GARDEN

See her entry in the Oxford DNB. In good condition, lightly aged. Folded twice for postage. The letterhead is both printed and embossed. Addressed to ‘Miss M. G. Hocken, / Meadow Way House Studio, / St. Ives, / Cornwall.’ Signed ‘Ninette de Valois’. Reads: ‘May I suggest you write to the Director of Productions at The Royal Opera House. I do not know what our theatre does with regard to the many requests for such exhibitions - so I would be grateful if you would forward your request to this particular department.’

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once.Addressed to 'Dear Miss Lewis' and with good firm signature 'Alfred Parsons'. He will be very pleased to dine with her the following Friday, '& dance one set of Lancers after; I feel much complimented at being asked with the young people'.

An attractive and highly-finished production, in black ink, on 17.5 x 20.5 cm piece of wove paper, glued on the reverse at the four corners to a leaf extracted from the autograph album of the novelist George Meredith and his daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Parsons' monogram signature 'AP. in its two-bordered square is at the bottom left of the drawing, and there is an additional autograph signature with date to the right of the drawing on the leaf of the Meredith album: 'Alfred Parsons.

See Thiselton-Dyer’s entry in the Oxford DNB. Printed on one side of a 10 x 13 cm piece of paper, and made out in manuscript to ‘Sir William Thistleton [sic] Dyer (and Lady)’. Text size in good condition, lightly aged, with the blank reverse of the card with slight damage from mounting. The recipient has written in a close hand in red ink at top left: ‘accepted. / 18. 7. 02.’ The text reads: ‘The Chelsea Physic Garden.

See her entry in the Oxford DNB. The programme is 8pp, 12mo. In fair condition, lightly aged, with minor rust to staples. The cover consists of the royal crest printed in red, and the rest in black: ‘ROYAL OPERA HOUSE / COVENT GARDEN’ above the crest, and ‘THE SADLER’S WELLS / BALLET / 1947’ below it. At an angle across the centre of the page, in blue ink, is the large signature ‘Margot Fonteyn’.

See his entry in the Oxford DNB. 1p, 12mo. On the recto of the first leaf of a bifolium, and addressed in autograph on the reverse of the second to ‘Mr. Raymond / Chester Street / Grosvenor Place / No. 3. / Hyde Park Corner’, with three postmarks and broken wafer. In fair condition, lightly aged, with spike hole through both leaves. Folded twice for postage. He is sorry Raymond had ‘so much trouble’ looking for him: ‘but the truth is I waited at home for you this morning till 12 -’. He explains that ‘the Copy Right of the Comedy’ is ‘purchas’d by Mr.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. On a bifolium the blank second leaf of which is laid down on part of a leaf from an album. Folded twice for postage. The recipient is ‘Henry Spicer Esq’, presumably a relation of the artist of the same name (d.1804; see ODNB), several of whose theatrical portraits are in the Garrick Club collection.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. Reads: ‘Dear Mr. Dean, / According to your request, I enclose a signed photo of myself for your collection. / With best wishes, / Yours sincerely, / Peter Gellhorn.’

On 9 x 13.5 cm newspaper cutting of photographic portrait of Jarred. In good condition, lightly aged. Reads: ‘Mary Jarred / 1935.’ The photograph shows Jarred posing in a black dress and pearls, with left hand arranging her white fur coat to tastefully emphasize her bust. See image.

2pp, 12mo. On bifolium. Folded once. The first page is scored through in ink, with pencil annotations at head. The final page, with Saléza’s signature, is unmarked. He asks him for as many seats as possible for that evening. He would like ‘une bonne loge, deux Stalls et plusieurs petites places’. He will pass by the office to collection, and asks for them to be left in his name.

1p, 12mo. On bifolium. In fair condition, with two pencil notes at head, one in orange. Folded twice. He hopes he is not abusing the kindness of 'Monsieur Menager' (i.e. the house manager) by asking for two seats, for his wife and her friend, as they would like to go to the opera that night. After terminating the letter in the customary Gallic fashion, he adds a postscript asking for the reply to be left with the porter.

1p, 12mo. In good condition, lightly aged. The recipient is not named. An interesting letter, indicating the relationship between two major theatrical figures in Victorian London. The main body of the letter reads: 'Dear Sir, | You really must excuse my incurring any such responsibility as that you would impose upon me. I am unable to controul Mr.

On one side of a slip of laid paper cut from the end of a letter: roughly 4 x 17 cm, the reverse being blank. In good condition, lightly aged. Good neat signature to the valediction of a letter. Reads: 'I am my d [Phippen?] | (in great haste | Yours very truly | Jos: S: Munden'. Munden eas the subject of one of the "Essays of Elia" (Charles Lamb).

Valediction cut from letter, 20 x 4.5cm, backed by similar sized piece of paper. Text: "humbly rely on the Cause, which they advocate to plead their excuse to your Royal Highness.- Subscribed at the request of the said Committee by Your Royal Highness's most humble, Loyal and Dutyful [sic] Servant | [John Fawcett] | Treasurer and one of the Trustees." From a large collection of similar valedictions, so often to the Duke of York ("Royal Highness" etc) that they may reveal the fate of his incoming correspondence, or part of it..

The text is on one side of a 13 x 16 cm piece of laid watermarked paper. The signature 'J. Kemble' is at bottom left, in slightly-darker ink than the fifteen lines of text. Lightly aged and with short closed tears at edges of two folds. Slight traces of brown-paper mount at top corners on reverse, which carries a capable ink drawing of 'the Caducean Trident' mentioned in the text: a dragon with two sets of wings, body stiff as a rod, encircled by two snakes.

1p, 4to. In fair condition, lightly aged, with slight wear at head repaired on reverse with archival tape. The context of the letter is explained in Fawcett's entry in the Oxford DNB: 'In September 1829 Fawcett was superseded in the management of Covent Garden […] the theatre in which he had been a main prop for thirty-nine years. With a salary of £100 a year allowed him as treasurer and trustee of the Covent Garden Theatrical Fund he retired to a cottage at Botley, near Southampton.' The letter begins: 'Some weeks back I enclos'd you a draft for £10 intended for the Widow Paulo.

Ballet Today was a monthly magazine founded in 1946 by Phyllis Winifred Manchester (1907-1998). In 1951 Manchester settled in New York, leaving four colleagues, one of whom was Janet Sinclair (c.1922-1999), in joint charge of the magazine. The present item is a volume from the editorial office of 'Ballet Today', containing numerous cuttings of photographs and reviews from the magazine, with typed captions and manuscript annotations, also a few photographic prints, laid down over 104pp., 4to, of a scrapbook bound in green cloth.

Half-penny postcard printed in purple. In fair condition, lightly aged, with thin strip along one edge from former mounting obscuring parts of a few words. Addressed to 'F. Davis Esq. | 4 Upper Phillamore [sic] Place | W.' The communication reads: 'Sir, | I beg to inform you that we have bought out Maltons Gt. Treatise on Perpective in the columns of the Forge & Lathe a fortnightly Journal devoted to Practical Mechanics &c. The Preface appeared in our No. Published yesterday price 6d by post 7d Terms for Subscribers 16/- Yearly 8/- ½ Yearly 4/- Quarterly. | A. Absolon | Publisher'.

2pp., 12mo. In good condition, lightly aged, with light pencil line by Forsyth through first page. She hopes that she is not 'asking too much' in requesting 'two stalls or a box for the premiere of “Eugene Oneghin” - Friday evening'. If 'not impossible', he would like 'a lunch to be present that night. He asks to be sent word to the Garrick Club.

ONE: On letterhead of 'The Ben Greet Company', addressed from 20 Buckingham Street, WC [ London ]. 14 July [ no year ]. 2pp., 8vo. In fair condition, aged and worn, with the first page carrying pencil scorings and a short note by Forsyth. The first paragraph reads: 'If business will permit can I have one of the small boxes for Monday night. You generally let me have something during the Season. I've been a very regular Gallery & Amphitheatre and stallite this season.' He continues: 'You've got a genius in Frau , & you sd keep her. Everyone is raving about her.

1p., 12mo. In fair condition, lightly aged. He is sending a copy of a note his secretary has 'just sent about an opera box for the next season. | The box we were able to get this year contrasted so poorly with my old "loge entre les colonnes" in Paris that I am afraid my personal tastes would be about as well satisfied without one!' He feels sure that 'with this long notice and with a friendly word' from Higgins, 'something better can be done'. One of the grandest residences in London, Dorchester House was rented by Reid as the American Embassy from 1905.

The only writing on an 8vo leaf, clearly sent in response to a request for an autograph. In fair condition, lightly aged and worn, with slight evidence of mount on reverse. In a large firm hand, reading: 'Yours faithfully | Carrie Tubb Oliveira'. Tubb was principally known for work in oratorio, but sang in opera (Elektra, Hänsel und Gretel etc.) under Sir Thomas Beecham at Covent Garden from 1910. She taught at the Guildhall for more than thirty years from 1930.

1p., 4to. In good condition, lightly aged and worn. The letter reads: 'Sir | Having mislaid your letter of 14th. March last, you have doubtless considered me a very discourteous person - this day, in turning over a parcel of letters which had been put aside as answered, I fortunately discovered yours among the rest, requesting my Autograph, which I hasten to send you; and with many apologies for the delay, I am, Sir, | Your obedient servant | C. Kemble'.

3pp., 12mo. Bifolium with mourning border. In good condition, lightly aged. Written in a hurried, difficult hand. The recipient's name is indecipherable. King is returning a letter from the recipient's son, and is sorry to hear of 'Mrs Parker's death': 'It is very sad indeed as she was hoping to come to England after a very long absence'.

2pp., 12mo. On aged paper, with slight strip along one margin cut away, resulting in slgiht loss to text. After thanking the recipient for his 'kind remembrances' he writes: 'I shall arrive in Devizes only in time to give a lecture & must leave soon after for Marlboro on my way back. | I have very little time to spare. But that spare time I am expending in order to help a deserving '.Docketed at head of first page in a contemporary hand: 'Mr. Cumming | Scotch Church'. For information on Cumming see his entry in the Oxford DNB.

[1] + 13pp., 12mo. Stitched. In fair condition, lightly aged and worn. A tasteful production in grey printed wraps. Elaborate pseudo-seventeenth-century design to title-page replicated on front cover. Five-page 'Promoter's Address'' to 'My Friend and Pitcher', signed in type by Sharman, followed by a page listing the five members of the 'Committee, 1874-5' (Julian Sharman; Henry S. Leigh; Bourchier F. Hawksley; Jas. J. Railston; F. W. Robinson), and five pages carrying the club's fourteen rules.

The table or bloom calendar is in a makeshift table, ruled out in pencil over 2pp., folio. It is in poor condition, heavily-aged, divided into two sections along central horizontal fold line, and with slight loss to text from chipping.

1p., landscape 12mo. In good condition, on lightly-aged paper. Reads, with manuscript text in square brackets: 'Royal Italian Opera, | Covent Garden. | [Madle Vestris] | Londres, [Le 6 Juin] 18[66]. | Recu de M. Gye la somme de [£40 - -] | [G Vestris | B.V, | £[40 : - : -']'.

The collection consists of around 140 items, and is in good condition, with light signs of age and wear. It includes two drafts of the play, correspondence with librettist and composer, agents, the syndicate backing the play, a disgruntled contributor, solicitors, theatre managers, and also includes returns, receipts, accounts and projections.

On three sides of a vellum bifolium supplied by the London law stationers Witherby & Co. Dimensions of leaf 39 x 26 cm. In good condition, lightly aged and creased. The document is a draft, with several emendations in pencil, including a lengthy addition in the margin of first page, and a shorter one on the second page. Laid out in customary style, within red rules. Docketed on fourth side: 'Dated 15th August 1914 | The Earl of Ducie and Others | to | The Earl of Ducie and Others | Red Cross Garden | Assignment'. With stamp of the Ecclesiastical Commissioners, signed by Hugh de Bock Porter.