PUBLISHER

The second of these ballads, 'Silver Threads Among the Gold', by the American Eben Eugene Rextord (1848-1916), was immensely popular on its release in 1873 with music by Hart Peas Danks (1834-1903). The earliest reference to the first ballad, 'Could you lend my mother a saucepan?' is in an 1885 number of 'All the Year Round'. The song is an absolute hoot, but its text is not to be found anywhere on the internet.

Two pages, 8vo. bifolium, small closed tear not affecting text, good condition. He apologises for not remembering today to call on you as proposed, till it was too late. Pary forgive my heedlessness, and also excuse me for to-morrow evening, when I have to meet Mr Dickens at a small dinner party. I shall take an early opportunity of looking in upon you, in the hope of being brought into personal; contact with Mr Stephenson [Robert Stephenson, presumably], and trust me I shall not fail, if opportunity serves, to take advantage of your truly frank and kind offer.

One page, 16mo (11 x 12cm), bifolium, apparently trimmed with loss of text only of docketed information in another hand, minor defects, but complete. See Image. Text: Gentlemen | Be so good as to forward the above as early as convenient & oblige [...].

Taylor is noticed in his brother’s entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium, the second leaf carrying the address (‘R. S. MacKenzie Esqr / Chesterfield’), and a seal in black wax, beneath which is a corner of the leaf, cut away in opening the letter, the leaf also being annotated ‘James Taylor of Bakewell / author of “What is Money?”. In good condition, lightly aged, with thin strip of brown paper mount along inner edge of second leaf. Good signature, with expansive flourish, ‘Jas Taylor’.

See his entry in the Oxford DNB. 1p, 16mo. In fair condition, lightly aged and ruckled. Addressed to ‘Dear Maurice’ and signed ‘A Black’. For Lothian see ‘Memoirs of Adam Black’ (1885). He asks him to ‘glance at the inclosed’: ‘The description appears to me abundantly broad. And I hope to get the legion of proprietors in a trim to sign.’ He concludes by stating that he will ‘send for it’ that evening, ‘as Mr Bruce wishes to have it to send to Dymock tomorrow morning’. ‘Mr Bruce’ may be the future Sir James Knight Bruce (1791-1866); ‘Dymock’ is William Dymock, the Edinburgh advocate.

See the entry on the Murray family in the Oxford DNB. In fair condition lightly aged and worn. Folded for postage, with short closed tears to the edges of central horizontal fold. Small biographical slip laid down at top left. Addressed to ‘Dear Colonel Fellows’ and signed ‘John Murray junr.’ Reads: ‘Our binders have done the best they can with your Volumes, short of rebinding, but as you know patching up leather bindings in a really satisfactory way is not easy. / However, I hope that you will be satisfied with the volumes which I am sending on to you today.’

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. The recipient (‘Dear Sir’) is not named, but is presumably Alexander Macmillan (see Oxford DNB), the publisher of the two books referred to in the letter, which he seems to have sent for review. The letter is signed ‘H Reeve’. Folded for postage. He begins by thanking him for sending copies of ‘Lady Duff Gordon’s Letters [from Egypt]’ and ‘Ecce Homo’ [‘a survey of the life and work of Jesus Christ’ by J. R. Seeley], which he has ‘already read with great interest’.

See his entry in the Oxford DNB. On one side of a 12 x 7.5 cm post card. On brittle, discoloured card, with chipping to corners and some repair with archival tape. Self-printed with stamp, addressed, with postmark, to 'Percy Fitzgerald, Esq. / 37 St. George's Road / SW.' On other side, with letterhead in fancy type, regarding Fitzgerald's book 'London City Suburbs', which he has just published, reads: 'See todays & last Saturdays Daily Telegraph new no. (June) of Art Journal for notices L. C. Suburbs. Stamped at bottom right: 'The Leadenhall Press, Ltd:' See Image.

See the entries for Cox and Tuckwell in the Oxford DNB. 4pp, 12mo. On bifolium blind-stamped with the device of the Conservative Club. Addressed to ‘Rev P [sic] Tuckwell / College School / Taunton’, and signed ‘Edwd Wm Cox’. In good condition, on aged paper. Folded twice for postage. He begins: ‘Dr Sir / It gives me very great pleasure to aid the fund of the College School. After its long hybernation 43 years ago, I was the first pupil received on its revival. & within its walls I obtained the larger portion of my education, following the then master, (Rev H Forster) to Oxford.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In good condition, lightly aged and worn. Folded once for postage. The year is given in pencil, and a note in the same hand identifies the recipient as ‘Mrs Florence Doubleday (wife of publisher) in Oyster Bay’. Ten lines of text, in a close hand, with larger, firm signature ‘John Gielgud.’ A somewhat pompous missive. He thanks her for giving him ‘so delightful an opportunity of meeting you, and to ask me to stay in your charming house and meet your friends, who were all so nice to me’.

The history of the business is convoluted. See the entries in the Oxford DNB of the founder of the firm John Newbery (c.1713-1767) of St Paul’s Churchyard, his son Francis Newbery (1743-1818), and Elizabeth Newbery, née Bryant (c.1746-1821, widow of Francis Newbery (c.1740-1780), cousin of the aforementioned Francis, who, according to Oxford DNB, ‘had studied chemistry and medicine but on the death of his father in 1767 he was urged by Samuel Johnson and Robert James to continue the business of publishing and selling patent medicines which he had inherited as the only surviving son. ...

See the entries for Wynter and Walford in the Oxford DNB. The present letter provides a valuable insight into the position of ‘the man of letters’ in Victorian periodical publication: according to the ODNB, Walford ‘edited the Gentleman's Magazine in 1866 and strongly objected to the proprietor Joseph Hatton's decision to change the character of that magazine.

See his entry in the Oxford DNB, together with those of his uncles and other members of the newspaper dynasty of which he was a member. The recipient Philip Dosse was the proprietor of the London publishers Hansom Books. Beginning in 1950 with ‘Dance and Dancers’, Dosse built up a stable of seven monthly arts magazines, produced from offices in Artillery Mansions, London, the most influential of which were ‘Books and Bookmen’, ‘Plays and Players’ and ‘Films and Filming’. An elusive figure, Dosse certainly merits a full-length study.

See his entry in the Oxford DNB, the revised version of which describes his pre-war Nazi sympathies. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 8vo.

See his entry in the Oxford DNB, the revised version of which describes his pre-war Nazi sympathies. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present collection of eleven items totals 17pp (fourteen pages in autograph and four typed), in various sizes from 4to to 12mo.

Interesting content. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The six items are in good condition, lightly aged, and one lightly creased with wear to one edge. The four letters are each 1p, 4to, and folded for postage. One of the letters is signed ‘A. Wesker’, the others ‘Arnold Wesker’. ONE: Wesker TLS, 10 September 1972.

Onyeama was the second black boy to go to Eton, and the first to complete his education there. See his obituary in the Guardian, 11 February 2022. His hugely-controversial 1972 book ?Nigger at Eton?, which resulted in him being banned from the school, was reprinted by Penguin Books in 2020 under the title ?Black Boy at Eton?. Philip Dosse, the recipient of the first two letters, was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players.

viii + 133pp, 8vo. A good tight copy, with slight discoloration and damage to the early and late leaves. In very good modern grey boards, with title printed in black on white label on spine. Unobtrusive inscriptions lightly-written in the same elongated contemporary hand at head of half-title and title. Now a scarce item, with no other copy on ViaLibri.

1p, 4to. Rather aged, with some wear and discoloration at head and foot, and minor traces of mount on reverse. Four folds. Signed ‘Walter H. Page’ and addressed to ‘C. Reginald Grundy, Esq., / 1, Duke Street, / S. W. 1.’ The note reads: ‘Dear Sir: / I wish it had been possible for me to attend the meeting at the Mansion House to-day to further the establishment of local war museums, but I regret to say that it was impossible. / Yours very truly, / Walter H. Page’.

Five copies listed on JISC. Now scarce. 8pp, 16mo. Stitched pamphlet, on good wove paper. In fair condition, lightly aged, with small closed tear at head of first leaf. First two leaves with light crease. Enfolded in ‘wallet’ of the same paper, repeating the title on the front (differently positioned), and also giving the price as sixpence. The poem, covering pp.2-7, is in small print, and the first stanza reads: ‘I bind upon myself to-day / The Strength of the Holy Trinity: / That mighty Breastplate be my Stay! / I here invoke . . . I here confess . . .

1p, 8vo. On laid paper with watermarked date 1811. In good condition, lightly aged, with stub from mount adhering. In a contemporary hand at head: '0 15', and at foot '5 Mar 14' and 'Margravin Anspach'.

One page, 12mo, bordered by slightly stiffer paper (frame)., good condition. If you will send me your revised copy of South Italy -with your notes- in preparation for a new Edition I will snd you a cheque & will make what use I can of your labours when nextI reprint it.

See his entry in the Oxford DNB. 1p, 12mo. Sixteen lines of text. In fair condition, lightly aged. Folded once. Stylized signature: ‘L A G Strong.’ He replies to her letter by saying that he is ‘delighted’ that she enjoys reading his books, ‘and I very much appreciate your kindness in taking the trouble to write and tell me so’. He hopes that she will continue to read his work, and that it will ‘never disappoint’ her. ‘Nothing is more encouraging to a writer than to know that he has numbers of friends, whom he has never seen, but who are following what he does with interest and pleasure.’

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, on lightly aged and creased paper. Folded twice. Signed ‘André Deutsch’ (but note that there is no accent to the name on the letterhead). He thanks him for his letter, and hope that ‘the enclosed postcard [not present] will be of some help. It is rather an amusing one, as Herr von Papen gives a literal translation of the German expression for the appendix’. Here Deutsch adds in autograph: ‘(Physical).’ He ends by stating that he is enclosing ‘a copy of our list for your information’ (also not present).

One page, irregular 8vo, right edge rough through being torn, almost affecting the text but not quite, small hole with loss of some letters from the address but not from text, which is as follows: I enclose the Six Pounds 4/6, as I said I would do yesterday when in Finsbury Square. Here is the account of what my amount now stands indebted; therefore balances on all sides present matters between me and your House. | Please offer my kind respects to all in Finsbury Square [...].

Three pages, 16mo, bifolium, last page laid down and slightly larger paper, good condition. Text: When I was at your door some time back and left my card, I thought: Well, Mrs. Bensusan has, no doubt, completely forgotten, that there exists in the world such a being as I, for how can any one living in the great world of London remember a person not seen for two whole years, and what have I done to be particularly remembered? Thinking thus I walked through the streets homeward bound and soon after left town for Sydenham.

One page, 12mo, bifolium, minor chips, good condition. Text: I should at this time address a letter to Miss Thackeray 'care of' Mr George Smith, Publisher of the Cornhill Magazine, London.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged, with traces of yellow paper mount adhering to the blank reverse. Reads: 'Mr & Mrs. Bohn present their compliments to the Mayor of Liverpool and Mrs. Hubback, and have much pleasure in accepting their polite invitation for the 15th. proxo.'

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.