ARTS

See his entry, with those of his brother and of Manby, in the Oxford DNB. 2pp, 16mo. On the first leaf of a bifolium. In good condition, lightly aged, with strip of tape from mount adhering to the blank second leaf. Good signature with attractive flourish: ?Chas Landseer?. Begins: ?My dear Manby / I don?t know what Knight means by saying C. L is rich, but I do know that if I had a ticket for the private view left, I would have given it to Mrs. Manby with the greatest pleasure.? He is sure there is ?something wrong in the political economy of the R.

See his entry in the Oxford DNB. The two items in good condition, lightly discoloured, and each folded twice. Both addressed to ‘Doyne . C . Bell’. ONE (17 December 1886): 2pp, 12mo. On first leaf of bifolium. Signed ‘J. Callcott Horsley. He explains the reason for not writing sooner: ‘I waited to see how our wants were likely to be as to small pictures’. The picture that Bell describes ‘must be a very interesting one’, and Horsley would ‘much like to see it’.

See his entry, and that of Lawrence, in the Oxford DNB. 2pp, 8vo. In fair condition, lightly aged and worn, with slight nicking and damage at edges. Folded for postage. Signed ‘D. Y. C/’. Begins: ‘My dear Lawrence. / You are often in my thoughts & many a wondering I have as to you & what your life & work is in these grim and sinister days for each & all.’ He asks if his work is printed and his ‘two studios untouched’. ‘Here I am & my sister Katherine and I have much to do & many things to help & try to keep going when so many are away.

See his entry in the Oxford DNB. All four items are signed ‘Edward J. Poynter’. The first is somewhat discoloured, with cut corners (not affecting text), the others are in good condition, lightly aged. ONE: ALS to ‘My dear Robin’, 11 July 1874. 1p, 12mo. He has received ‘the four £10 notes’ and reports ‘the most tremendous thunderstorms’. TWO: ACS to ‘Mr. Gilkes’, 30 July 1890. He apologises for being unable to ‘attend the distributions of the School prizes’ that day. THREE: ALS to ‘Waterlow’, 5 November 1905. 1p, 12mo. ‘Your letter gives me the key to the memorial.

An interesting letter, in which Webb sets out his approach to bookplate design. According to his entry in the Oxford DNB, ‘By 1899 Webb was in poor health and losing money. His meagre savings were insufficient to build a cottage, so he accepted Caxtons, a four-bedroom sixteenth-century yeoman's house at Worth, near Crawley, Sussex, offered at a selflessly low rental by his friend William Scawen Blunt.’ For the context of the present letter, see the letter from Webb to Sydney Cockerell, 1 September 1902, in volume 3 of John Apin’s edition of Webb’s letters.

LETTER ONE (to Wolfestan): 4pp, 12mo. Bifolium. Damage to text (including signature 'E. A. Storey') along inner edge of last page by clumsy removal from mount, repaired with archival tape. Otherwise in good condition, lightly aged. Folded. Wolfestan's letter is 'capital' and he hopes he will send it 'as it exactly backs up my own statement'.

See Smirke’s entry, and those of Cooke and Heath, in the Oxford DNB. His most celebrated design is the Reading Room of the British Museum. 2pp, 12mo. With monogram and mourning border. On first leaf of a bifolium. In good condition, lightly aged. Folded for postage. Begins: ‘My dear Sir, / Vernon Heath, of Piccadilly, has made me a photograph of our new front, which is I think fairly satisfactory.’ He has told Heath to deliver a copy ‘addressed to you at the R. Academy’. As it is ‘rather large’, he did not like to send it ‘by post or Parcel’, as it ‘might get crushed on its way to you.

See his entry in the Oxford DNB: ‘In 1848 he was articled to the staunchly Quaker P. B. Alley, then in partnership with Richard Lane, the leading neo-classical architect of Manchester. In 1853 his education was completed with a ten-month tour of France, Italy, and Germany, after which he set up in practice as an architect in Manchester.’ (Waterhouse’s first success would come with his winning design for the Manchester assize courts in 1859.) 1p, 12mo. On the first leaf of a grey-paper bifolium. In good condition. Folded for postage. Addressed to ‘Thomas Haigh Esq:’ and signed ‘A Waterhouse’.

See his entry, and that of his fellow Academician Horsley, in the Oxford DNB. 1p, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Folded twice for postage. Signed ‘A Waterhouse’. Reads: ‘Dear Horsley. / You are quite right. No “mystery” between us if you please. / I say “yes” to your query to the extent of 2 guineas. / I hope you will soon gain the sum you desire without any great trouble to yourself’.

See his entry, and those of his father and Cooke, in the Oxford DNB. 2pp, 16mo. In fair condition, lightly aged, with dab or red wax to one corner, and part of another corner torn away, presumably in breaking open the seal. Folded diagonally for postage. Addressed to 'My dear Mr Cooke' (the recipient's identity is beyond doubt) and signed 'Richd Westmacott'.

See his entry, and Hawkins’s, in the Oxford DNB. The subject of the letter, William Beetham, was an early emigrant to New Zealand, where he was one of the colony’s first European artists. 1p, 12mo. With mourning border. In fair condition, aged and worn, with a tiny piece of loss to one corner. Traces of paper mount adhering to blank reverse. Folded twice for postage. Addressed to ‘Edwd. Hawkins Esqr.’ and signed ‘F Chantrey’. Begins: ‘My Dear Sir / The bearer Wm.

See his entry, and that of his father, in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with neatly-trimmed remnants of a windowpane mount adhering to the edges of the leaf. Folded twice for postage. Addressed to ‘My dear Madam’ and signed ‘R. W:’, followed by odd flourish.

See his entry in the Oxford DNB. 1p., 12mo. In good condition, lightly aged. Folded once for postage. Reads: ?Dear Yonge / Will you bring your rod & try the river this morning / Yours always / Thomas Fairbairn / Saturday?.

See his entry in the Oxford DNB. 1p, 4to. Fourteen lines. The recipient is not named. Written in a large loose hand, rendering the following reading tentative. In fair condition, lighty aged and worn, with minor traces of grey paper mount on reverse. Reads: ‘Dear Sir.

An excellent document, providing an invaluable view of the practicalities of commissioning and executing public monuments in the Georgian period. See Chantrey's entry in the Oxford DNB, and Cunningham's, which states: 'In 1814 he was engaged by Chantrey as superintendent of his establishment, and gave up writing for newspapers. He lived afterwards at 27 Lower Belgrave Place, Pimlico. He acted as Chantrey's secretary, conducted his correspondence, represented him during his absence, and occasionally offered artistic assistance. He became a favourite of Chantrey's sitters and visitors.

An interesting letter, attacking the serving Tory Prime Minister Robert Banks Jenkinson, 2nd Earl of Liverpool (1770-1828), who had stood against the Duke of Sussex (noted for his liberal sympathies) in the election for President of the Royal Society of Arts. 3pp, 12mo. Bifolium. In good condition, lightly aged and worn. Folded three times. The recipient is not named, but is identified in an endorsement on the reverse of the second leaf as 'Earl St Vincent'. Written in a hurried, untidy hand.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once for postage. Clearly responding to a request for an autograph. Boldly written, with the merest smudging to the surname: 'with compliments / of Stanhope A. Forbes / 5th March 1935'.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once for postage. The male recipient is not named, and the letter is signed ‘Stanhope A. Forbes’, with slight smudging to the ‘o’ of ‘Forbes’. As he is obliged to him for his letter ‘& the kind things you are good enough to say about my work’, he is happy ‘to accede to your request to append my signature’.

See his entry in the Oxford DNB. A protege of Prince Albert, Bell worked for the Privy Purse from the time of the Great Exhibition, and served as Permanent Secretary to the Keeper of the Privy Purse from 1876 to his death. Signed ‘John Gilbert’ and addressed to ‘Doyne C. Bell Esquire / &c &c.’ 1p, 12mo. In good condition, lightly aged. Folded once for postage. Reads: ‘Dear Sir, / I remember the small picture painted in 1851. H M The Queen holding a drawing Room at St James’s Palace. / I did not intend to paint a larger picture and never did’. See Image.

from the end of a letter. A good example of Crane's stylized and distinctive signature. Reads: 'Believe me, / Very truly yours, / Walter Crane'. The top part of a cropped 'P S' is present at bottom left. See Image.

See the entries for Dicksee and Lady Orchardson’s husband Sir William Quiller Orchardson (1832-1910), RA, in the Oxford DNB. Lady Orchardson (1853-1917) was the daughter of the London publisher Charles Moxon. The Orchardsons married in 1873. Among their four children was the painter Charles Moxon Quiller Orchardson (1873-1917), who studied in the Royal Academy Schools and was killed in action during World War One. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once for postage. Signed ‘Frank Dicksee’.

See his entry in the Oxford DNB. The letter is 1p, 16mo. In good condition, lightly aged, with slight discoloration to margin at head and light rust spot. Reads: ‘Dear Mr. Haynes King, / It was extremely kind of you to write & congratulate me on my election as R.A. & I appreciate the attention very much.

See his entry in the Oxford DNB. From the Piffard papers. Marshall’s handwriting is hurried and in places difficult to decipher. 2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to ‘Dear Mr. Piffard’ and signed ‘John Marshall’. Piffard’s gift of ‘the Box of flowers, with [?]’ leads him to opine: ‘The Daffodils are lovely. - Why is Nature so beautiful? Can it be merely to please the Eye of Man?

See his entry in Who Was Who. The thirteen items in good condition, lightly aged, most with RSA date stamp and annotations. A total of 12pp, 8vo, in autograph; and 5pp, 4to, typed. The first ten signed ‘D T Chadwick’ and the last three ‘David Chadwick’. The earliest letter, to RSA Secretary Sir Henry Trueman Wood on 22 December 1916, deals with the publication of Chadwick’s remarks ‘at the discussion on Prof. Todds paper before the Indian Section of the Society of Arts’.

Two letters providing an insight into the relationship between artist and patron in nineteenth-century England. See the the Duke?s entry, and Eastlake?s, in the Oxford DNB, as well as James Lees-Milne?s biography ?The Bachelor Duke? (1991).

See his entry in the Oxford DNB. On 9.5 x 10 cm piece of paper, laid down on 11 cm square piece of card. In good condition, lightly browned and aged. The letterhead is printed in red. The inscription reads ?Faithfully yours / Solomon J Solomon?.

An uncommon signature. See his entry in the Oxford DNB. On one side of 18 x 10 cm piece of paper. Discoloured and worn, with spike hole. Good firm signature, full of character. Reads: ?174 Edgware Road / Maida Hill / 27 April 1832 / Please deliver to Mr Green or [aide? drdee?order?] my picture not received for the Exhibition / Henry Jutsum / To / Mr. Vaughan / Royal Academy?. See Image.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightl aged. Folded once for postage. The recipient is not named, but the letter has at its head the date stamp of the Royal Society of Arts, London, and is docketed by Wood. Signed ?H. Brereton Baker?. He agrees to give ?the three Cantor lectures as you suggest, provided they can begin after the 3rd. week in February?. He gives the subject as ?Catalysis in its scientific and industrial aspects?. A pencil note at the foot gives dates for the lectures as ?Mch 16, 23, 30?.

In 1907 the ‘Builder’ describes ‘Mr. W. F. Slater, Overhouse-chambers, Burslem’ as a ‘Surveyor’, and in 1909 the ‘Electrical Review’ refers to him as an ‘architect’ at the same address. Five years later ‘Building News’ reports that Slater is ‘architect to the education committee’. In 1921 (‘The Surveyor’) he is the ‘surveyor, Urban Council Offices, Wolstanton, Staffs’, and in 1926 (‘Public Works Weekly Surveyor’) he is ‘architect to the corporation’.

See his entries in the Oxford DNB and Australian Dictionary of Biography. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. The nine items are in good condition, lightly aged, and are folded for postage. Each bears the stamp of the RSA, some with manuscript docketting. Letters of 4 April and 18 September 1925 are in autograph, the rest typed; all nine are signed ‘Walter Rosesnhain’.