ALAN

In good condition, lightly aged. The Osmond’s signatures are written with brown felt-tip pen on an 8.5 x 13.5 piece of pink paper with rounded edges, evidently removed from an autograph album. With portrait orientation. Alan Osmond writes: ‘Best Wishes - / The Osmonds / Alan Osmond’ and beneath this, one on top of the othe, are the signatures of ‘Donny Osmond’ and ‘Jay Osmond’. The names are written out in another hand at bottom right. On the reverse, with landscape orientation, the large signature of ‘Gary Glitter’. See Image.

See his entry, and those of Sellers, Secombe and Bentine, in the Oxford DNB. On 11.5 x 10 cm leaf of light-blue paper, extracted from an album. In good condition, lightly aged, with short crease to one corner. Nothing else is written on either side of the leaf, apart from the large spidery signature 'Spike Milligan'. See Image.

See his obituary in the Guardian, 5 April 2006. On irregularly-shaped trapezoid of ruled paper, roughly 8 cm wide at top, with one vertical side also 8cm, and the other 4cm, giving it a guillotine shape. Lightly aged and ruckled. Blank on the reverse. Reads: ?Best / always / Gene Pitney?.

See Bullock's entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 8vo. In fair condition, lightly creased. Folded twice for postage.

In good condition. Printed on one side of the card is one of Bennett's self-caricatures, and printed on the other, on a left hand panel, a note apologising for not writing in autograph, as answering so much mail would take away 'time which I would like to spend working'. On the right-hand panel, in actual autograph, is the following: 'Thank you for yr letter and I hope 2021 is a better year for you. I gather from Sam Barnett (ex History Boys) that the Nottingham Playhouse is keeping going. I'm getting slower but still coming to my desk every day. / All good wishes / Alan Bennett.'

Plain white card, blank on reverse. In good condition, lightly aged. Reads: ‘I’m sorry I don’t have any photographs - there’s not much demand. / My second TV play (1974) was about Morecambe. Sunset Across The Bay - probably still available from the BBC / All good wishes / Alan Bennet.’

On a ‘Lion Brand’ plain post card. In good condition, but with the hurriedly-written text somewhat smudged, and a small staple at one corner. Addressed to ‘Robt J Drury / 141 Chichester Rd / Cleethorpes / S. Humberside / DN35 OJL.’ The message on the other side is hurriedly written: ‘August 1 1995 / Dear Mr. Drury / I’ve no thought on the Academy Awards I’m afraid. Some are well deserved some not - but thats true of a [?] Alan Bennett.’

1p, 12mo. On grey paper. In good condition, lightly aged. Addressed ‘Dear Mr Robinson’ and signed ‘Alan Bennett.’ A short response to a letter about his play ‘The Old Country’, whose run at the Queen’s Theatre had started on 7 September 1977. He thanks him for his kind letter, and states that ‘It’s nice to hear from people in the audience as I often feel the play goes on night after night & has nothing to do with me at all - one penalty for not performing very much.’ See Image.

See his obituary in the Guardian, 5 April 2006. On irregularly-shaped trapezoid of ruled paper, roughly 8 cm wide at top, with one vertical side also 8cm, and the other 4cm, giving it a guillotine shape. Lightly aged and ruckled. Blank on the reverse. Reads: ‘Best / always / Gene Pitney’.

See his entry in the Oxford DNB. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 1p, 12mo. In fair condition, lightly aged. Signed ‘A N L Munby’ and addressed to ‘Dear Block’. Folded twice. He is sending ‘the volume of playbills, all Lyceum ballad-operas’, which he estimates comprises fifty-eight in total. ‘Send me along whatever they are worth to you.’

See his entry in the Oxford DNB. The three items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of each of the prints. All three in good condition. ONE and TWO: Black and white photographs, both 12 x 17 cm. ONE is in portrait, and shows Plater seated at a country table, in shirtsleeves, jeans and trainers, looking over with concentration and expressively spread hands. On back: ‘Alan Plater at my home. / Sally Worboyes’. TWO is in landscape.

See the entries on author and recipient in the Oxford DNB. The subject of the letter Alan Dent, began his career as a prot?g? of James Agate. Although a somewhat histrionic figure, Wolfit's reputation rivalled that of Gielgud and Olivier, and his influence was acknowledged by both Harold Pinter and Peter O?Toole, and Ronald Harwood based his play and film ?The Dresser? on him. 1p, 4to. In fair condition, on lightly-aged and wrinkled paper, with slight nick to bottom-right, and evidence of paper clip. Folded once.

Scarce: the only copy located on WorldCat and COPAC at the Tate Library, London. Unpaginated stapled and duplicated pamphlet: 16pp, 4to. Cover illustration by John Graham. No wraps called for. In good condition, lightly aged and creased. In Vanson's autograph, at top right of cover: 'For Christopher - | affectionately | Frederic | 3.

Both items in good condition, lightly aged. PAMPHLET: 12pp, 8vo. Stapled in green wraps, printed on both sides of covers, and with drawing of Shaw by Hadfield, dated 1974, on front cover. Containing a few autograph emendations. Inscribed on front cover: 'To Christopher Fry, | from | Alan Hadfield, | Greetings! | Feby 1975'. A quirky and highly personal response to Shaw, combining anecdote, reminiscence and original poetry.

1p, 8vo. In good condition, lightly aged and creased. Folded once. 'I was hoping you would make a suggestion about price. I had at first thought of asking £5 for each copy, but if you would throw in that copy of my father's book (my own is in pieces) I suggest £12 for the three. Of course I want you to make your profit.' He ends by asking if Hancox would like the books signed.

Vol.1: [1] + 78pp. Vol.2: 8 [+ 8]pp. A total of 86pp of extracts from Park's twelve volumes of diaries. Unpublished. In two uniform stapled notebooks, small 4to, in orange card covers, with the following printed on the reverse of each: 'Manufactured by Supplies Department, Kent County Council'. Accompanied by eleven pages of typed transcriptions from the notebooks. Altogether in good condition, lightly aged and worn. Each volume titled in manuscript on the front cover, with the following shelfmark or entry number: '(M265)'.

[3] + 222pp. With additional page carrying two figures to be inserted in the text (the first a 'Bezel', the second two cartouches). Each page on the recto of a separate leaf. Autograph emendations throughout, including additional text on reverse of one leaf. Housed in grey-card punch-hold binder. The typescript and leaf of illustrations are in good condition, on lightly aged thick paper, the three pages of prelims are on creased and worn thin paper; the binding is heavily worn. Typed label on cover (pasted over other labels) from 'Apex Literary Agency, 293 Grays Inn Road, W.C.1.

These two items date from the 1960s, a period during which Saville was a notable 'face' on the London scene: he dated the 'Avengers' actress Diana Rigg and the Pop artist Pauline Boty, and flew Bob Dylan to Britain for his first acting role.

Cobham started his National Aviation Day displays (known as "Cobham's Flying Circus") in 1932. These displays were a combination of barnstorming and joyriding by a team of skilled pilots in up to fourteen aircraft, ranging from single-seaters to modern airliners. The show toured the country, calling at hundreds of sites from regular airfields to fields cleared for the occasion. 1p., 4to. In good condition, lightly aged, worn and ruckled. Nicely printed in black over a halftone red map of Great Britain and Ireland.

16 Autograph Letters Signed, 10 Autograph Cards Signed and one Typed Letter Signed. The letters total 32pp. The collection is in fair condition, on aged and worn paper. The correspondence deals exclusively with mathematical questions raised in the Mathematical Gazette, with the writers providing mathematical calculations and demonstrations. From six individuals, as follows. ONE: T.A.A. Broadbent [ Thomas Arthur Alan Broadbent ] (1903-1973) of the Royal Naval College, Greenwich: 4 ALsS and 3 ACsS. TWO: G.A. Garreau [ Gabriel Armand Garreau ]: 2 ALsS and one TLS. THREE: C.

1p., 4to. In fair condition, lightly aged, stapled to the carbon of the letter from Samson to which it is replying. On his return from holiday he states: 'I shall be very happy to take the chair for Sir Rex Cohen, Chairman of Selfridges, when he reads a paper on modern retail trading to the Society on Wednesday, January 13th.'

2pp., 12mo. In fair condition, lightly aged and worn. The letter begins: 'When Violet asked me first about your Heathfield MS I suggested John Murray as a suitable publisher: the young John Murray (not so young but distinct from Sir John) is an old friend of mine and a nice fellow, whose advice would be worth having.' He gives the firm's address, and suggests the name of 'an historian'. Elliot's work on George Augustus Eliott, 1st Baron Heathfield, Governor of Gibraltar during the Great Siege of 1779-1783, does not appear to have been published.

1p., 4to. In good condition, lightly aged and worn. Addressed to 'Dear Lady Hall', and sending his 'sincere condolences on the death of Dear Ted', from whom he 'had received [...] so many acts of true friendship & kindness'. The loss is great to him and many of Hall's friends. The letter concludes: 'May it be of some solace to you & your Daughter to know how beloved he was!'

A charming and evocative production. Cards in very good condition; album in good condition, with light signs of age and wear. Initial note: 'This Travel Album is issued without charge to hold a complete set of twenty-five "A Day on the Airway" pictures, as issued with all packings of Sarony Virginia Cigarettes, plain or cork tipped.' The album comprises eight pages printed in black and green, on thick paper, stitched into black card wraps. Embossed on the front cover in faded gold is the title and an illustration of the plane (an Imperial Airways 'Argosy') flying in clouds.

44pp., 4to. Stapled. The complete magazine, in printed wraps with green masthead, on shiny art paper, with attractive 'modern' layout and numerous illustrations. Incongruous image on cover of girl and lamb. Glennie's article is on four pages, with a photograph of the author accompanied by a brief biography (ending 'He came to Aldermaston in 1955 and is now in S.S.C.M.') and three photographs of the 'IBM 7090 Electronic Data Processing Machine', one of them small, and the other two each half-page, and accompanied by a lengthy caption.

2pp., 4to. In good condition, on lightly-aged paper. The letter begins with a reference to W. Macqueen-Pope, 'who has been a close friend of mine in the worlds of journalism and the theatre for more years than either of us may wish to remember - at least forty'. Having applied unsuccessfully for seats at the premiere of 'My Fair Lady' he suggests a 'special performance' for 'those members of the journalistic profession who fall by the wayside'.

113pp., 8vo. On 57 leaves, stapled together, with white card backing. No title-page. Worn and aged, with first leaf detached, but in fair condition overall. In 1988, in Maputo, Mozambique, where Sachs was exiled as an ANC activist, he lost an arm and his sight in one eye when a bomb was placed in his car by agents acting for the South African Regime. Sach's memoir is an important document in the history of the South African freedom struggle. Widely praised on its publication, it received the Alan Paton Award in 1991.

1p., 8vo. Priestley's agents have forwarded an invitation from Crozier 'to write a piece on Alan Herbert for a special issue you are planning'. Although Priestley has 'a high regard' for Herbert, he is 'particularly anxious just now not to accept commissions of this kind, and so must reluctantly refuse'.

1p., 4to. In fair condition, lightly aged and creased. He asks her whether she means by 'a favourite recipe' one 'which I know of that others are likely not to know of? Or just one that I like but might well be familiar?' He ends by suggesting that she try asking Alan Bates, 'who I think has a secret recipe'. He gives an address for the actor.

Nineteen items, in good condition, on lightly-aged paper, arranged in the following description into seven sections: ONE. Nine Autograph Letters Signed (two more are in sections Two and Three below) from DJ to ASB. Totalling 3pp., 4to; 15pp., 12mo (12 of them landscape); 5pp., 16mo. Four dating from 1963, one from 2004, and the other four undated (but apparently also from 1963). One signed 'Douglas', another 'D. J.', and the other seven signed in full. All but one, which is addressed to 'Alan', addressed to 'Baxendale'. Eight on letterheads of the School of History, Birmingham University.