Louis

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

See his entry and Blewitt’s in the Oxford DNB. 2pp, 12mo. On bifolium. In good condition, on lightly aged laid paper, with thin strip of tape from mount on reverse of second leaf. Thirty-seven lines of text. Addressed to ‘Octavian Blewitt Esq.’ and signed ‘G. L. M. Strauss’. He begins by describing his situation: ‘I venture to solicit your kind friendly advice.

See his entry in the Oxford DNB. Dosse was the proprietor of Hansom Books, publishers of ‘Books and Bookmen’ and six other arts magazines. 1 p, 8vo. In good condition, folded for postage. Addressed to ‘Mr. Dossé’ (Dosse did not spell his name with an accent) and signed ‘Louis Blom-Cooper’ (the hyphen, if hyphen it is, consisting of a tiny dot). He is flattered by the request that he ‘contribute occasionally to Books & Bookmen’, and ‘in principle’ he is ‘very willing to review appropriate books’, having written ‘one or two reviews way back in the 1950s’.

Something of an historic document. In February and March of 1814 Vincence had led the French delegation at the Congress of Châtillon peace conference, at which his counterpart was Lord Aberdeen, with the British Home Secretary Lord Castlereagh arriving partway through. On behalf of Napoleon, Vincence had led, with little success the subsequent negotiations with Russia, Prussia and Austria which resulted in Napoleon’s abdication and exile to Elba, by the signing of the Treaty of Fontainbleau, a month before the present letter, on 11 April 1814, which was ratified by Vincence.

See his entry in the Oxford DNB. 1p, 12mo. With mourning border. In fair condition, aged and worn, with remains of white 'star' wafer mounts adhering to the four corners. Beneath the underlined heading 'Note for Secretary' reads: 'The relative positions of Iris & Phoebe do not appear to agree in papers marked (2) and (4) in my letter. Please let me know which is right. / LB.' Presumably Iris and Phoebe were ships.

The two items are on variations of the revolutionary letterhead of the Prefect of the Drôme Department, with oval medallion illustration of a seated liberty with a phrygian cap on a stick, forearm leaning on the fasces and the words ‘Libérté’ and ‘Égalité’. The printed decree is in good condition, lightly aged, with slight foxing and discoloration. The secretarial letter is in fair condition, with darker patches of discoloration.

See Bullock's entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 8vo. In fair condition, lightly creased. Folded twice for postage.

Peisse had already published his translation of ‘Fragments de Philosophie de M. William Hamilton’ (Paris, 1840), and had followed this with one from Dugald Stewart (1842-5). 2pp, 12mo. Forty-one lines of closely-written text. In fair condition, lightly aged and worn, with chipping and closed tears to edges. Folded once. Signed ‘L. Peisse / Louis Peisse, conservateur de l’ecole impériale des Beaux-arts. 2. Rue Boursault.’ The British recipient (one of Hamilton’s executors?) is not named (in a postscript Peisse apologises for being unable to decipher his details, or those of his co-editors).

From the autograph album of the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), later the wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Queen Victoria lent Claremont House to the Count of Paris’s father Louis-Phillipe, after his abdication and flight from France. On one side of an 11 x 7.5 cm piece of grey paper. In good condition, lightly aged. Written in a neat hand, it reads: ‘With the compliments of the Count de Paris and his thanks for the books send [sic] by Mr. Meredith. / Claremont 31/5/63’.

See his entry in the Oxford DNB. 3pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Signed 'Sidney Colvin'. The recipient is not named, but is addressed as ‘Dear Madam’. The letter begins: ‘I am afraid I made a mistake yesterday, in addressing you as E. M. Sharpe Esqr. - but it was the address of the Natural History Museum which misled me.’ In order to make sure this time, he is addressing the present letter ‘to the care of Mr.

See his entry in the Oxford DNB. 2pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Addressed to ‘Dear Mr Fagan’ and signed ‘Sidney Colvin’. He begins by informing him that of the ‘various volumes and packets of prints’ he has been good enough to send, ‘the best is that containing portraits engraved by Ficquet, Savard, & [Marchay de Glury?]. But even of these, we have almost all in the collections here already: so that it will not be worth while to break up the albums by extracting any for the museum’.

Not only an unusually intimate letter for a member of royalty to write, but also an interesting communication from a poet to her mentor.

See image. A nice item, linking two important figures in French history. 1p, foolscap 8vo, on the recto of the first leaf of a bifolium of unwatermarked gilt-edged wove paper. Aged and lightly creased, with short closed tears and wear at the head. The ten lines of neatly written text are neatly and clearly signed ‘Louis’, and there is a wavy and almost vertical line from the king’s signature to that of ‘Chateaubriand’ at bottom right of the page.

It is perhaps appropriate that we should have been left such a collection by an author who made a name for herself with pioneering works on the social history of English literature.

See his entry in the Oxford DNB, with those of Brougham and Goldwin Smith. 3pp, 12mo. Bifolium. In good condition, with thin strip from windowpane mount adhering to the blank reverse of the second leaf. Signed ‘O Gordon’ and addressed to ‘Dear Mr Da [Qeue?]’. An interesting letter, full of content. He begins by thanking him for ‘Ld Broughams letter which I have disposed of as directed’.

Rieu was the son of Charles Pierre Henri Rieu (1820-1902) of Geneva, Keeper of Oriental Manuscripts at the British Museum, and elder brother of Emile Victor Rieu (1887-1972), both of whom have DNB entries. In 1947 he had privately printed (as’J. L. R.’) a ‘Chronicle of the Rieu Family now settled in England’. 2pp, 12mo. In fair condition, lightly aged and creased. Folded twice. Signed ‘J. L Rieu / Commissioner in Sind’. An nice sidelight on the workings of the Raj. He has been asked for a letter by ‘Mr. Mansing Ramsing’, on behalf of his son ‘Mr. Bhojraj M.

See Nicolas Barker’s obituary of Bondy in the Independent, 27 June 1993. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. An evocative piece of booktrade and London local government ephemera. 2pp, 8vo. Printed on a leaf of shiny art paper. Worn and creased; folded twice. On one side ‘L. W.

See his entry in the Oxford DNB. On rectangular slip of paper, roughly 11 x 3 cm, cut from the end of a letter. In fair condition, lightly aged, slightly spotted and laid down along one edge on thicker piece of paper. In an elegant calligraphic hand he writes: ‘Believe me / Yours truly / Geo du Maurier / Apr. 26, 83’. The ‘eo’ of the ‘Geo’ of the signature is presented as a stylish squiggle, looking a little like a ‘W’. See image.

3pp, 16mo. Bifolium. 25 lines of text. In good condition, on thin paper, with minor staining from label to mount. Signed ‘Louis Blanc’. The salutation is ‘Cher Monsieur’. The recipient, who is not named, is presumably a bookseller. He is returning two of the books, keeping only the ‘Cabinet Lawyer’, whose price he asks. He wants to acquire a copy of the latest edition of ‘la Biographie des contemporains de M. Vapereau’: ‘naturellement plus complète, et où beaucoup d’erreurs se trouvent, je suppose, corrigées’.

It seems extraordinary that they were able to pull this off during wartime restrictions, and Dickens would have relished the shabby-genteelness of it. The menu is shakily printed in a faded blue on a 10 x 16.5 cm piece of cream card, with rounded edges. At foot: ‘Holborn Restaurant 7th February 1942’. The menu is headed: ‘THE DICKENS FELLOWSHIP / 130th Anniversary of the / Birthday of Charles Dickens / Chairman: WALTER DEXTER, Vice-President / Speakers: HUMPHREY HOUSE, JAMES AGATE’.

See his entry in the Oxford DNB. 1p, landscape 8vo. In good condition, folded once. Headed ‘Private & Confidential’. Reads: ‘Dear Bob, / I had a word with the V. C [presumably the Vice Chancellor of Cambridge University] this morning and am writing a letter to Sartain, which he should receive before the meeting of the G. B. on Wednesday. I hope something is done. / Yours ever / Oliver.’

The recipient is Lady Ann Cullum (1807-1875), widow of Sir Thomas Gery Cullum (1777-1855) of Hardwick House, Bury St Edmunds. 1p, 12mo. On grey paper. In good condition, lightly aged. Folded twice. The salutation of the letter ('My dear Lady Cullum') is in English, the rest in French. Written at a turbulent period in Guizot's life, following the Revolution in 1848, with the overthrow of the monarchy and its ministry of which he himself was head.

An interesting letter, casting light on bibliographic and book trade practices in Consulate Paris. 2pp, 12mo. Forty-two lines of closely-written text on the first leaf of a bifolium, the recto of the second leaf being addressed 'Au Citoyen Firmin Didot | Rue du Regard | A Paris'. In good condition, lightly aged, with white paper stub of mount adhering to second leaf.

1p, 8vo. On bifolium endorsed in two hands on reverse of second leaf, one reading: 'Papier d'antoine Joignar anglois recu Le 29e. Fever. 1676'. In good condition, lightly aged and worn, with stub from mount adhering. Beneath Hamilton's signature at the foot of the document is a fair impression of his seal in red wax. The document reads: 'Nous le Sieur d'Hamilton Capn.

The context is explained in Hamilton's entry in the Oxford DNB: 'Anthony Hamilton joined his brother George in France in 1667, and was given a captain's commission in the French army. In 1671 he and his younger brother Richard joined a regiment of foot which George raised in Ireland for the service of Louis XIV. They served in the Franco-Dutch War of 1672–8.' On 12 x 19 cm piece of vellum. In good condition, with spike hole and bottom corners snipped. Entire document in French.

Enters exhibited her artistic work - including many sketches of her own costume designs - widely in the United States and Europe, and her work is held by several museums, including the Metropolitan Museum of Art in New York. The present item is an attractive impressionistic sketch, in grey and black pencil, with watercolour wash in pink, light red and grey, showing a dancer with arms outstretched and heavy costume with full sleeves and train. Captioned by Enters at bottom left: 'Fleur du Mal (Proust Sequence)'. Signed at bottom left: 'Angna Enters '56'. On 23 x 15.5 cm laid paper.

On one side of a 12 x 13 cm piece of paper with the corners cut away to make a irregular octagon shape. In fair condition, lightly aged. Laid down on part of leaf from album. Reads: 'Madame | Voici un billet pour la Séance Royale de demain. Je suis charmé d'avoir pu me le procurer puisque vous le desiriez. | Agréez, je vous prie, Madame, l'hommage de mon respect | Guizot | Dime. Juin 16.' At bottom left, in a contemporary hand: '184'.

Two years after arriving in England from Australia in 1913, Franklin White entered the Slade School. His studies were interrupted by the First World War, during which he worked as a draughtsman at the Admiralty. In 1919 he re-entered the Slade, and was soon invited by Tonks to join the teaching staff. On his retirement in 1957, he devoted his full energies to the Samuel Palmer School of Art, which he had run from his home in Shoreham since 1924, when he first held summer classes in landscape painting for his Slade students.

A rare and unusual item, distributed as news of the execution broke, no other copy of which has been traced, either on OCLC WorldCat or on COPAC. Printed on one side of a 59 x 48.5 cm piece of watermarked laid paper. In four columns of small print, surrounded by a thick-thin ruled border. Engraving (13.5 x 14.5 cm) of the moment of execution by guillotine at head of the central two columns. Aged and worn, with small drops of ink spattering, but with the text entirely legible and the engraving practically unmarked. Folded four times.