CRAFTS

Bifolium (21.5 x 14.5 cm): 4 pp. Good, on lightly-aged good-quality laid paper. Lightly folded. First page headed with a 5 cm square illustration of the front of Essex House. Begins: 'The Guild of Handicraft announce the forthcoming issue of the sixth book from the Essex House Press: | The Poems of Shakespeare and lyrics from his plays, in the orthography of the earliest editions. Edited by F. S. Ellis, with a frontispiece by Reginald Savage, and a new alphabet of bloomers designed by C. R. Ashbee.' Physical description and price follow.

An interesting letter, in which Webb sets out his approach to bookplate design. According to his entry in the Oxford DNB, ‘By 1899 Webb was in poor health and losing money. His meagre savings were insufficient to build a cottage, so he accepted Caxtons, a four-bedroom sixteenth-century yeoman's house at Worth, near Crawley, Sussex, offered at a selflessly low rental by his friend William Scawen Blunt.’ For the context of the present letter, see the letter from Webb to Sydney Cockerell, 1 September 1902, in volume 3 of John Apin’s edition of Webb’s letters.

from the end of a letter. A good example of Crane's stylized and distinctive signature. Reads: 'Believe me, / Very truly yours, / Walter Crane'. The top part of a cropped 'P S' is present at bottom left. See Image.

In 1907 the ‘Builder’ describes ‘Mr. W. F. Slater, Overhouse-chambers, Burslem’ as a ‘Surveyor’, and in 1909 the ‘Electrical Review’ refers to him as an ‘architect’ at the same address. Five years later ‘Building News’ reports that Slater is ‘architect to the education committee’. In 1921 (‘The Surveyor’) he is the ‘surveyor, Urban Council Offices, Wolstanton, Staffs’, and in 1926 (‘Public Works Weekly Surveyor’) he is ‘architect to the corporation’.

One page, 8vo, fold marks, very good condition. Text: I enclose two letters from Maitland, the Malta Area Manager of Shell, whose sway extends over the Shelkl Company in Tripoli, one addressed to yoy and the other to the Tripoli Manager. | I have probably done you wrong in saying that this is the first time you are visiting an Arab country, but anyway your presumed naivete will, I hope, only make them the more helpful. | I hope it all works out, and that you find Libya as rewarding as I did.

Letter: 4pp., 12mo. Bifolium. In good condition, lightly aged and worn. After discussing his relocation to Paris, she asks whether he has heard 'the news about our School and how we have just moved?

34pp., 12mo. Drophead title, with subtitle: 'A Paper read before the Society of Arts, January 29th, 1873. Thos. Webster, Q.C., F.R.S., in the chair. For details of the discussion, &c., see Journal of the Society, No. 1054, Vol. xxi.' Disbound and without covers. In good condition, on lightly-aged paper. Inscription at head of first page reads: 'With kind regards to Mr Cooper, | from | John Yeats'. The only copy on COPAC at Oxford University, and now excessively scarce.

Totalling 10pp., 12mo. In good condition, on lightly aged paper. ONE: 14 September 1899. 4pp., 12mo. He was pleased to receive Hodson's letter from Southwold, and reports on the 'Abraham sale', and 'talk of a tram line being made to Mochras' ('all fudge & nonsense').

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

Letter: 2pp., 12mo. Bifolium. Closely-written with 40 lines of text. In very good condition, lightly-aged, and attached to the book by a thin strip of gummed paper. Mathews writes that it gave him great pleasure to receive Hodson's letter 'a month or two ago', and that he has only delayed replying because it has 'taken some time to get into touch with Rd. Aldington'. He gives a quotation of 24 lines from a letter he has received from Aldington after passing on Hodson's 'kind appreciation'.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. For further information about Williamson and his publications, see his entry in 'Who Was Who'; see also Marillier's entry in the Oxford Dictionary of National Biography.

1p., 12mo. Good, on aged paper. At the head of the page is the elegant signature of 'T. J. Cobden-Sanderson | 27 November 1907', followed by 'Anne Cobden-Sanderson' and 'Stella Cobden-Sanderson'. The fourth signature, dated March 1908, is illegible. It is followed by 'J Paul Clairmont | Clarence A. Mc.Williams | Ralph Waldo Lobenstine'. Lobenstine (1874-1931) was a Yale-educated physician.

The three items are in good condition, on lightly-aged paper. The letter is 6pp., 4to, with emendations and deletions, and marked by Hodson 'Copy' at the head of the first page. In envelope annotated by Hodson: 'Copy of a letter to Lt. Col. P. Lyttleton Gell, J.P. | The Catholic Revival. In order to make his point of view clear, he begins by stating: 'I may say that I was born in London & my mother took me to such churches as S. Alban's Holborn, S. Michael's Shoreditch, All Saints, Margaret St.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Solon has been informed by their common friend 'Mr Bailey' that the recipient has 'been kind enough to gather the parcel of circulars issued at various time [sic] by your firm, and which reaches me this morning.' He is sending 'a small pamphlet of mine [...] as an inadequate acknowledgement of the trouble I have caused you'. He continues: 'Mr Bailey must have told you that all printed matter having reference to ceramics has a special interest to me.

An interesting collection of typographical ephemera. ONE: Landscape 8vo wood engraving, captioned 'This illustration, entitled "Psyche in Charon's Boat," was engraved on wood by William Morris from a design by Edward Burne-Jones and forms one of a series in illustration of the story of Cupid and Psyche in "The Earthly Paradise." It is proposed to issue one or two of these designs, which have never been published, though one of them formed the frontispiece to the "Note on the Kelmscott Press" by Mr. S. C. Cockerell.' In good condition, on lightly-aged paper.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

4pp., 12mo. Printed in brown on cream laid paper. Fair, on lightly-aged paper. 58 lines in 13 stanzas. Headpiece attributed to Crane in pencil at head of first page, and clearly his (central figure of Diana, with reapers on either side). The first stanza reads: 'I'll rede ye a lay of a goodly band | That gathered from near and far | To a broad fair Strath of Bonnie Scotland | 'Mid the woods and waters rare.' Second stanza: 'O!

Both items good, on aged paper. Written in Image's distinctive calligraphic hand. Letter One (12 August 1908): 1 p, 12mo. The 'Galatheas' arrived the previous evening 'quite safe'. 'Fancy your being at The Warren as well as at Deal! The Warren [Folkestone] is famous for being stocked with good things. You are indeed in the very heart of the richest entomological country in England.' Letter Two (17 August 1908): 2 pp, 12mo. He is delighted with 'these beautiful ochroleuca, which arrived this afternoon quite safely'.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.

On a piece of grey paper, 5 x 9.5 cm, cut away from a letter. Good. Thin strip of white mount adhering to right-hand edge. The signature is in the form of a monogram, with Prideaux's initials S and T combined to make a stylized shape with long diagonal stroke, which cuts through the final 'P.' The letter's valediction reads '<...> all my divans. | Yrs. | [signature]'. Lengthwise to the right of the signature, the slip is docketed 'Miss Sarah Prideaux | celebrated as a Lady Bookbinder whose Work has taken prizes at all the great exhibitions'.

12mo, 2 pp. In bifolium. On yellow paper. Fair, on lightly-aged paper, with slight traces on the second leaf from the mounting of the letter. An amusing and characteristic piece of Roycroft ephemera. The letterhead describes 'The Roycrofters' as 'Makers of de luxe books, hand-made furniture and ornamental iron work. Printers and publishers of the Philistine and Little Journeys'.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. In fair condition: a little grubby, with a couple of light folds and slight wear to extremities. Hand-coloured illustrations on first (7.5 cm square) and second (7 x 10 cm) pages; full-page black and white illustration ('Derby Day') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7.5 x 10 cm) and second (9.5 x 7.5 cm) pages; full-page black and white illustration ('The Metropolitan Regatta Dublin') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7 x 10 cm) and second (8 x 7.5 cm) pages; black and white illustration ('Drowned Sailor', 12 x 10 cm) alone on third page. Final page blank. The first poem is not ascribed, but is known to be by Hyde.

Each item is on a sheet of laid paper, 39 x 29 cm, and each with the Roycroft watermark. Both items are grubby, with wear and creasing to extremities, but with the design and much of the margin entirely undamaged. Both have an identical block of printed text (roughly 13.5 x 9 cm) at the centre: 'THE truth is that in human service there is no low or high degree: the woman who scrubs is as WORTHY of RESPECT as the man who Preaches | ELBERT HUBBARD'.

12mo, 2 pp. Good, on lightly aged paper with two punch holes to the the outer edge of the first page. He apologises for troubling Rogers: 'I have not heard from yet.' Asks if Rogers would mind 'writing to ask him why he wont pay up.' Hopes Rogers is 'quite well by this time. | My panel is in the frame and finished. I want you to come and have a look at it one Sunday morn.'

4to, 2 pp. Text clear and entire on lightly aged and creased paper. Explaining how disappointed he and his wife Maude were 'not to be able to get up to see the Windsor week end'. Salisbury was 'kept at home by people who wanted to see the Victoria Frescoes before they go to India'. He has been 'working on them night & day' as he received 'a cable message requesting four to be up in their positions for the Duke of Connaught's visit in January to the Memorial.

Art historian, designer and founder of department store (1872-1959). Both items very good though somewhat dusty. One docketed and both bearing the Society's stamp. ITEM ONE (one page, quarto, 7 October 1918). He encloses (not present) a letter he has received from a woman named Evelyn James. 'I do not know what facilities you have for getting publicity but Miss James has done a good deal of this kind of thing and done it very well. She is a thoroughly capable young woman.' Her help may be sought regarding the meeting on 28 October.