage, noting that his wife was ‘a keen amateur archaeologist, a botanist, and a distinguished artist, and under his tuition she became a valuable geologist’, and that the couple ‘travelled together on field excursions’, being accompanied on a trip to the Balkans by an armed guard. Six boxes of her papers are among the rest of those of the Hughes family in the Sedgwick Museum, Cambridge. The present item is 64pp, 4to, mostly on the rectos of a ruled ‘Universal Exercise Book.

From the papers of W. Macqueen-Pope. See the two men’s entries in the Oxford DNB. The National Portrait Gallery holds McBean’s portrait of MP, but not the present item, of which no other copy has been traced. 17.5 x 25 cm. In fair condition, with two corners dogeared; the reverse, carrying McBean’s stamp, is rather discoloured. Also on the reverse, in pencil is ‘Moya Macqueen-Pope’. Plain background.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. In good condition, lightly aged. 1p, 12mo. Signed (as Managing Editor of the Sunday Express) ‘Hugh’ and addressed to ‘Dear Popie’. The article will start, as he explained on the telephone, ‘with the death scene. / Here is the galley proof - uncorrected, so do not worry about literals. / We may also have to reduce the length a little, but it will be done with the usual skill of the Sunday Express’.

On 11 x 14.5 piece of paper, cut for an autograph collector from the conclusion of a letter. In fair condition, lightly aged and worn, with light patches of discoloration and a couple of pin holes; laid down on piece of cream paper from album. One fold line. Reads: ‘[...] I will be very pleased to look through it and if it suits me to sing it. / With kind regards to all / Believe me to remain / Yours faithfully / Mary Davies’.

For Powys and his two literary brothers see the Oxford DNB. On 11 x 9 cm piece of wove paper. The paper is discoloured with heavy spotting aroudnd the signature. Clearly a response to a request for an autograph, neatly written and centred on the paper, the only writing is the signature: ‘Theodore Frances Powys’. See image.

An interesting letter, in which a knowledgeable contemporary gives an extremely critical opinion of Victorian restoration as it pertains to churches in Wales. Freeman’s entry in the Oxford DNB describes how in his youth he had contemplated a career as an architect, and as a historian he showed ‘an interest in field archaeology and architecture, with the ability to sketch buildings and their features’. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded twice. Signed ‘Edward A Freeman’.

See the account of his life in the entry for his father the serjeant-at-law John Humffreys Parry (1816-1880) in the Oxford DNB. Signed ‘faithfully yours / Edward Parry / April . 1930’, across the headline of a 22 x 21 cm. cutting of a newspaper article, with text in three columns, the headline reading: ‘BREACH OF PROMISE / THE LAW, THE LADY, AND SEX EQUALITY/ By His Honour SIR EDWARD PARRY’. In good condition, on browning high-acidity paper. Folded once and with one crease. Begins: ‘Marriage is not the gilt-edged security that it was. Its stock is not rising.

The first item is fairly witty, while the second exhibits the sort of ‘excruciating puns’ for which Jekyll is, according to his entry in the Oxford DNB, largely remembered. See also Agar-Ellis’s entry in the same work. The two items are in good condition, lightly aged. ONE: Letter of ‘Sunday Morning’ to ‘Dear Ellis’. 2pp, 12mo. Signed ‘Joseph Jekyll’. Folded twice. Minuted by recipient at head of first page: ‘May 1825 / Jekyll’.

Wardle worked as Kenneth Tynan’s deputy on the Observer between 1959 and 1963. Wynne-Rushton had published a play titled ‘The Gull’s Way’ in 1930, and a book on the papacy for Catholic publishers Burns, Oates and Washburne two years later. 2pp, 4to. In fair condition, folded three times, with wear and loss along one fold line of the second leaf, resulting in loss of a few words of text. Signed ‘Irving Wardle’ and addressed to ‘Dear Mr. Rushton’, identified as G. W. Wynne-Rushton by associated correspondence.

See Tony Lopez's obituary in the Guardian, 11 April 2021.The letter was sent, with Items One and Two at least, while Guest was Lecturer in English at Yokohama National University, 1966-1972. All four items are neatly written in black ink in a close hand. The first three items are in good condition; Item Four is in fair condition, on aged paper and with wear to the outer edges. The parallel drafts of ‘Climbing a Volcano’ in Item One present an excellent example of the working process of a poet in the pre-digital age. ONE: Autograph Manuscript (2pp, folio) on one leaf.

The present item is the producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with John, broadcast in the groundbreaking BBC series 'Face to Face' on 15 May 1960. This single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in green ink. 3pp, foolscap 8vo, on three leaves stapled together.

Page, 20 x 15.5cm, extracted from Autograph Album, one rough edge (extraction process), very good condition. See image.

John Bromfield Gay Rees (1912 - 1965), known to his family and friends as Brom, was a Welsh painter whose work was admired by such eminent figures as Dylan Thomas, Augustus John, William Rothenstein and Eardley Knollys, among others. Introspective and private, he was practically unknown to the general public during his lifetime, and the first major exhibition devoted solely to his work was in 1989.

Two pages, 12mo, fold marks, good condition. Text: Faed [fellow-artist] wrote me a letter some little while ago, which I only received on Saturday on my return from Berlin, & the conclusion of a German lecture tour, I am simply delighted to hear of your existence & whereabouts & hope we can soon meet. Please write, and if you could come up to this part of the world, even this coming week-end, I might see you more quickly then i[?] we would until I can get to Bristol. I am going to Gibraltar next month, so let's try & fix something up as soon as possible.

One page, 8vo, fold marks, good condition. Text: I regret that my husband's serious breakdown in health prevents him from answering your note of March 14th. He tells me that the aticles in The Times quoted in the book were written by himself: he was very fond of writing unsigned articles in newspapers and then quoting them, as he knew the quotations wouyld be apt! | I fear that he is quite unable to see you, as he is not strong enough to see friends, and especially those who wish to discuss serious questions with him. Do you happen to know Mr. R.W. Bell, an official of the L.C.C.?

One page, 12mo. fold marks, very good condition. Text: Thank you for yoyr letter inviting me to contribute to a Wesh Exhibition you are organising. I hope I may be able to find something for this purpose.

2pp, 8vo. In fair condition, lightly aged, with crease lines from having been folded into a packet. The letter is from a batch of letters written following Ivor Novello's death in 1951, in Macqueen-Pope's personal papers. He writes to send his new address ('after April 14th.'), having been forced after eight weeks to move from the Holmwood Hotel, 'to seek a little relaxation at a guest house where there will be less noise and Jubilation'.