EDMUND

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890. Broadley was a prominent figure in freemasonry, and the present item appears to link two individuals who were members of Oxford?s Apollo University Lodge: Oscar Wilde (whose proclivities Broadley shared) and Randolph Stewart (later Earl of Galloway). 1p, 16mo. On first leaf of bifolium, with second leaf tipped-in onto a page from one of Broadley?s albums.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890 (the year of this item with its reference to 'going away'). A 9 x 5 cm piece of paper, cut from the end of a letter, and laid down on a 13 x 7.5 cm piece, which has been neatly annotated by Broadley: 'Signature of Edmund Yates 1890'. In good condition, lightly aged, with one postage fold. Reads, with good firm stylized signature: '[...] of going away?

See the entries for Mrs Maurice’s sister Octavia Hill and their mother Caroline Southwood Hill in the Oxford DNB. Book: viii + 77 + [1]. 12mo. Errata slip between pp.56 and 57. In original green cloth, gilt. Good copy, lightly aged and worn, in original green cloth binding gilt. Bookplate of Queen’s College, London, on front paste-down, stamped ‘WITHDRAWN’. Presentation inscription on recto of front free endpaper: ‘Queens College Library / Presented by Mrs C. S. Maurice / 1931’.

See his entry in the Oxford DNB, along with that of E. D. Morel, a campaigner like Roger Casement against abuses in the Belgian Congo. (Morel had been given a 'testimonial luncheon' two days before the writing of this letter.) 1p, 4to. In good condition, lightly aged, creased and worn. Folded for postage. Ten lines of stylishly-written text. Signed ‘W. Rothenstein’. After thanking her for writing he states: ‘Nothing could please me more than to feel that you care for something I have put into the painting of your noble husband.

See Knox’s entry in the Oxford DNB. The two items are in fair condition, lightly aged and creased, each with a couple of lightly-rusted pin holes. Clemens’s plain card, with stamps and postmarks, is addressed to ‘E. V. Knox Esq / c/o Punch / London, England.’, and is signed ‘faithfully / C C Clemens’. The message reads: ‘Dear E.V. Knox / We hope the life of President Truman reached you safely? / The Society is arranging a symposium on democracy You may care to send your definition of democracy and a few comments.

An interesting item, providing valuable biographical information. The Gills were a prominent family of English painters, all puzzingly absent from the Oxford DNB. Edmund Gill’s father was the portrait painter Edmund Ward Gill (1794–1854) and among his brothers were the painters William Ward Gill (1823–1894) and George Reynolds Gill (1827–1904). After studying at the Royal Academy he fell under the influence of David Cox. The present item relates to Gill’s entry in the 1884 eleventh edition of the Routledge reference work by Thompson Cooper, ‘Men of the Time: A Dictionary of Contemporaries’.

See the two men's entries in the Oxford DNB. Webb’s book contained four engravings from drawings by Birket Foster, the last (‘The Tomb of Thomas Lawson’) of which is absent. The first has ‘E. EVANS Sc.’ engraved into the plate; the other two, evidently the work of the same hand, are unattributed. Three proof engravings, on wove paper roughly 20.5 x 13.5. All in good condition, very lightly spotted and worn, and certainly suitable for display. ONE (the frontispiece): Captioned, ‘SWARTHMOOR HALL.

Three pieces of ephemera from a golden period of English children’s book illustration. All three items printed on shiny paper, and all worn and discoloured. ONE: ‘Hodder & Stoughton’s Christmas List’, with advertisement for Edmund Dulac’s edition of A. T. Quiller-Couch’s ‘The Sleeping Beauty’ on cover. 20pp, folio. With rusting staples. Folded once. Undated, but containing items published in 1910, apart from the cover item, which appears to have been published in 1912.

A nice collection of ephemera, relating not only to one of England’s best-loved poets, but also to Sotheby’s auction practice during the Great War. The provenance of the Gray letters put up for auction by Mrs Turpin is given in a New York Times article of 27 June 1915 (‘To sell relics of Thomas Gray; many letters by the poet will also be put up at auction at Sotheby's’), which stated in a report on the forthcoming sale that the letters ‘were transmitted to the present owner, Mrs.

An interesting piece of Royal Navy and Napoleonic War ephemera, casting light on the implementation of Admiralty Prize Law. See the reference to the writer of this letter in the 1926 ‘Memorials of the family of Hurry of Great Yarmouth, Norfolk, and of America, Australia, and South Africa’: ‘Edmund Cobb [Hurry], born at Great Yarmouth, in 1762, admitted a freeman by birthright, 23rd of August, 1782. He settled as a merchant and banker, at Gosport, where he married a Miss Liddell.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged; folded for postage. Addressed ‘To / A. Williams Esqre.’ from ‘Edmund Yates.’ Written in purple ink. Reads ‘Dear Sir / I am much obliged to you for your politeness in forwarding me the extract from the Liverpool Mercury. / Faithfully your’s, [sic] / Edmund Yates.’

See his entry in the Oxford DNB. The recipient is not named, but the item is from the papers of Eileen Cond, an enthusiastic collector of autographs. 1p, 12mo. In good condition, lightly aged. Folded for postage. In Blunden’s stylish hand the note simply reads: ‘[9 Woodstock Close / Oxford] / 1 April 1936 / Dear Madam / I append the autograph which you requested. / yours faithfully / Edmund Blunden.’

A scarce item relating to provincial history and printing. A similar poster, from 1897, is offered separately, and is the only other item relating to the Salt-Hill Society present on ViaLibri. Large poster, printed on one side of 45 x 76 cm sheet of discoloured and brittle wove paper. The item is complete, but there are numerous long tears along the four fold lines (which might be easily repaired with archival tape).

From the Macqueen-Pope papers. See his entry in the Oxford DNB. The three items are in fair condition, lightly aged and worn. The first has slight wear to one edge, the second and third are pinned together. ONE: BA to MP, 10 January 1956. 1p, 4to. Folded for postage. Begins: ‘I wonder if I may introduce myself by means of the enclosed press notices? I am also noted in Whos Who in the Theatre and have letters of personal recommendation from Sir Desmond MacCarthy, Sir Beverley Baxter, J. C.

From the Macqueen-Pope papers (see his entry in the Oxford DNB). 1p, 4to. In good condition, lightly aged and folded three times. Signed ‘Basil Ashmore’. Begins: ‘Dear Mr MacQueen Pope, / Im [sic] sorry to keep bothering you about this film on Kean. Last time I saw you, you said “see me in March”[.] This week you said “leave it until they start in April”[.] / You may remember that I am a director, who has recently worked with Michael Powell on his new film.’ Ashmore is ‘anxious to contact the producer of your Kean film in case I can assist on this.

See his entry in the Oxford DNB. Both letters 2pp, 12mo. In good condition, but with the first bearing two tape stains. Both folded for postage. Each signed ‘R. E. Prothero’ and addressed to ‘Dear Mr. Speaker’. ONE (1 July 1918): He explains that ‘Agricultural labourers are specially excluded from the category of men to whom the War Office appeal to the V.T.C is addressed’, but that it was ‘only to be expected, as I had pointed out, that the appeal would still be made to them and that they would go in the middle of the harvest season. / The scheme is opposed by the Min.

The third of these letters in particular gives a good indication of his Yorkshire bluntness (his entry in the Oxford DNB describes him as ‘a man of arrogance and bile, [...] capable of generosity, strong friendships, and kindness towards people in need of help’). The three items are in good condition, lightly aged; the third with slight wear along one edge. All three are signed ‘E B Denison’ and the second and third are addressed to ‘My dear Plumptre’. ONE (14 January 1856): 3pp, 4to.

The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice. Signed ‘Frank’. He is sending his list: ‘you’ll note how catholic my wants are’. He has been sent ‘5 guineas worth of book tokens. Do you accept these? They were issued by Collets, Hampstead.’ His ‘great wants’ are ‘the Comic Home Journals - the novel with ghost on the cover - the certain Ludgate and Boys Own Xmas Number’.

1p, 4o. On watermarked laid paper. In fair condition, with slight wear and chipping; folded twice. Two manuscript endorsements on reverse, which also carries minor traces of previous mounting. In fairness to Dupuytren, his finest achievement is not operating on Napoleon’s hemorrhoids, but the description and first successful operation on what is now known as Dupuytren's contracture. Image lived with Dupuytren while studying medicine in Paris. Signed in untidy medical hand: ‘Paris le 4 juil: 1829 | B Gull Dupuytren’.

The diary is a 4to, with around 100pp. (a week’s entries on each leaf). In worn and marked printed olive boards with cloth spine; internally good and sound on lightly-aged paper. No ownership inscription, but from the E. V. Knox papers, and with entries in Knox’s hand and that of his wife Mary, illustrator of Mary Poppins, and daughter of ‘Winnie the Pooh’ illustrator Ernest Shepard. The eighteen inserted items, in good overall condition, are described here before the contents of the diary.

See Knox’s entry in the Oxford DNB, along with those of his father Edmund Arbuthnott Knox, his brothers Ronald, Dillwyn and Wilfred, his wife the ‘Mary Poppins’ illustrator Mary Shepard (daughter of Ernest Shepard) and his daughter the novelist Penelope Fitzgerald. At the time the present material was composed Knox had been involved with Punch for more than four decades (1904-1948), holding the editorship for the last sixteen, with the magazines circulation rising to a peak of almost 200,000 as he approached his retirement.

[8] + 53pp., 8vo, with frontispiece, and 25 plates at rear. In good condition, lightly aged and worn. Stamp of the Book Centre, Friends House, Euston Road, London, on title-page. Bound, complete with printed wraps, in grey cloth binding with worn leather label, gilt, on spine. This actual book (other than print on demand) now uncommon.

For information on Graves see the generous obituary of him in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

According to the Oxford DNB entry on Carter's wife the crime writer Margery Allingham (whose book jackets were among those he designed): 'Their amiable, childless marriage was funded by Allingham's increasingly successful fiction. And, although Youngman Carter assisted his wife as a sounding board for plot design, and by producing covers and illustrations for her work, he found it difficult to sell his art.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. The school was in existence in various places and under various names between 1914 and 1965. Four items, in good condition, lightly aged. ONE: Autograph Speech by Knox, headed 'BROOKFIELD SCHOOL'. Dated 19 July 1951. 3pp, 12mo. On three leaves held together with brass stud, with directions to the school on reverse of last leaf. Written in capital letters. Knox begins by noting the prizes: 'Difficult to think of anything else when one sees this table loaded with gifts.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. 8pp, 4to. Paginated and complete; on eight leaves held together with a rusting paperclip. In fair condition, aged and creased. A fair copy, with occasional emendations. There is no indication that this essay was published. A polished piece of writing by an accomplished essayist, lightly humorous but with serious intent, Knox's aim being to put forward the view that modern childhood is more self-indulgent than that of previous generations, and results is the self-deceit of adults who have never grown up.

On one side of 8 x 18.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and worn, with traces of brown paper from mount adhering to the blank reverse. The item would appear to be entirely in the hand of the Earl, but the matter is not quite certain, and it may be in a secretarial hand, with only Cork's signature in autograph. It reads: '[...] | Sir | Your Royal Highness's | very obedient | and very humble Servant | Cork | Col | [Som.?] Reg.] Addressed to 'His R. H. | The Duke of York | &c &c &c'. Annotated, in two separate contemporary hands: 'Novr. 1795' and 'Nov.

1p, 12mo. In fair condition, lightly aged, with traces of grey-paper mount on blank reverse, and minor discolouration at one edge from glue used. The actor Henry Leigh Murray (1820-1870) is identified in pencil as the recipient. The letter begins: 'My dear Sir, | You are quite welcome to a P[rivate]. Box if there is one to spare'. He asks him to 'call or send to Mr. Massingham at the Box Office at 1/2 past 4 o'clock who has received instructions to attend to your wishes, if all the Boxes are not let by that time'.

The three letters in good condition, lightly aged, tipped-in onto a leaf removed from an album. The first 1p, 12mo; the other two each 1p, 8vo. All three signed 'Edmund Gwenn'. In the first he thanks him for his 'great courtesy during my visit', and for reproducing 'that old programme'. In the second letter he acknowledges 'a further proof of your kindly interest', received at his hotel after sending his first letter. The article was 'extremely interesting', as was 'the Photograph of Irving in his robes', a copy of which, he asks to purchase.

The 1880 'Balliol Masque' indicates Jowett's standing, and the pronunciation of his name: 'First come I. My name is Jowett. | There's no knowledge but I know it. | I am Master of this College, | What I don't know isn't knowledge.' 2pp, 12mo. Bifolium. In good condition, lightly aged, with fold lines. Addressing his letter to 'Edward [sic] M. S Kynnersley Esq', he asks him to 'kindly read the accompanying circular? It relates to a project which I believe to be very important to the College & useful in many other ways, as well as - the [promise?] of a Cricket Ground'.