ILLUSTRATOR

1p, 12mo. In fair condition, on discoloured and lightly-creased paper. Beneath letterhead: ‘to J D Hughes Esq’. Around middle of page: ‘Pen & Ink Sketch / Stokesay 15/-’. On lower part of page: ‘Recd with thanks / Frank Greenwood’. Beneath the signature is a simple stylized cartoon depicting the head and shoulders of a smiling walrus-faced figure (Greenwood?) in a trilby, with stiff-colour shirt and black bow tie.

See his entry in the Oxford DNB. 2pp, 12mo. On bifolium. In good condition, lightly aged, with minor traces of mount on blank reverse. Folded once. Addressed to ‘My dear Spielmann’ and signed ‘Harry Furniss’. He asks if Spielmann is ‘at home on Sundays’, as he will be in town between Saturday and might be able to ‘look in for a minute sometime but I’ll not say exactly when’. ‘I’ll have so much to do, but probably it will be sometime in the morning before noon. / Leave all till then. / You don’t say how you are’. Postscript: ‘Lectures going very well’ (last two words underlined four times).

See his entry by Ruari Maclean in the Oxford DNB. The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler. 1p, 12mo. In good condition, lightly aged. With Bentley’s distinctive stylized signature ‘Nicolas Bentley’. After thanking him for his letter he writes (apparently with reference to a newspaper article): ‘I am sorry if in using the phrase “I am afraid” I ruffled your grammatical sensibilities. I used it because I meant it.

from the end of a letter. A good example of Crane's stylized and distinctive signature. Reads: 'Believe me, / Very truly yours, / Walter Crane'. The top part of a cropped 'P S' is present at bottom left. See Image.

See the two men’s entries in the Oxford DNB. The present item, is on one side of an 11 x 6.5 cm slip of paper, cut from a letter and laid down on a 12.5 x 8 cm piece of card. In good condition, lightly aged. Very slightly smudged by Leech. Reads: ‘[...] very low. until I see / you Believe me / Yours Ever Faithfully / John Leech. / Martin . F. Tupper Esq / &c. &c. &c.’ See Image. Leech illustrated at least one book by Tupper (The Crock of Gold).

Letter A. Two pages, 12mo, bifolium, good condition. Some time ago you very kindly offered to walk a puppy [for?] me. I have a nice litter now ready to go out. Can I send you one over [...]; Letter B. Three pages, 12mo, bifolium good condition. Come over on Sunday by all means if you can manage it & I will show you what we propose doing at the kennels. I am sending Joe round with some puppies but I'll leave it until aafter Sunday & then you can choose which one you would like. I'll tell Uthwaite about the otters on the Pang [river].

See the entries on Sambourne and Meredith in the Oxford DNB. 2pp, 12mo. On bifolium. In good condition, lightly aged and folded twice for postage. Addressed ‘To George Meredith Esquire / O.M.’ and signed ‘Linley Sambourne’ with the usual five underlinings. Begins: ‘Dear Mr Meredith, / I venture to write & let you know how very much it rejoices our Household that his majesty has confered [sic] on you the Order of Merit. I, amongst countless others have always felt the incompleteness of that most distinguished body with your name absent.

Three pages, 12mo, bifolium, good condition. Second leaf laid down on part of a album page. See Image of pp.2 & 3. Text: You write to me and I dont [sic] answer. but I know you hear of me From [sic] his letters - which I just manage to send though I fear . [sic] they most often be very dull. | Are you coming up For the Jubilee - its all Jubilee - I hope it is going to be Fine [sic] it would bve such a great disappointment if it was not. | I have been awayFor [sic] the last three Sundays but it seems to take a lot of time somehow . We are of course a long way off the station here.

See his entry in the Oxford DNB. The present item is a nice piece of printed ephemera relating to the man described in his Guardian obituary as ‘the dominant cartoonist of the western world’. In 1937 Goebbels had told Lord Halifax that Low’s cartoons were harming Anglo-German relations, and after the war it was revealed that his name was in the ‘black book’ of individuals to be ‘liquidated’ on German conquest of Britain. In good condition, lightly aged.Small 4to bifolium printed in brown ink on thick wove paper.

From the Macqueen-Pope papers. (See his entry and that of her father in the Oxford DNB.) 6pp, the first four on two 4to leaves, the last two on a 12mo leaf. Signed ‘E. Winnie Parsons / nee / Winnie Burnand’. In fair condition, lightly aged and with some creasing, particularly to the last (12mo) leaf. Slight rust staining from paperclip. A delightful letter, written in a strong and energetic hand, with various words underlined in red pencil for emphasis. She is staying with Desmond Lysart, ‘who in his lovely study has all your delightful books’, and they are both great admirers of MP.

See his entry in the Oxford DNB. On rectangular slip of paper, roughly 11 x 3 cm, cut from the end of a letter. In fair condition, lightly aged, slightly spotted and laid down along one edge on thicker piece of paper. In an elegant calligraphic hand he writes: ‘Believe me / Yours truly / Geo du Maurier / Apr. 26, 83’. The ‘eo’ of the ‘Geo’ of the signature is presented as a stylish squiggle, looking a little like a ‘W’. See image.

See his entry in the Oxford DNB. A scarce item: no copy in the British Library and the only copies on COPAC at Cambridge and the V & A. In fair condition, lightly aged and with slight creasing to outer edge of front cover, on which a label has been laid down, carrying an inscription (repaired at one corner with archival tape) by Thomas: ‘From one child to another - Love and I cant thank you enough for everything - I’ll look forward to Janiuary - Muh love I’ll writer later’. A stapled pamphlet in brown card wraps. 16pp, landscape 8vo.

See his entry in the Oxford DNB. On 10.5 x 8 cm piece of ruled paper, laid down on 21 x 10.5 piece of light blue-green paper cut from album. In good condition, lightly discoloured. Reads: ‘With all kindly salutations to you & yours - believe me / Yours very truly / F. Edward Hulme’ See image.

See his entry by E. V. Knox in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, with dog-eared corner. Folded once. Reads: ‘Dear Mr. Denselow, / If my erratic and unenviable handwriting has any interest for anyone - except my tailor (who seldom sees it!) you are very welcome to a fragmentary example of it, at its word’. The signature is no doubt deliberately emphatic, with colons to the initials, and a period on each side of the end of the final flourish. In a postscript Reed expresses gratification to hear ‘that my work “touches the spot” occasionally, that’s what it’s “for!”’

One page, 12mo, fold mark, sm. closed tears not affecting the text, good condition. Dear Sir | Here is the autograph which you propose to honour with a place in your collection. | Very truly yours | Marcus Stone.

One page, 12mo, bifolium, good condition. Since I saw you last I hve not neen well, and have in consequence not been able to make progress with the work, on the completion of which depended my being able to undertake and illustrations for you book. | I regret that it is so, but am obliged to say that it is not in my power to furnish any drawings for your work before Christmas. | Your book, howevere, is so very well supplied with illustrators of note that the absence of my name in the list cannot be of any consequence.

Two pages, 12mo, bifolium, first and lst pages grubby but text clear and complete. Text: Thank you very much for sending Mr Henley's book which I shall have much pleasure in reading, and my wife will get hints for 'style' as she doth peruse it. It is nicely got up, but is not so sweet to handle as the 'Book of Verses' which is a gem. He relates that he has a drawing of the new Steamer 'Duchess of Hamilton' [which] I think I might utilise [...] if you can introduce something in next week's notes about the remoteness of Arran getting diminished. It is really a fine boat and very swift.

Two pages, 8vo, very good condition. Text: Thanks you for your letter. I've no idea what paper you saw that reported the councillor's dislike of my sketches - actually, at the meeting only one man expressed some demur about them, and (poor man) he was defeated by the otherwise general approval of the committee, which decided to go ahead with the scheme I proposed. I am doing the final designs now, and weaving will start in the autumn.

Both in pencil. Letter One (17 Jan.): One page, 8vo, good condition. Text: Hope you are better. All was well at the RA - as you saw [T?] Wheeler going well. | Now - Her is a lovely estuary wide & tidal from Harwich to Manningtree 800 swans ---- Vast herds of them - close in to edge often & out of the wader - You can touch them. | Masses of stuff ---- come & stay at Dedham Sun[day] ----or Colchester ----- & have a look [underlined]. Letter Two (7 Dec. 1956), two pages, 8vo, good condition.

Valediction of Letter only, 5 lines inc. signature and address, 19 x 7cm, laid down on similar sized paper, with remnants on verso suggesting that it was in an album at one time, with note identifying writer ("The Countess Spencer"). Text: "& you will very highly oblige & gratify me. | I have the honor to be your Royal Highness most obedient Sert | Lavinia Spencer". From a large collection of similar conclusions,so often to the Duke of York ("Royal Highness" etc) that they may reveal the fate of his incoming correspondence, or part of it..

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. He begins by thanking him for his 'kindness in the matter of the plate at New'. He called there that morning and has 'sent on Dr Russells letter of introduction', and has 'written to Dr Moyle', explaining his object, and he hopes he will give him permission to have the [?] photod. wh: I consider about the finest piece of dated H English Plate in existence -'.

2pp, 12mo. Bifolium with mourning border. In good condition, folded twice. Explaining that as it was a week-end he was not able to answer her letter sooner, he writes, evidently on the subject of a painting she has commissioned: 'I should be very pleased to see any of your friends to show them the portrait on Friday or Saturday next at 3.30 or on any other day at that time which may be more convenient.' He concludes: 'Do not hesitate to send anyone you think would like to see the picture'.

On 3.5 x 5 cm slip, laid down on slightly larger rectangle of paper, removed from an album. In fair condition, lightly aged and worn. A neat, firm signature, on a small slip of paper. Presumably cut from a letter, in response to a request for an autograph.

On 2 x 8 cm slip of paper, cut from document. In good condition, lightly aged, laid down on larger piece of white paper cut from leaf of an album. A distinctive, strong signature, reading 'Geo Cruikshank'. No other text. From the distinguished autograph collection of Richard Hunter, son of Ida Macalpine, whose collection of 7000 books relating to psychiatry is in Cambridge University Library.

1p., 4to. In good condition, lightly aged. Addressed in type to 'My dear Shepard,' but with the last word corrected in autograph to 'Ernest'. He has now 'made sufficient progress with Monmouthshire' to be able to give Shephard 'a line': 'The first two verses bear upon the Wye valley and the Usk valley, of which Tintern is the best symbol.

The two volumes constitute the first and last volumes (the middle volume is missing) of a three-volume work described by its author as 'a more or less humorous account of a ramble round the Kentish Coast by two men'. This unpublished work constitutes a topographical and social narrative, written by the well-known artist and illustrator when in his eighties. Stylistically indebted to Jerome K.

104pp., 4to. Unbound page proofs. In good condition, lightly aged and worn. In worn envelope with printed details of 'The Studio Publications', addressed to 'Edward Carrick, Esq., | G.P.O. Film Unit, | Soho Square, | London, W.C.', amended to '20 Gordon Place', 'W.8.' This was Craig's foremost work, highly influential. Comprising eight signatures of text, each initialled by him with the date 6 March 1941, seven of them with stamp in red ink: 'MARKED PROOF'; together with two signatures of illustrations on art paper, included in the pagination, one of them also signed and initalled.

1p., 4to. In fair condition, lightly aged and worn. A somewhat grand and expansive printed form, completed in manuscript by Sowerby. He thanks the 'Gentlemen' who are 'The Proprietors of "Scientific Roll"' for 'the continuation, as published, of The "Scientific Roll"'. From the papers of Alexander Ramsay, editor of the 'Scientific Roll'.

2pp., 12mo. Bifolium. In fair condition, on aged and creased paper. Begins: 'By some strange, almost unaccountable, accident, the plates of my last paper in the Linnaean Transactions, accompanied by your kind favour of yr chromatic scale, have just found their way to my hands, tho' they have been some weeks in my house.' He asks what he is 'indebted for these plates', so that he may pay this and the 'subscription for your book on colors'. He describes specimens he is sending 'for English Botany', 'which you will be glad to figure.

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.