SAVOY

See Roy’s entry in the Oxford DNB. He part-wrote and performed the perennially popular ‘My Girl’s Pussy’, with other songs with suggestive titles. The two men’s careers both began in the 1920s, and Daniels played in the band of Roy’s brother Sid Roy. The two signatures laid down on an 8.5 x 7 piece cut from the leaf from an autograph album. Somewhat discoloured, otherwise in good condition. ONE: Signature of ‘Harry Roy’. On 6 x 4.5 cm slip of paper. Large signature, with the downstrokes of the final letter y’s extending unusually far. TWO: Signature of ‘Joe Daniels’.

Tritton was educated at Winchester College, and in later life held the office of High Sheriff of Essex. He served as War Office Publicity Officer between 1940 and 1945 (the first civilian to hold the post). The present items exhibit the candour and evocative immediacy for which his wartime diaries were praised on their publication in 2012. Two long letters to 'Darling', both 2pp, 4to. Both in good condition, lightly aged, and folded twice. ONE (signed 'R.'): Thirty-eight lines of text. He is writing her a second letter of the day, prompted by boredom and the want of something else to do'.

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

1p., 12mo. On a piece of grey paper. In fair condition, lightly aged, folded, and with minor traces of mount on reverse. Reads: 'Dear Teget: | Come on Friday night by all means. The Italian Hercules is bona fide, as far as I can judge, & I shall be glad to have him examined.' After a career in journalism, Hollingshead managed the Alhambra Theatre, and was later the first manager of the Gaiety. He brought Gilbert and Sullivan together in 1871 to produce their first joint work, a musical extravaganza called Thespis. Tegetmeier was natural history editor of 'The Field'.

Printed on both sides of a 21.5 x 28.5 cm piece of thick paper, folded into a 21.5 x 9.5 cm packet, with three panels on the outside and a single page of text within. A nice piece of Savoy Theatre ephemera. Text in purple, with gilt borders, except on the front cover, and with 'The Ancient Arms of the Savoy' in gilt, black, green and orange. In fair condition, lightly aged and ruckled. Two panels of advertisements on the outside, with the programme on the inside also flanked by advertisements.

32pp., landscape 12mo (8.5 x 13.5 cm). Stitched in grey printed wraps. In fair condition, on lightly-aged paper, with front wrap detached and lightly marked. Wodehouse is named as author on front cover, but not on title-page. Laid out in the form of a fourteen-page catechism of 28 points, followed by 'Notes and Illustrations from Various Writers'. Pertinent as ever, in its criticism of 'excessive inequality in the partition of wealth'. COPAC only lists three copies of the first edition of 1878. Of the eight copies of the second 1884 edition on COPAC, six are listed as being printed by 'F.

Piece of paper, c.8.5 x 5cm, pink, regular, faint foxing, mainly good condition, attached to another larger album page (extracted). 17.5 x 11.5, with signatures. WITH: cigarette card, Gilbert & Sullivan series issued by John Player, The Mikado of Japan, partly laid down on same album page, trimmed but good condition, with message as above.

ONE (12 January 1975): 1p., 4to. In good condition. First page of letter only, and lacking signature. A generally positive review ('When I write, I suffer from excess, a disease which you and your contemporaries, Aldis, Brunner, Bulmer, etc long since cured yourselves of. [...] The story was, as I am sure you know, good.'), but with some caveats ('I also don't think that a female covered with body hairs would also have hair reaching down to her waist.'). TWO: 1p., 8vo. Signed in green ink. In fair condition, on aged paper with wear at head.

7 x 3cm, some glue staining affecting initial letters, but clear, as follows, "yours sincerely | Arthur Sullivan". On the verso, the following words: "ratified by the Kin[g?] [...] which prompted His [...]", possibly referring to his knighthood in 1883.

One page, 12mo, slightly marked but text cleear and complete. "I must refer you to the publisher, Messrs Routledge, Broadway, London, for a reply to your question." Suitable for framing.

On fifty-seven pages, in a notebook of forty leaves (eighty pages). Dimensions: 20 x 16 cm. In red card covers with 'THEATRES' in manuscript on front. Pages aged and ruckled, with a little damp staining at rear (not affecting any of the ephemera) and a small amount of loss to a corner of the rear cover, but in fair condition overall. The first page, signed 'R. J. Olive', with title 'London Theatres'.