DANCER

See his entry in the Oxford DNB, and his Guardian obituary by Kemp’s collaborator Michael Coveney, 26 August 2018. Sprawling autograph inscription in green ink (‘with love for Paul from lindsay X’) across top of centre pages of an attractive programme for Kemp’s celebrated treatment of the works by Jean Genet and Oscar Wilde, with numerous photographs and illustrations: 16pp, 8vo, in black and white, on glossy paper, stapled into glossy red covers. Full page introductory piece on the Lindsay Kemp Company by David Haughton. See Image of autograph.

See her entry in the Oxford DNB. In good condition, lightly aged. Folded twice for postage. The letterhead is both printed and embossed. Addressed to ‘Miss M. G. Hocken, / Meadow Way House Studio, / St. Ives, / Cornwall.’ Signed ‘Ninette de Valois’. Reads: ‘May I suggest you write to the Director of Productions at The Royal Opera House. I do not know what our theatre does with regard to the many requests for such exhibitions - so I would be grateful if you would forward your request to this particular department.’

9 x 14.5 cm glossy publicity photograph. On reverse: “A Gaumont-British Star / Raphael Tuck and Sons’ “Real Photograph” Postcard No. 66”. In fair condition, lightly aged, with a couple of indentations. Inscribed at bottom right: ‘Best Wishes / Jessie Matthews’. A black and white head-and-shoulders shot of a wide-eyed Matthews staring at the viewer over her left shoulder, with short hair, in a white feather hat and white fur coat, against a black background. Scan on application.

See her entry in the Oxford DNB. The programme is 8pp, 12mo. In fair condition, lightly aged, with minor rust to staples. The cover consists of the royal crest printed in red, and the rest in black: ‘ROYAL OPERA HOUSE / COVENT GARDEN’ above the crest, and ‘THE SADLER’S WELLS / BALLET / 1947’ below it. At an angle across the centre of the page, in blue ink, is the large signature ‘Margot Fonteyn’.

Enters exhibited her artistic work - including many sketches of her own costume designs - widely in the United States and Europe, and her work is held by several museums, including the Metropolitan Museum of Art in New York. The present item is an attractive impressionistic sketch, in grey and black pencil, with watercolour wash in pink, light red and grey, showing a dancer with arms outstretched and heavy costume with full sleeves and train. Captioned by Enters at bottom left: 'Fleur du Mal (Proust Sequence)'. Signed at bottom left: 'Angna Enters '56'. On 23 x 15.5 cm laid paper.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – only one other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

Detached leaf of an autograph album, 12 x 9.5cm, beige, one edge roughened, good condition.

There has been a recent resurgence of interest in Mona Inglesby and her International Ballet (1942-1951). In 2008 Kay Hunter published a study of the troupe, titled 'Ballet in the Blitz'; then in 2012 BBC Radio 4 aired a documentary about Mona Inglesby and International Ballet, titled 'Black-Out Ballet: The Invisible Woman of British Ballet'. The writer of the documentary, Ismene Brown, gave the following explanation of her motives: 'In 2006 an elderly dancer died in Bexhill-on-Sea, Sussex. She was 88, and had once been one of Britain's most recognised ballerinas.

Piece of paper,cut from a larger one, 17.5 x 6.5, good condition.

The autograph address by Eva Marie Garrick is on a 7.5 x 14.5 piece of paper, laid down on an 8 x 20 cm piece of paper cut from an album. In fair condition, aged. Lightly-scored through by the postal authorities, it reads: 'The Rigt. Honorable | Dowr. Lady Amherst | Leven Grove near | Stokerley | Yorkshire'. Beneath this, in another hand: 'Widow of the celebrated David Garrick Esq', and along one edge, in a third hand (Lady Amherst's?), 'This direction was written by Mrs Garrick in the year 1819 when in her 92d year'.