FRY

See his entry in the Oxford DNB. The two items were previously held together by a small dab of glue at the head of the letter. They are now separated, and traces of the glue remain, not affecting any text. Otherwise they are in good condition, lightly aged. ONE: ALS, 30 December 1932. 1p, 12mo. Signed Hugh Walpole. He thanks him for his charming ‘Carol’: ‘I have been picking it out on the piano. And I send back the photo autographed. With every good wish for 1933’.

See his entry in the Oxford DNB. From the Piffard papers. 1p, 12mo. On first leaf of bifolium. In good condition, lightly aged. Folded twice. Reads: 'Lord Justice Fry would be obliged if Mr Piffard would send him a Micro-slide of Conidia bearing Hyphae of Eurotium repens, isolated & stained by a new application of Iodine Vapour. He encloses 2/- in stamps.'

An interesting and sprightly correspondence, mainly concerned with the practicalities of the vocation of a minor provincial poet. See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. A second slice of Vanson material from the Christopher Fry papers (the other collection is offered separately). The collection consists of twenty-one items: nineteen letters from Vanson to Fry, a one-page typescript of three of Vanson’s poems, and a draft of an introduction by Fry to a proposed collection of poems by Vanson.

See the two men’s entries in the Oxford DNB. In good condition. 11.5 x 9 cm card, without illustration. Printed in red at head: ‘MICHAEL REDGRAVE.’ The message concerns the London production of Fry’s ‘The Lark’ (a translation of Anouilh’s ‘L’Alouette’), which opened at the Lyric Theatre, Hammersmith, on 11 May 1955. Redgrave would star in Fry’s next play, ‘Tiger at the Gates’ (a translation of Giraudoux’s ‘La guerre de Troie n'aura pas lieu’), which premiered in New York on 3 October 1955.

A good firm signature, and not a common one. While hugely popular (see his entry in the Oxford DNB), Sims was an intensely private man, who refused to give autographs. 1p, landscape 12mo. In fair condition lightly aged and with slight rust spotting from paperclip; folded for postage. Reads: ‘Dear Adza Vincent, / My wife and I both thank you for sending Christopher’s Bedford talk. I have taken the liberty of typing a copy for own archives, and can now return the one you sent. / With renewed thanks, / Yours sincerely, / Alastair Sim’.

As a pacifist of Quaker stock the recipient Christopher Fry would have been sympathetic to Gandhi’s goals. See Fry’s entry in the Oxford DNB. The three items in good condition, lightly aged and with slight creasing along one edge. All three 1p, 4to, and signed ‘Arun Gandhi’ and folded twice. ONE: 6 October 1993. He thanks him for his ‘positive response’ to the invitation to ‘contribute a statement for our forthcoming book WORLD WITHOUT VIOLENCE’, to be published to commemorate his grandfather’s 125th birthday. He concludes with details of an extended deadline. TWO: 15 November 1994.

See Fry’s entry in the Oxford DNB. Dickinson was an influential proponent of the League of Nations. The present item concerns the London Declaration concerning the Laws of Naval War, an international code of maritime law, following on from the second Hague Conference. Great Britain, as the world’s chief naval power, had felt that such a court should be governed by defined principles, and had convened an international concerence in London in 1908. The Declaration that was issued three years later comprised 71 articles. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once.

See his entry and Fry’s in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In fair condition, lightly aged. Folded once. Signed ‘G O Trevelyan’. He has received Fry’s letter ‘in support of an application made by Mr. M. Hedley, a Verterinary Inspr. in Ireland, for increase of pay’, and will submit his recommendation ‘to his Excellency the Lord Lieutenant’. The second leaf carries the name of Trevelyan’s parliamentary constituency Hawick at the head of the recto.

See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. The material is in good condition, lightly aged, with one leaf of poetry typescript creased. Vanson’s eight Autograph Letters Signed date from between 29 December 1983 and 12 January 1993. total 11pp, 8vo, and 2pp, 12mo. One of the letters is lacking all but the last (signed) page; the others are complete. Vanson’s Typed Letter Signed is 1p, 8vo. It is undated, but dated by Fry to 14 August (no year, but from the context written in 1992). The nine letters are all signed ‘Frederic’.

See Fry’s entry by Michael Billington in the Dictonary of National Biography. His brother survives as a rather shadowy figure: he was certainly alive in 1978, when Fry referred to him in the account of his family background ‘Can You Find Me / A Family History’ (OUP). In that volume Fry describes his ‘brother Leslie’ as a baby ‘growing sturdily’, noting that ‘though he was later called by his first name Charles, he was Leslie for many years to come’.

Scarce: the only copy located on WorldCat and COPAC at the Tate Library, London. Unpaginated stapled and duplicated pamphlet: 16pp, 4to. Cover illustration by John Graham. No wraps called for. In good condition, lightly aged and creased. In Vanson's autograph, at top right of cover: 'For Christopher - | affectionately | Frederic | 3.

Dunn was a teacher (presumably at Dulwich College), Sussex naturalist and poet. Around 1984 he published his own poem 'Death of a Scarecrow' at his Poet and Printer press, Hatch End. The present collection, from the Christopher Fry papers, is in good condition, lightly aged. ONE: Autograph Letter Signed ('Ruby Dunn') to Christopher Fry. 1p, 12mo. She begins by asking him to accept a 'small token' of her thanks 'for a memorable occasion', presumably a memorial reading of Dunn's poems in which Fry was involved. She continues: 'I can think of no greater pleasure for me, Peter's widow.

A total of 8pp of closely-typed text. In good condition. Also present are an additional four-page copy on pink paper of the first letter and its enclosure. First letter signed 'Kevin Bailey', two others signed 'Kevin B.' aq2 One letter lacks its last page and signature.

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.

3pp, 4to, each page on a separate leaf. In fair condition, lightly aged and worn. Folded once. There is no indication that either item was published, nor even that the poem is connected to the 'programme'. (If unpublished the poem may have found its way into Fry's papers from Hassall's.) The 'programme' - with no title or heading - is two pages long (with slight damage from a small staple to corners of both leaves) and complete, being divided into six numbered sections.

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

1p, 8vo. In fair condition, lightly aged. On Croxley Script cartridge paper. Folded three times. Typed at top left: 'For Andrew Young'. From the Fry papers, with the playwright apparently stating that he found the typescript in a copy of Robert Frost's poems. Hassall's poem is apparently unpublished (but see below). It is divided into two sonnets, numbered I ('Yours is the Wildern World beyond my door') and II ('Speak for us to the earth, interpreter -').

Both items in good condition, lightly aged. PAMPHLET: 12pp, 8vo. Stapled in green wraps, printed on both sides of covers, and with drawing of Shaw by Hadfield, dated 1974, on front cover. Containing a few autograph emendations. Inscribed on front cover: 'To Christopher Fry, | from | Alan Hadfield, | Greetings! | Feby 1975'. A quirky and highly personal response to Shaw, combining anecdote, reminiscence and original poetry.

Stanford's study of Fry in the British Council's 'Writers and their Work' series was re-published several times, and the early letters in the present collection refer to the preparation of the fourth edition, published by Longmans in 1971 (the bibliography to which Stanford refers as 'CHRISTOPHER STATE PAPERS'). A total of twenty-six items. The material in good condition, lightly aged. Stanford's nineteen letters total 65pp, 12mo. In an undisciplined hand, in different-coloured ink, on different-coloured paper. Stanford's 19 letters between 17 February 1970 and 31 October 1978.

Possibly the author's first book (see below), from the Christopher Fry papers (despite the ownership inscription). 54pp, 12mo. Stapled into green printed wraps (title and words '(ALL RIGHTS RESERVED)'). Tiny ownership signature in initials ('R. G.') in top right-hand corner of title-page. No details of publication or date, other than the printers' slug at bottom left of title-page.

From the Christopher Fry papers. PLAY: [1] + 47pp, 12mo. Stapled into buff wraps printed in red, including the statement that it is the 'Friends of Canterbury Cathedral Edition'. In fair condition, lightly aged, in worn wraps, with a trace of rust to staples. This edition of the play (the first?) is uncommon: the only copies on OCLC WorldCat at the British Library and University of British Columbia. COPY LETTER: 4pp, 12mo. In good condition, lightly aged. Written out in two hands, Recipient not named. With salutation 'Dear Sir,' and valediction 'I am | Yrs truly,'.

3pp, 4to. In good condition, lightly aged. A long and entertaining letter, beginning: 'Dear Mr. Fry, | Probably late in 1949, in a New York City duplex living room, two married couples lay prone on the floor, fanned out around a single copy of “The Lady's Not for Burning”, the better to read aloud all its colorful roles. The couples were Alfred Drake (with whom I had played the previous season in my first Broadway play), his wife, my writer husband [i.e. Robert Presnell Jr] and I.

Fourteen items, including three letters from Starkie and seven letters from the Oxford University Press – five of them from Geoffrey Cumberlege and two from G. W. S. Hopkins – and copies of two letters from Cumberlege to Fry's agent Emanuel Wax, and a copy of a letter from the OUP to Starkie. All dating from 1955. The collection is in fair condition, lightly aged and worn. The three Starkie letters are all in autograph, and total 7pp. The first two are written from Madrid, and the last from the Athenaeum in Pall Mall.

The item would appear to relate to William Gaskill's 1984 Chichester Festival production of Congreve's 'Way of the World', in which Joan Plowright played Lady Wishford, and John Moffatt played Witwoud, although it is not clear why Fry should have been making directorial suggestions in this case. 2pp, 8vo. Written in pencil. In fair condition, aged and worn. Folded twice. From the Fry papers, and so possibly either a draft or not sent. The identity of the recipient is not clear.

43 letters in 8vo and 12mo, making a total of 44 pp. Signed 'Rolando Pieraccini' and (latterly) 'Rolando'. Thirteen of the letters (1984-1986; all 8vo) on 'Eurographica' letterhead, the others (1986-1996; 27 in 12mo and 3 in 8vo) on Pieraccini's personal letterhead. Also present is a carbon copy of a two-page letter from Pieraccini to Penny Eckley of Oxford University Press, regarding copyright matters. The collection in good condition, lightly-aged.

Photostat pages of the first part of Christopher Fry's screenplay of the lavish 1966 American-Italian 20th Century Fox religious epic film 'The Bible: In the Beginning...', produced by Dino De Laurentiis and directed by John Huston. [2] + 7pp, 4to. Photostats of a typescript, on seven leaves.

Nine items, all in good condition. All of the letters are signed 'Anthony', and four of them (two autograph and two typed) are each 1p, 8vo. The other letter, in autograph, is 1p, 16mo. With four items of material relating to Hostage Action Worldwide. The first letter (11 May 1989) accompanies 'our first reply to our first 350 donors – we're hoping to build rapidly now'. He reports that 'The Archbishop of Canterbury has this week responded positively to us and appointed a man, John Lyttle to our Advisory Council.

Both items in good condition, but the postcard (of a Viennese street scene) with stamp torn off. ONE: ALS. Signed 'Walter (Rilla)'. Vienna; 7 November 1966. 1p, 8vo. Twenty-six lines of text, in a neat close hand.

1p, 8vo. In good condition. Folded twice. With secretarial note in blue pencil, recording response by 'C.F.' The letter concerns Fry's screenplay for the 1966 film 'The Bible: In the Beginning...', produced by Dino De Laurentiis and directed by John Huston, which recounts the first 22 chapters of the Book of Genesis. Stallworthy wonders whether Fry remembers 'that, “in the dark backward and abyss of time”, the OUP wanted to publish your screen-play for the film of Genesis, but the film company's lawyers wouldn't allow it.

Five items in good condition, all lightly aged. ONE: ACS. Signed 'Kathy'. 1 March 1990. Clearly a covering note on sending the other material. Simply reads: 'Good to speak – | love | Kathy'. TWO: Duplicated copy of typescript of speech by 'Fr. John Gilling'. Headed: 'REQUIEM MASS: St. Mary the Virgin, Bourne Street. 7th February 1990. | JONATHAN GRIFFIN'. 2pp, 8vo.