DAME

See her entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Edmund Yates?s ?World?. 3pp, 16mo. Bifolium. In good condition, lightly aged, with slight sunning to first page, and traces of mount on blank final page. Folded once. Signed ?Genevi?ve Ward? (note the accent). The letter relates to the 1889 revival at the London Opera Comique of the role which made her famous, Stephanie, Marquise de Mohrivar, in Merivale and Grove?s 1879 play ?Forget Me Not?.

See her entry in the Oxford DNB. ONE: ALS to Bagnall. 1p, 12mo. In good condition, lightly aged. Folded once. Reads: ‘Dear Mr. Bagnall. / How very kind of you to write me such a charming letter. I did appreciate all you said – thank you very much / Sincerely yrs / Sybil Thorndike’. TWO: ACS addressed to ‘Victor Jones Esq. / 83. Ravenhurst Road. / Harborne. / Birmingham.’ Signed ‘Sybil Thorndike.’ Aged and discoloured, with address side lightly stained. She is not sure whether she thanked him for his ‘sweet letter & card for Xmas -it was such a very kind thought & I must seem ungracious!

See her entry in the Oxford DNB. On 15.5 x 5.5 cm slip of paper, cut from an autograph album. In good condition, lightly aged, with some show-through from the writing on the reverse. Reads ‘To Minna May / With my love / “Auntie” Gladys / Gladys Cooper / 1935’. See Image.The writing rises slightly across the page, and a small section at the bottom of the initial ‘G’ and the ‘y’ of ‘Gladys’ have been trimmed away. On the reverse is the following, in an unidentified hand: ‘Philatelic Minna May / Came to lunch with me today: / took my box of stamps away, / Says she’ll bring ’em back – some day!

See her entry, and her husband’s, in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including ‘Books and Bookmen’ and ‘Plays and Players’. Postcard of 14 x 9 cm, with letterhead and no illustration. Monogram signature ‘RK’. In good condition, lightly aged, with slight smudging to a couple of words in one corner. Addressed to ‘Mr Philip Dossé. [sic] / Hansom Books. / Artillery Mansions. / 75, Victoria Street. / LONDON.

See her entry in the Oxford DNB. In good condition, lightly aged. Folded twice for postage. The letterhead is both printed and embossed. Addressed to ‘Miss M. G. Hocken, / Meadow Way House Studio, / St. Ives, / Cornwall.’ Signed ‘Ninette de Valois’. Reads: ‘May I suggest you write to the Director of Productions at The Royal Opera House. I do not know what our theatre does with regard to the many requests for such exhibitions - so I would be grateful if you would forward your request to this particular department.’

An interesting item occupying the zone in which French connoisseurship and literature overlap. In 1880 - three years before the present item - Maurice Mauris (Marchese di Calenzano) described a visit to Dumas fils’s Paris house in Rue de Villers. ‘The walls above the library are enriched with a priceless collection of paintings, modern and antique. Diaz, Fortuny, Marchal, Vernet, Delacroix are there seen at their best. Dumas generally presents himself with a new painting after he has presented a new book to the public.

7.5 x 11.5 cm black and white publicity photograph by ‘ “Philco” London W.C.1.’ Expansive genuine signature ‘Gladys Cooper’ across bottom part of image, in addition to facsimile signature in white at bottom right. In good condition, on postcard with border trimmed. Dark sepia-toned image. A head-and-shoulders portrait, with Cooper staring to her right, with short frizzy hair, in fashionable gown. Scan on application

See her entry in the Oxford DNB. 8 x 13 cm collotype print, with 8 x 2 cm space at bottom in which she signs ‘Wendy Hiller.’ In good condition, lightly aged. Black and white, with Hiller’s face in left profile, her body at three-quarters, squinting to her right while wearing what looks like a buttoned-up sou’-wester. Scan on application.

See his entry in the Oxford DNB. Both items are in good condition, and each folded once. The second carries the merest trace of grey paper from a mount at one corner. ONE: To E. B. Nicholson, 3 November 1881. 2pp, 12mo. On first leaf of bifolium. Nicholson’s letter has been forwarded to him ‘here in my country house, where I am for a few days’. It is out of his power ‘to promise any assistance to your proposed Magazine.

See her entry in the Oxford DNB. 9 x 6 cm calling card, with 'Mlle. Emma Albani' printed in copperplate in the centre. Above this, at the head of the card, she has written 'J. Bennett Esq.' And around the printed signature she has written the unsigned inscription: 'With [Mlle. Emma Albani]'s compliments & heartfelt thanks -'. Date by her at bottom left: '1876'. See IMage.

1p, 12mo. On blue-grey paper with matching stamped, postmarked envelope with typed address to ‘Mr. James Butt / 23 Hartop Rd. / St. Marychurch / TORQUAY’. In good condition, lightly aged. Folded for postage. Good large signature: ‘Isobel Baillie’. In response to his enquiry, she reports that she has ‘several good pupils who could make satisfactory Sacred Records’, but she would like him to hear them first.

See her entry in the Oxford DNB. On two 11 x 9 cm cards, plain but for the letterhead. Both in good condition, lightly aged. The recipient is not named. The card is signed 'E. T:' and is written in her forceful hand. Begins: 'I have no time - nor words - to tell you what I think - The boys health indeed! - if there's any use in talking, if signing petitions will do any good one would talk & sign all day! but in spite' - here the reverse of the first card begins, and the side is entirely deleted, except for the last line'.

See her entry in the Oxford DNB. The recipient Philip Dosse (often addressed, as in this letter, as ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Large and ebullient signature in red felt-tip pen.

Edward Knobloch’s play ‘My Lady’s Dress’ (‘in which’, as one newspaper wrote at the time, ‘the heroine’s dream takes her to the foreign [and London] scenes surrounding the manufacture of a costly gown’) premiered at the Royalty Theatre in London in 1914 and was revived several times through the 1920s.

See her entry in the Oxford DNB. 2pp, 8vo. In good condition, lightly aged. Folded once for postage. Addressed to ‘Dear Miss Scott’ and with good clear signature ‘Myra Hess’. She regrets that it will not be possible for her to join Miss Scott for dinner. ‘I shall probably have to work, rehearse all day on Tuesday [corrected by Hess to ‘Wednesday!’] - so shall have to try & get a rest before 8.30 - (& probably have a scrambled egg at the last minute!!’ She ends ‘Forgive this in haste / Again thanking you’.

See her entry in the Oxford DNB. An attractive and unusual item of correspondence, neatly written out in her distinctive handwriting. 1p, 12mo. On leaf of onion paper, carefully laid down on thicker backing. In good condition, slightly discoloured. Folded three times for postage. Reads: ‘A little little heart! So little! but anything “in the way of” a heart should not be flouted, nor scouted, & so I pray you to accept my very little heart - / It’s not worth the thanking for, only don’t send it back to me. / Nellaline. / March 17: 89:’.

See her entry in the Oxford DNB. The programme is 8pp, 12mo. In fair condition, lightly aged, with minor rust to staples. The cover consists of the royal crest printed in red, and the rest in black: ‘ROYAL OPERA HOUSE / COVENT GARDEN’ above the crest, and ‘THE SADLER’S WELLS / BALLET / 1947’ below it. At an angle across the centre of the page, in blue ink, is the large signature ‘Margot Fonteyn’.

See her entry in Encyclopedia Britannica. 1p, 8vo. In fair condition, lightly aged, with some grubbiness around the top-left corner. The text of the letter and the stylish and assured signature are unaffected. Reads: ‘Dear Neil Hurst, / Thank you very much for your letter. I’m delighted to know that you have enjoyed my work, and it was kind of you to write. / I have pleasure in sending you a signed photograph, with my best wishes. / Yours sincerely, / Judi Dench’. Dench terminates the signature with a diagonal dash through a widely-spaced colon.

Material which, by its very nature, is extremely uncommon. Five items, three of them beautifully printed with the Fell Types. From the papers of King George V’s doctor Lord Dawson of Penn (see his entry in the Oxford DNB). Among those to whom degrees are conferred (all of whom receive the customary praise in florid Latin) are J. M. Barrie, Sir Henry Newbold, Dame Ethel Smity, Sir Austen Chamberlain and the Speaker of the Commons John Henry Whitley. The first three are printed with the Fell Types, and the first two and the fifth carry Johnson’s slug.

Material which, by its very nature, is extremely uncommon. Three items, two of which are beautifully printed with the Fell Types. Duplicates from the papers of King George V’s doctor Lord Dawson of Penn (see his entry in the Oxford DNB). Among those to whom degrees are conferred (all of whom receive the customary praise in florid Latin) are J. M. Barrie, Sir Henry Newbold, Dame Ethel Smythe, Sir Austen Chamberlain and the Speaker of the Commons John Henry Whitley. The first three are printed with the Fell Types, and the first two and the fifth carry Johnson’s slug.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged and folded for postage. Addressed to ‘My dear Popie’ and signed ‘Yours / Clarke’ [sic]. In the previous year CR had published his autobiography ‘With a Twinkle in my Eye’, and he is now looking for an ‘opinion’ from MP that he can use for publicity purposes.

From the papers of the evident recipient, theatre historian Walter James Macqueen-Pope. See his entry, and hers and her husband’s, in the Oxford DNB. 2pp, 12mo. Large bold signature ‘Sybil’. In fair condition, lightly aged and worn. Folded once for postage. The letter almost certainly relates to the unveiling ceremony of the Ivor Novello Memorial at the Theatre Royal, Drury Lane on 2 May 1952. The bust, by Clemence Dane, was unveiled by Thorndike with the reading of a poem by Mary Ellis. The preent item reads: ‘My dear. Of course I[’]ll do anything you want me to do for our beloved Ivor.

From the Macqueen-Pope papers. See his entry and hers in the Oxford DNB. Caird was Northcliffe’s right-hand man, and mainly associated with the Daily Mail. The four items are in fair condition, lightly aged and creased, with slight rust spotting from a paper clips. Items Two to Four are on carbon paper. ONE: ACS from Tutin to MP. Small unillustrated postcard, signed ‘Dorothy Tutin’. Reads: ‘I remember you very well - your fascinating letures at the Academy [i.e. London theatre school RADA, the Royal Academy of Dramatic Art] - and shall be very happy to meet you for this article.

See her entry in the Oxford DNB, and in particular the section headed ‘A great actress’. 1p, 12mo. In good condition, lightly aged. Folded twice. Very nice letterhead with engraving of the imposing hotel. In her large, bold hand, the note reads: ‘I have found it! / & am so glad - / Hoping you are much better / Yrs. sincerely / Ellen Terry: / 7 December . 97:’.

Underlined signature on 9 x 1.5 cm piece of wove paper, apparently cut from letter. In good condition. Reads ‘Joan Sutherland.’ Reverse blank. See image

See her entry in the Oxford DNB. 1p, 12mo. On grey paper. In fair condition, with a few light creases and two punch-holes to inner margin. Good large signature (‘Anna Neagle.’) in black ink. She thanks him for his letter and kindness in sending the photographs: ‘I think they are excellent.’ She is glad that she was ‘able to get along to the Party’, and thanks him ‘and the Committee’ for making her visit so pleasant.

See Michael Caine’s affectionate account of Fox in ‘The Elephant to Hollywood’ (2010), from which the anecdote at the end of this entry is taken. 1p, 4to. Addressed to ‘Dear Mr. Hindin’, signed ‘Alwyn Fox’ and headed ‘Pantomime - “Dame”.’ While the twenty lines of text are clear and complete, the item is not in the best of condition, on aged and creased on discoloured paper with closed tears to edges. The letter begins: ‘I am at present free for Dame for coming season pants. and would be glad to negotiate with you.

Clearly given in response to an autograph collector, and written for display on front panel of envelope. Dimensions: 10.5 x 8.5 cm. In good condition, lightly aged. Horizontal crease along bottom not affecting signature, which reads ‘Emma Albani Gye | 1883.’ In 1883, after several years of enormous success in Europe, Albani returned to Canada to give a series of recitals. Thousands turned out to greet her arrival in Montreal.

1p, 8vo. In good condition, on lightly aged paper. Folded once. Salutation ('My dear Popey -') and valediction ('My love to you both - | Anna.') in her autograph; the rest typed. Good bold signature. Reads: 'It was so very kind of you to think of me on Saturday.

1p, 8vo. Fifteen lines of text, in green ink. In fair condition, lightly aged, folded twice, with short closed tear to edge of one crease. Signed 'Sybil Thorndike'. Although 'deeply gratified', her 'present duties' will detain her 'at the Theatre every evening until 11 o/c', so that she will not be able to 'act as a Steward at the Anniversary of the Royal Literary Fund at the Guildhall, next Wednesday'.