DANCE

See his entry in the Oxford DNB, and his Guardian obituary by Kemp’s collaborator Michael Coveney, 26 August 2018. Sprawling autograph inscription in green ink (‘with love for Paul from lindsay X’) across top of centre pages of an attractive programme for Kemp’s celebrated treatment of the works by Jean Genet and Oscar Wilde, with numerous photographs and illustrations: 16pp, 8vo, in black and white, on glossy paper, stapled into glossy red covers. Full page introductory piece on the Lindsay Kemp Company by David Haughton. See Image of autograph.

See her entry in the Oxford DNB. In good condition, lightly aged. Folded twice for postage. The letterhead is both printed and embossed. Addressed to ‘Miss M. G. Hocken, / Meadow Way House Studio, / St. Ives, / Cornwall.’ Signed ‘Ninette de Valois’. Reads: ‘May I suggest you write to the Director of Productions at The Royal Opera House. I do not know what our theatre does with regard to the many requests for such exhibitions - so I would be grateful if you would forward your request to this particular department.’

See her entry in the Oxford DNB. The programme is 8pp, 12mo. In fair condition, lightly aged, with minor rust to staples. The cover consists of the royal crest printed in red, and the rest in black: ‘ROYAL OPERA HOUSE / COVENT GARDEN’ above the crest, and ‘THE SADLER’S WELLS / BALLET / 1947’ below it. At an angle across the centre of the page, in blue ink, is the large signature ‘Margot Fonteyn’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The present material is in good condition, lightly aged. A total of 18pp, 12mo (nine pages apiece in autograph and typed).

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The present material is in good condition, lightly aged. ONE: Autograph inscription. Flyleaf and half-title of 'A Bookseller at the Ballet' have been neatly extracted, and are both in good condition.

See his entry in the Oxford DNB. LETTER: 1p, 12mo. In fair condition, lightly aged, in remains of windowpane mount. Folded twice. Addressed to ‘Dear [Derrick?]’ and signed ‘J: R: Planché’. The year has been supplied in another hand in pencil. He informs him that ‘Charles Dance is out of town’, and that ‘the price would be one guinea - but I am sure that being for a benefit he will make no charges’. Planché is ‘of course not authorized to say so’, but he has ‘no doubt upon the subject’ and will tell Dormer so on his return.

On 15 x 11 cm card, with vertical central fold making it into a bifolium with front and back covers, and central text across the opening. In fair condition, a little aged. Perforated outer corner removed from bottom of second leaf, no doubt as proof of use; with slight creasing to first leaf at same point. Printed at the head of the back cover is the word ‘AUTOGRAPHS’, and here in blue ink is the signature ‘Victor Silvester’. There are no other autographs. The front cover is headed ‘T. F. Firth and Sons Ltd.

See Roy’s entry in the Oxford DNB. He part-wrote and performed the perennially popular ‘My Girl’s Pussy’, with other songs with suggestive titles. The two men’s careers both began in the 1920s, and Daniels played in the band of Roy’s brother Sid Roy. The two signatures laid down on an 8.5 x 7 piece cut from the leaf from an autograph album. Somewhat discoloured, otherwise in good condition. ONE: Signature of ‘Harry Roy’. On 6 x 4.5 cm slip of paper. Large signature, with the downstrokes of the final letter y’s extending unusually far. TWO: Signature of ‘Joe Daniels’.

See his entry in the Oxford DNB. 20 x 25 cm lithograph in pink, white and black. In good condition, lightly aged. An attractive item, suitable for framing. Head and shoulders portrait of a dapper bespectacled Hall, with parted greased hair, in white tie, staring at the viewer. Across his shirt, Hall has written in green ink ‘Best Wishes / Henry Hall’. Captioned at bottom left: ‘HENRY HALL / DIRECTOR, B.B.C. DANCE ORCHESTRA’; and at bottom right: ‘Presented with “Radio Pictorial,” / No. 1, January 19, 1934’. See image.

Album Page (extracted), 20.5 x 16cm, very good condition. A full page in his smallish neat hand. He starts by saying some general words about Happiness concluding It is something far more than the immediate reaction to a piece of very good news. He can recall many such moments, including family life, firendship, etc., but one stands out. He goes on to describe in evocative style The most vivid moment of all [...] in the Australian bush. I sat in the shade of a large blue gum tree. The glare of the hot summer sun was broken up by the l;eaves and formed a pattern all around me.

2pp, 4to. On two letterhead leaves with border in blue. The following endorsement printed at the foot of each leaf: 'ANNA PAVLOVA wrote after visiting the School: "It is with pleasure that I record the very good impression made on me both by the School and your method of training. I wish you the fullest success which I think your School deserves"'.

Ballet Today was a monthly magazine founded in 1946 by Phyllis Winifred Manchester (1907-1998). In 1951 Manchester settled in New York, leaving four colleagues, one of whom was Janet Sinclair (c.1922-1999), in joint charge of the magazine. The present item is a volume from the editorial office of 'Ballet Today', containing numerous cuttings of photographs and reviews from the magazine, with typed captions and manuscript annotations, also a few photographic prints, laid down over 104pp., 4to, of a scrapbook bound in green cloth.

There has been a recent resurgence of interest in Mona Inglesby and her International Ballet (1942-1951). In 2008 Kay Hunter published a study of the troupe, titled 'Ballet in the Blitz'; then in 2012 BBC Radio 4 aired a documentary about Mona Inglesby and International Ballet, titled 'Black-Out Ballet: The Invisible Woman of British Ballet'. The writer of the documentary, Ismene Brown, gave the following explanation of her motives: 'In 2006 an elderly dancer died in Bexhill-on-Sea, Sussex. She was 88, and had once been one of Britain's most recognised ballerinas.

Two pages, 12mo, fold mark, very good condition. "I was so delighted to get a letter from Phrosso this morning, saying that you were going to allow her to take up Dancing as a career when she has finished her Schooling in Paris. |We should be so very pleased to have her as a Student, as she has always shown such intense keenness and enthusiasm as a child in the Classes for her Dancing, that I am sure she will make a success in this very happy and health giving profession.

The London College of Educational Dance Training opened at Rawdon Hall in 1944, merged with Middlesex University in 1994, and shut in 2003. Grace Cone, the first principal, retired in 1966, and was replaced by her vice-principal Anita Heyworth. Heyworth retired in 1973 and was replaced by Phrosso Pfister. Pfister had become a student at the college in 1945, following war service with the SOE in Egypt and Italy, and had become a staff member in 1949. The present collection of five items is from Pfister's papers.

In black and white on 34 x 23 cm shiny art paper. Possibly extracted from an unnamed periodical. Lightly aged and worn, and ruckled from being laid down on paper backing. Tiny chip lost at foot. Sixteen female figures are shown, in costumes representing newspapers from the 'Daily Mail' to 'The Sketch', and including 'Mdlle. Zangfretta as Fashion', around a central representation of a scene from the ballet, featuring Adeline Genée as the Liberty of the Press.

3pp., 12mo. In good condition, lightly aged, with slight staining to one corner from paper clip. A good letter, filled with detail. Apart from brief opening and closing paragraphs the whole of the letter is devoted to reminiscences of his life before leaving England for America. At one point he comments: 'it is only when one is thinking back, as I am now, that one realizes the speed with which time fugits; it is now 21 years since I have been home, and 30 years since Bob and I were in "Irene" at the Empire.' The reminiscences begin: 'Barring a trip to U. S. and Australia with G. P.

1p., 12mo. In fair condition, on aged paper. He hopes he is not 'premature' in asking for 'a box for Richard 2d for tomorrow - Tuesday - night!' If he is not he will be 'thankful'; if he is he will 'wait patiently for a future occasion'. Kean's Richard II opened at the Princess's Theatre on 14 March 1857 and ran for 112 nights.

Black and white photograph of Panaieff in costume and dance pose, cut from a magazine. 15 x 10 cm, with border. In fair condition, lightly aged and creased. Good firm flourishing signature across the image, reading: 'Mischa Paniaieff | Lancks [sic] | 1936'.

Three black and white prints, ranging in size from 12 x 17 cm to 10 x 7.5 cm. The contact sheet is 12.5 x 13 cm. The four items in fair condition, lightly aged and worn. One of the three pictures shows a smiling Baron outdoors with a young blonde boy (his son?), who is holding a camera tripd; another shows him standing with his arm on the shoulder of another man (his brother?), both on skis in the snow; and the third shows him in a heavy wool coat, on the steps of a European building, with a man in Slavic costume. The last is inscribed on the reverse: 'May 1940 |

Thirteen of the fourteen photographs are in black and white, with the largest 21.5 x 15.5 cm (with slight paint staining at edge), another 17.5 x 12.5 cm, and the other nine roughly 12.5 x 9 cm. The other print is a colour polaroid, with paint smudges from Sonnabend's portrait on the white mount. Other than the paint marks to three of the prints, in good condition, although six of the smaller ones have aged due to acid in the paper stock.

1p., 12mo. Good, on lightly-aged paper. He begins by stating that his book 'contains the details' his correspondent requires, and continues: 'I am sorry to say that I made a little mistake when I was talking to you over the telephone about "Pulcinella". I think I said there was a long description of that ballet in my "Diaghilev Ballet in London", but of course it is the "Complete Book of Ballets".

1p., 12mo. In fair condition, on lightly-aged paper, with a small closed tear to one edge. He informs the recipient that his portrait of Garrick is 'the second state of the engraving: the first is before all letters. | The person who engraved the lettering evidently made a mistake.' He notes an inscription sometimes found on impressions of the second state of the engraving, and change made in the third state.

In black ink on 5 x 8 cm card, with rounded edges. In very good condition, lightly aged, with evidence of previous mounting on the marbled reverse. Reads 'Alicia Markova | 1933.'

The five items in good condition, on lightly-aged paper. Item One: Autograph Letter Signed (with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines). 1p., 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl, and begins: 'Dear Erich | I have just spoken to Harewood [the Earl of Harewood, co-founder with Buckle of 'Opera' magazine].

1p., landscape 8vo (34 x 22 cm). In fair condition, on aged paper with wear to extremities. An attractive notice, in large type, reading: 'THE VICE CONSUL hereby notifies to the British residents in Boulogne that Divine Service will be performed in his House on Christmas day. | Vice Consular Office | 23rd December 1817.' With faint circular stamp of the 'VICE CONSULAR SERVICE'. Manuscript note on reverse, in a contemporary hand: 'Duplicate of the <?> affiche in the town of Boulogne | on Saturday 24th Decr 1817'.

Dimensions of paper roughly eleven and a half inches by eight wide. A good clean impression on grubby and lightly foxed paper. A meticulous head and shoulders view of a seated Hearne, in profile, facing to his left. One of the 72 engravings from chalk portraits by Dance of his friends which were published between 1808 and 1814.

Actress, singer and dancer (1797?-1867), a great beauty whose amours were the subject of a number of pamphlets. "Thursday 2 o'clock", 3 pp, 12mo. She sent him a dinner invitation that morning but he had gone. "Thank Ferdinand for his Book which I return - and for the apple - which I shall cut up with some curiosity". In a postscript she thanks him for "I cannot sing". Signed "M H", so dating from after her marriage to Harrington in 1831. In good overall condition, despite negligible water staining, tears and traces of mount.

Srimathi Mirabai, Indian Classical Dancer - "India's Pavlova". One page each, large 4to, good condition, the second has a representation of an Indian dancer cut from corner (present in first), with some additions in Mirabai's hand. (6 Dec.) She gives information about her activities, the tour, her studies, her performances in India and Ceylon, enclosing a photo (not present). (21 Dec.) She gives some idea of the thinking behind the tour, testing whether Indian Classical Dancing would be successful in London and Europe. Her partner has returned to India but she has her eye on another.

Miscellaneous writer on subjects such as angling, ports and harbours, tobacco, wood-engraving - and playing cards (see below(DNB):Three ALs, signed (1) and initialled (2) to Smith, [1848], total 4pp., various formats, one in poor condition with minor loss of text.(March) Chatto asks Smith for specific books.