CLASSICAL

See his entry in the Oxford DNB. 1p, 12mo. On first leaf of bifolium. In good condition, lightly aged, with strip of tape from mount adhering to the blank second leaf. Folded for postage. Undated, but docketted ?18 April / 1857 / About ?Cologne Singers.?? Reads: ?Dear William. - All the songs are clear, and if you send they will be given to the musicians. If it is not convenient to send, drop me a line, and I will send to you. / Very tly yrs / J. Oxenford?. Oxenford provided a number of translations of German works for musical accompaniment.

See her entries in Encyclopaedia Britannica and the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. On patterned grey paper, with the first page with a thin white border. In good condition, lightly aged, with minor evidence of mount on blank reverse of second leaf. Folded for postage. Signed ?Adelina Patti Cederstr?m?.

See her entry in the Oxford DNB. LETTER: 3pp, 12mo. Thirty-one lines. Bifolium. In fair condition, with slight staining at foot of first leaf, and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher, until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’.

See her entry, and her husband’s, in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including ‘Books and Bookmen’ and ‘Plays and Players’. Postcard of 14 x 9 cm, with letterhead and no illustration. Monogram signature ‘RK’. In good condition, lightly aged, with slight smudging to a couple of words in one corner. Addressed to ‘Mr Philip Dossé. [sic] / Hansom Books. / Artillery Mansions. / 75, Victoria Street. / LONDON.

See his entry in the Oxford DNB. 1p, small 4to. In good condition, lightly creased and with central vertical fold for posting. Signed 'John Christie'. He gives details of forthcoming performances: 'So far a week ago 11 performances were heavily booked including 3 sold out: you could let me know presently which dress rehearsal you would like to come to & I will give you 2 seats free.'

See his entry in Encyclopaedia Britannica. The programme is 12mo, and consists of eight printed pages, stapled into covers printed in black on shiny paper, with a lion rampant on the front printed in red. The sprawling signature 'Bruno Walter' is written diagonally in the top-left quarter of the front cover. In good condition, lightly aged, but with the back cover damaged by removal from mount. Central vertical fold.

See the two men’s entries in the Oxford DNB. The material is in good condition, lightly aged, except that the envelopes of the first two items are somewhat worn and grubby. ONE: TLS to Douglas C. Dorrington. 1p, 12mo. The address to ‘Dear Mr. Dorrington’ and signature ‘Peter Pears’ are in autograph; the rest is typed. Written while Britten is dying. Reads: ‘Benjamin Britten wishes me to thank you for your kind message.

See his entry, together with that of Benjamin Britten, in the Oxford DNB, the latter explaining the context of the last letter, which is an attack on Britten and Peter Pears for not returning from the United States to wartime England. From the Scott papers. Each letter 2pp, 12mo, on a single leaf (a total of 8pp, 12mo). In good condition, lightly aged. Each letter folded for postage. All four letters addressed to ‘Miss Scott’, and each signed ‘Gordon Jacob’. ONE (1 April 1929): He will be ‘most delighted’ to give her ‘any information you may require about my work’.

See her entry in Grove. The letter can be dated by the reference to Sir William Mitchell (see Oxford DNB) and the operetta 'The Rival Beauties', which he produced in London and then Plymouth. The letter is on one side of the paper, has been cut down to 11 x 9 cm, and laid down on a piece of card. Aged and worn, with slight loss at top right, affecting one word of text. Thirteen lines of close and neatly-written text, addressed to ‘Dearest Mrs. Sprague’ and signed ‘Yours affectionately, / Erminia Rudersdorff’, with a little of the flourish beneath the signature cut away.

See his entry, together with that of Benjamin Britten, in the Oxford DNB, the latter explaining the context of the last letter, which is an attack on Britten and Peter Pears for not returning from the United States to wartime England. From the Scott papers. Each letter 2pp, 12mo, on a single leaf (a total of 8pp, 12mo). In good condition, lightly aged. Each letter folded for postage. All four letters addressed to ‘Miss Scott’, and each signed ‘Gordon Jacob’. ONE (1 April 1929): He will be ‘most delighted’ to give her ‘any information you may require about my work’.

8 x 11 cm collotype print on 9 x 14 cm postcard, with caption (‘Richard Tauber / als Schubert / im “Dreimädlhaus”’) and publication details in blank space at foot. Tauber has signed emphatically, between two lines, at the foot of the card: ‘Richard Tauber / 1931 / London’. In good condition, lightly aged, but with dink to bottom-left corner, affecting neither image nor signature. Depicts Tauber, in the character of a bespectacled Franz Schubert, seated before a dark background. Scan on application.

Fowler’s entry in the DNB states that he resigned his tutorship in 1910, when he ‘retired to Kingham, where, since 1873, he had enjoyed a country home and entertained his pupils. From 1899 he lived there with his sister Alice’. On both sides of what was an 8vo leaf, the lower part of which has been torn away, leaving a piece roughly 20 cm square, with 26 typed lines and the autograph valediction, in a large bold hand, ‘Yours sincerely / W. Warde Fowler’. Aged and worn, but with the remaining text clear. A nice letter, combining Fowler’s main interests.

See Terry’s entry in the Oxford DNB. At the time of writing Dr. W. J. Phillips was the organist at St Barnabas, Pimlico; he was unsuccessful in the present application, but was subsequently organist of the Chapel Royal at Hampton Court. See his entry in Humphreys and Evans, ‘Dictionary of Composers for the Church in Great Britain and Ireland’ (1997). These two items are uniform on a total of three leaves of light paper. Both discoloured and worn, and folded three times. ONE: ALS from Terry to Phillips. 1p, 4to. He is ‘most pleased to have opportunity of supporting’ Phillips’s application.

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and creased, with one short closed tear to an edge. Folded twice for postage. The salutation (‘My dear old “Phil,” ’) and the signature ‘Landon Ronald’ are in autograph, the rest typed. The recipient is ‘Dr. W. J. Phillips, / “Kelvinside,” / Malcolm Road, / Wimbledon, S.W.’ He sends a ‘thousand thanks’ for Phillips’s ‘delightful telegram’. ‘It was indeed good of you to think of us all down here. It was a great night, and one I shall never forget.

See his entry in Grove’s. A good large firm signature, 'John Goss'. On irregularly-shaped piece of laid paper cut from a printed programme, a 9.5 x 8 cm rectangle with one large triangle cut from a corner. Written over part of the words to the song 'I am a brisk and sprightly lad'. The printing on the back headed ' Once I loved a maiden fair Anon., 1600 / I am a brisk and sprightly lad Anon., 1750 / MR. JOHN GOSS.'

See his entry in Grove’s. Each with his firm signature 'John Goss'. The two letters in fair condition, on aged and creased paper, folded for postage, the first of the two with a short closed tear to one edge. The card in good condition, lightly aged. ONE: TLS to ‘Mr. Cameron’, 21 December 1938. 1p, 4to. Cameron’s letter ‘to the convener of the Musician’s Group of the Left Book Club’ has been passed to him.

In fair condition, lightly aged and creased, laid down on part of page from album. Folded for postage. Neatly written. Reads: ‘6 Oct 1867 / Mr Pauer begs to inform Mrs Paget that the Austrian Piano maker will attend to her Piano tomorrow or Wednesday / In haste.’

See her entry in the Oxford DNB. 9 x 6 cm calling card, with 'Mlle. Emma Albani' printed in copperplate in the centre. Above this, at the head of the card, she has written 'J. Bennett Esq.' And around the printed signature she has written the unsigned inscription: 'With [Mlle. Emma Albani]'s compliments & heartfelt thanks -'. Date by her at bottom left: '1876'. See IMage.

1p, 12mo. On blue-grey paper with matching stamped, postmarked envelope with typed address to ‘Mr. James Butt / 23 Hartop Rd. / St. Marychurch / TORQUAY’. In good condition, lightly aged. Folded for postage. Good large signature: ‘Isobel Baillie’. In response to his enquiry, she reports that she has ‘several good pupils who could make satisfactory Sacred Records’, but she would like him to hear them first.

See his entry in the Oxford DNB. Menu printed in blue on one side of 4to leaf, folded into 16 x 15 cm bifolium-style card. Front cover with patches of discoloration, and back cover bearing evidence of previous mounting (layer of dried out glue), otherwise in good condition. Front cover reads: ‘Scottish Music Merchants’ Association / Festival Luncheon / Royal British Hotel, Edinburgh / Wednesday, 30th August 1950 / Chairman: / R. W. Cresswell’. In space between ‘1950’ and ‘Chaiman:’ is large clear signature ‘Betty Beecham.’ At foot of page is large signature ‘Thomas Beecham’.

See his entry in the Oxford DNB. 3pp, 12mo. In good condition, lightly aged, and with slight discoloration to corners of second leaf from previous mounting. Folded once for postage. With large firm signature. Begins: ‘My dear Annie, / Please accept my best thanks for your kind present of a pair of slippers on the anniversary fo my birthday, & especially for your kindness of thinking of me.’ He comments on his improved health since the previous year, the long time since their last meeting, and his anticipation of their next.

See his entry in the Oxford DNB. 2pp, 4to. In good condition, lightly aged, with pinholes to one corner. Signed ‘Julius Harrison’. Begins ‘Dear Boosey, / From the recent batch sent, I return the enclosed which I fancy may all be useful in the English market. / I am struck with the “Flowers in the Valley” as a possible Alto lead number. Please see my remarks thereon.’ He explains that he is ‘trying to find an Alto lead piece for Cleethorpes Festival next July’, and could include the ‘Flowers’ if it were ‘published in C as soon as possible’.

See his entry in the Oxford DNB. Both items in good condition, lightly aged. The first on thinner paper and lightly creased. Both folded for postage. Each addressed to 'My dear Francis' and signed 'Julius Harrision' ONE (27 May 1935): 2pp, 4to. He is supervising examinations at Worcester, and discusses arrangements. 'My people left Stourport for Worcester many years ago, but I rather fancy that Worcester will be too far from Birmingham to stay there. I shall, I think, stay in Birmingham itself.' He will be 'away down the Mediterranean until the 14th.

On a postcard with a bromide print of a modernist architectural image of a flight of outdoor steps and its stone surroundings. Creased and worn. Addressed to ‘M. Calvocoressi, Esq. / 5 Bramerton Str / London S. W. 3 / England / Europe’. Reads: ‘Dear Mr Calvocoressi, [19 words in Cyrillic script] Helas the score is lost. I am so sorry I could not send it to you. / [3 words in Cyrilic script]! / With kindest regards, / Yours sincerely / Nicolai Malko’

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and worn. Folded three times for postage. The letter concerns the Hackney Choral Association. Begins: ‘My dear Sir, / I am much obliged by the kind note just received, though I am sorry we shall not have the pleasure of your company on Monday.

See the entries for Prout and Cummings in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. The second leaf of a bifolum, the first presumably carrying the commencement of the letter. The present fragment, in a good firm hand, reads: 'in the way he desires but if you can do so, you will not only be assisting a most deserving young man, but I shall regard it as a personal kindness. / I am, my dear Cummings, / Yours very cordially, / Ebenezer Prout. / Dr. W. H. Cummings.'

1p, 4to. On lightly aged and somewhat creased paper. Folded twice for postage. Addressed to ‘Leonard Hyman, Esq.’ and signed ‘Clarence Raybould’. He has received his Catalogue No. 87 and is sorry to learn of his ‘impending retirement from your business’. ‘The world is always the poor when someone of your integrity decides he has had enough of the intrigues of present-day life!’ He wishes him ‘a happy period of quieter days’: ‘I myself cease to bulk of my work in June of this present year, when I terminate a long association with the Senior Orchestra of the Royal Academy of Music.

See his entry in the Oxford DNB. 2pp, 16mo. Addressed to ‘Carissimo Amico’ and signed ‘Alberto Randegger’.With fourteen lines of text, all in Italian. In fair condition, lightly aged and discoloured paper. Folded for postage.

See his entry in the Oxford DNB. 3pp, 12mo. Forty-nine lines. Bifolium. On aged and worn paper, with the reverse of the second leaf laid down on cut-down remains of leaf of autograph album, with a number of autographs on slips laid down on the reverse, including that of Charles Hallé, cut from a letter. Prout’s letter is signed ‘Ebenezer Prout’, but the recipient is not named.

1p, 12mo. In fair condition, on lightly-aged and worn paper. Folded once for postage. Addressed to ‘Mr. Cummings’ and with large bold signature ‘Algernon Ashton.’ He writes: ‘I venture to express a hope that whenever there should be a vacancy for a Pianoforte Professorship at the Guildhall School of Music, of which you are now the honoured Principal, that you may kindly think of me.’