writer

Eleven lines of closely-written text. 1p, 16mo. On recto of first leaf of bifolium, the verso of the second addressed in another hand to ‘F Chapuy / 6 Bis. Rue Rodier’. In good condition, lightly aged, with strip of tape from mount adhering to the second leaf. Folded once. Attractive vignette letterhead of illustration based around the letter W. Signed ‘Albert Wolff’. It will render him ‘un bien grand service’ if the recipient will act on his promise made when they dined together to place ‘un très brave et très digne garçon de mes amis’, as ‘il a besoin pour vivre’.

Eleven lines of closely-written text. 1p, 16mo. On recto of first leaf of bifolium, the verso of the second addressed in another hand to ‘F Chapuy / 6 Bis. Rue Rodier’. In good condition, lightly aged, with strip of tape from mount adhering to the second leaf. Folded once. Attractive vignette letterhead of illustration based around the letter W. Signed ‘Albert Wolff’. It will render him ‘un bien grand service’ if the recipient will act on his promise made when they dined together to place ‘un très brave et très digne garçon de mes amis’, as ‘il a besoin pour vivre’.

1p, landscape 12mo. On ruled paper. In fair condition, but with traces of glue from mount from reverse, a strip of which shows through along the outer edge, not affecting text. Good firm signature, underlined: ‘Robert Leighton’. Clearly a response to a request for an autograph: ‘Dear Scout Sibson, / I have much pleasure in acceding to your wish. / Very truly yours / Robert Leighton’.

See his entry in the Oxford DNB. The archives of the recipient are at Yale. Addressed to ‘Vere H. Collins Esq.’ and signed ‘Frank Swinnerton’. Written in Swinnerton’s distinctive minuscule hand. The central part of the letter has smudging from another letter lightly blotted over it (not near the signature), otherwise in good condition, lightly aged, and folded twice. He thanks him for sending a copy of his book ‘One Word and Another’. He has ‘already glanced through the book; but we have visitors here, with children, and I am writing an urgent article under great difficulties’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and folded twice for postage. One corner very slightly cropped. Signed ‘Tho. Hughes’. In response to a request for an autograph he writes: ‘My dear Madam / I have only just returned to town where I find your note, with the request contained in which I have much pleasure in complying & sending you my signature below, though it is not a good specimen as I have got hold of a rascally bad pen.’ See Image.

See his entry in the Oxford DNB. The three items are in good condition, each with his firm signature ‘Compton Mackenzie’. Each is 1p, 4to, in good condition, folded for postage.Despite being scored through, one can see that the first and last salutation are addressed to ‘Mrs Raymont’, and the second to ‘Mr Raymond’. ONE: 23 November 1961. He is pleased that she enjoyed his book ‘Mezzotint’: ‘The setting is really the Seychelles but of course I had to lay it in the South Atlantic instead of the Indian Ocean.’ He agrees with her ‘about these efforts at modernity by some of my contemporaries.

See the two men’s entries in the Oxford DNB. In good condition, on the first leaf of bifolium. (There are extensive pencil annotations in a later hand on the second leaf.) Very neatly written. Addressed to ‘J. G. Wilson Esqre.’ and signed ‘Anstey Guthrie’. He has ‘much pleasure’ in answering Wilson’s question. ‘‘Shut Out’ is a short story of mine which was published in Longmans Magazine about 1895 or 6, afterwards included in a volume of short stories under the title of “The Talking Horse”. I think published by Messrs. Smith & Elder - but now long out of print.

See his entry in the Encylopedia of New Zealand, and those of Muggeridge and Kingsmill in the Oxford DNB. Each item 1p, foolscap 8vo. Both addressed to ‘Dear Mr Muggeridge’. ONE (12 September 1955): In good condition, on air mail paper, lightly aged and creased. Signed in pencil with calligraphic squiggle. Begins: ‘I want to write something about Hugh Kingsmill. About 20 years ago we exchanged a few letters during a flare up in the Wilde-Douglas business at a time when Robert Sherard was busy fanning the flames and G. B. S.

A jaunty missive. Lady Eastlake and her husband have separate entries in the Oxford DNB. 1p, 16mo. Eighteen lines. In good condition, lightly aged. Folded twice. Addressed to 'Dear Mrs Ford' and signed 'Eliz Eastlake'. A 'kind friend in the country' is insisting on sending her 'early strawberries & grapes' and she asks Mrs Ford not to 'commit the extravagance of orderg any yourself, but trust to me to have the offering transferred to 123 Park Street'. She will be sending for the fruit at Euston Station around 2 o'clock on the Saturday, '& they shall be shortly after that with you'.

Weyman was, as his entry in the Oxford DNB states, ?one of the most popular and skilled of the historical romance novelists of the cloak and dagger school?. Oscar Wilde recommended (in all seriousness) Weyman's novels as reading for convicts. 1p, 16mo. In fair condition, lightly creased and worn. Folded for postage. From the collection of Rosemary Barron, autograph collector. Reads: 'Dear Miss Barron / I am sorry that your letter has remained unanswered so long but I have been laid aside by illness.

See the Oxford DNB entry of the recipient James Payn (1830-1898), at the time of this letter the editor of the Cornhill Magazine. More significantly, Payn had since 1874 been a reader for Smith, Elder, and the present letter stems from the firm?s interest in Forrest?s ?tale of the Indian Mutiny? which they would publish in 1891 under the title ?Eight Days?. 2pp, 16mo. Bifolium with mourning border. In good condition, lightly aged and worn, with short closed tear at edge of postage fold. Addressed to ?James Payn Esqr.? and signed ?R. E. Forrest?.

1p, 8vo. On recto of first leaf of a bifolium. The reverse of the that leaf and recto of the second leaf carry the printed prospectus and order form for Clarke’s 1896 volume, ‘Festival Hymns, Including Three Offertory Hymns for Festival Use, Sung in S. Paul’s Cathedral, also in Exeter, Truro, and other Cathedrals, at Choral Festivals’, in which Clarke is described as ‘Vicar of Thorverton, Devon, Hon. Sec. Exeter Diocesan Board of Education’. In fair condition, lightly aged and worn. Folded twice for postage. Signed ‘S Childs Clarke’. The recipient is not named.

See the entry for Sir Charles Brooke in the Oxford DNB. On one side of an 18 x 9 cm piece of paper, the upper part torn from a larger sheet, with neatly-torn bottom edge resulting in a little loss to the flourish beneath the signature and the tip of the downstroke of the ‘y’ in ‘Harry’. In fair condition, lightly aged, with a central vertical fold. The text, in a bold hand, reads: ‘ “Though obstacles beset you - struggle still!” / Even a worm may climb this highest hill! / Yrs Sly / Harry de Windt’ See Image.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

2pp, 12mo. Nineteen lines. Closely written in a neat hand. In fair condition, lightly aged, with strip of dried adhesive from mount along one edge. Folded for postage. Begins: ‘Mr Cunningham presents his Compliments to Lady Theresa Lewis and forwards to Kent House [her Knightsbridge home] the Copy of the Duchess of Newcastle’s Life of her Husband. If lady Theresa derives half the pleasure from its perusal which Mr C.

See his entry by Ruari Maclean in the Oxford DNB. The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler. 1p, 12mo. In good condition, lightly aged. With Bentley’s distinctive stylized signature ‘Nicolas Bentley’. After thanking him for his letter he writes (apparently with reference to a newspaper article): ‘I am sorry if in using the phrase “I am afraid” I ruffled your grammatical sensibilities. I used it because I meant it.

See her entry in the Oxford DNB. The recipient Philip Dosse (often addressed, as in this letter, as ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Large and ebullient signature in red felt-tip pen.