EX

An interesting letter, in which Webb sets out his approach to bookplate design. According to his entry in the Oxford DNB, ‘By 1899 Webb was in poor health and losing money. His meagre savings were insufficient to build a cottage, so he accepted Caxtons, a four-bedroom sixteenth-century yeoman's house at Worth, near Crawley, Sussex, offered at a selflessly low rental by his friend William Scawen Blunt.’ For the context of the present letter, see the letter from Webb to Sydney Cockerell, 1 September 1902, in volume 3 of John Apin’s edition of Webb’s letters.

See Wheatley's entry in the Oxford DNB. In good condition, lightly aged. The aquatint bookplate, in black and white, is 10.5 x 14.5 cm (plate dimensions 9 x 12.5 cm). It was designed by Wheatley himself, and is everything you would hope from a writer in his field. A naked Wheatley, with slicked-back 1920s hairstyle, sits at the feet of a cloven-footed devil (Wheatley’s mentor G. Eric Gordon-Tombe, and the man he is alleged to have murdered) under the Tree of Life in the Garden of Eden.

Accomplished and attractive bookplates, in an impressive range of styles from modernist to traditional (several with mystical or masonic overtones), produced using various printing processes. The bookplates range in size from 6.5 x 7 cm (Herrmann’s own) to 11.5 x 17.5 cm. Each is dated with Herrmann’s tiny monogram design, adapted to suit its style of composition. The eighteen items are in very good condition, each laid down on a 16 x 25 cm piece of textured grey card.

One page, on paper roughly four and a half inches by seven wide. Very good on lightly aged paper. She is enclosing her husband's signature. '[H]e desires me to thank you for your clever and truthful verses of An appeal to the Protestants of England [Plymouth, 1873]; which he has seen before; and which we both most highly approve of.' The Cruikshanks are glad to hear that the Wrights have 'arrived Home safely'. George Cruikshank has written G.C. | born | Sep 27th 79. See Image

156pp., 12mo. In fine binding of black morocco, tooled in gilt on the boards and spine, one of the five compartments of which contains the word 'CYPHERS', with the date '1854' at the foot of the spine. With all edges gilt and dentelles, and a metal cast of the monogram 'EP' placed at centre of the front board. Hand-drawn and coloured Paget family bookplate on front pastedown. In fair condition, aged and worn, in worn binding.

The text of the printed volume is neatly and skilfully copied over 61pp., 4to., and ruled in red. Interspersed with a number of pages carrying only the red ruling. Internally good and tight, in worn brown morocco binding with front hinge nearly detached, with heavily-worn spine with no label and singeing at head and foot. Gilt dentelles, both internal and external, and the following stamped within decorative border at centre of both covers: 'SERIES CHRONOLOGICA | IMPERATORUM | ROMANORUM | 1655'.

176pp., 4to. With four photogravure plates and numerous excellent facsimiles in text. A splendid production in red cloth gilt, with tissue guards to the plates and all edges gilt. In good very good condition, lightly aged and worn.

The engraved armorial bookplate is on a 9.5 x 7.5 cm. piece of paper. In good condition, lightly aged. Loosely attached to the flyleaf, which carries the calligraphic signature 'Hans Sloane | 1755.' (Sloane would have been sixteen at the time, and the writing is suitably juvenile.) The flyleaf is in fair condition, lightly aged and worn, and laid down on a piece of wove paper. Sloane (a kinsman of the great collector Sir Hans Sloane) is the subject of an excellent entry by Sir Lewis Namier in the History of Parliament.

6 x 9 cm. Printed in black ink. Laid down on part of a leaf, carrying on the reverse a part of an inscription in French from 'votre affectionée Eugénie'. Lightly-aged, and discoloured from the glue used in mounting. Within a decorative border characteristic of the period depicts a distant prospect of the college, with two boats rowing on the river, and a middle-class couple (she with bustle, he with top hat) with dog on bank in foreground.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

Three examples of the same bookplate: on green, blue and cream paper. All three in very good condition, lightly-aged. Paper dimensions: 4.5 x 5.5 cm. Illustration dimensions: 3 x 4 cm. The image, reproducing an eighteenth-century engraving, depicts two children seated at a table and studying, with a globe on the floor between them. Beneath the image: 'KINDERBUCH-SAMMLUNG | VON WALTER SCHATZKI'. Accompanied by slip of paper with manuscript note regarding reproduction 'in Photo-Litho', after 'permission received O.K. from Walter's'.

12 x 8.5 cm. Bifolium. Printed in red and black on thick watermarked deckle-edged laid paper. In good condition, on lightly-aged paper. Engraving in black ink on recto of first leaf, incorporating the words 'Rowfant Club' and '255 Erie St', showing a back-view of a man in a chair seated at a table, spreading open a large volume containing ''BOOK-PLATES'. Text on recto of second volume, printed in black and red, with the printed words 'Compliments of' followed by the autograph signature of 'F. H. Baer'.

Printed in black ink on 8 x 12 cm piece of thick watermarked laid paper. In very good condition. Sims acquired the Gill archive from the artist's widow, and it seems likely that he had the illustration made from one of the artist's blocks. The illustration shows a bearded man in loincloth, trailing a sword along the ground as he runs from a tree. Printed beneath the illustration: 'With the compliments of | George Sims'. Above the illustration is typed 'for Tony & Jean', and below the printed text 'just before it was remaindered'.

The card is 6 x 8 cm, with the engraved image of the Basilica 5 x 7 cm, within a ruled border, with 'Sr. John Goodricke' in copperplate in a cartouche at the foot. In fair condition, aged and lightly ruckled and spotted. In a contemporary hand, on the reverse: 'No 9, Somerset Street. | Portman Square'. An attractive and unusual item. Goodricke's connection with St Peter's is unclear, but a common feature shared with Bramham Park is the presence of an obelisk. Goodricke's son was the noted 'deaf astronomer' John Goodricke (1764-1786).

Dimensions of etching 13 x 9 cm. Dimensions of plate 14.5 x 10.5 cm. Dimensions of page 32 x 25.5 cm. The image itself in excellent condition, the borders aged, with wear and closed tears to extremities.

Note that Varenne's Christian name is spelled with one 't' on the bookplate, and generally with two 't's by later sources. In good condition, on lightly-aged paper, tipped in onto a grey paper mount. Engraved on a 12 x 8 cm piece of wove paper, with no margin.

In good condition, on lightly-aged paper, tipped in onto a grey paper mount. Engraved on 13 x 8 cm piece of wove paper, with no margin. The firm's shop was at the sign of Horace's head in the Strand, and the engraving depicts a lapidary carving off the head and shoulders of the poet, with laurel leaf above, in an oval frame, around which are 'carved' decorations (including lyre and grapes).

1p., 12mo. In fair condition, laid down on backing and a little creased. He thanks him for a letter about 'the study you are doing of Royal bookplates, and of course I remember the icon you had had [sic] of my great aunt Ella and was so pleased to have the postcard of it you kindly sent me'. He is also pleased to learn that Lee has been able to identify the print which his father sent Lee of his bookplate as the work of George Taylor Friend, 'which I am sure he would have been very pleased to know'. Lee's research 'must produced quite a few headaches, but with very interesting results'.

The bookplate is 3.5 x 2.5 cm, and shows a troubadour with a lute, with the initials 'M S' at the foot. It is affixed to a piece of 14 x 9 cm card. Bookplate in good condition, on aged card with one creased corner. The card carries the message in pencil by Shaw: 'Mrs. & Mr. Dryhurst.

Letter: 1p., 12mo. On letterhead of 12 Sunderland Terrace, London, printed in orange with orange border. Good, on lightly-aged paper. He states that his daughter Nelly (1904-1975) has given him her bookplate block 'to get printed for you'. He quotes prices for 100 and 300 prints, 'only to old friends so please dont tell anyone else!! If you will just let me have a P.C I will get them done in two days.' Nelly has also told him that Mrs Dryhurst's husband Alfred Robert Dryhurst (1859-1949) 'wanted to know my price for a bookplate (but perhaps she got that wrong) anyhow I generally charge £10.

Steel-engraving, on a piece of thick laid paper, 12.5 x 17.5 cm. Fair, on lightly-aged and foxed paper. Never mounted, and so with no glue staining or other marking to blank reverse. Depicts Camelford's armorial crest, flanked by two birds, with motto 'PER . ARDUA . LIBERI .' At foot, in copperplate, 'Camelford.', with 'C. Catton R.A. del. F. Chesham Sculp.'

Both items 12mo, 1 p. Both in good condition. The secretarial letter (docketed in purple 'Repondre le 1r mars 1914'): The 'cliché Durocher', which appeared 'dans le No d'Avril 1913, page 62, et qui doit passer aussi dans le Dictionnaire [des ex-libris français] Wiggishof [...] a été designé par M. du Roure de Paulin'. Protat's letter: 'Le cliché Durocher était bien à l'imprimerie nous l'avons retrouvé. Il n'était pas à la place qu'indiquait le registre.' He apologises for having 'inutilement derangé' Martin