PHILLIPS

See Terry’s entry in the Oxford DNB. At the time of writing Dr. W. J. Phillips was the organist at St Barnabas, Pimlico; he was unsuccessful in the present application, but was subsequently organist of the Chapel Royal at Hampton Court. See his entry in Humphreys and Evans, ‘Dictionary of Composers for the Church in Great Britain and Ireland’ (1997). These two items are uniform on a total of three leaves of light paper. Both discoloured and worn, and folded three times. ONE: ALS from Terry to Phillips. 1p, 4to. He is ‘most pleased to have opportunity of supporting’ Phillips’s application.

The circumstances surrounding this extraordinary original composition in Latin verse are obscure. See Phillips’s entry in the Oxford DNB, which notes that there was ‘an air of Proust’ about him, and quotes Oliver Brown’s description of him as ‘a stout man, immaculately dressed and heavily scented, who talked continuously while he looked at the pictures'. It may be that Phillips and the author of the poem had been educated together, or that they were members of the same club (the Athenaeum for example).

2pp, 12mo. On grey paper with mourning border. In good condition, lightly aged. The indentity of the recipient is unclear. The letter begins: 'Dear Ly Virginia | The other day I bought your novel, & the first comfortable leisure moment I had, I began to read it.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – only one other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – no other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – only one other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis (a relation of Camilla Parker-Bowles, both being members of the Keppel family) died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – no other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

He asks Streatfeild to advise him in a matter 'which speaks for itself'. He reports that 'poor Lady Elgar is greatly distressed – and not without reason – at the treatment of the two great oratorios'. Phillips does not 'quite see what is to be done in the way of protest', although he finds that the 'statement that they “fail with audiences &c” is certainly false in fact, [last three words underlined] and therefore almost libellous'. Phillips considers 'the rest […] a matter of opinion. Perhaps even more false and absurd is the statement, or opinion, that they appeal only to the intellect.

Volney's 'Ruines' (1791) was extremely influential, particularly in the United States. In 1796 Volney met Thomas Jefferson at Monticello to discuss Jefferson's plan to translate the book into English. Jefferson had completed the greater part of his translation by the time he mounted his 1800 bid for the presidency, at which point he handed over the project to Joel Barlow, who translated the last four chapters and, at Jefferson's request, put his name to the whole translation, which was published in 1801.

1p., 4to. In good condition, lightly aged. On bifolium with stub from mount adhering to blank second leaf. Neatly written and reading: 'Le Senateur Volney a l'honneur d'offrir au Ministre du tresor public, comme a l'un des juges les plus competens et les plus Eclairés l'examplaire ci-joint de Son Nouveau livre Tableau du climat et du Sol des Etats-unis D'Amerique | et leprie d'agreer des tres humbles civilités.' At the head of the page the recipient has written: 'Rep. 2o Br[umair]e. 12. [i.e.

2pp., 4to. In fair condition, on aged, worn and creased paper. Written in a hurried, difficult hand. He begins by saying he was 'just thinking' of him, 'and wondering!' He then invites him to dine the following Sunday in the 'usual way'. He continues: 'No, I didn't write about H. H. . There was a <?> ordinary notices in the D[aily]. T[elegraph]., but by whom written I can't say. I didn't really know enough about him.' He is 'going with Mr. Crawshay to the Elgar performance: it appears the new things are wonderful.

1p., 12mo. In fair condition, on aged and worn paper. He apologises for being unable to 'get out of' his 'other engagement' after his committee the following next Wednesday, and asks for 'another opportunity of coming to see you.' He continues: 'I saw Streatfield [sic] from afar the other night at Bach's mass in B. Minor. He was magnificent in evening dress next to Claude Phillips even more magnificent.' He concludes: 'I expect you Wednesday afternoon at Rossetti Studios, Flood St.

1p., 12mo. Heavily aged and worn, with closed tear along fold line at head, and remains of mount on reverse. Horner's note, on the upper part of the paper, reads: 'Dear Sir | Be so good as admit Mr Phillips to the privileges of the Reading Room at the British Museum - | Yours faithfully | Leonard Horner | University of London | 11 Feby 1830'. Beneath this Ellis has written: 'My Dear Sir | Mr. Phillips can be admitted at the Age of Eighteen, but is not eligible for our Reading Room at present | Ever faithfully Yours | H. Ellis | L. Horner Esqr'.

2pp., 12mo. Bifolium. In good condition, lightly aged. He begins by informing him that the accounts 'for sale of your works for the past year are being made out'., and that he hopes to send them in a few days: 'they have been delayed only until I could receive from the various newspapers the acc[oun]ts of advertising'. He continues, regarding a portrait of Hallam by Thomas Phillips: 'I have this day seen Phillips Copy of your Portrait - very nearly finished - &, as it seems to me, executed with care & accuracy'.

1p., 8vo. . Aged and with particular wear to extremities. The usual printed text, completed in manuscript, with manuscript calculations in the right-hand margin. Begins (with manuscript text in square brackets): 'Annuities, 14 per Cent. | Record' [12o Oct. 1757] | Numb. | The [24th.] Day of [Oct.] 175[7] | Received by me [Phill: Gybbon, Assignee of John Gibbon & Ralph Snow Esqrs.] | Of the Honourable Thomas Townshend, Esq; One of the Four Tellers of His Majesty's Receipt of Exchequer, the Sum of [fifty six pounds] [...]'.

The last eight leaves only of a printed catalogue (no. 260 in M. V. de Chantilly's 'Robert Harding Evans of Pall Mall | auction catalogues 1812-1846 | a provisional list' (2002)). Stitched and unbound. On aged and worn paper, with slight damp staining to margins. Paginated 23-37 + [1], with the final page (i.e. the verso of the last leaf) carrying the advertisement: 'Preparing for Sale by MR. EVANS. | THE VALUABLE LIBRARY of an | EMINENT COLLECTOR.' (in manuscript: 'Mr Rennie'). Slug at foot of p.37: 'London: Printed by W. Nicol, | Cleveland-row, St.

1p., 12mo. On aged and ruckled paper, with closed tear unobtrusively repaired. In the author's distinctive, heavily-inked hand. He writes to inform him that he has 'the MS of the piece I wrote about', and that if it meets with his approval 'it may fill up the gap till Black Mail is completed'. He continues: 'I repeat it is a most powerful drama as strong as the Dead Hearts | Will you and Churchill come and hear me read it? [last two words underlined three times] | If so - when? | Will you drive over tomorrow???? | If so - at what hour? - Telegram back and I will be in Price and condition.

The last eight leaves only of a printed catalogue (no. 260 in M. V. de Chantilly's 'Robert Harding Evans of Pall Mall | auction catalogues 1812-1846 | a provisional list' (2002)). Stitched and unbound. On aged and worn paper, with slight damp staining to margins. Paginated 23-37 + [1], with the final page (i.e. the verso of the last leaf) carrying the advertisement: 'Preparing for Sale by MR. EVANS. | THE VALUABLE LIBRARY of an | EMINENT COLLECTOR.' (in manuscript: 'Mr Rennie'). Slug at foot of p.37: 'London: Printed by W. Nicol, | Cleveland-row, St.

1p., 12mo. Good, on lightly-aged paper, with slight traces of glue from mount on reverse, which is docketed 'Phillips the Portrait Painter'. The note reads: 'Dear Sir | Your Picture is now varnished & ready to be sent away. Pray be so good as to favour me with the Direction for the Case'.

2pp., 12mo. Fair, on aged grey paper, with slight chipping at one corner. The letter accompanies a copy of an unnamed play, which Phillips hopes will interest Greenwood. 'I will stand or fall by it. I have learnt so much from your criticism (more indeed than from any one) that I should hope that you might continue possibly that line of such sane and helpful criticism which I have learned to look for from "the onlooker".' He concludes by declaring that there is no one to whom he is sending the book 'with greater pleasure'.

2 pp, folio. Bifolium. A frail survival, on brittle, aged paper: a horizontal closed tear across the head and other damage has been obtrusively repaired with archival tape.

16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.

12mo, 1 p. Text clear and complete. On lightly-aged paper with some creasing and a short closed tear at foot. He sent his report (on 'Wurlich's patent ') to Dr Playfair on 15 December of the previous year. 'With him therefore is all the delay.' Docketed by de Mattos on reverse, including 'Read at Board on 27th Jany 1853'.

The six vols are uniformly octavo, in original blue cloth gilt. Good, on lightly-aged paper. In worn, spotted binding, with gilt on spine dulled. Each volume opens with several leaves of advertisements for dealers (ranging from Maggs and Quaritch to James Tregaskis and Frank Hollings) and a preface by the editor (that of 1918 describing as the 'outstanding features of the past season [...] the two sales of the Alfred Morrison Collection and the two 'Red Cross' sales'). Still a valuable reference tool, with many of the entries including a precis of the item or quotation from it.

On the recto of a piece of pink paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Phillips's autograph is in the top left-hand corner, reading 'Montague F. Phillips | March 1927.' Above it are four bars of musical notation, marked 'allegro' and titled 'The Fishermen of England. The Rebel Maid" - both by Phillips).' Beneath this, and divided from it by a diagonal line, is Phillips's wife's autograph: 'Yours sincerely | Clara Butterworth'. The couple met while both students at the Royal Academy of Music.

8vo: 1 p. Good, on lightly-creased paper, with a faint 4cm pink stain in the right-hand margin. Reads 'Many thanks for the copy of your interesting paper, and the kindly reference to my novel.'

One page, roughly four and a half inches by seven wide. Grubby, and with one inch closed tear at foot, caused by removal from mount, traces of which, and of another autograph adhere to reverse. Reads ' "How good it is to live, even at the worst" | "Christ in Hades" by Stephen Phillips | [signed] Charles Warner | 1902'. Small neat green circle containing number in bottom right-hand corner.

12mo: 2 pp. Very good. Addressed to 'Mr. W. Phillips' on otherwise-blank second leaf of bifolium, which carries traces of previous mount. Acknowledges 'the obliging present' of Phillips's 'valuable work on mineralogy' (the influential 'Outline of the Geology of England and Wales', 1822, written with William Conybeare).

Scottish politician (1754-1835), President of the Board of Agriculture, opponent of William Pitt the younger and editor of Ossian. The recipient James Phillips was a bookseller and stationer. On piece of paper roughly eight inches by three inches. Grubby and lightly stained. Evidence of previous mounting. Repair to slight damage to one edge with loss of two words of text. Embossed four-penny receipt stamp (slightly damaged) on reverse.