ARTS

[Sir Edward John Poynter, English painter and President of the Royal Academy.] Two Autograph Letters Signed and Two Autograph Cards Signed, to different recipients including the painter Sir E. A. Waterlow.

Author: 
Sir Edward John Poynter (1836-1919), English painter and President of the Royal Academy [Sir Ernest Albert Waterlow (1850-1919), RA, English artist]
Publication details: 
ONE: 11 July 1874; Hotel de Lille et d’Albion [Paris]. TWO: 30 July 1890; letterhead of 28 Albert Gate, S.W. [London] THREE: 5 November 1905; letterhead of Alnwick Castle. FOUR:13 August 1913; letterhead of 70 Addison Road, Kensington, W. [London]
£45.00

See his entry in the Oxford DNB. All four items are signed ‘Edward J. Poynter’. The first is somewhat discoloured, with cut corners (not affecting text), the others are in good condition, lightly aged. ONE: ALS to ‘My dear Robin’, 11 July 1874. 1p, 12mo. He has received ‘the four £10 notes’ and reports ‘the most tremendous thunderstorms’. TWO: ACS to ‘Mr. Gilkes’, 30 July 1890. He apologises for being unable to ‘attend the distributions of the School prizes’ that day. THREE: ALS to ‘Waterlow’, 5 November 1905. 1p, 12mo. ‘Your letter gives me the key to the memorial.

[Philip Webb [Philip Speakman Webb], Arts and Crafts architect and Pre-Raphaelite.] Autograph Letter Signed (or draft?) to J. R. Holliday, discussing the difficulties of bookplate design.

Author: 
Philip Webb [Philip Speakman Webb] (1831-1915), Arts and Crafts architect, Pre-Raphaelite, associate of William Morris [James Richardson Holliday (1840-1927), art collector; Sir Sydney Cockerell]
Publication details: 
31 August 1901. Caxtons [at Worth, near Crawley, Sussex].
£280.00

An interesting letter, in which Webb sets out his approach to bookplate design. According to his entry in the Oxford DNB, ‘By 1899 Webb was in poor health and losing money. His meagre savings were insufficient to build a cottage, so he accepted Caxtons, a four-bedroom sixteenth-century yeoman's house at Worth, near Crawley, Sussex, offered at a selflessly low rental by his friend William Scawen Blunt.’ For the context of the present letter, see the letter from Webb to Sydney Cockerell, 1 September 1902, in volume 3 of John Apin’s edition of Webb’s letters.

[G. A. Storey, RA, painter and illustrator.] Two Autograph Letters Signed. ONE: to 'My dear Wolfestan', on artists, scientists and colour theory. TWO: to 'Mrs A'Beckett' on writing a memoir of his brother-in-law.

Author: 
G. A. Storey [George Adolphus Storey] (1834-1919), RA, English painter and illustrator
Publication details: 
LETTER ONE (to Wolfestan): 2 June 1884; 19 St John's Wood Road. LETTER TWO (to Mrs A'Beckett): 5 May 1898; on letterhead of Hougoumont, [39] Broadhurst Gardens, South Hampstead, N.W. [London]
£60.00

LETTER ONE (to Wolfestan): 4pp, 12mo. Bifolium. Damage to text (including signature 'E. A. Storey') along inner edge of last page by clumsy removal from mount, repaired with archival tape. Otherwise in good condition, lightly aged. Folded. Wolfestan's letter is 'capital' and he hopes he will send it 'as it exactly backs up my own statement'.

[Sydney Smirke, RA, architect of the British Museum Reading Room.] Autograph Letter Signed to fellow Royal Academician Edward William Cooke, regarding a photograph by Vernon Heath.

Author: 
Sydney Smirke (1797-1877), RA, architect of the British Museum Reading Room [E. W. Cooke [Edward William Cooke] (1811-80), RA, marine painter; Vernon Heath (c.1819-95), photographer]
Publication details: 
'The Hollies / Tunbridge Wells / Aug: 7 [no year]'.
£50.00

See Smirke’s entry, and those of Cooke and Heath, in the Oxford DNB. His most celebrated design is the Reading Room of the British Museum. 2pp, 12mo. With monogram and mourning border. On first leaf of a bifolium. In good condition, lightly aged. Folded for postage. Begins: ‘My dear Sir, / Vernon Heath, of Piccadilly, has made me a photograph of our new front, which is I think fairly satisfactory.’ He has told Heath to deliver a copy ‘addressed to you at the R. Academy’. As it is ‘rather large’, he did not like to send it ‘by post or Parcel’, as it ‘might get crushed on its way to you.

[Alfred Waterhouse, RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London.] Autograph Letter Signed to Thomas Haigh, regarding designs for a house in Keston.

Author: 
Alfred Waterhouse (1830-1905), RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London
Publication details: 
'Manchester / 2 : Aug : 1856'.
£50.00

See his entry in the Oxford DNB: ‘In 1848 he was articled to the staunchly Quaker P. B. Alley, then in partnership with Richard Lane, the leading neo-classical architect of Manchester. In 1853 his education was completed with a ten-month tour of France, Italy, and Germany, after which he set up in practice as an architect in Manchester.’ (Waterhouse’s first success would come with his winning design for the Manchester assize courts in 1859.) 1p, 12mo. On the first leaf of a grey-paper bifolium. In good condition. Folded for postage. Addressed to ‘Thomas Haigh Esq:’ and signed ‘A Waterhouse’.

[Alfred Waterhouse, RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London.] Autograph Letter Signed to ‘Horsley’ [John Callcott Horsley?], responding to an appeal and requesting no 'mystery'..

Author: 
Alfred Waterhouse (1830-1905), RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London [John Callcott Horsley (1817-1903), painter]
Publication details: 
8 August 1878; on letterhead of 20 New Cavendish Street, Portland Place, W. [London]
£50.00

See his entry, and that of his fellow Academician Horsley, in the Oxford DNB. 1p, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Folded twice for postage. Signed ‘A Waterhouse’. Reads: ‘Dear Horsley. / You are quite right. No “mystery” between us if you please. / I say “yes” to your query to the extent of 2 guineas. / I hope you will soon gain the sum you desire without any great trouble to yourself’.

[Richard Westmacott, sculptor, Professor of Sculpture at the Royal Academy.] Autograph Letter Signed to the gardener Edward William Cooke, insisting on paying for flowers, and reporting that his 'poor mangy-looking wall is now pretty well covered'.

Author: 
Richard Westmacott (1799-1872), sculptor and Professor of Sculpture at the Royal Academy, son of Sir Richard Westmacott (1799-1872) [Edward William Cooke (1811-1880), marine artist and gardener]
Publication details: 
'W. / 1 K[ensington]. G[ate]. [Hyde Park, London] / Thursday'. No date.
£45.00

See his entry, and those of his father and Cooke, in the Oxford DNB. 2pp, 16mo. In fair condition, lightly aged, with dab or red wax to one corner, and part of another corner torn away, presumably in breaking open the seal. Folded diagonally for postage. Addressed to 'My dear Mr Cooke' (the recipient's identity is beyond doubt) and signed 'Richd Westmacott'.

[Sir Francis Chantrey [Sir Francis Leggatt Chantrey], sculptor.] Autograph Letter Signed to Edward Hawkins, recommending the artist William Beetham for permission to draw at the British Museum.

Author: 
Sir Francis Chantrey [Sir Francis Leggatt Chantrey] (1781-1841), sculptor [Edward Hawkins (1780-1867), Keeper of Antiquities at the British Museum; William Beetham (1809-1888), artist]
Publication details: 
‘Belgrave Place [London] / 15th. June 1830’.
£56.00

See his entry, and Hawkins’s, in the Oxford DNB. The subject of the letter, William Beetham, was an early emigrant to New Zealand, where he was one of the colony’s first European artists. 1p, 12mo. With mourning border. In fair condition, aged and worn, with a tiny piece of loss to one corner. Traces of paper mount adhering to blank reverse. Folded twice for postage. Addressed to ‘Edwd. Hawkins Esqr.’ and signed ‘F Chantrey’. Begins: ‘My Dear Sir / The bearer Wm.

[Richard Westmacott, sculptor, Professor of Sculpture at the Royal Academy.] Autograph Letter Signed to the wife of ‘Mr B.’, congratulating the couple on their wedding anniversary, and looking forward to his own marriage.

Author: 
Richard Westmacott (1799-1872), sculptor and Professor of Sculpture at the Royal Academy, son of Sir Richard Westmacott (1799-1872)
Publication details: 
‘Wednesday / Aug. 8. 1838’. No place.
£45.00

See his entry, and that of his father, in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with neatly-trimmed remnants of a windowpane mount adhering to the edges of the leaf. Folded twice for postage. Addressed to ‘My dear Madam’ and signed ‘R. W:’, followed by odd flourish.

[Sir Thomas Fairbairn, Manchester industrialist and patron of the Pre-Raphaelites.] Autograph Note Signed, inviting ?Yonge? to bring his rod and 'try the river'.

Author: 
Sir Thomas Fairbairn (1823-1891), industrialist with engineers William Fairbairn & Sons, and patron of the Pre-Raphaelites, leading figure in the foundation of the Manchester City Art Gallery
Publication details: 
?Saturday? [no date or place].
£50.00

See his entry in the Oxford DNB. 1p., 12mo. In good condition, lightly aged. Folded once for postage. Reads: ?Dear Yonge / Will you bring your rod & try the river this morning / Yours always / Thomas Fairbairn / Saturday?.

[Samuel Carter Hall, editor of the Art Journal.] Autograph Letter Signed, setting out terms with regard to work on newspaper advertising.

Author: 
Samuel Carter Hall [S. C. Hall] (1800-1889), Anglo-Irish journalist and author, editor of the Art Journal
Publication details: 
1 July 1878 on letterhead of Avenue Villa, 50 Holland Street, Kensington. W. [London]
£50.00

See his entry in the Oxford DNB. 1p, 4to. Fourteen lines. The recipient is not named. Written in a large loose hand, rendering the following reading tentative. In fair condition, lighty aged and worn, with minor traces of grey paper mount on reverse. Reads: ‘Dear Sir.

[Sir Francis Chantrey, sculptor, and his secretary Allan Cunningham, poet.] Manuscript Letter, written and signed by Cunningham on behalf of Chantrey, to William Tindal, regarding a monument to Colonel Page, with letter from Tindal to Mrs Page.

Author: 
Sir Francis Leggatt Chantrey (1781-1841), sculptor; his secretary Allan Cunningham (1784-1842), Scottish poet and author; William Tindal [Colonel Frederick Page (1769-1834), Royal Berkshire Militia]
Chantrey
Publication details: 
Cunningham (signing as Chantrey) to Tindal: 'Belgrave Place [London] 7 January 1836'. Tindal to Mrs Page, 'Temple 7 Jany 1835'.
£350.00
Chantrey

An excellent document, providing an invaluable view of the practicalities of commissioning and executing public monuments in the Georgian period. See Chantrey's entry in the Oxford DNB, and Cunningham's, which states: 'In 1814 he was engaged by Chantrey as superintendent of his establishment, and gave up writing for newspapers. He lived afterwards at 27 Lower Belgrave Place, Pimlico. He acted as Chantrey's secretary, conducted his correspondence, represented him during his absence, and occasionally offered artistic assistance. He became a favourite of Chantrey's sitters and visitors.

[Augustus Frederick, Duke of Sussex, son of George III.] Autograph Letter Signed ('Augustus Frederick') [to Earl St Vincent], attacking the Prime Minister Lord Liverpool while discussing his election as President of the Royal Society of Arts.

Author: 
Augustus Frederick, Duke of Sussex (1773-1843), sixth son of George III, bibliophile [John Jervis, 1st Earl of St Vincent (1735-1823), naval hero; Ellis Cornelia Knight (1757-1837); Lord Liverpool]
Publication details: 
Kensington Palace; 3 February 1816.
£350.00

An interesting letter, attacking the serving Tory Prime Minister Robert Banks Jenkinson, 2nd Earl of Liverpool (1770-1828), who had stood against the Duke of Sussex (noted for his liberal sympathies) in the election for President of the Royal Society of Arts. 3pp, 12mo. Bifolium. In good condition, lightly aged and worn. Folded three times. The recipient is not named, but is identified in an endorsement on the reverse of the second leaf as 'Earl St Vincent'. Written in a hurried, untidy hand.

[Stanhope Forbes, RA, English painter of the Newlyn School, Cornwall.] Autograph Signature with compliments.

Author: 
Stanhope Forbes [Stanhope Alexander Forbes] (1857-1947), RA, English painter of the Newlyn School, Cornwall
Publication details: 
5 March 1935. On embossed letterhead of Higher Faugan, Newlyn, Cornwall.
£28.00

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once for postage. Clearly responding to a request for an autograph. Boldly written, with the merest smudging to the surname: 'with compliments / of Stanhope A. Forbes / 5th March 1935'.

[Stanhope Forbes, RA, English painter of the Newlyn School, Cornwall.] Autograph Letter Signed thanking the recipient for complimenting his work and providing a signature.

Author: 
Stanhope Forbes [Stanhope Alexander Forbes] (1857-1947), RA, English painter of the Newlyn School, Cornwall
Publication details: 
17 September 1937. On embossed letterhead of Higher Faugan, Newlyn, Cornwall.
£45.00

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once for postage. The male recipient is not named, and the letter is signed ‘Stanhope A. Forbes’, with slight smudging to the ‘o’ of ‘Forbes’. As he is obliged to him for his letter ‘& the kind things you are good enough to say about my work’, he is happy ‘to accede to your request to append my signature’.

[Sir John Gilbert, RA, painter and illustrator.] Autograph Letter Signed to the composer and antiquary Doyne Courtenay Bell, providing information regarding a painting of 'the Queen holding a drawing Room at St James's Palace'.

Author: 
Sir John Gilbert (1817-1897), RA, painter and illustrator [Doyne Courtenay Bell (c.1830-1888), court official, omposer and antiquary]
Sir John Gilbert
Publication details: 
'Blackheath 4th April' [no year].
£85.00
Sir John Gilbert

See his entry in the Oxford DNB. A protege of Prince Albert, Bell worked for the Privy Purse from the time of the Great Exhibition, and served as Permanent Secretary to the Keeper of the Privy Purse from 1876 to his death. Signed ‘John Gilbert’ and addressed to ‘Doyne C. Bell Esquire / &c &c.’ 1p, 12mo. In good condition, lightly aged. Folded once for postage. Reads: ‘Dear Sir, / I remember the small picture painted in 1851. H M The Queen holding a drawing Room at St James’s Palace. / I did not intend to paint a larger picture and never did’. See Image.

[Walter Crane, book illustrator, designer and painter associated with the Arts and Crafts movement and the Art-Workers' Guild.] Autograph Signature and valediction of a letter.

Author: 
Walter Crane (1845-1915), book illustrator, designer and painter, associated with the Arts and Crafts movement and the Art-Workers' Guild
Walter Crane
Publication details: 
No place or date.
£35.00
Walter Crane

from the end of a letter. A good example of Crane's stylized and distinctive signature. Reads: 'Believe me, / Very truly yours, / Walter Crane'. The top part of a cropped 'P S' is present at bottom left. See Image.

[Sir Frank Dicksee, Victorian artist, President of the Royal Academy.] Autograph Letter Signed to Lady Orchardson, regarding a meeting by the committee for the Royal Academy summer exhibition, with reference to Onslow Ford.

Author: 
Frank Dicksee [Sir Francis Bernard Dicksee] (1853-1928), Victorian artist, President of the Royal Academy [Lady Orchardson [Ellen Orchardson, née Moxon] , wife of Sir William Quiller Orchardson, RA]
Publication details: 
14 December [no year, but before 1901]. On letterhead of Greville House, 3 Greville Place, St John's Wood, N.W. [London]
£65.00

See the entries for Dicksee and Lady Orchardson’s husband Sir William Quiller Orchardson (1832-1910), RA, in the Oxford DNB. Lady Orchardson (1853-1917) was the daughter of the London publisher Charles Moxon. The Orchardsons married in 1873. Among their four children was the painter Charles Moxon Quiller Orchardson (1873-1917), who studied in the Royal Academy Schools and was killed in action during World War One. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once for postage. Signed ‘Frank Dicksee’.

[Sir E. A. Waterlow [Sir Ernest Albert Waterlow], RA, English artist.] Autograph Letter Signed, responding to congratulations on his election to the Royal Academy from ‘Mr. Haynes King’, with two signed reproductions of his paintings.

Author: 
Sir E. A. Waterlow [Sir Ernest Albert Waterlow] (1850-1919), English artist [The Royal Academy of Arts, London]
Sir E. A. Waterlow
Publication details: 
Letter of 22 January 1903; on letterhead of 1 Maresfield Gardens, Fitzjohns Avenue, N.W. [London].
£220.00
Sir E. A. Waterlow

See his entry in the Oxford DNB. The letter is 1p, 16mo. In good condition, lightly aged, with slight discoloration to margin at head and light rust spot. Reads: ‘Dear Mr. Haynes King, / It was extremely kind of you to write & congratulate me on my election as R.A. & I appreciate the attention very much.

[John Marshall, President of the Royal College of Surgeons and Professor of Anatomy at the Royal Academy.] Autograph Letter Signed to Bernard Piffard, regarding evolution, respiratory problems, an award in Dublin and Mrs Pickard’s health.

Author: 
John Marshall (1818-1891), President of the College of Surgeons and Professor of Anatomy at the Royal Academy [Bernard Piffard (1833-1916), microscopist and entomologist]
Publication details: 
28 April 1886; on letterhead of 10 Savile Row, W. [London].
£65.00

See his entry in the Oxford DNB. From the Piffard papers. Marshall’s handwriting is hurried and in places difficult to decipher. 2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to ‘Dear Mr. Piffard’ and signed ‘John Marshall’. Piffard’s gift of ‘the Box of flowers, with [?]’ leads him to opine: ‘The Daffodils are lovely. - Why is Nature so beautiful? Can it be merely to please the Eye of Man?

[Sir David Chadwick, Indian Trade Commissioner.] Thirteen Signed Letters, eight Typed and five in Autograph, to Sir H. T. Wood and G. K. Menzies, Secretaries of the Royal Society of Arts, mostly regarding membership business.

Author: 
Sir David Chadwick [Sir David Thomas Chadwick] (1876-1954), British colonial civil servant, Secretary of the Imperial Agricultural Bureaux [Royal Society of Arts, London; Sir H. T. Wood; G. K. Menzies
Publication details: 
Between 22 December 1916 and 11 June 1930. Eight on London letterheads of: Indian Trade Commissioner, Department of Commerce and Industry, Government of India (5); and Imperial Agricultural Bureaux (3). Two from Beckenham, Kent.
£90.00

See his entry in Who Was Who. The thirteen items in good condition, lightly aged, most with RSA date stamp and annotations. A total of 12pp, 8vo, in autograph; and 5pp, 4to, typed. The first ten signed ‘D T Chadwick’ and the last three ‘David Chadwick’. The earliest letter, to RSA Secretary Sir Henry Trueman Wood on 22 December 1916, deals with the publication of Chadwick’s remarks ‘at the discussion on Prof. Todds paper before the Indian Section of the Society of Arts’.

[?The Bachelor Duke?: William George Spencer Cavendish, 6th Duke of Devonshire.] Two Autograph Letters Signed to Sir Charles Eastlake, regarding his painting ?The Spartan Isadas?, one on payment, delivery and repair by Sir Thomas Lawrence.

Author: 
William George Spencer Cavendish (1790-1858), 6th Duke of Devonshire, ?the Bachelor Duke? [Sir Thomas Lawrence (1769-1830) and Sir Charles Eastlake (1793-1865), Presidents, Royal Academy of Arts]
Publication details: 
ONE: 7 October 1827; Chatsworth House [Chesterfield, Derbyshire]. TWO: 25 July 1852; Brighton.
£180.00

Two letters providing an insight into the relationship between artist and patron in nineteenth-century England. See the the Duke?s entry, and Eastlake?s, in the Oxford DNB, as well as James Lees-Milne?s biography ?The Bachelor Duke? (1991).

[Solomon J. Solomon, RA, English artist.] Signed Autograph Inscription for an autograph hunter.

Author: 
Solomon J. Solomon [Solomon Joseph Solomon] (1860-1927), English painter of Jewish extraction, Fellow of the Royal Society, President of the Royal Society of British Artists
Solomon
Publication details: 
14 October 1894; on letterhead of 60 Finchley Road, N.W. [London]
£45.00
Solomon

See his entry in the Oxford DNB. On 9.5 x 10 cm piece of paper, laid down on 11 cm square piece of card. In good condition, lightly browned and aged. The letterhead is printed in red. The inscription reads ?Faithfully yours / Solomon J Solomon?.

[Henry Jutsum, landscape painter.] Autograph Note Signed, directing ?Mr. Vaughan? [Thomas Vaughan, Clerk of the Royal Academy] to ?deliver to Mr Green? his ?picture not received for the Exhibition?.

Author: 
Henry Jutsum (1816-1869), landscape painter [Thomas Vaughan, Clerk of the Royal Academy, London]
Jutsum
Publication details: 
?174 Edgware Road / Maida Hill / 27 April 1832?. [London]
£80.00
Jutsum

An uncommon signature. See his entry in the Oxford DNB. On one side of 18 x 10 cm piece of paper. Discoloured and worn, with spike hole. Good firm signature, full of character. Reads: ?174 Edgware Road / Maida Hill / 27 April 1832 / Please deliver to Mr Green or [aide? drdee?order?] my picture not received for the Exhibition / Henry Jutsum / To / Mr. Vaughan / Royal Academy?. See Image.

[H. Brereton Baker, distinguished English chemist.] Autograph Letter Signed [to Sir Henry Trueman Wood, Secretary of the Royal Society of Arts, London], agreeing to give three Cantor lectures.

Author: 
H. Brereton Baker [Herbert Brereton Baker] (1862-1935), distinguished English inorganic chemist [Sir Henry Trueman Wood (1845-1929), Secretary, Royal Society of Arts, London]
Publication details: 
30 July 1913; on letterhead of Latchmoor House, Gerrard?s Cross, Bucks.
£56.00

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightl aged. Folded once for postage. The recipient is not named, but the letter has at its head the date stamp of the Royal Society of Arts, London, and is docketed by Wood. Signed ?H. Brereton Baker?. He agrees to give ?the three Cantor lectures as you suggest, provided they can begin after the 3rd. week in February?. He gives the subject as ?Catalysis in its scientific and industrial aspects?. A pencil note at the foot gives dates for the lectures as ?Mch 16, 23, 30?.

[Arts and Crafts architecture in the Potteries, 1908.] Blueprint of plans and elevations by the architect William Ford Slater for ‘3 HOUSES HIGH LANE BURSLEM / FOR MR: HARRY H. ROSE / 1/8th Scale’, for construction by John Henry Broadhurst and Son.

Author: 
[Arts and Crafts achitecture in the Potteries.] William Ford Slater (1866-1951), architect and surveyor; J. H. Broadhurst and Son [John Henry Broadhurst], builder of Burslem, Staffordshire.
Burslem
Publication details: 
J. H. Broadhurst & Son, Burlem, Staffordshire. 27 [June?] 1908. ‘John Henry Broadhurst / [June?] 27/08 / p pro J H Broadhurst & Son’.
£280.00
Burslem

In 1907 the ‘Builder’ describes ‘Mr. W. F. Slater, Overhouse-chambers, Burslem’ as a ‘Surveyor’, and in 1909 the ‘Electrical Review’ refers to him as an ‘architect’ at the same address. Five years later ‘Building News’ reports that Slater is ‘architect to the education committee’. In 1921 (‘The Surveyor’) he is the ‘surveyor, Urban Council Offices, Wolstanton, Staffs’, and in 1926 (‘Public Works Weekly Surveyor’) he is ‘architect to the corporation’.

[Walter Rosenhain, distinguished metallurgist of German-Jewish extraction, grew up in Australia, lived in England.] Six Typed Letters Signed, Two Autograph Letters Signed, and one Typed Note Signed to G. K. Menzies, Secretary, Royal Society of Arts.

Author: 
Walter Rosenhain (1875-1934), distinguished metallurgist born in Germany of Jewish extraction, who grew up in Australia and moved to England in 1897 [Royal Society of Arts]
Publication details: 
1915, 1924 (3), 1925 (3) and 1926 (2). The nine items on letterheads of the metallurgy department of the National Physical Laboratory, Teddington, Middlesex.
£250.00

See his entries in the Oxford DNB and Australian Dictionary of Biography. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. The nine items are in good condition, lightly aged, and are folded for postage. Each bears the stamp of the RSA, some with manuscript docketting. Letters of 4 April and 18 September 1925 are in autograph, the rest typed; all nine are signed ‘Walter Rosesnhain’.

[W. E. S. Turner, chemist and pioneer of scientific glass technology.] Eight Typed Letters Signed and one Autograph Letter Signed to George Menzies, Secretary, Royal Academy of Arts.

Author: 
W. E. S. Turner [William Ernest Stephen Turner] (1881-1963), chemist and pioneer of scientific glass technology, founder of the Turner Museum of Glass, Sheffield University [Royal Society of Arts]
Publication details: 
1919, 1920, 1922 (2), 1923 (4) and 1924. Seven on letterheads of the Department of Glass Technology, The University, Darnall Road, Sheffield; the first two (1919 and 1920) on letterheads of the Society of Glass Technology, The University, Sheffield.
£220.00

See his entry in the Oxford DNB. The fibre-glass dress in which his second wife Helen married him is exhibited in his museum at the University of Sheffield, and was included in the 2010 BBC radio series A History of the Word in 100 Objects. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. The nine items are in good condition, on lightly aged paper, and are folded for postage. All nine are signed 'W. E. S. Turner'. Each bears the stamp of the RSA, some with manuscript docketting.

[Natural Indigo.] Lengthy correspondence of ten letters from Sir Lewis J. E Hay, ‘Retired Behar Indigo planter’ to G. K. Menzies, Secretary, Royal Society of Arts.

Author: 
Sir Lewis J. E. Hay [Sir Lewis John Erroll Hay] (1866-1923) of Park, indigo planter in Behar, India [G. K. Menzies, Secretary, Royal Society of Arts]
Publication details: 
One letter from 1914, the other nine from 1915. Each on his letterhead, 42 Frederick Street, Victoria Chambers, Edinburgh.
£320.00

In one of the present letters Hay signs himself as ‘Retired Behar Indigo planter’, and the material provides an knowledgeable commentry on the colonial textiles industry at the beginning of the First World War. Some of the material was printed in the Journal of the Royal Society of Arts. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. A total of 21pp, 4to. Each bears the stamp of the RSA, some with manuscript docketting.

[Lieut-Col. Sir Richard Temple, colonial administrator, oriental scholar and anthropologist.] Autograph Note Signed to G. K. Menzies, Secretary, Royal Society of Arts, regarding copies of his lecture ‘Round About the Andamans and Nicobars’.

Author: 
Lieut-Col. Sir Richard Temple [Sir Richard Carnac Temple] (1850-1931), British army officer, colonial administrator, oriental scholar, anthropologist [G. K. Menzies, Secretary, Royal Society of Arts]
Publication details: 
19 October 1923. From the India Office, Whitehall. On his letterhead.
£56.00

See his entry in the Oxford DNB. (In his Who’s Who entry he stated that he was ‘author of a great number of papers and articles in the Journals of Scientific Societies’.) 1p, landscape 12mo. In good condition, lightly aged. Folded once. With stamp and manuscript docketting of the RSA. He writes: ‘In 1900 (I think) I gave a lecture on Round About the Andamans & Nicobars published in vol XLVIII. If you have a separate copy left I shall be glad if you can send me one on payment / from Yrs trly / R. C. Temple’.

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