BRITISH

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, torn along the inner edge on removal from mount. Addressed to ‘Chas. Fowler Esqr:’ (a vice-president of the Artists’ General Benevolent Institution) and signed ‘Rob. Smirke.’ Reads: ‘Dear Sir / May I request you will have the goodness to add the amount of the enclosed cheque for me to the collection recently made for the Artists Genl. Benevolent Institution.’

See his entry, and that of George Doo, engraver, in the Oxford DNB. The four items are in good condition, lightly aged and worn The items of 1832 and 1838 are in the third person; those of 1837 and 1839 are signed, 'D. Wilkie' and 'David Wilkie' respectively. The 1832 letter, accepting a dinner invitation from 'Dr and Mrs Baillie', is 1p, 16mo; the other three items are each 1p, 12mo. In 1838 he writes to 'Capt Seymour' to ask for 'the present address of Sir William Knighton'.

See his entry in the Oxford DNB. Wilkie was in a good position to assist Waagen, who was touring England making notes on significant art collections, for use in his ‘Kunstwerke und Künstler in England und Paris’ (3 vols, Berlin, 1837–39), which formed the basis for his influential ‘The Treasures of Art in Great Britain’ (translated by Lady Eastlake, 4 vols, London, 1854 and 1857). Wilkie had strong connections with Wellington. His 1822 painting ‘The Chelsea Pensioners reading the Waterloo Dispatch’ had been commissioned by the Duke, and was sold to him for the unheard-of sum of 1,200 guineas.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged, with small and slightly rusted staple holes to one corner. Folded once. Addressed to ‘My dear [Gern?] King / A. G. B. I’ (i.e. the Artists’ General Benevolent Institution) and signed ‘Aston Webb / Presd. A G B I -’. He is writing at the request of ‘the Council’, ‘to express to you on their behalf & my own our sincere regret at your resignation from our Council’.

See his entry in the Oxford DNB. In 1787 he had been appointed equerry to the Duke of York, and he accompanied him to the Netherlands as Aide-de-Camp. The present item was written a three months before the Battle of Villers-en-Cauchies, at which Craufurd, at the head of two squadrons, is said to have captured three guns and a thousand men. 1p, 12mo. On watermarked laid paper. In good condition, lightly aged, with creases from having been folded into a packet. Docketed on reverse. Reads: ‘Major Craufurd’s Account. / Paid to the Russian Minister at Brussels for a Pellice for the Duke ..

See his entry in the Oxford Dictionary of Art. 1p, 16mo. On a leaf, with curved corners, extracted neatly from an address book or diary. In good condition. A n oddly attractive item. Apart from the word 'MEMO' printed at the head of the page above a thick-thin rule, the only writing on the leaf is the name 'PETER BLAKE', with his address and phone number (both withheld), written in black ink a neat and childlike hand. See Image (onitting address and phone number).

1p, foolscap 8vo. On the recto of the first leaf of a bifolium of laid watermarked paper. Docketted on reverse of second leaf. In good condition, lightly aged. Folded twice into a packet. Neatly written out by a secretary, and signed by Scott (‘Dad. Scott Lieut. / Artillery.’). Headed ‘Return of the Men of the Royl. Regiment of Artillery Horses & Drivers under the Command of Lieutent. Davd. Scott at the Camp near Winchester - June 28th 1762.’ Begins with numbers of ‘Mattross’s’, ‘Drivers the Conductor included’, ‘Horses’.

LETTER ONE (to Wolfestan): 4pp, 12mo. Bifolium. Damage to text (including signature 'E. A. Storey') along inner edge of last page by clumsy removal from mount, repaired with archival tape. Otherwise in good condition, lightly aged. Folded. Wolfestan's letter is 'capital' and he hopes he will send it 'as it exactly backs up my own statement'.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of a bifolium. In good condition, lightly aged, with the blank second leaf damaged on removal from mount. Addressed to an unnamed woman (‘Chère Madame’) and boldly signed ‘A. Legros’. He accepts her dinner invitation with ‘le plus grand plasir’.

See the two men’s entries in the Oxford DNB. If, as Geoffrey Wheatcroft states in Waugh’s, he ‘liked to play the reactionary’, these two letters show that he started playing the game during his schooldays. They are both in good condition, lightly aged and folded for postage. Both carry two punch holes for a binder, the autograph letter lacking the word ‘on’ as a result. Both are signed ‘Auberon Waugh’. ONE: ALS, 7 May [1955]. 2pp, 4to. The recipient is not named, but is clearly AKG. He begins by claiming that he has ‘read every edition of your magazine and can not [sic] praise it too highly.

See his entry in the Dictionary of National Biography. From the papers of Sylvia and Robert Lynd. Scarce: only three copies on JISC (Oxford, NLS and BL). 24pp, 12mo. Stapled. In blue printed wraps with flaps. Colophon on first page, with small indistinguishable device: ‘THE FIRST BOOKLET / set, printed and published by the / Janus Press at Bickley in Kent / 1933’. Title-page: ‘AN IRISH IDYLL / CHARLES DUFF / [crude vignette of shamrock] / Janus Press’. Information on reverse of title includes: ‘An Irish Idyll was first used by / The British Broadcasting Corporation / on the 12th.

From the papers of Sylvia and Robert Lynd. Scarce: the only copy on JISC at Bristol University. Not in NLI or BL. 16pp, 12mo. Stapled. In green printed wraps. Heavily worn, with lightly-rusted staples, and with the back wrap separated. The centre pages carry a map of ‘The Real Position in Ulster’, with explanatory note. Begins with ‘Facsimile of Message from the Hon. A. Fisher, Premier of the Australian Commonwealth.’, dated 16 February 1912. Quotations (some with portraits) from individuals from South Africa, Canada, Nova Scotia, Newfoundland, Australia, New Zealand.

See Smirke’s entry, and those of Cooke and Heath, in the Oxford DNB. His most celebrated design is the Reading Room of the British Museum. 2pp, 12mo. With monogram and mourning border. On first leaf of a bifolium. In good condition, lightly aged. Folded for postage. Begins: ‘My dear Sir, / Vernon Heath, of Piccadilly, has made me a photograph of our new front, which is I think fairly satisfactory.’ He has told Heath to deliver a copy ‘addressed to you at the R. Academy’. As it is ‘rather large’, he did not like to send it ‘by post or Parcel’, as it ‘might get crushed on its way to you.

See his entry in the Oxford DNB. Plain postcard. Lightly aged. Addressed to John [Graham, obscured by postmark], The Willows, Church Road, Lowfield Heath, Crawley, Sussex. Reads: ‘Many thanks. I am terribly sorry to say that I am a broken reed at the moment, because there are various conference dates I haven’t got. I’ll write when the situation clarifies. / Best wishes / [in autograph] P. M. / PS Last Wed. of each month is no good: BAA [i.e. British Astronomical Association monthly meeting] day!’ Image on application.

See his entry in the Oxford DNB. On piece of paper, roughly 12 x 7.5 cm, laid down on 14 x 9 cm plain postcard, with contemporary printed heading on reverse (‘A half penny stamp to be placed here.’, and so on). In good condition, lightly aged. Good firm signature at head of paper, with ‘Autograph’ in a contemporary hand at the foot, with wide space between.

7 x 9 cm photographic print. 6 x 7 cm black and white head-and-shoulders portrait of Oliver looking intently leftwards, in a double-breasted suit and tie. Facsimile of signature ‘Vic Oliver’ at foot. In good condition, lightly aged. Scan on application.

See his entry in the Oxford DNB. Now viewed in a favourable light, Panizzi was a controversial figure in his own time, being dubbed a ‘fat pedant’ by Thomas Carlyle, who was moved to press for the creation of the London Library as a result of the Italian’s high-handed behaviour. On 7 x 4 cm piece of grey paper, presumably cut from an album. No othe writing on the slip other than Panizzi's compact and disciplined signature 'A Panizzi.' In good condition, lightly aged, Strips of sunning at top and right edge, but nowhere near the signature. See scan.

Fourteen items from the papers of Sir Noel Galway Holmes, all but the last relating to his three decades of service in the British Army, with reports and recommendations by superior officers from 1920 to 1939.

9 x 14.5 cm glossy publicity photograph. On reverse: “A Gaumont-British Star / Raphael Tuck and Sons’ “Real Photograph” Postcard No. 66”. In fair condition, lightly aged, with a couple of indentations. Inscribed at bottom right: ‘Best Wishes / Jessie Matthews’. A black and white head-and-shoulders shot of a wide-eyed Matthews staring at the viewer over her left shoulder, with short hair, in a white feather hat and white fur coat, against a black background. Scan on application.

Sepia portrait on 10 x 15 cm photographic print, on card. In good condition, lightly aged. Good bold inscription across foot: ‘Best wishes / Joan Barry’. A soft-toned head-and-shoulders portrait of a Marcel-waved Barry, staring dreamily to the left, with pursed made-up lits, in a sleeveless white gown with pearls and bracelet, left hand to chin and right hand supporting left elbow. Scan on application.

Glossy publicity portrait (‘Real Photograph’) on 8.5 x 14 cm post card with publication details on reverse. In good condition, lightly aged. Inscribed diagonally at bottom right: Best wishes / Julie Suedo.’ A black and white head-and-shoulders shot of an Mediterranean-looking Suedo, with curled hair with flower jewellery in it and toothy smile, looking joyfully to her left, with bright necklace and pearl bordered sleeveless gown.

10 x 13 cm glossy publicity photographic print, on 10.5 x 15.5 cm piece of card, with ‘PHOTO: JOHN VICKERS / COPYRIGHT’ in blank space beneath image. In good condition, lightly aged, with mounts at corners on blank reverse. Black and white head-and-shoulders portrait of McDermott in pub setting, looking sharply to his left in a double-breasted Royal Navy jacket, whiskey tumbler in hand. Scan on applicatioin

Publicity photograph on 8.5 x 13.5 postcard. In good condition, lightly aged, with a tiny piece worn away from bottom left. Inscription diagonally at bottom left: ‘Best wishes / Elizabeth Allan’. A black and white head-and-shoulders portrait of a young Allan, against a white background, with short wavy hair and side parting gazing to her left with beatific smile.

The topic of this material is wartime training (in part during the Blitz) of sergeants for ‘Search Light Control’ or SLC (nicknamed ‘Elsie’). A larger archive of similar material from the papers of Sgt. J. L. B. Royall on the same theme is offered separately. Sixteen items, a few of which are discoloured and creased, but the collection being in good overall condition. The first three items are in manuscript (i.e. Royall’s autograph).

See his entry in the Oxford DNB. On 10 x 12 cm leaf removed from an autograph album. He signs and dates floridly at the foot of the page: 'Austen Chamberlain / 4. 3. 27'. Slits have been cut into the leaf to loosely insert the cigarette card. In poor condition, worn and spotted, with border of discoloration (extending over the end of the signature) caused by tape. The caricature, in colour, by Alick P. F. Ritchie is No. 11 of 50 in the 'Straight Line Caricatures' series of cigarette cards by John Player & Sons.

Two very interesting unpublished documents, the first giving an assessment of Churchill by a colleague who worked closely with him throughout the Second World War, and the second describing the important part that individual himself played in the logistical management of the war, from before Dunkirk to after D-Day. This material is from Sir Noel Galway Holmes’s private papers, another batch of which, comprising confidential reports on him, recommendations by superior officers, and particulars of his service, is offered separately.

This offprint is scarce. The only copy on WorldCat at the Caird Library of the National Maritime Museum in Greenwich. See Watt's entry in the Oxford DNB, which underlines his pre-eminence: 'At the battle of Jutland (31 May 1916) twenty-nine of the thirty-four British battleships and battle cruisers engaged were of Watts's design.' The item is an offprint from the Transactions of the Institution of Naval Architects, vol. 61 (1919). 65 + [1]pp, 4to. Side-stapled, with no covers.

Four interesting Peninsular War items, from a collection of Beresford material. In 1813 the Duke of Wellington described Beresford as ‘the ablest man I have yet seen in the army’. See his entry in the Oxford DNB. The four items are in good condition, lightly aged and worn (but see descriptions of Items One and Three), and folded for postage. ONE: Apparent Autograph Draft of Letter. ‘Abranles July 4. 1809’. 2pp, 4to. On laid Whatman paper. Reverse somewhat grubby with glue stains (from display in an album?) at foot of reverse of leaf.

A contemporary manuscript note to the present item reveals for the first time the identity of ‘Niger’, one of the two correspondents of whose letters it consists. (And minor manuscript corrections to the last of the four letters would seem to suggest the involvement of the author.) This is Sir James Robert Carmichael (1817-1883), 2nd Bart, who was intimately connected with British Guiana through his father Sir James Carmichael-Smyth (1779-1838).

A large, attractive printed certificate, somewhat in the style of an early Victorian public notice, with heavily leaded font. Printed in black on one side of a 32 x 41 cm piece of cream vellum paper. Discoloured and ruckled from having been rolled up, but in good overall condition, and highly suitable (once flattened out) for framing. At bottom left, signatures of six ‘Commissioners, and Members of the Board’, one above the other: ‘Adolphus Fieldmarshal / W. H. Clinton / Thomas Bradford A Gnl / J Gardiner DAG / G Scovell Govr. M. Genl. / T W Taylor Col: Lt Governor’.