WILKINSON

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged, with traces of brown paper mount adhering to the blank reverse of the second leaf. Folded twice for postage. Signed ‘Spenser Wilkinson.’ Begins: ‘Dear Mr. Bryan, / I am glad to hear from you again, for you seemed lost. My wife went to Beauchamp Place long ago to call on Mr. Bryan but found that you had left & could not learn your address.’ He accepts with pleasure the invitation to lunch with him and Colonel Durand, ‘whose book I read with much interest’.

A nice collection of ephemera, relating not only to one of England’s best-loved poets, but also to Sotheby’s auction practice during the Great War. The provenance of the Gray letters put up for auction by Mrs Turpin is given in a New York Times article of 27 June 1915 (‘To sell relics of Thomas Gray; many letters by the poet will also be put up at auction at Sotheby's’), which stated in a report on the forthcoming sale that the letters ‘were transmitted to the present owner, Mrs.

Thomas Wilkinson Wallis was the greatest wood carver of Victorian England. Born in impoverished circumstances in Hull, by 1844 he had established his own business in Louth Lincolnshire, and for the 1851 he submitted seven carvings, 'of which ‘Trophy of Spring’ was awarded a medal. It was his most intricate carving, it took him 8 months to complete and was considered to surpass the work of Grinling Gibbons.

63 + [1]pp., 8vo. Erratum slip after title-leaf. Disbound. In fair condition, on aged and lightly worn paper. Withdrawal stamp of the Yorkshire Archaeological Society at foot of title-page, with shelf-marks at top-right of same page. Cropped inscription at head of page: 'With Sir Gardner Wiklkinson's | Compliments, to Gordon Gyle Esqr.' Beneath the title, in another hand: 'by Sir Gardiner [sic] Wilkinson Knt'. Scarce.

Letter and printed text both on a 12mo bifolium. In fair condition, lightly aged and worn. Letter: 2pp., 12mo. Docketed with stamp of the Brighton Aquarium. She writes that she is 'happy to accept an Engagement for a Saturday Concert at the Brighton Aquarium as Principal Soprano' and will do her best 'to meet your terms'. Printed text: 2pp., 12mo.

12mo, 3 pp. 28 lines. Text clear and complete. Good, on aged paper. He does not understand how they can have 'a record of a second edition [of Burns's poems] dated 1786, for the book was not published until April 1787'. He describes the two issues of the second edition ('a stinking or a skinking issue') and concludes that he will be glad to hear from them, should they 'meet with a 1786 second edition, or with a copy having the addenda incorporated in the list of subscribers, or one having Roxburgh spelled correctly'.

8vo, 12 pp. Stitched as issued. Good, on lightly-aged paper. Two engravings ('Egyptian Obelisks' and 'Egyptian Sarcophagus') in text. Begins 'The subject on which I am about to make a few remarks this evening is the Sculptural Art Treatment of Granitic Surface, or the Surface of Granite.

On one side of a piece of wove paper, cut into a rectangle approximately 4.5 x 9 cm. Good, on lightly-creased paper with one vertical fold. Cut from an envelope, with traces of the postmark over the autograph, and a section of the gummed strip on the reverse. Reads 'From | John Cowper Powys | Waterloo | Blaenau - F Festiniog | Merionethshire | North Wales | I enjoyed thinking of you in Italy'.