LANE

See his entry in the Oxford DNB. He had taken on the management of Drury Lane in 1849, and had hoped to profit from the Great Exhibition, but retired from it in 1851, having incurred substantial losses. 1p, 12mo. In good condition, lightly aged, on the first leaf of a bifolium, with the reverse of the second leaf bearing minor traces of mount, as well as the following annotation in a contemporary hand: ?Jas: Anderson Esqre / Lessee Drury Lane / Theatre / T Bateman Esqre. / a P. Whelan?. Anderson addresses to ?Peter Whelan Esqr.? and gives an untidy signature ?James Anderson?.

1p, 12mo. On thin paper. In good condition, lightly aged, in trimmed and spotted windowpane mount. Good bold signature ‘Fanny Brough.’ Addressed to ‘Revd. J. C. [Westly?]’. She has ‘much pleasure’ in sending him ‘the autograph’, and will do her best to get him ‘a few others which may be interesting to send out to you’.

See his entry, and that of his father Charles and wife Madame Vestris, in the Oxford DNB. 3pp, 8vo. Bifolium with mourning border. In fair condition, on lightly aged paper, with slight damage at head of second leaf, the blank reverse of which carries traces of glue from mount. Folded once. Madame Vestris had died two and a half months before the writing of this letter, which evinces a surprising intimacy. Begins: ‘My dear Mrs Williams / Here’s a pretty business! Was there ever such disappointment.

Album page.. 22.5 x 18, sl. mottled, and Neilson's contribution sl. faded. Neilson writes in an expansive handwriting, And I am Nell - Nell of Old Drury | Julia Neilson. Ellen Terry writes below, And I am Nell! Nell of the old Lyceum! - and sister-in-law of Julia Neilson - the good & beautiful. | Ellen Terry [underlined] = Southport = 19-April - 1904 =. Note: Neilson starred in 'Sweet Nell of Old Drury' by Paul Kester but I have yet to find out which Nell Ellen Terry played unless, as seems likely, she's making a play on her own name. SEE IMAGE.

See his entry, and those of his brother and the recipient, in the Oxford DNB. 3pp, 4to. Bifolium. The letter had been torn in half, with loss of a strip of paper from the second leaf, resulting in damage to a couple of words from the valediction; it has been carefully repaired with archival tape, and is otherwise in fair condition, lightly aged, with slight fading of the ink on the first page. The large signature ‘James Smith’ is clear and undamaged. Addressed to ‘J. W. Croker Esq’. An interesting letter, casting light on the workings of the Georgian civil service.

See his entry in the Oxford DNB. 1p, 12mo. On the recto of the first leaf of a bifolium, and addressed in autograph on the reverse of the second to ‘Mr. Raymond / Chester Street / Grosvenor Place / No. 3. / Hyde Park Corner’, with three postmarks and broken wafer. In fair condition, lightly aged, with spike hole through both leaves. Folded twice for postage. He is sorry Raymond had ‘so much trouble’ looking for him: ‘but the truth is I waited at home for you this morning till 12 -’. He explains that ‘the Copy Right of the Comedy’ is ‘purchas’d by Mr.

From the Macqueen-Pope papers. His entry in the Oxford DNB describes how, in the 1950s, he was ‘in demand as a lecturer on the theatrical subjects he loved, and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment, and television in particular, as representing a serious threat to the survival of theatre, about which he cared passionately’.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Interesting London ephemera: the plans for the Refectory Club were clearly ambitious, but there is little to be gleaned about it, and it is unclear whether it even opened. Zinkeisen and her sister Dora are the subject of a 2022 monograph by Philip Kelleway, Emma Roodhouse and Nicola Evans. The four items in good condition, lightly aged, but with rust staining from a paperclip. Folded for postage. ONE: Typed Letter to MP, signed ‘D Mallett’ (but with ‘For Secretary’ typed beneath this). 1p, 4to.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. Aged and creased, on discoloured high-acidity paper. Folded twice for postage, and with closed tear at head of vertical fold. Slight damage and rust staining from removal of staple. The letterhead incorporates two photographic portraits of Lauri, with press comment from ‘Everyone’s Magazine’ and career resume beginning: ‘Ernest Lauri / (The Singing Anzac) / STARRED IN AUSTRALIAN PICTURES / Versatile Vocalist and Monologist’. Macqueen-Pope is not named, but is presumably the recipient.

The material collected here is perhaps unique: it is not clear whether any material relating to Macqueen-Pope’s BBC broadcasts has survived elsewhere. It is hard to overestimate the significance of ‘Popie’ to the history of the London stage. Other items from among his papers offered seperately attest to the regard in which he was held by both actors and those behind the scenes, as the foremost chronicler of a cherished era that was quickly passing into oblivion.

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

An entertaining and characteristic correspondence. See both their entries in the Oxford DNB. The nine items (seven by Jacob and two by Macqueen-Pope) are in fair overall condition, with all text clear and complete, on lightly aged and creased paper, with slight rust-staining from paperclips, and minor wear to edges. All folded for envelopes. The first seven of the nine following entries are NJ’s letters (the last four of which are addressed to ‘My dear Popie’), the last two the copies of MP’s. ONE: 24 June [1945]. ‘ENSA Entertainments. / C/o Welfare, 6th. Brit. Armde. Div. / C. M.

1p, 4to. In fair condition, lightly creased. Folded once. Reads: ‘Dear Peter, / Many thanks for your letter. It’s always pleasant to read nice things that people say about one’s work. / All my best wishes to you. / Sincerely, / Burton Lane’. Two-line typed biography of Lane at head of reverse.

The tickets are all in fair condition, each on one side of a landscape slip of paper (all slips roughly 11 x 7 cm). All five with creases from folding. Each of the five signatures has been scored through in ink, indicating that the ticket was used. All read, ?T. R. D. L. / Admit Two Boxes | Henry R Bishop?, with date at bottom left.

2pp, 4to. 34 lines of closely-written text. In good condition, lightly aged. Folded twice. Addressed to ‘Mr. Poole’. After expressing a hope that they will be meeting Poole now that they are both on the council of the Royal Historical Society, he explains that he is writing in relation to his redrafting of ‘the early part of Percy for the Complete Peerage’, noting that ‘the present draft is certainly alarming’. He is taking it ‘down to 1245’ and finds it ‘full of snags’. He has ‘just finished a draft of Jocelin, Agnes de Percy’s husband’, and L. C.

Three pages, 12mo, bifolium, good condition. I scarcely know how to thank you for the very handsome present which I received this afternoon, & cannot help feeling that the slight services I was able to render in connection with 'A Life of Pleasure' [subject the Burmese War which Prior had covered] certainly did not warrant any recognition at all, but I accept it with pleasure and am very proud to think you number me as one of the Servants of The High Priest 'Druriolanus'. My wife desires [...]

The three items in good condition, lightly aged. An entertaining and characteristic exchange, with MacQueen-Pope's letter (Item Three) dating from between Hicks's two. ONE: ALS from 'Seymour H.' to 'My dear old Poppie'. Undated, with envelope with Capetown postmark dated 6 July 1942, addressed to 'McQueen Pope Ere. | Drury Lane Theatre | Drury Lane | London | W. C. 1 | From Sir Seymour Hicks'. 2pp, 8vo. 79 lines of closely-written text, headed 'Private & Confidential'.

Each letter 1p, 8vo. Both in fair condition, lightly aged and creased. On signing one of the letters she has slightly smudged it. ONE: 28 May [1950]. She thanks him for his 'fascinating-looking book, THE MELODIES LINGER ON', and for his 'most generous inscription'. She and her husband 'Richard' (the drama critic Richard Halliday) have 'read bits and pieces and have looked at every photograph, and can't wait to really sit down and read the book from cover to cover!' She continues: 'And that will be soon.

3pp, 12mo. Bifolium. In fair condition, aged and worn, no thin paper, with several folds. Seventy-two lines of closely and neatly written text. Addressed by Fleischer on reverse of second leaf 'A Monsieur Edward Wm. Lane | en | Angleterre. | West Terrace, Worthing, Sussex. | par l'entremise de Mss. Williams & Norgate. | avec | Zeitschrift d. D. M. G. | T. 5, Cah. 3.' A fine letter, full of interesting content indicating a liberal attitude to the sharing of information among Victorian orientalists. He begins by writing that he received Poole's letter of 3 May a little before one from 'Mr.

3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. The recipient is not named, but the conclusion of the letter makes it clear it is Poole. Written in a shaky hand a little over a year before Pattison's death. The context of the letter makes clear that as a married man, Poole is attempting to take advantage of the previous year's revision of the Oxford college statutes enjoining celibacy. It begins: 'Dear Sir | You seem to be under a misapprehension as to the historical lectureship for which you wish to become a candidate.

On one side of a slip of laid paper cut from the end of a letter: roughly 4 x 17 cm, the reverse being blank. In good condition, lightly aged. Good neat signature to the valediction of a letter. Reads: 'I am my d [Phippen?] | (in great haste | Yours very truly | Jos: S: Munden'. Munden eas the subject of one of the "Essays of Elia" (Charles Lamb).

1p, 12mo. In fair condition, lightly aged, with traces of grey-paper mount on blank reverse, and minor discolouration at one edge from glue used. The actor Henry Leigh Murray (1820-1870) is identified in pencil as the recipient. The letter begins: 'My dear Sir, | You are quite welcome to a P[rivate]. Box if there is one to spare'. He asks him to 'call or send to Mr. Massingham at the Box Office at 1/2 past 4 o'clock who has received instructions to attend to your wishes, if all the Boxes are not let by that time'.

See Meadows' entry in the Oxford DNB. The recipient of the letter is not named, but it comes from the album of the actor Henry Leigh Murray, which also contained a letter regarding a theatre box from Charles Kean (offered separately). 1p, 12mo. 1p, 12mo. In fair condition, lightly aged, with traces of grey paper mount on reverse, and slight discolouration at corners from glue. Written with mock-pomposity, and beginning: 'My dear Sir | I hereby give you notice that Mr C. Kean has delivered unto me a Card for a Private Box for to-morrow Augt. 19th.

See his entry in the Oxford DNB. 12mo bifolium, with the two-page letter on both sides the first leaf, and the list of plays on recto of second leaf. In fair condition, aged and worn, with closed tear. Folded three times. Addressed: 'To/ | Chas. Perkins Esqr. | 2 North Place | Hampstead.' The letter begins: 'My dear Perkins, | I have not been able to reply to your last earlier - having been confined to my bed-room ever since the 31st. of July by a most severe attack of inflammation.' He has been obliged to postpone his 'Cork engagement on account of this unseen misfortune'.

The signatures feature with no other text on a single page, on one side of a 15 x 18 cm leaf of thickish cream paper removed from an album. In fair condition, aged, and dusty, with slight pinkish-red staining on edges, and not near any of the signatures. The signatories are: 'Hugh Walpole', 'Dunsany' [Lord Dunsany], 'Alec Waugh/', 'V S Pritchett', 'Lionel Hale.', 'Norman Collins', 'Philip Jordan' [Philip Furneaux Jordan (1902-1951), journalist and author], 'A. G. Macdonell.', 'Ivor Brown', 'J. B. Priestley', 'C. S. Forester'.

1p, 12mo. In good condition, lightly aged. Folded twice. 'My dear Sir | The Era Almanack will entirely consist of Theatrical information and general literature is not contemplated in the plan. Otherwise I need hardly say I should have been most happy to have availed myself of your aid.' The Era Almanack ran from 1868 to 1919, and was one of the more reliable theatrical annuals.

3pp, 12mo. Bifolium. In good condition, lightly aged. Each page numbered by Fry. An Unsigned document from the Christopher Fry archive. Warm personal recollections, entertaining and evocative. Unpublished.

An interesting document relative to London social history, and a nice piece of Dickensiana. George Johnson is said to have established his celebrated restaurant Johnson's Alamode Beef House at 21 Clare Court, Drury Lane, in the 1780s, although the present letter states that it was licensed around 1805 . In 1824 a twelve-year-old Charles Dickens – employed in a nearby blacking warehouse as a result of his father's imprisionment for debt – himself experienced an incident which he later made use of in 'David Copperfield'.

1p, 12mo. In good condition, on lightly-aged paper, folded twice. An elegantly-expressed sentiment: 'Mademoiselle, | Les malheureux sont mes Amis, et l'oeuvre à la quelle vous vous interressez à [sic] toutes mes sympathies; malheureusement je suis si peu de choses que je ne puis vous témoigner que mon bon vouloir a l'oeuvre à la quelle vous vous interressez [sic]si vivement.'