1920S

Written with the charm for which she was renowned. See her entry and his in the Oxford DNB. 2pp, 4to, on two leaves of cartridge paper. In good condition lightly aged. Folded twice for postage. Mostly written in pencil, with good firm signature (‘Yrs / Diana Cooper’) and last few lines in red ink. Begins: ‘My dear admiral - Forgive the scruffiness of the paper & the rudeness of a pencil but I’m in an unoccupied house & can find no essentials, tho’ I found y. letter to-day & have no idea when it was posted.

Sepia studio portrait on 8.5 x 13.5 cm postcard, stamped on reverse 'MANNELL LONDON'. In good condition, lightly aged. She signs 'Winifred Shotter' at foot. A soft-toned head and shoulders portrait of a wistful Shotter, with Marcel wave, staring at the camera in a fashionable frock. Scan on application.

Glossy publicity portrait (‘Real Photograph’) on 8.5 x 14 cm post card with publication details on reverse. In good condition, lightly aged. Inscribed diagonally at bottom right: Best wishes / Julie Suedo.’ A black and white head-and-shoulders shot of an Mediterranean-looking Suedo, with curled hair with flower jewellery in it and toothy smile, looking joyfully to her left, with bright necklace and pearl bordered sleeveless gown.

7.5 x 11.5 cm black and white publicity photograph by ‘ “Philco” London W.C.1.’ Expansive genuine signature ‘Gladys Cooper’ across bottom part of image, in addition to facsimile signature in white at bottom right. In good condition, on postcard with border trimmed. Dark sepia-toned image. A head-and-shoulders portrait, with Cooper staring to her right, with short frizzy hair, in fashionable gown. Scan on application

Hale is best-remembered for singing ‘Spread a Little Happiness’ in the musical ‘Mr. Cinders’ (1929), and for strarring in ‘No, No, Nanette’ (1925). 9 x 13 cm postcard, printed in light-brownish grey. In good condition. Nice signature ‘Binnie Hale’ running diagonally across lower right-hand corner. She looks wistfully at the camera, with a Marcel wave and pursed made-up lips. Not among the 32 images of Hale list on the National Portrait Gallery website. Scan on application.

Black and white photographic portrait, on 4.5 x 6.5 cm piece of shiny card. Signature 'Doris Keane' across bottom of image. In fair condition, lightly aged and worn, with strips of tape around the edges to make a border, but hardly discoloured. Printed at head: 'SUPPT. TO GREAT NOVELS.', and at bottom 'DORIS KEANE / BASSANO'. A head and shoulders portrait, in which Keane faces the viewer, in fur hat and coat with fur collar. Scan on application.

8.5 x 14 cm glossy publicity photograph on post card. In good condition, lightly aged. Inscribed across the bottom of the image: ‘Souvenirs / Alice Delysia’. A soft-toned head and shoulders image in black and white, of a smiling Delysia, eyebrows plucked, lips made up, and short hair Marcell-waved. See Image.

She was the daughter of the impressario Hugo Görlitz and the Australian soprano Amy Sherwin; and goddaughter of Paderewski. She married the actor James Thomas Jolley in New York (where the couple were based) in 1923, dying of consumption in England several years later. The present item is 2pp, small 4to, in bifolium, with the valediction written lengthwise and downwards on a third page. In fair condition, lightly aged and worn. Printed on the first page is the name ‘Jeannette’ within a small bow. The letter is addressed to ‘Dear Mr. Rubinstein’, and signed ‘Jeannette Sherwin Gorlitz’.

TSS Transylvania (the prefix stands for ‘Twin Screw Steamship’) was built in Glasgow for the Anchor Line and launched in 1925. She had three funnels, but two were redundant, only serving to render the ship more attractive to prospective passengers. In 1940 she requisitioned by the Royal Navy, and the following year she was torpedoed by the Germans, sinking with the loss of 36 lives. The letter is 13pp, 12mo; with neat single-space typing, on thirteen leaves.

A fascinating collection of articles - with added relevance at a time when the position of women in the BBC is much-debated - in which 1920s women broadcasters with at BBC provincial stations (including Aberdeen, BIrmingham, Liverpool, Plymouth) discuss their careers. One Seven original typescripts, totalling 20pp, 4to. In good condition, lightly aged and creased, with occasional chipping to edges. The writing is thoughtful and often enlightening.

Three scarce items, with no other copies traced. All three carry the Club’s badge. The 1929 menu is in good condition; the other two items are in fair condition, lightly aged and worn. The two ‘Christmas Supper’ menus are uniform in layout. Each is printed on an 8vo piece of white card, with the same photograph of ‘J. Windsor Burgess as Father Christmas’ on one side and the menu on the other. (The menus differ and are dated.) Each menu is wrapped in a grey-paper 8vo bifolium, printed on all four sides. The Menu for 19 December 1927 states on the cover: ‘J. H. Brocklehurst, Esq.

An excellent bold and sprawling signature ‘Heather Thatcher’ at the end of a carbon typescript of a 1920s article from an unascertained source, with a few minor corrections in pencil. 3pp, 4to. Fifty-nine lines of text, on three leaves attached with a slightly rusty paperclip. In fair condition, lightly aged and creased. Begins: ‘ “Luckily, fashion for this autumn and winter are going to be varied; so every woman will be able to find something to suit her own particular type,” said lovely Heather Thatcher when she was showing me some of her new autumn dresses.

1p, 12mo. In fair condition, on lightly-aged paper, with rust stain from paperclip to one margin. The letterhead consists of a stylized vertical arrangement of the letters in the name ‘JOY’ at top left. The ‘signature’ is an extremely good facsimile in black ink.

See his entry in the Oxford DNB. On 9.5 x 11.5 cm leaf of blue paper, with rounded outer corners, torn from an autograph album. In good condition, lightly aged, with spotting on reverse. Reads: ‘Best Wishes / Tom Walls.’ Good bold writing, with stylistic flourish linking the cross-stroke of the T in ‘Tom’ with the S of ‘wishes’, and two small vertical strokes at the centre of the underlining of the signature. See image

According to Barry Took’s entry on Constanduros in the Oxford DNB, ‘The Buggins Family’ was ‘the first radio family’, and she played all six parts, writing and performing in more than 250 episodes between and 1928 and 1948: ‘The popularity of the family was such that the Ministry of Food used Mrs Buggins to broadcast recipes during the Second World War.’Constanduros is also credited with having written more than one hundred plays. The recipient of these two letters, 'Miss Booth', is clearly her agent. Two items, the first in good condition and the second fair, on lightly discoloured paper.

See Roy’s entry in the Oxford DNB. He part-wrote and performed the perennially popular ‘My Girl’s Pussy’, with other songs with suggestive titles. The two men’s careers both began in the 1920s, and Daniels played in the band of Roy’s brother Sid Roy. The two signatures laid down on an 8.5 x 7 piece cut from the leaf from an autograph album. Somewhat discoloured, otherwise in good condition. ONE: Signature of ‘Harry Roy’. On 6 x 4.5 cm slip of paper. Large signature, with the downstrokes of the final letter y’s extending unusually far. TWO: Signature of ‘Joe Daniels’.

See his entry in the Oxford DNB. 20 x 25 cm lithograph in pink, white and black. In good condition, lightly aged. An attractive item, suitable for framing. Head and shoulders portrait of a dapper bespectacled Hall, with parted greased hair, in white tie, staring at the viewer. Across his shirt, Hall has written in green ink ‘Best Wishes / Henry Hall’. Captioned at bottom left: ‘HENRY HALL / DIRECTOR, B.B.C. DANCE ORCHESTRA’; and at bottom right: ‘Presented with “Radio Pictorial,” / No. 1, January 19, 1934’. See image.

No information regarding 'Pam Chelsea' (female impersonator?) has been discovered, but the appearance of the document, and its presence in a batch of material relating to 1920s entertainment and broadcasting, date it to that period. 5pp, folio. 'No. of words. 1,063.' Written in a bold hand. In fair condition, on lightly aged and worn paper. The article was clearly accepted for publication, as '£1 11. 6 paid' is written at the top of the first page, and '5 line drop cap' at the start of the article.

31 + [1]pp., 8vo. Stapled without wraps. Drophead title. (Offprint from Transactions of the Medico-Legal Society.) In fair condition, lightly aged, central vertical fold, rusted staples. 'No reasonable person', Riddell writes, 'suggests the wholesale sterilisation of masses of lunatics and defectives. Only very moderate measures are proposed.' Riddell's suggestion is that 'in suitable cases, subject to the consent of the Board of Control, or some similar body', and with the consent of the subject, lunatics and mental defectives be sterilised.

1p., 4to. The leaf is divided into four panels by a central horizontal crease; Arlen writes on the upper panel of one page, the rest of the leaf being blank. In fair condition, lightly aged and worn. Arlen writes neatly at the centre of the panel: 'Dear Sewell Stokes | Pip, Squeak and Wilfred. | Yrs. | Michael Arlen.' And at top left: '14 Queen St. | Mayfair. | October, 1924.' At the time of writing the precocious Stokes was an assistant editor at T.P.'s Weekly. 'Pip, Squeak and Wilfred' was a cartoon which ran in the Daily Mirror from 1919 to 1956.

On one side of a 16 x 20 cm leaf torn from an album. In fair condition, lightly aged. The signatures of the eleven Devon players in column along the left-hand edge, and those of the Dorset players in a column along the right-hand edge. Details of the match and players are hard to find. Here is a tentative reading of the Devon signatures: 'F H Canok | A R Strephardy | W F Light | S Blakeney | K G E<?> | E. G. Trench | J R Carter | C R Russell | <?> | G H H Sherlock | E A S<?>'. And a similarly-tentative reading of the Dorset signatures: 'E. C. Walby | W Harrison | W. J. Knight | M. B.

The signatures of Sutcliffe and Woolley are on a 16 x 18 cm. piece of grey paper, cut from an album, those of the other three men are crowded onto an L-shaped piece of paper, laid down on the same leaf. At head of page: 'Yorkshire v. Rest of England, The Oval, Sept. 1923.' The odd man out is B. W. Bullock [ Burnett Wedlake Bullock ] (1896-1954), who did not take part in the match. He played for Surrey, and was presumably around when his more illustrious colleagues were giving autographs. According to the report in The Times, the match ended in a draw.

The table or bloom calendar is in a makeshift table, ruled out in pencil over 2pp., folio. It is in poor condition, heavily-aged, divided into two sections along central horizontal fold line, and with slight loss to text from chipping.

Printed on one 12mo page of a bifolium of thick orange paper. The invitation is to a show of 'Mr. Andrew Storie's drawings of modern, mediaeval and theatrical dresses at her studio on Friday, 20th July, 1928 from 4 to 7 - (p.m. of course)'. Casson's note, in top left-hand corner, reads: 'Mr. Ian Davison kindly told me he was sure you would be very interested in Mr. Storie's work. - I do hope you can find time to come. | Jill Casson'.

340pp., folio. In sturdy brown calf binding with geometric decoration using thin leather strips and marbled endpapers. 'PRIVATE LEDGER' on label on spine. Thumb indexed. A further 12pp., 8vo, of manuscript accounts for 'Jan June 1928' on loosely-inserted leaves. The ledger indicates a substantial company (even possessing a 'Doubtful Debt Reserve'), its trading account showing a healthy balance, generally hovering around the £25,000 mark.

4pp., 12mo. Bifolium. In good condition, with light signs of age and wear. After following Horton's 'kind advice' concerning 'Mr Hedgcock's & my little alphabet', 're some sketches with more action in them', he has been to 'Town' to show the designs to the publishers Grant Richards. He 'called in person on Thursday but after some delay they have eventually rejected the Alphabet. [...] Evidently from what I was told the sketches such as you advised would have been more what they wanted', so he will do them again 'in that style and try again with other people'.

8pp., 12mo. Stapled. Printed in blue on shiny art paper, in cream card wraps, also printed in blue, and tied with blue and white ribbon. On aged and worn paper. With illustrations in text, including a half-page image of the 'Pip, Squeak & Wilfred Jig-Saw Puzzle'. The first page carries a message to 'My Dear Boys and Girls' from 'Uncle Bill', including: 'To-day's Gugnunc Party - our third - is particularly interesting as it is also a birthday party.

20pp., small 4to (16.5 x 13 cm). Sewn in card wraps, illustrated in colours. In fair condition, lightly and spotted, in worn wraps, with two uncoloured illustrations on the inside wraps coloured in. With ownership inscription on half-title, dated 18 September 1927. Eight attractive full-page colour illustrations (two out of register) in text, in a range of styles, suggesting stock images by different illustrators, and two uncoloured illustrations on the inside wraps, coloured in (by a child?), with another two illustrations on the front and back covers. This item is something of a mystery.

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

4to, 2 pp. Twenty-seven lines. Text clear and complete. Fair, on lightly-aged and slightly creased paper. He cannot help Raffin find an American publisher for his book 'Mystery, Mirage and Miracle' (privately printed for the author in London in 1921), although he finds its style 'delightful', and its subject matter 'one which deeply interests me'. 'The book-market is in a very strained condition - a sort of transition period with all the publishers "sitting on the fence", and the public refusing to by any books except a few which have the luck to become fashionable'.