Social history

Signature on paper, 13.5 x 7cm, good condition. See Scan.

Printed on one side of a piece of laid paper, watermarked with date 1808, roughly 34.5 x 21 cm. Very good. Illustration at head, coloured in red and green, roughly 6.5 x 10 cm.

See the two men's entries in the Oxford DNB. Stevenson was president of the Cambridge Union in 1928. The material is in good condition, lightly aged. ONE: Manuscript notice of vote. On one side of a piece of thick 8vo paper, with small nick at one top corner. At the head, one above the other, are the signatures: 'J. B. S. Haldane. / R. E. Stevenson / P. M. [Wright?]'. At the foot of the page, in a fourth hand: 'Ayes. 184. / Noes. 310.' TWO: Duplicated circular of typed notice. 1p, 12mo. Laid down on reverse of leaf carrying Item One. Headed: 'Cambridge Union Society / Easter Term, 1927.

Although there is no clear connection, the present unpublished poem dates from around the same time as Edward Lear was drawing watercolours in the place referred to in it. Vidya Dehejia’s‘Impossible Picturesqueness / Edward Lear’s Indian Watercolours, 1873-1875’ (1989) describes how Lear visited ‘The two small hill-stations of Matheran and Mahabaleshwar near Bombay’. Of the former Lear wrote: ‘Matheran by the bye, has most probably been the original Eden - I don’t mean the first Lord Auckland, - but Paradise -’.

See his entry, and those of Sellers, Secombe and Bentine, in the Oxford DNB. On 11.5 x 10 cm leaf of light-blue paper, extracted from an album. In good condition, lightly aged, with short crease to one corner. Nothing else is written on either side of the leaf, apart from the large spidery signature 'Spike Milligan'. See Image.

See Hudsons's entry in the Oxford DNB. 3pp, foolscap 8vo, on three leaves, with fourth covering leaf ('23rd Oct. 1846. / Copy / Railway Minutes / Thorp & Dickson / &c &c'). Attached at one corner with red ribbon. Headed: 'Alnwick October 23 - 1846 / Minutes on projected Railways / in the Manor of Tynemouth - / Read to Mr. Hudson, of which he requested a copy.' There are five minutes, the last covering two pages. The first three read: '1.

See Hill's entry in the Oxford DNB. Signed 'Jimmy Hill' across Hill's chest on a 10 x 14 cm black and white photograph of him in football shirt with stands behind. Captioned: 'Jimmy HIll / Fulham F.C. - Inside Right / With the Compliments of W. H. Smith & Son / Booksellers Newsagents Stationers'. On a 12.5 x 19 cm piece of shiny paper. In fair condition, lightly aged and ruckled, with traces of pink paper mount and glue adhering to the blank reverse. The signature of 'Graham Leggat' is written up the right margin. See Image.

See his entry in the Oxford DNB. A bold, untidy and yet stylish signature, in exactly the state one would hope to find Bairnfather moniker. It gives the impression of having been sent post-haste from the trenches, scrawled in pencil on a piece of vertically-ruled paper torn out of a notebook, ruckled and grubby, and laid down on an unruckled and clean 15.5 x 9.5 cm leaf with rounded edges, torn from an autograph album. The signature ‘Bruce / Bairnsfather’ is across the head of the landscape page, with a jagged line (intended for the flourish?) by Bairnsfather across the foot.

On 9.5 x 8.5 piece of vertically ruled paper, laid down on slightly larger leaf from an autograph album. A good strong signature, taking up most of the paper. No other writing, apart from a small ‘ROD STEWART’ in another hand at bottom right. In good condition, but with squares of discolouration at the corners showing through from the adhesive mounts on the reverse. See Image.

See his entry in the Oxford DNB. The ‘settlement’ movement was the result of growing unease among the educated classes regarding the condition of the poor. The two most celebrated settlements, both still active, are Toynbee Hall in Whitechapel and Oxford House in Bethnal Green. From the papers of Sir William David Ross (1877-1971), Vice-Chancellor of Oxford. The present printed circular is 1p, 12mo. Printed on wove watermarked paper. In good condition, lightly aged and folded once. Asquith’s signature is genuine. Reads: ‘October, 1911.

Lightly-written signature (?Cliff Richard?) in blue ink at bottom left of 21 x 16 cm photographic print on glossy paper of black and white publicity photograph of a tanned Richard sitting in swimming trunks with his hands on his knees, looking at the viewer between two rather plain brunettes in bikinis. The print is somewhat creased and worn, with minor discoloration to white border at the top edge. See Image.

Strongitharm’s entry on the British Museum website is the main source of information about him. In 1841 ‘John Strongitharm’ is listed in the Royal Calendar among the ‘Queen’s Tradesmen’, ‘In the Department of the Lord Chamberlain’, as ‘Seal Engraver’. The present item is an well-executed and carefully hand-coloured steel engraving of the royal arms (lion and unicorn), topped by a banner with ‘LORD CHAMBERLAIN’S OFFICE’. Engraved in small letters beneath the image: ‘Strongitharm, Waterloo Place’. Printed on a somewhat-aged and lightly worn piece of thickish laid paper, 11.5 x 6.5.

An interesting piece of Exeter ephemera. See ‘Besley’s Exeter Directory for 1835’: ‘LUNATIC ASYLUM, St. Thomas. Founded in 1795. The expenses are defrayed by the board of patients whose friends can afford to pay for their maintenance, and by benefactions, legacies, &c.’ (In the entry ‘John Mackintosh’ is still listed as treasurer.) 1p, landscape 12mo. Addressed by Mackintosh on reverse to ‘Mr. James Penny / Bookseller / Fore St. / Exeter’. In fair condition, on aged and lightly-creased paper, with slight staining and damage from breaking open wafer.

One page, sm. folio, bifolium, closed tears repaired, fold marks, aging, and sl. foxing, BUT text clear and complete, if obscure at times, and semi-literate. SEE IMAGE. Text: May it please yr Lo[rdshi]ps | In obedience To your Lordships [referr...?] of ye 7th Instant, Re [?] to the offer of Mr Rog[e]r Haws[k]head.

A nice piece of Edwardian trade ephemera. It would appear that W. B. Corsets were running a franchise scheme, providing suppliers with their catalogue and printing the franchisee's name on the back cover: little is to be discovered about either firm. No other copy traced. Hard to date: the corsets have an Edwardian feel, but some features of the illustrations may suggest a slightly later date. A 12mo stapled pamphlet, consisting of 20 pages on ten leaves of shiny paper: unnumbered front and back leaves, and pages on central eight leaves numbered 1-16.

Bündchen’s career began in London in 1998. Since 2001, she has been one of the highest-paid fashion models in the world. In 2007, Forbes listed her as the sixteenth-richest woman in the entertainment industry. In 2019 Claudia Schiffer described her as the last of the supermodels. Comte’s fashion and portrait photography have appeared in a wide range of publications, primarily Italian Vogue. In 2000 he was named Photographer of the year by PHOTO magazine.

A nice piece of Ealing ephemera, and scarce: no other copy traced, either on WorldCat or JISC. 48pp, 12mo. Stapled into grey wraps, with heavily-inked cover illustration by Joan Murrell, depicting six figures from various nations (Japanese geisha in the middle), beneath bunting of five flags with Union Flag in centre, and with 'BAZAAR OF NATIONS' at head. Title page reads: ?Book of the Bazaar / held at the / Ealing Town Hall, / Tuesday, Wednesday, Thursday, / June 8th, 9th, 10th / 1920.

See Cook?s entry in the Oxford DNB. His temperance hall and hotel illustrated here, were built in 1853. The hall was demolished in the 1960s, to be replaced by a building typical of those that blight Leicester in 2011; the council gave permission for the hotel to be demolished to make way for another monstrosity. Sepia lithograph printed in landscape on 20 x 13 cm leaf of laid paper, extracted from a book or pamphlet. Attractive illustration of an imposing structure, with those that flank it, and people and coaches in the foreground.

[8 Feb.1924] Three pages, 4to, good condition, with Royal Society of Arts stamp. He acknowledges a kind reply to his request to hire your lecture theatre for the [first] Congress of the British Society of Dowsers. A 'friend' Colonel Crosthwaite, suggested that I should tell you something about the nature of the Society, the existence of which is unknown to many people. And ignored by most people of scientific reputation.

Not only an interesting item of sigillography, but also a nice item relating to Victorian philanthropy. Eight red wax seals and two black, of varying sizes. Laid down in three rows on reverse of 15 x 11 cm card, tastefully printed in blue, red and gold, with facsimile of the signature of the Secretary, S. J. Aldrich. Originally ten seals were present, those that remain in good condition, most with good impressions of crests.

The author of the present item is the last in a line that stretched for around two hundred years. After the passing in 1754 of Lord Hardwicke’s Marriage Act, which prevented minors from marrying without their parents’ consent, English couples would take advantage of laxer Scottish laws. As one of the nearest parishes to England, Gretna Green became the destination of choice, and the marriage was usually conducted before two witnesses by a village blacksmith, who became known as an ‘anvil priest’.

Apparently a rare survival but I'd welcome information. One page, folio, fold marks, foxing, some rough edges, but text clear and complete. Headed by Royal Coat-of-Arms (Dieu et Mon Droit). Signed by Church Wardens and Overseers of the Poor of Sevenoaks (signatures of Thomas Reeeve, John Summers, Rich Phillips), attested by [signatures follow] R. Spilsted and Tho. Richardson. Concluding with the signatures of J[effrey] Amherst (father of the Commander-in-Chief of the Forces in the British Army to be) AND W[illiam] Lambard (presumably descendant of the Antiquary). SEE IMAGE for details.

Four pages, 16mo, bifolium, in narrow frame of stiffer paper, good condition.

See her entry in the Oxford DNB, which carries a quotation pointing out her ‘unerring sense of admiration for herself’. What the present collection of well over a thousand cuttings assembled by her from newspapers and magazines appears to indicate is that the admiration was to a certain extent also felt by the general public; and taken as a whole the collection serves as a memorial to a once-celebrated English public figure, a woman making her mark on society in the age of suffrage. The first volume (1887-1899) is 117pp, folio: firm and tight in brown leather half binding.

On 11.5 x 7.5 cm calling card. In good condition, lightly aged. The calling card is printed in copperplate font, with the name ‘Mrs. Neville Chamberlain.’ centred, and the address ‘10, Downing Street, / S.W.1.’ at bottom left. Two lines of the inscription are written above the name and the rest beneath. Reads: ‘Thank you so [sic] & Major Cripps so much for those more lovely carnations which I appreciated so much. / Anne Chamberlain’. See image.

The present item is excessively scarce: there is no record of it on either OCLC WorldCat or JISC. The Staff College Drag Hunt at the Royal Military College, Sandhurst, was established in 1869 as a private pack which drag-hunted twice a week in the area surrounding Camberley, and after more than a hundred and fifty years, the hunt still rides. 1p, 12mo. Text enclosed in rules with decorative corners. In fair condition, lightly worn and spotted, with traces of stub and mounting on blank reverse. Titled: ‘The Staff College Drag Hunt Song. / By Major M.

One page, bifiloium crdudely repaired at margin, fold marks, wear and tear at edges, but text clear: My dear Lady Blessington | I shall have great pleasure in accepting your very kind invitation.

See his entry in the Oxford DNB. The two items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of both of the prints. Both colour prints. ONE: 23 x 16 cm photograph, in Landscape. Slightly creased at corners. A relaxed Rosenthal, in plaid shirt, jeans and trainers, seated on the steps of a farm outhouse, with five students and Warboyes grouped around him. On the reverse: ‘Jack Rosenthal / with his students / Sally Worboyes’.

See his entry in the Oxford DNB. The three items are from the papers of Sally Worboyes, organiser of the residential arts courses at her home, Fen Farm in Suffolk, who has provided a signed caption on the reverse of each of the prints. All three in good condition. ONE and TWO: Black and white photographs, both 12 x 17 cm. ONE is in portrait, and shows Plater seated at a country table, in shirtsleeves, jeans and trainers, looking over with concentration and expressively spread hands. On back: ‘Alan Plater at my home. / Sally Worboyes’. TWO is in landscape.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged, with slight creasing to one corner. Folded once. In addition to the signature ‘Stanley Rous’, the salutation ‘Dear Max’ is written in Rous’s autograph. (Robertson’s full Wandsworth address is typed out at the head.) The note reads: ‘The enclosed translation of an article which appeared in a Continental newspaper has just been handed to me. I sent it on at once, in case it is of help to you.’ See image